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After 1,000 pages, you’ll hunger for more Highsmith

Acclaimed queer novelist revealed in new tome of diaries

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(Book cover courtesy of Liveright)

‘Patricia Highsmith: Her Diaries and Notebooks: 1941-1995′
Edited by Anna Von Planta
c.2020, Liveright
$39.95/1,024 pages

“The unfortunate truth is that art sometimes thrives on unhappiness,” queer novelist Patricia Highsmith, who lived from 1921 to 1995, wrote in her journals.

Fortunately, for aficionados of charming murderers, Hitchcock and queer folk on the cultural scene decades before Stonewall, this was true for Highsmith.

The creative process will always remain mysterious. Yet, in “Patricia Highsmith: Her Diaries and Notebooks: 1941-1995,” brilliantly edited by Anna Von Planta, we gain insight into how Highsmith made art while living a hard-working, hard-drinking, hard-loving life. Along with gossip and fascinating glimpses of Highsmith’s travels.

But fair warning: seeing how literary sausage is made isn’t always pretty.

Highsmith lived an often unhappy, misanthropic life. As she got older, she came to prefer snails to people and dedicated one of her books to her cat.

Yet, Highsmith created more art than most of us could even dream of.

Over half a century, Highsmith wrote numerous short stories and 22 novels. Some of her best-known works are embedded in the cultural landscape.

Her novel “Strangers on a Train” was made into an unforgettable movie with the same name by Alfred Hitchcock. If you can sleep soundly after watching the amusement park scene in “Strangers,” you’re a more intrepid movie fan than I.

Her 1952 novel “The Price of Salt” (later reissued as “Carol”) is one of the first novels to feature lesbian characters with a happy ending. (The characters don’t die or go to prison.) In 2015, “Carol” was made into a movie by Todd Haynes.

Her Ripley novels featuring the captivating murderer Tom Ripley have also been adapted into movies.

If you’re entranced by murder, you’re likely a Highsmith fan. And, you’re in good company. Gore Vidal called Highsmith “one of our great modernist writers.” Graham Greene dubbed her “the poet of apprehension.”

Sometimes an iconic writer’s work stops being relatable. Not so with Highsmith.

Her novels, in which murderers routinely disguise themselves and identities shift, are more timely than ever in this age of avatars and catfishing.

A film adaptation of HIghsmith’s novel “Deep Water,” starring Ben Affleck and Ana de Armas, is forthcoming in 2022.

Yet, despite her popularity, during her lifetime, Highsmith hid much of her private life.

Born in Texas, she went to Barnard College and lived in Greenwich Village in New York in the 1940s. After that, she lived in Europe.

Her last home in Switzerland, her friends said, was “practically windowless.” They likened it to “Hitler’s bunker.”

It’s not surprising that Anna Von Planta has said that it took 25 years to edit Highsmith’s diaries and notebooks.

At some 1,000 pages, the volume is a lot to read. Yet, after Highsmith died, 8,000 pages of diaries and notebooks were found.

Unless you’re an indefatigable, insatiable scholar or fan, you wouldn’t want to read Highsmith’s diaries and notebooks in one sitting. It would be like eating five holiday feasts without a break. No matter how delicious, the food would be too filling, and, boring, by the fifth go-around.

These journals and notebooks are meant to be dipped into and savored morsel by morsel.

In her diary entries, Highsmith recorded the events of her life – the gossip, the sex, the drinking, the break-ups – the parties.

“Why can’t I go to a resort, pick up a girl, have a whirl, and drop her?” Highsmith writes in her diary in June 1950.

Highsmith’s notebook entries contained her thoughts on writing and writers. “Why writers drink: they must change their identities a million times in their writing,” Highsmith writes in a August 1951 notebook entry. “This is tiring, but drinking does it automatically for them. One minute they are a king, the next a murderer, a jaded dilettante, a passionate and forsaken lover.”

In her journals, Highsmith is witty, observant, bitter, narcissistic and bigoted (as, when, as she aged, she became increasingly anti-Semitic). But, she is, always, alive.

“I am ravenously hungry for a woman” she writes in her diary in 1950.

Long after reading Highsmith’s last journal entry, where she writes “death’s more like life, unpredictable,” you’ll hunger for more Highsmith.

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Books

Fall books offer something for every taste

Hollinghurst’s latest plus a look at Queer Harlem Renaissance

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('Flamboyants' book cover image courtesy Farrar, Straus and Giroux)

Welcome to the fall book season, where you’ll find gifts for your friends, family and (most importantly?) the best reads for yourself. This is when you’ll find the blockbuster novels you’ve been waiting for, the surprise memoirs and nonfiction that you’ve wanted, and gorgeous gift books your coffee table. This fall, keep your eyes open for all kinds of literary goodness.

NOVELS

Lovers of a good novel will want to curl up with a huge TBR pile.

Romance novels will fill the shelves this fall, and if love is what you want for the holidays, you’re in luck. Look for “The Rules of Royalty” by Cale Dietrich (Wednesday Books, December), a modern tale of a prince and a “commoner”; or “Feast While You Can” by Mikealla Clements and Onjuli Datta (Grand Central Publishing), a scary-romance-erotica novel of small-town life and monsters.

Reach for “Our Evenings: A Novel” by Alan Hollinghurst (Random House, October), a novel of a young man who happily accepts a scholarship to a boarding school filled with classmates who are much, much wealthier than he is. “The Wildes: A Novel in Five Acts” by Louis Bayard (Algonquin Books, September) is a historical novel about Oscar Wilde’s family.

For lovers of Gothic tales, look for “The Resurrectionist” by A. Rae Dunlap (Kensington, December), a tale of bodysnatching. Classics lovers will want to read “Private Rites: A Novel” by Julia Armfield (Flatiron Books, December), a queer reimagining of King Lear.  Or find “Women’s Hotel” by Daniel M. Lavery (HarperVia, October), a book about a second-rate women-only hotel in New York City.

If your taste runs more to rom-coms, there are dozens of those available this fall, too, as well as Christmas novels with gay, lesbian, and trans characters inside.

NONFICTION

Even nonfiction readers will have reason to read this fall and winter.

Look for “Flamboyants: The Queer Harlem Renaissance I Wish I’d Known” by George M. Johnson and Charly Palmer (Farrar, Straus and Giroux, September), a book about 1920s Harlem and the influential queer folks who left their marks on entertainment.

“Something, Not Nothing” by Sarah Leavitt (Arsenal Pulp Press, September) chronicles, in comic form, the death of Leavitt’s partner and the paths grief takes to healing. Learn more about LGBTQ history with “The Book of Awesome Queer Heroes: How the LGBTQ+ Community Changed the World for the Better” by Eric Rosswood and Kathleen Archambeau (Mango, December); check out Mary L. Trump’s heartbreaking memoir, “Who Could Ever Love You?” (St. Martin’s Press, September); or check out a collection of essays in “Songs On Endless Repeat: Essays and Outtakes” by Anthony Veasna So (Ecco, December). Look for “Want: Sexual Fantasies by Anonymous,” an anthology of secret confessions from women around the country, by Gillian Anderson (Abrams Press, September), or find “Queer Disability through History: The Queer and Disabled Movements Through Their Personalities” by Daisy Holder (Pen and Sword History, November). Also: Cher has a new biography out this fall, “The Memoir, Part One” (Dey Street Books, November).

Not quite what you’re looking for? Check with your favorite bookseller or librarian for more ideas because, this fall, they’ll have lots of them. Or give a gift certificate and hold on for spring. Season’s readings!

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Books

Two books to read when your child comes out as trans

Explaining what science knows about genetics and sexuality

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‘Free to Be: Understanding Kids & Gender Identity’
By Jack Turban, MD
c.2024, Atria
$29.99/304 pages

‘My Child is Trans, Now What?’
By Ben V. Greene
c.2024, Rowman & Littlefield
$26.95/203 pages

Your child has recently told you a secret that they can’t hold tight anymore.

You’ve suspected what they’re about to say for a long time. When they were small, they weren’t like other children. They may have even told you what they were thinking, even before they knew it themselves. But now you know, for sure, and so, going forward, you’re the loving parent of a child who’s trans, and there’s a learning curve.

These two books might help.

Surely, you must think that there has to be some science behind gender and identity, right? In “Free to Be: Understanding Kids & Gender Identity” by Jack Turban, MD (Atria, $29.99), you’ll follow the lives and struggles of three trans and gender diverse kids, Kyle, Sam, and Meredith, as Turban explains what science knows about genetics and sexuality.

To gain a basic understanding of the subject, says Turban, we need to look back in history to see how gender identity was perceived in the past and the attitudes that our ancestors held. He then touches upon language and “misnaming,” how social constructs attempt to set a child’s gender identity before it’s fully known, and why mothers often catch “blame” for something that’s never anyone’s “fault.” Further information on biology, puberty blockers, gender reassignment surgery for young trans people, and the “politics” of gender diversity round out this book nicely.

For the parent who wants a deeper dive into what makes their child tick and what they can do to make that kid’s life easier, this compassionate book is the one to read.

If you’re just finding out that your child is trans, then “My Child is Trans, Now What?” by Ben V. Greene (Rowman & Littlefield, $26.95) is a book to reach for now.

Beginning with the things you’ll want to know and understand immediately, this book is assuring and soothing – look, and you’ll see the word “joy” in its subtitle. Greene calls trans kids “VIPs,” and he means it, which sets a relaxing tone for what’s to come here.

In sharing his own experiences, Greene stresses that every trans experience is different, and he touches often upon his coming out. This launches discussions on topics like bathrooms, therapy (if you or your VIP want it), finding support, the politics of being trans, the stressors of medical treatment, and what it might be like to have even brief regrets. Greene finishes his book with advice on getting an education and living as a trans person.

“My Child is Trans, Now What?” is truly more of a book for parents and loved ones of trans teens or young adults. What’s in here goes well beyond childhood, so be aware before you reach for it on the shelf. And if these books aren’t enough, or don’t quite fit what you need, be sure to ask your favorite bookseller or librarian for more. In recent years, more and more authors have been willing to share their own journeys, making the transition one that doesn’t have to be so secret anymore.

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Books

New book looks at life inside Nigerian seminary

Navigating a tough life amid abusive clergy

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(Book cover image courtesy of Doubleday)

‘Blessings’
By Chukwuebuka Ibeh
c.2024, Doubleday
$28/288 pages

Sometimes you just need to step back a minute.

You need time to regroup, to think things through, and a scenery change is the place to do it. Get past your current position, and situations can become clearer somehow. Thoughts can be reorganized. Problems pivot. As in the new novel “Blessings” by Chukwuebuka Ibeh, you’ll have a different perspective.

Obiefuna didn’t say much on the road to the seminary.

What was there to say? His father had caught him in a too-cozy situation with a young man who’d been taken in as an apprentice and for that, Obiefuna was being sent away. Away from his mother, his younger brother, Ekene, and from the young man that 15-year-old Obiefuna was in love with.

Life in seminary was bad – Obiefuna was always on alert for Seniors, who were said to be abusive because abuse was allowed, even encouraged – but things weren’t as bad as he thought they might be. He made friends and good grades but he missed his mother. Did she suspect he was gay? Obiefuna wanted to tell her, but he hid who he was.

Mostly, he kept to himself until he caught the eye of Senior Papilo, who was said to be the cruelest of the cruel. Amazingly, though, Senior Papilo became Obiefuna’s protector, letting Obiefuna stay in his bed, paying for Obi’s first experience with a woman, making sure Obiefuna had better food. Maybe Obiefuna loved Senior Papilo but Senior had other boys, which made Obi work twice as hard to be his favorite. Still, he hid.

And then Senior Papilo passed his final exams and moved on.

So, eventually, did Obiefuna. Sure, there were other boys – one who almost got him expelled, a chaplain who begged forgiveness, and there was even a girl once – but Obi grew up and fully embraced his truth: All he wanted was to be accepted for himself, to be loved.

As Nigeria moved toward making same-sex marriage illegal, though, neither one looked likely.

So here’s the puzzle: the story inside “Blessings” is interesting. Obiefuna is a great character who takes what happens with quiet compliance, as if he long ago relinquished hope that he could ever control his own life. Instead, he passively lets those who surround him take the reins and though reasons for this are not clearly stated and it’s uncomfortable, it’s easy to grasp and accept why. This goes, too, for the Seniors whose actions readers will tacitly understand.

What’s not easy to accept is that author Chukwuebuka Ibeh’s story often slows to a glacial pace, with great chunks of the book’s multi-year timeline crunched into basically only highlights. You’ll be left loving this story but hating its stride.

The best advice is to embrace this moving novel’s message and accept the slowness, love the excellent characters, but don’t be surprised if you find yourself checking to see how many pages you have left to crawl through. Yes, you’ll enjoy the soul-touching cast in “Blessings” but if speed in a plot supersedes good characters, then step back.

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