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Rodriquez scores historic win at otherwise irrelevant Golden Globes

Award represents a major milestone for trans visibility

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Michaela Jaé Rodriguez, on right, and Billy Porter in 'Pose.' (Photo courtesy of FX)

HOLLYWOOD – Despite its continuing status as something of a pariah organization in Hollywood, the Hollywood Foreign Press Association has managed to cling to relevance in the wake of last night’s behind-closed-doors presentation of its 79th Annual Golden Globe Awards by sole virtue of having bestowed the prize for “Best Leading Actress in a Television Series – Drama” on Michaela Jaé Rodriguez for her work in the final season of “Pose” – making her the first transgender performer to win a Golden Globe.

The ceremony took place as a private, no-press-or-audience event in which winners were revealed via a series of tweets from the Golden Globes Twitter account. No celebrities were present (not even the nominees or winners), although actress Jamie Lee Curtis participated by appearing in a video in which she pronounced her continuing loyalty to the HFPA – without mention of the  longstanding issues around diversity and ethical practices, revealed early in 2021 by a bombshell Los Angeles Times report, that have led to an nearly industry-wide boycott of the organization and its awards as well as the cancellation of the annual Golden Globes broadcast by NBC for the foreseeable future.

While the Golden Globes may have lost their luster for the time being, the award for Rodriquez represents a major milestone for trans visibility and inclusion in the traditionally transphobic entertainment industry, and for her part, the actress responded to news of her win with characteristic grace and good will.

Posting on her Instagram account, the 31-year old actress said: 

“OMG OMGGG!!!! @goldenglobes Wow! You talking about sickening birthday present! Thank you!

“This is the door that is going to Open the door for many more young talented individuals. They will see that it is more than possible. They will see that a young Black Latina girl from Newark New Jersey who had a dream, to change the minds others would WITH LOVE. LOVE WINS.

“To my young LGBTQAI babies WE ARE HERE the door is now open now reach the stars!!!!!”

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As You Are Bar and the importance of queer gathering spaces

New bar/restaurant poised to open in 2022

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As You Are Bar had a pop-up venue at Capital Pride's "Colorful Fest" block party in October. (Washington Blade photo by Michael Key)

More than just a watering hole: As You Are Bar is set to be the city’s newest queer gathering place where patrons can spill tea over late-morning cappuccinos as easily as they can over late-night vodka-sodas.

Co-owners and founders Jo McDaniel and Rachel Pike built on their extensive experience in the hospitality industry – including stints at several gay bars – to sign a lease for their new concept in Barracks Row, replacing what was previously District Soul Food and Banana Café. In a prime corner spot, they are seeking to bring together the disparate colors of the LGBTQ rainbow – but first must navigate the approval process (more on that later).

The duo decided on this Southeast neighborhood locale to increase accessibility for “the marginalized parts of our community,” they say, “bringing out the intersectionality inherent in the queer space.”

Northwest D.C., they explain, not only already has many gay bar options, but is also more difficult to get to for those who don’t live within walking distance. The Barracks Row location is right by a Metro stop, “reducing pay walls.” Plus, there, “we are able to find a neighborhood to bring in a queer presence that doesn’t exist today.”

McDaniel points out that the area has a deep queer bar history. Western bar Remington’s was once located in the area, and it’s a mere block from the former Phase 1, the longest-running lesbian bar, which was open from 1971-2015.

McDaniel and Pike hope that As You Are Bar will be an inclusive space that “welcomes anyone of any walk of life that will support, love, and celebrate the mission of queer culture. We want people of all ages, gender, sexual identity, as well as drinkers and non-drinkers, to have space.”

McDaniel (she/her) began her career at Apex in 2005 and was most recently the opening manager of ALOHO. Pike (she/they) was behind the bar and worked as security at ALOHO, where the two met.

Since leaving ALOHO earlier this year, they have pursued the As You Are Bar project, first by hosting virtual events during the pandemic, and now in this brick-and-mortar space. They expressed concern that receiving the Alcoholic Beverage Regulation Administration (ABRA) liquor license approval and the local Advisory Neighborhood Commission, or ANC, approval will be a long and expensive process.

They have already received notice that some neighbors intend to protest As You Are Bar’s application for the “tavern” liquor license that ABRA grants to serve alcohol and allow for live entertainment (e.g. drag shows). They applied for the license on Nov. 12, and have no anticipated opening date, estimating at least six months. If ABRA and the city’s Alcoholic Beverage Control Board give final approval, the local ANC 6B and nearby residents can no longer protest the license until the license comes up for renewal.

Until approval is given, they continue physical buildout (including soundproofing) and planning their offerings. If the license is approved, ABRA and the ABC Board can take action against As You Are Bar, like any bar, at any time if they violate the terms of the license or create a neighborhood disturbance that violates city laws such as the local noise ordinance.  In the kitchen, the duo snagged Chef Nina Love to develop the menu. Love will oversee café-style fare; look out for breakfast sandwiches making an appearance all the way until close. They will also have baked goods during the day.

McDaniel and Pike themselves will craft the bar menu. Importantly, they note, the coffee bar will also serve until close. There will be a full bar as well as a list of zero-proof cocktails. As with their sourcing, they hope to work with queer-, minority-, and women-owned businesses for everything not made in-house.

Flexible conceptually, they seek to grow with their customer base, allowing patrons to create the culture that they seek.

Their goal is to move the queer space away from a focus on alcohol consumption. From book clubs, to letter-writing, to shared workspaces, to dance parties, they seek an all-day, morning-to-night rhythm of youth, families, and adults to find a niche. “We want to shift the narrative of a furtive, secretive, dark gay space and hold it up to the light,” they say. “It’s a little like The Planet from the original L Word show,” they joke.

Pike notes that they plan on working closely with SMYAL, for example, to promote programming for youth. Weekend potential activities include lunch-and-learn sessions on Saturdays and festive Sunday brunches.

The café space, to be located on the first floor, will have coffeehouse-style sofas as well as workstations. A slim patio on 8th Street will hold about six tables.

Even as other queer bars have closed, they reinforce that the need is still present. “Yes, we can visit a café or bar, but we always need to have a place where we are 100 percent certain that we are safe, and that our security is paramount. Even as queer acceptance continues to grow, a dedicated queer space will always be necessary,” they say.

To get there, they continue to rally support of friends, neighbors, and leaders in ANC6B district; the ANC6B officials butted heads with District Soul Food, the previous restaurant in the space, over late-night noise and other complaints. McDaniel and Pike hope that once nearby residents and businesses understand the important contribution that As You Are Bar can make to the neighborhood, they will extend their support and allow the bar to open.

AYA, gay news, Washington Blade
Rachel Pike and Jo McDaniel signed a lease for their new concept in Barracks Row. (Photo courtesy Pike and McDaniel)
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Need a list-minute gift idea?

Books, non-profit donations make thoughtful choices

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‘Yes, Daddy’ by Jonathan Parks-Ramage is the story of a young man with dying dreams of fame and fortune, who schemes to meet an older man.

You knew this was coming.

You knew that you were going to have to finish your holiday shopping soon but it snuck up on you, didn’t it? And even if you’re close to being done, there are always those three or five people who are impossible to buy for, right? Remember this, though: books are easy to wrap and easy to give, and they last a while, too. So why not head to the bookstore with your Christmas List and look for these gifts.

And if you still have people to shop for, why not make a donation to a local non-profit in their name? A list of D.C.-area suggestions follows.

BOOKS: NONFICTION

If there’s about to be a new addition to your family, wrapping up “Queer Stepfamilies: The path to Social and Legal Recognition” by Katie L. Acosta would be a good thing. In this book, the author followed forty LGBTQ families to understand the joys, pitfalls, and legalities of forming a new union together. It can’t replace a lawyer, but it’s a good overview.

For the parent who wants to ensure that their child grows up with a lack of bias, “Raising LGBTQ Allies” by Chris Tompkins is a great book to give. It’s filled with methods to stop bullying in its tracks, to be proactive in having That Conversation, and how to be sure that the next generation you’re responsible for becomes responsible in turn. Wrap it up with “The Healing Otherness Handbook” by Stacee L. Reicherzer, Ph.D., a book that helps readers to deal with bullying by finding confidence and empowerment.

If there’s someone on your gift list who’s determined to get “fit” in the coming year, then give “The Secret to Superhuman Strength” by Alison Bechdel this holiday. Told in graphic-novel format (comics, basically), it’s the story of searching for self-improvement and finding it in a surprising place.

So why not give a little nostalgia this year by wrapping up “A Night at the Sweet Gum Head” by Martin Padgett? It’s the tale of disco, drag, and drugs in the 1970s (of course!) in Atlanta, with appearances by activists, politics, and people who were there at that fabulous time. Wrap it up with “After Francesco” by Brian Malloy, a novel set a little later – in the mid-1980s in New York City and Minneapolis at the beginning of the AIDS crisis.

The LGBTQ activist on your gift list will want to read “The Case for Gay Reparations” by Omar G. Encarnacion. It’s a book about acknowledgment, obligation on the part of cis citizens, and fixing the pain that homophobia and violence has caused. Wrap it up with “Trans Medicine: The Emergence and Practice of Treating Gender” by Stef M. Shuster, a look at trans history that may also make your giftee growl.

FICTION

Young readers who have recently transitioned will enjoy reading “Both Sides Now” by Peyton Thomas. It’s a novel about a high school boy with gigantic dreams and the means to accomplish them all. Can he overcome the barriers that life gives him? It’s debatable… Pair it with “Can’t Take That Away” by Steven Salvatore, a book about two nonbinary students and the troubles they face as they fall in love.

The thriller fan on your list will be overjoyed to unwrap “Yes, Daddy” by Jonathan Parks-Ramage. It’s the story of a young man with dying dreams of fame and fortune, who schemes to meet an older, more accomplished man with the hopes of sparking his failing career. But the older man isn’t who the younger thinks he is, and that’s not good. Wrap it up with “Lies with Man” by Michael Nava, a book about a lawyer who agrees to be counsel for a group of activists. Good so far, right? Until one of them is accused of being involved in a deadly bombing.

For the fan of Southern fiction, you can’t go wrong when you wrap up “The Tender Grave” by Sheri Reynolds. It’s the tale of two sisters, one homophobic, the other lesbian, and how they learn to forgive and re-connect.

NON-PROFIT GIVING

Like nonprofit organizations throughout the country, D.C.-area LGBTQ supportive nonprofit groups have told the Blade they continue to rebuild amid the coronavirus pandemic, which disrupted their fundraising efforts while increasing expenses, at least in part by prompting more people to come to them for help.

This holiday season, if you’re looking for a thoughtful gift, consider making a donation to one of our local LGBTQ non-profit organizations in someone else’s name. This list is by no means exhaustive, but a good place to start your research.

Contributions to the LGBTQ supportive nonprofit organizations can be made via the websites of these local organizations:

• Blade Foundation, which funds local scholarships and fellowships for queer student journalists, bladefoundation.org

• DC Center, our local community center that operates a wide range of programming,  thedccenter.org/donate

Food & Friends, which delivers meals to homebound patients, foodandfriends.org

HIPS, which advances the health rights and dignity of those impacted by sex work and drugs, hips.org

• SMYAL, which advocates for queer youth, smyal.org

Wanda Alston Foundation, which offers shelter and support for LGBTQ youth, wandaalstonfoundation.org

• Whitman-Walker Health, the city’s longtime LGBTQ-inclusive health care provider, whitmanwalkerimpact.org

Casa Ruby, which provides shelter and services to youth in need, casaruby.org

• Us Helping Us, which helps improve the health of communities of color and works to reduce the impact of HIV/AIDS on the Black community, ushelpingus.org/donate

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Golden Globes announces diverse slate of nominees

But is it diverse enough to quell controversy?

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HOLLYWOOD – If any doubt remained that the Hollywood Foreign Press Association has fallen spectacularly out of favor, it was summarily erased by the fact that the sole celebrity on hand to help announce the list of nominations for its 2021 Golden Globe Awards was Snoop Dogg.

That’s not a dig against Snoop Dogg. The eminently lovable rapper is an icon who manages to float effortlessly between worlds within the entertainment industry, thanks to a reputation for enthusiastic self-parody and a proven tendency to be pretty much game for anything – and frankly, watching him read the service manual for a vintage sewing machine would likely be more entertaining than sitting through a list of award nominees being recited (with perfunctory reverence, of course) by even the most accomplished of screen thespians.

Still, the glaring absence of any representative from the industry which the HFPA exists to honor is proof that the organization is still a long way from recovering from the scandal that broke in the wake of a Los Angeles Times investigative report earlier this year, which revealed that its nearly 90-person membership included no people of color and provided damning details about its long-alleged unethical practices – including the influence over its voting process by gifts, paid travel, and other perks from studios and networks behind the potential nominees and winners.

The bombshell report, which was published mere days before the Golden Globes presentation last February, led to an embarrassing award show in which the revelation of the winners was eclipsed by the organization’s scramble to do damage control.

Leaning into a too-little-too-late show of diversity among the ceremony’s performers and presenters, and sending some of the HFPA’s high-level representatives to the podium in a desperate effort to spin the situation with a not-quite-apology for its previous shortcomings (followed by an unconvincing promise to do better), the organization seemed only to have dug itself deeper into the hole of bad publicity that threatened to put an end to the awards body’s 78-year existence, once and for all.

Proposed reforms to the structure and practices of the HFPA were announced, and were promptly dismissed by Time’s Up as “window-dressing platitudes.” Major players in the industry announced intentions to boycott the Golden Globes; more than a hundred PR firms threatened to cut off the HFPA from access to their clients; high-profile talent publicly denounced the organization, with three-time winner Tom Cruise even returning his trophies. Perhaps most disastrous of all, NBC – the network which had been home to the Golden Globes broadcast – announced it would not be airing another one until at least 2023, saying that “change of this magnitude takes time and work” and that “the HFPA needs time to do it right”.

Despite all this, the beleaguered organization declared its intention to continue with its annual awards presentation, and following months of restructuring – in which the HFPA has attempted to diversify its ranks by adding new members, rewritten its bylaws, forbidden the acceptance of gifts, restricted compensated travel, and undertaken an effort to revamp itself from bottom to top – has tenaciously clung to relevance by announcing the nominees for this year’s crop of films and television shows in an early morning press conference marked by the non-participation of any of the potential recipients of those honors.

This means, of course, that it’s time to start gearing up for another awards season in which the dramatic changes wrought by the Covid pandemic upon the entertainment industry are sure to have a still-unpredictable effect on the outcomes, and to engage in a game of “armchair quarterbacking” as we attempt to predict how the honors bestowed by other awards bodies will impact the winners’ circle for the most coveted industry prize of all: the Oscars.

Traditionally, the Golden Globes have been seen as a bellwether for Academy Award inclusion, with many of the nominees and winners going on to eventual Oscar glory – but given the current still-ongoing boycott of the HFPA by so many of the industry’s most influential power-players, it remains to be seen if that long-standing assumption will hold true this year.

With that in mind, it’s worth taking a look at the nominees – with an eye to the diversity among the choices, particularly the inclusion of LGBTQ-relevant nominees among the contenders.

For television, Black actors Billy Porter (“Pose”) and Omar Sy (“Lupin”), as well as South Korean actor Lee Jung-jae (“Squid Game”), received nominations as Best Lead Actor in a Drama Series, while the equivalent Lead Actress category included Black actress Uzo Aduba (“In Treatment”) and Black/Puerto Rican actress Michaela Jaé Rodriguez (“Pose”) – who also makes history by becoming the first transgender performer to be nominated in this category, a feat she also accomplished at the 2021 Emmys. In the Comedy division, Black actor Anthony Anderson (“Black-ish”) picked up a nod as Best Lead Actor, with Black actresses Issa Rae (“Insecure”) and Tracee Ellis Ross (“Black-ish”) included among the nominees for Best Lead Actress.

In the supporting categories (which are not divided into comedy and drama division), O Yeong-su (“Squid Game”) got a nod for Best Supporting Actor, with no nominees of color named within the Supporting Actress slate.

For performances in a Limited Series, Anthology Series, or Motion Picture Made for Television, Latino actor Oscar Isaac (“Scenes From a Marriage”) and French-Algerian actor Tahar Rahim (“The Serpent”) made the cut for Best Actor, while Black actress Cynthia Erivo (“Genius: Aretha”) was nominated for Best Actress.

The big screen acting categories also included several nominees of color. Though there were no performers of color in the running for Best Lead Actress in a Motion Picture Drama, the Lead Actor slate includes three Black actors – Mahershala Ali (“Swan Song”), Will Smith (“King Richard”), and Denzel Washington (“The Tragedy of Macbeth”) – among its contenders. In the Musical or Comedy division, Latino actor Anthony Ramos (“In the Heights”) scored a nomination for Lead Actor, with Latino/Polish newcomer Rachel Zegler (“West Side Story”) earning a nod for Lead Actress.

In the Supporting categories (which again, are not separated into Drama and Comedy divisions), Black performers Aunjanue Ellis (“King Richard”) and Ruth Negga (“Passing”) joined Black/Puerto Rican performer Ariana DeBose (“West Side Story”) on the list of Actress nominees, and while the Actor category contained no performers of color, deaf actor Troy Kotsur (“CODA”) made the cut, in a rare show of representation for people with disabilities.

When it comes to LGBTQ representation, however, the nominations fall considerably shorter. Among all the acting nominees, the only out members of the community are Porter and Rodriguez (each in their respective Lead Performance categories for “Pose”), Kristen Stewart (“Spencer”) and Lady Gaga (“House of Gucci”) for Lead Actress in a Motion Picture Drama, and Hannah Einbender (“Hacks”) for Best Performance by a Lead Actress in a Television Comedy. In addition to these, Udo Azuba (nominated for Best Lead Actress in a Television Drama for“In Treatment”), Andrew Garfield (nominated for Best Lead Actor in a Motion Picture Musical or Comedy for “tick, tick… Boom!”) and Erivo are noted for their vocal LGBTQ advocacy as allies. 

While nominees Benedict Cumberbatch and Kodi Smit-McPhee (nominated for Lead and Supporting Actor, respectively, in a Motion Picture Drama for “The Power of the Dog”) play queer characters, both identify as straight in real life. The same is true for Ewan McGregor, nominated as Best Actor in a Limited Series for his star turn as the title character in “Halston”.

Finally, it’s worth mentioning that the Best Director of a Motion Picture category, long dominated exclusively by men, this year includes two women: Jane Campion (“The Power of the Dog”) and Maggie Gyllenhall (“The Lost Daughter”)

Whether or not these nominees – or any of the others, for that matter – end up following up their recognition today with nods or wins on Oscar night remains to be seen. In the meantime, we can find out who takes home the HFPA’s prizes (as well as who actually shows up to claim a prize from an organization now relegated to pariah status by most of Hollywood) on January 9, when the ceremony can be seen on the Golden Globes’ You Tube channel.

A complete list of nominations is below.

Best Television Series, Musical or Comedy

“The Great” (Hulu) 
“Hacks” (HBO/HBO Max)

“Only Murders in the Building” (Hulu)

“Reservation Dogs” (FX on Hulu) 

“Ted Lasso” (Apple TV Plus)

Best Performance by an Actor in a Television Series, Drama

Brian Cox (“Succession”)

Lee Jung-jae (“Squid Game”)

Billy Porter (“Pose”)

Jeremy Strong (“Succession”)

Omar Sy (“Lupin)

Best Performance by an Actress, Limited Series, Anthology Series or a Motion Picture made for Television

Jessica Chastain (“Scenes From a Marriage”)

Cynthia Erivo (“Genius: Aretha”) 
Elizabeth Olsen (“WandaVision“) 
Margaret Qualley (“Maid”) 
Kate Winslet (“Mare of Easttown”)

Best Director, Motion Picture

Kenneth Branagh (“Belfast”) 

Jane Campion (“The Power of the Dog”)

Maggie Gyllenhaal (“The Lost Daughter”)

Steven Spielberg (“West Side Story”) 

Denis Villeneuve (“Dune”) 

Best Performance by an Actress in a Motion Picture, Musical or Comedy

Marion Cotillard (“Annette”)

Alana Haim (“Licorice Pizza”) 

Jennifer Lawrence (“Don’t Look Up”) 

Emma Stone (“Cruella”)

Rachel Zegler (“West Side Story”)

Best Performance by an Actor in a Motion Picture, Drama

Mahershala Ali (“Swan Song”)

Javier Bardem (“Being the Ricardos”)

Benedict Cumberbatch (“The Power of the Dog”) 

Will Smith (“King Richard”) 

Denzel Washington (“The Tragedy of Macbeth”) 

Best Television Series, Drama

“Lupin” (Netflix)

“The Morning Show” (Apple TV Plus)

“Pose” (FX)

“Squid Game” (Netflix)

“Succession” (HBO/HBO Max)

Best Performance by an Actress in a Television Series, Drama

Uzo Aduba (“In Treatment”)

Jennifer Aniston (“The Morning Show”)

Christine Baranski (“The Good Fight)

Elisabeth Moss (“The Handmaid’s Tale”)

Michaela Jaé Rodriguez (“Pose”)

Best Performance by an Actor, Limited Series, Anthology Series or Motion Picture made for Television

Paul Bettany (“WandaVision”)

Oscar Isaac (“Scenes From a Marriage”)

Michael Keaton (“Dopesick”)

Ewan McGregor (“Halston”)

Tahar Rahim (“The Serpent”)

Best Performance by an Actor in a Motion Picture, Musical or Comedy

Leonardo DiCaprio (“Don’t Look Up”) 

Peter Dinklage (“Cyrano”) 

Andrew Garfield (“Tick, Tick … Boom!”) 

Cooper Hoffman (“Licorice Pizza”)

Anthony Ramos (“In the Heights”)

Best Supporting Actor – Motion Picture

Ben Affleck (“The Tender Bar”) 

Jamie Dornan (“Belfast”) 

Ciarán Hinds (“Belfast”) 

Troy Kotsur (“CODA”) 

Kodi Smit-McPhee (“The Power of the Dog”)

Best Original Score, Motion Picture

“The French Dispatch” (Searchlight Pictures) — Alexandre Desplat 

“Encanto” (Walt Disney Pictures) — Germaine Franco

“The Power of the Dog” (Netflix) — Jonny Greenwood 

“Parallel Mothers” (Sony Pictures Classic) — Alberto Iglesias 

“Dune” (Warner Bros.) — Hans Zimmer

Best Actress in a TV Series, Musical or Comedy

Hannah Einbinder (“Hacks”)

Elle Fanning (“The Great”)

Issa Rae (“Insecure”)

Tracee Ellis Ross (“Black-ish”)

Jean Smart (“Hacks”)

Best Limited Series, Anthology Series or a Motion Picture made for Television

“Dopesick” (Hulu)

“Impeachment: American Crime Story” (FX)

“Maid” (Netflix) 

“Mare of Easttown” (HBO/HBO Max)

“The Underground Railroad” (Amazon Prime Video)

Best Supporting Actor, Television

Billy Crudup (“The Morning Show”)

Kieran Culkin (“Succession”)

Mark Duplass (“The Morning Show”)

Brett Goldstein (“Ted Lasso”)

O Yeong-su (“Squid Game”)

Best Picture, Musical or Comedy

“Cyrano” (MGM)

“Don’t Look Up” (Netflix) 

“Licorice Pizza” (MGM) 

“Tick, Tick … Boom!” (Netflix) 

“West Side Story” (20th Century Studios / Walt Disney Studios Motion Pictures)

Best Supporting Actress, Motion Picture

Caitríona Balfe (“Belfast”) 

Ariana DeBose (“West Side Story”) 

Kirsten Dunst (“The Power of the Dog”) 

Aunjanue Ellis (“King Richard”) 

Ruth Negga (“Passing”)

Best Picture, Foreign Language

“Compartment No. 6” (Sony Pictures Classics) — Finland, Russia, Germany

“Drive My Car” (Janus Films) — Japan

“The Hand of God” (Netflix) — Italy

“A Hero” (Amazon Studios) — France, Iran

“Parallel Mothers” (Sony Pictures Classics) — Spain

Best Screenplay, Motion Picture

Paul Thomas Anderson — “Licorice Pizza” (MGM/United Artists Releasing) 

Kenneth Branagh — “Belfast” (Focus Features) 

Jane Campion — “The Power of the Dog” (Netflix) 

Adam McKay — “Don’t Look Up” (Netflix)

Aaron Sorkin — “Being the Ricardos” (Amazon Studios)

Best Performance by an Actress in a Motion Picture, Drama

Jessica Chastain (“The Eyes of Tammy Faye”)

Olivia Colman (“The Lost Daughter”) 

Nicole Kidman (“Being the Ricardos”)

Lady Gaga (“House of Gucci”) 

Kristen Stewart (“Spencer”) 

Best Motion Picture, Drama

“Belfast” (Focus Features) 

“CODA” (Apple) 

“Dune” (Warner Bros.) 

“King Richard” (Warner Bros.) 

“The Power of the Dog” (Netflix) 

Best Television Actor, Musical / Comedy Series

Anthony Anderson (“Black-ish”)

Nicholas Hoult (“The Great”)

Steve Martin (“Only Murders in the Building”)

Martin Short (“Only Murders in the Building”)

Jason Sudeikis (“Ted Lasso”)

Best Supporting Actress, Television

Jennifer Coolidge (“White Lotus”)

Kaitlyn Dever (“Dopesick”)

Andie MacDowell (“Maid”)

Sarah Snook (“Succession”)

Hannah Waddingham (“Ted Lasso”)

Best Original Song, Motion Picture

“Be Alive” from “King Richard” (Warner Bros.) — Beyoncé Knowles-Carter, Dixson 

“Dos Orugitas” from “Encanto” (Walt Disney Pictures) — Lin-Manuel Miranda 

“Down to Joy” from “Belfast” (Focus Features) — Van Morrison 

“Here I Am (Singing My Way Home)” from “Respect” (MGM/United Artists Releasing) — Jamie Hartman, Jennifer Hudson, Carole King 

“No Time to Die” from “No Time to Die” (MGM/United Artists Releasing) — Billie Eilish, Finneas O’Connell 

Best Motion Picture, Animated

“Encanto” (Walt Disney Studios Motion Pictures) 

“Flee” (Neon) 

“Luca” (Walt Disney Studios Motion Pictures) 

“My Sunny Maad” (Totem Films)

“Raya and the Last Dragon” (Walt Disney Studios)

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