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Tom of Finland bio reveals dangers of creating erotic art

Secret work depicted masculine lumberjacks, soldiers

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Tom of Finland, gay news, Washington Blade
(Image courtesy of Cernunnos)

‘Tom of Finland: The Official Life and Work of a Gay Hero’
By F. Valentine Hooven III
c.2020, Cernunnos
$50.00/295 pages

Sometimes, you can’t worry about other people’s thoughts.

You can listen to them but you don’t have to hear them because there are days when making yourself happy supersedes any outside opinion, when you need to pay closer attention to you. As in the new biography “Tom of Finland” by F. Valentine Hooven III, sometimes what makes you joyful today can become a calling.

Born in the mid-spring of 1920 in Kaarina, Finland, young Touko Laaksonen was raised in a community of lumberjacks and farmers. He was fascinated by those “well-muscled laborers” but he didn’t quite know why until he was an adolescent.

By the time Touko understood that he was homosexual, he’d become talented at sketching the men he saw although, purely for his own enjoyment and sexual relief, he depicted those men naked and for that, he had to hide his work. He hid who he was, too: as a young man, he had a girlfriend, worked in a male-dominated world of advertising, and even served in the Finnish army during World War II, where he sketched his uniformed “buddies” as gifts for their wives and girlfriends.

Uniforms. Touko couldn’t resist a man wearing one, and they were featured in what he called “my dirty drawings.” Those drawings included uniformed Nazi officers, artwork that got Touko “into trouble,” but had he gotten caught in his habit of having illegal, exceedingly risky anonymous sex with random men during the war, it could have been far worse.

Post-war, art was enough for Touko the sexual being. Though he had a lover (a word he claimed to dislike), art was again his release, more than any other physical act. This desire for erotica grew his portfolio throughout the 1950s, and he carefully shared it with “anyone he thought would appreciate it” – including a publisher of a new kind of international magazine, who immediately accepted it for publication.

A year later, that magazine’s cover featured “a new, exciting, never-before-published artist” who now called himself Tom of Finland.

Let’s acknowledge this up front: “Tom of Finland” is absolutely filled with reproductions of Tom’s artwork from the 1940s through 1991, when he died. Nearly every bit of it’s explicit in nature, drawn in typical over-the-top, over-endowed Tom of Finland style.

That artwork is why readers should turn their eyes away, and toward the narrative.

Author F. Valentine Hooven III explains quite often in this biography – which was finished just before Tom’s death but never before published – how dangerous the mere creation of his art was for Tom of Finland: literally, many times, the drawings could have gotten him jailed or killed. This changes the meaning of the artwork, and it gives modern readers a sense of the amount of secret-keeping a gay man had to abide, pre-Stonewall.

Though Hooven’s voice can be annoyingly sunny at times, the courageous turn this story takes is irresistibly appealing, so find it. Savor it once, first, for the artwork; then, for a story that’ll fascinate you. Indeed, “Tom of Finland” will make you happy.

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Books

Something’s off about Dad. When is it time to step in?

‘When Memory Fades’ can help when families face dementia

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(Book cover image courtesy of St. Martin's Essentials)

‘When Memory Fades’
By Nathaniel Chin, MD
c.2026, St. Martin’s Essentials
$30/422 pages

Mom called you in a panic the other day.

She’d lost her keys and by the time you arrived to help, she’d found them. In the refrigerator.

These kinds of things keep happening, not often but often enough, and you don’t know quite what to worry about. But in the new book “When Memory Fades” by Nathaniel Chin, MD, you’ll learn about the journey ahead, for both of you.

You can’t remember why you walked into a room. You got lost last week, going to the bank. Popular wisdom says that things like that are normal as we age, but Chin says that’s not true – although the answer may not be a worst-case scenario, either. Yes, memory problems could just be signs of stress, dehydration, or lack of sleep – or is it time to see a doctor?

Chin says maybe, yes.

He was working his way through medical residency when his father, a geriatrician in Madison, Wisc., was diagnosed with Alzheimer’s. Chin, now a geriatrician, was blindsided, but that diagnosis also changed his life.

Here, he writes about the brain, and how Alzheimer’s and dementia are diagnosed, explaining that dementia has many faces and, depending on a doctor’s evaluation, memory problems might be slowed or improved. He shares his father’s illness with readers, but he also writes about his mother, a steadfast, steady caretaker.

Her story reminds reader-guardians to care for themselves, too.

Know how to talk the talk, so that you can have “a more productive” conversation with your doctor. Understand that there’s nothing “normal” about dementia or Alzheimer’s. Know the statistics – African Americans are affected with dementia twice as much as whites – and know how to lower your risks. Learn here what questions to ask, how to break the news to everyone, and any legal matters that will be important soon. And know how to tend to you.

Says Chin, “The best action you can take is to educate yourself… The more you understand, the better equipped you are to make sound judgments.”

Something’s off about Dad, just a lot of little things that don’t add up. When is it time to step in? “When Memory Fades” can help you decide.

Wise, wide-spread, comprehensive, and compassionately helpful, this is a book you can read and then take it to the doctor with your loved one. It’s a book that makes sense when nothing else does, and its biggest feature is that it smoothly transitions from easy-to-grasp science and charts, to gentle coaching for caregivers. Author Nathaniel Chin, MD writes with storytelling, humility, grace, and experience from both sides of the Alzheimer’s/dementia issue, and his words are reassuring but also urgent. Learn, but don’t wait, he says. Know how to safeguard yourself. See your doctor, and don’t fear testing. Watch for signs of depression. And never, ever stop asking for help.

Read those last seven words, and find “When Memory Fades” now. It’s a book to have on your shelf, whether you’re 45 or 95 because, as you’ll see, dementia happens and knowledge is key.

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New book chronicles gay man’s life in hippie commune

Vietnam War-era tale a serious, sexy, joyous memoir

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(Book cover image courtesy of University of Wisconsin Press)

‘Qtopia: A Memoir of Love, Land and Liberation’
2026, University of Wisconsin Press
By Juda Bennett

Duffel packed, the new high school graduate could not fall asleep. “On the night before my departure, I stared at the duffel bag as if it were a body bag. We lived close to Dover, where the dead from Vietnam were shipped.” 

It is 1971, and Charles was leaving home to join a hippie commune in rural Virginia. “I kept imagining bodies fitting into the bag and popping out in the middle of the night,” Juda Bennett writes in his memoir, “Qtopia: A Memoir of Love, Land and Liberation.” During Bennett’s high school years from 1968-1971 some 35,000 U.S. soldiers were killed in the Vietnam War, the vast majority processed at Dover Air Force Base.  

Young Bennett was clueless about what lay ahead but he had a commune’s brochure in his pocket, certain his destiny was not in the military. “My father was a walking recruitment center, and my mother could have worked for the USO. Uncle Sam and the Andrews Sisters had nothing on them.” Inspired to find his way out of suburban Wilmington, Del., he boarded a Greyhound bus to Lexington, Va., and communes yet unknown. “Qtopia” is a serious, sexy and joyous memoir about a young man who knows he’s different in search of chosen family and, over coming decades, his own queer Utopia.

“We are leaving; you don’t need us,” was the popular refrain in the day from the Crosby, Stills & Nash song “Wooden Ships.” Communards like young Charles (going by the moniker C.B. with a full beard covering his handsome, androgynous features) were living it. How far this is from urban queer stories of the ‘70s. For this reason alone, it is marvelous reading about hot naked hippies farming together in the country, living and loving in secluded teepees when everything seemed possible. Novels like “Drop City” by T.C. Boyle (2003) and “Arcadia” (2012) by Lauren Groff set in hippie communes had no gay characters, only free-love for straights. When C.B.’s parents arrive to visit his back-to-the-land commune North Mountain bearing gifts like the orange powder Tang and Frosted Flakes, he “maintained” as the saying went.  “It was a great time for visitors to see how hard we had worked—fields of sorghum swaying in the breeze, acres of vegetables in neat rows with beans, tomatoes and peppers hanging down….I was still thin as a matchstick, but I was a strong and muscular matchstick,” he tells the story of his development. By contrast, he had considered suicide before leaving home; this memoir fills in the pain, too.

There are times when C.B.’s voice as a teen communard with a secret is so authentic and rich, it is like reading fictional stories of American innocents on journeys of their own like J.D. Salinger’s character Holden Caulfield or Demon Copperhead from rural Virginia by Barbara Kingsolver. He tells us there was this guy Mark at North Mountain who had been pressuring him to sleep on the mattress next to his. C.B. was known as the only gay at North Mountain. One of the hippie women warned him Mark is “a square, the biggest downer.” Stepping out of the memoir, C.B. directly addresses the reader about the Mark issue, “I don’t want to write about Mark anymore because he’s not important to my story, and I didn’t even like him.” Got it. Hitchhiking with C.B. is like that, too.

“I got my best ride of the whole hike from a truck driver named TJ….If an eighteen wheeler…is willing to stop for you, it is because the driver wants something from you…I will forever remember this trucker as the most beautiful man I could have had sex with if I weren’t so innocent.”

North Mountain required the hippies work one week a month in Richmond to earn cash for the commune. For C.B., this translated into seven communards living in one small apartment on this cultish mission. It was in a Richmond park where he meets a stranger who would sexually abuse him over a month until C.B. ends it. Furious, the man threatens to shut down the commune if he does not obey. In a state of panic, C.B. attempts suicide by overdosing on every pill he can get his hands on. The memoir takes the reader through the author’s horror by deepening the shadows. What was the specific nature of the abuse?  How did this stranger have credible power to threaten the commune? Entitled “What It’s Like to Die,” the chapter is a skillfully told, expressionistic turning point from an innocent’s hell to salvation at the intentional queer Lavender Hill commune in Central New York. C.B. desperately needed to “find my people.” 

He’s a resilient young man after living in three communes by the time he hit San Francisco. His two gay neighbors on Ashbury Street—Crow and Moonsnake—pressure him to get a new “hippie name.” Walking home from Golden Gate Park he zeroes in on a passing streetcar, “North Judah.” Goodbye “Charles,” Judah will be his new hippie name. Crow and Moonsnake, approve: “If that’s what the Universe called out to you.” If you remember the Sixties…

 “Too often,” Bennett writes, “we think of dropouts as withdrawing from life, but in truth, I think they are in a heightened state of seeking their rightful path and purpose. Nothing stays the same.” Juda Bennett remains a believer to this day, “Always putting my faith in my journey to Utopia”.

(Charles Francis is president of the Mattachine Society of Washington, D.C., and author of “Archive Activism:  Memoir of a ‘Uniquely Nasty’ Journey.”)

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Liza’s book a tale that’s better than most celebrity memoirs

‘Kids, Wait Till You Hear This!’ dishes on marriages, heartbreak

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(Book cover image courtesy of Grand Central)

‘Kids, Wait Till You Hear This! My Memoir’
By Liza Minnelli, as told to Michael Feinstein
c.2026, Grand Central
$36/ 421 pages

Twenty feet In front of you, and you can’t see a thing.

Even the closest faces are in shadow – lit, but not quite enough for you to see for sure what the people there are thinking. Still, you can hear them, their gasps, their laughter, and applause. Such is life, on-stage. Now read “Kids, Wait Till You Hear This! My Memoir” by Liza Minnelli, as told to Michael Feinstein, and read about it beyond the spotlight.

Almost from the moment she was born, Liza Minnelli was famous.

It was inevitable: her mother was Judy Garland. Her father was director Vincente Minnelli. Her godparents were Hollywood glitterati, her neighbors were famous, her playmates would be famous someday, too.

But her life wasn’t all starlight and happiness.

She made her stage debut as a toddler. She became her “mother’s caretaker” at age 13.

At 16, she had a growing career of her own – one that her mother tried to stop. But, she says, “In her own way, Mama was wonderful to me. Try understanding – she was my mother, not a movie star…. I knew her as the person who loved me and always would.”

At 19, Minnelli was working, happy, and madly in love with the man who’d become her first husband, and life was wonderful – until she came home one day to find him in their bed with another man. Before they were divorced, she lost her beloved mother, and became “engaged” to two other men simultaneously, neither of which made it to the altar with her.

She married her second husband, the son of one of her mother’s former co-stars, in 1974 but her love affairs and addictions led to a second divorce.

Her third husband was a stage manager.

She doesn’t have much good to say about her fourth, and last, husband.

Overall, she says, “You gotta play the comedy for all it’s worth and leave ‘em laughing. Even when your heart is breaking.”

Are you expecting bluntness, sass, or attitude here? Good, because that’s what you get inside “Kids, Wait Till You Hear This!” It’s strong on honesty and don’t-give-a-flip. It’s wonderfully edited, so it moves fast. It’s eye-opening and funny and a pleasant surprise for a first, and only (so far), memoir.

Even better, author Liza Minnelli (with best friend, Michael Feinstein) is really quite candid and nicely gossipy, starting from the beginning. There are some Hollywood folks, in fact, who are feeling edgy because of what’s inside this book and the secrets spilled. Minnelli and Feinstein seemed to have fun telling her story, and they comfortably lure readers in.

That’s not to say that it’s all a cabaret. Minnelli tells about her addictions and recoveries, her marriages and why she wed two gay men, and the losses she endured, including miscarriages, deaths, and broken relationships. The bad balances well with the good for a tale that’s several notches above most celebrity memoirs. “Kids, Wait Till You Hear This!” is, in fact, a real joy to read, a genuine bright spot.

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