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Rehoboth Beach welcomes Christopher Peterson back

Drag legend to perform weekly beginning July 4

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Christopher Peterson, drag, gay news, Washington Blade
Drag legend Christopher Peterson. (Photo courtesy Peterson)

Christopher Peterson will celebrate 25 years of performing his brilliant show EYECONS when he brings it back to Rehoboth Beach this summer. He will be at Clear Space Theatre every Saturday at 10 p.m. and Sunday at 9 p.m. from July 4 to Sept. 5.

I have seen the show a number of times over the years from when he performed at the Renegade showroom (youngsters may not remember the Renegade out on the highway) to now at the Clear Space Theatre, so I am biased in saying it is always worth the price of a ticket. In fact it is worth a lot more because Christopher is an amazing talent. In addition to his own show he can be seen in “Priscilla, Queen of the Desert” at Clear Space.

I recently had the opportunity to chat with Christopher. He has lived in Key West, Fla., for years and performs there during the winter and when he isn’t booked around the country. Christopher told me he was born Moncton, New Brunswick but grew up in Halifax (actually Dartmouth across the harbor) Nova Scotia, Canada 58 years ago.

We talked about gay life today and I asked him when he came out and he responded: “in the womb.” He told me he always knew who he was even before he knew you could call it gay. He told me he was lucky and grew up in a family that always accepted him for who he was. I asked him if he was excited about coming back to Rehoboth and he told me he sometimes thought of this as his final ‘widow tour’ as it is his first time back at the beach since he lost the love of his life, James Mill, in September of 2019. They were together for 35 years and James was not only his partner in life but in business. Many in Rehoboth knew James and will miss seeing him at Christopher’s side. He was a beautiful man.

Christopher has been called North America’s greatest female impersonator and though I haven’t seen all of them, I have seen enough to thoroughly concur with that. He not only impersonate the characters, he seems to become them. He never lip-syncs but sings their songs and talks in their voice. Christopher once said his only vocal training was in high school and in church choirs but you would never know that when listening to him sing. Christopher also designs all of his own costumes and they are incredible. It’s amazing how quickly he can change from Marilyn Monroe and become Cher with just a new gown and new wig that he has stashed in the closet at the side of the stage. The transformation is mesmerizing.

Over the years he has impersonated so many iconic women, including Marilyn Monroe, Carol Channing, Madonna, Joan Rivers, Reba McEntire, Bette Midler, Tina Turner, Julie Andrews, Barbra Streisand, Liza Minnelli, Judy Garland, Eartha Kitt, Cher, Bette Davis, and Lucille Ball. He will add a new character once in a while if he feels comfortable having tried them out — one being Lady Gaga.

I asked him if he has a favorite character and he said, “That’s like asking me if I have a favorite child. These are all my children and they each represent something special to me.” He said, “as an example Streisand is the voice and Garland is the heart.” I remember he was once quoted as saying Judy Garland is his favorite to do and since he told me she represents the heart it didn’t surprise me as Christopher has a big heart. He often saves her for the end of the show and when you see her you leave wanting more.

I asked Christopher about the weirdest thing that ever happened during his show. He told me the story about an evening during the show, when he talks with an audience member, he leaned over the stage and began to chat with a table on the right of the stage and asked an older gentleman, Christopher called him Mary, how he liked the show. After saying he loved it the next thing Christopher saw was Mary keeling over. Turns out he had a heart attack. Christopher said he told the audience there would be a pause in the show and asked if there was a doctor in the house. One came forward and attended to the man and called 911. The gentleman seemed to recover and after they took him out on a stretcher the show went on. Christopher said this has happened more than once at his shows. Maybe it’s the excitement.

I asked him if any of the women he impersonates have been to see the show and was surprised when he said no. I would think any of those still alive would be honored to see how Christopher does them and shows them off so well.

This will be an exciting summer in Rehoboth and Christopher is prepared for visitors to come to the show and still follow any restrictions in effect for the pandemic. The theater has said it will continue to abide by all COVID restrictions in order to ensure the safety of both the actors and the audience. Clear Space Theatre has been doing this all winter and doing it safely.

I urge anyone who has never seen Christopher Peterson to get your tickets early as anyone who has seen him will be buying tickets to his shows and you don’t want to miss this chance to have a great fun evening in the theater.

Christopher Peterson as Lucille Ball. (Photo courtesy Peterson)

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Arts & Entertainment

Amy Schneider’s Jeopardy! winning streak ends at 40 games

Transgender contestant is the highest-earning woman in competition’s history

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(Photo Courtesy Casey Durkin/ Jeopardy Productions, Inc.)

Amy Schneider‘s record-setting Jeopardy! winning streak came to an end on Wednesday’s show after getting tripped up on the Final Jeopardy! clue.

Schneider is the first transgender contestant to qualify for the Tournament of Champions, and she’s the highest-earning woman in the competition’s history, with a total of $1,382,800 from 40 wins.

Schneider was leading by $10,000 as the contestants headed into the all-important “Final Jeopardy!” category, she failed to answer the clue. It was, “The only nation in the world whose name in English ends in an H, it’s also one of the 10 most populous.” Contestant Rhone Talsma managed to overtake Schneider when she answered, “What is Bangladesh?” the correct response. Schneider ended up with $19,600 versus Talsma’s $29,600.

“I think that the best part for me has been being on TV as my true self, expressing myself and representing the entire community of trans people,” Schneider told Good Morning America this week. “And just kind of showing a different thing than maybe some people have seen, of just being a smart, confident woman and just doing something super normal, like being on Jeopardy!.”

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A Revolution for Women in Baseball

Last week, they announced that Rachel Balkovec will become the first woman to manage a team in minor league baseball.

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Rachel Balkovec was hired as a hitting coach in the Yankees’ system in 2019. She will now manage the Class A Tampa Tarpons.Credit. Photo Courtesy of Rachel Balkovec/Instagram.

The Yankees were late on introducing an African-American player to their roster, adding Hall of Famer Elston Howard to the team in 1955, eight years after Jackie Robinson starred for the Brooklyn Dodgers.  The Yankees seem determined not to repeat that bad history.  Last week, they announced that Rachel Balkovec will become the first woman to manage a team in minor league baseball when she takes the helm of the Tampa Tarpons this spring. 

It has been just over ten years since Justin Siegal threw batting practice to the Cleveland Guardians and five since she was the first woman to coach a MLB squad with the Oakland Athletics.  Two years ago, Kim Ng became the first female General Manager of any of the four major professional sports when the Marlins hired her to run their team.  In the two years since then, the dam has burst.  Women have been hired to important on-field positions with professional baseball at an impressive clip.  As baseball has lagged behind other professional sports in bringing women into the game, the current pace of hires indicates that baseball’s embrace of analytics and objective measures have finally penetrated the walls of one of the most enduring old boys clubs in the U.S. and given talented women opportunities they have long been denied.

Ten women will be coaching with major or minor league teams in 2022.  In 2021, Bianca Smith became the first African-American woman to coach in the minors when the Red Sox hired her. Alyssa Nakken became the first woman in uniform during a Major League Baseball game when she coached first base for the Giants in a July 2020 exhibition against the Oakland A’s.  Her jersey now belongs to the National Baseball Hall of Fame.  Cuban-American Veronica Alvarez is not only the coach of the U.S. Women’s National Baseball team, she also served as a spring training coach for the Oakland A’s.

The proliferation of women in baseball is not an accident.  More girls than ever are playing baseball.  Here, in the DC area, 160 girls participated with D.C. Girls Baseball in 2021.  Baseball for All, an organization that supports and promotes girls in baseball, held a tournament last summer that drew nearly 600 girls who play baseball.  There are more women than ever on collegiate baseball rosters.  Major League Baseball has also devoted significant resources to girls and women in baseball, running several development camps for girls in baseball.  Six of the women now coaching professional baseball participated in MLB’s Take the Field initiative, which is designed to help place women into baseball positions. To top it all off, the classic film about the All-American Girls Professional Baseball League, A League of Their Own, is getting a reboot on Amazon Prime this year.

The pace of hiring is exhilarating.  Unfortunately, every report of a woman being hired is followed by predictable hateful commentary on social media.  Many cannot imagine that a woman may be hired for a baseball position on merit and resort to making sexist and derogatory comments.  As women in baseball, the coaches are used to that vitriol and have developed thick skin and sophisticated defense mechanisms.  However, also reading are thousands of girls who are inspired by the achievements of these women and they are, sadly, learning that to achieve in baseball means enduring the sexist taunts, gross come-ons, and hurtful comments.

Baseball has a long way to go.  Other leagues have women officiating games, so it should be reasonable to expect that baseball will have women umpires in the near future.  The possibility of women playing professional baseball is tantalizingly close as 17 year old Genevieve Beacom made history last week as the first women to play Australian professional baseball, when she threw a scoreless inning against the Adelaide Giants.

We are watching a revolution in baseball unfold before our eyes. 

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Baltimore DJ on using music as a bridge to combat discrimination

Deezy brings high-energy show to the Admiral on Jan. 28

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DJ Deezy has hosted multiple events in D.C. and Baltimore. (Photo by Carlos Polk from We Dream Photography and Studios)

A Baltimore DJ will conclude a month of performances in Baltimore and Washington, D.C. clubs this Friday, Jan. 28, according to the artist’s management. DJ Deezy is set to perform at the Admiral in D.C. at 9 p.m. 

Since the year began, Deezy has hosted electric events at clubs such as Hawthorne DC, DuPont and the Baltimore Eagle Bar & Nightclub. 

The Washington Blade sat down with the DJ to discuss the course of her career. 

The beginning of DJ Deezy’s infatuation with music dates back to her childhood spent between her mother’s house in Baltimore City and her father’s house in the suburbs. 

In Baltimore, Deezy was exposed to the local rap and raw hip-hop scene that inspired her to embark on a rap career in high school. 

Concurrently, she was entrenched in Motown and classic rock by virtue of her singer, songwriter, and guitarist father Ron Daughton’s involvement in a classic rock band. He is a member of “The Dalton Gang” and was inducted into the Maryland Entertainment Hall of Fame in 2015.

“Before I embarked on my DJ journey, my father let me record ‘a little 16’ on his tape recorder,” said Deezy. “Eventually, he bought me a wireless microphone that I carried around with me to performances.”

Between her experience as a rapper and watching her father maneuver the classic rock music scene, Deezy acquired varying tastes in music that have influenced how she curates her sets today. 

She “specializes in open format vibes with spins from multiple genres including hip-hop, rap, circuit, and top 40s hits,” according to a summer 2021 press release from her management.

Deezy is also a proud member of the LGBTQ community — she identifies as a lesbian — and this also informs her approach to her work.

“I’m easily able to transition and rock the crowd because I can relate to many different backgrounds,” said Deezy. “I can DJ in places that are predominantly white, Black, or gay [and still do my job effortlessly].”

Centering community

Deezy values representation. Not only because she exists in a field dominated by men, but also because DJs who inhabit other identities aside from being men are less common in the industry. 

The scarcity of Black and lesbian DJs has prompted her to use her career as evidence that people who are different can attract audiences and succeed.

“I want to put us out there especially for Baltimore,” said Deezy. “I know that there’s Black lesbians out there doing the same thing as me, but why aren’t we getting [recognized]?”

In 2018, Deezy rented out a “Lez” lot at the Baltimore Pride block party where she set up a tent and played a set for the crowds tailgating around her. While entertaining them, she distributed her business cards — an act she believes yielded her the contact who eventually got her booked for a residency at the Baltimore Eagle.

While this was a step forward in her career, Deezy acknowledges that it wasn’t without challenges. She likened entering the Baltimore Eagle — traditionally a leather bar frequented predominantly by men —to navigating foreign territory. 

“When I first got there, I got funny looks,” she said. “There’s a lot of these guys who are like, ‘Why are you bringing a lesbian DJ to a gay bar?’”

But Deezy powered through her performance, lifted the crowd from its seats and “rocked the house [so that] no one will ever ask any questions again.” 

She admits that she’s an acquired taste but believes in her ability to play music infectious enough to draw anyone to the dance floor.  

“Feel how you want to feel about a Black lesbian DJ being in the gay bar,” said Deezy. “But music is a bridge that [will] connect us all, and you’ll forget about your original discrimination when you [experience] me.”

While Deezy has mostly performed in the DMV, she has also made appearances in Arizona where she hosted a family event and also in clubs in Atlanta and New York City. 

Her work has also attracted international attention and she was the cover star of  French publication Gmaro Magazine’s October 2021 issue

Looking to the future, Deezy’s goal is to be a tour DJ and play her sets around the world.

“I had a dream that Tamar Braxton approached me backstage at one of her concerts and asked me to be her tour DJ,” she said. “So, I’m manifesting this for myself.” 

In the meantime, Deezy will continue to liven up audiences in bars and clubs around the country while playing sets for musicians like Crystal Waters and RuPaul’s Drag Race celebrity drag queens like Alyssa Edwards, Plastique Tiara, La La Ri, Joey Jay and Eureka O’Hara — all of whom she has entertained alongside in the past. 

Outside the club, Deezy’s music can be heard in Shoe City where she created an eight-hour music mix split evenly between deep house and hip-hop and R&B. 

DJ Deezy (Photo by Carlos Polk from We Dream Photography and Studios)
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