Arts & Entertainment
Margaret Cho on ‘Fire Island’ and the state of stand-up
‘We laughed every day’ making new film
Could there be an Emmy Award in Margaret Cho’s future? In Hulu’s “Fire Island”(premiering June 3), as well as on HBO Max’s “The Flight Attendant,” Cho’s uncharacteristic restraint gives her queer characters, Erin and Utada respectively, an admirable depth and humanity. Additionally, Cho has an upcoming appearance on the Emmy Award-winning “Hacks”(as herself), and ongoing guest-starring roles in a multitude of popular shows. Never one to sit idle, Cho will be taking her stage act on the road throughout the coming months. Busy as she is, Margaret was gracious enough to make time to answer a few questions.
BLADE: Margaret, in the new movie “Fire Island,” you play Erin, who’s described by one of the characters as a “career brunch server, age unknown, lesbian queen.” What was it about Erin that spoke to you and made you want to portray her?
MARGARET CHO: I just love the script. I’m a big fan of Joel Kim Booster, and his comedy and his writing, and as a person. I wanted to be a part of the film. I love Andrew Ahn’s direction. I love Bowen (Yang). It was really special to do this. The “career brunch server” was so appealing. Everything about this character is a lot of fun, and so it was just perfect. We had a blast doing it.
BLADE: It looks that way! Erin is the wise lesbian housemother to her gaggle of younger gays. Is this an aspect of your personality that also transfers to your off-screen life?
CHO: Absolutely! The elder gay. The crone. It’s also the old lesbian who’s burned all of her bridges with the current lesbians her age and has to mine the younger generation for friendship. It’s very fun, it’s really cold, and it’s very realistic to me.
BLADE: What was the best part for you about acting with rising comic actors such as Bowen and Joel, whom you mentioned, as well as Matt Rogers?
CHO: We laughed every day. We had such a good time. Outside of my dressing room, every day, there were full-on reenactments of entire “Real Housewives” episodes. Full Tiffany Pollard monologues from “I Love New York.” It was like Shakespeare in the Park, but it was “Real Housewives” by the trailer. It was exciting. I just love those guys.
BLADE: Erin was able to afford to purchase the Fire Island house following winning a settlement involving a piece of glass and a major Italian chain restaurant. Do you think our current culture is more litigious than necessary?
CHO: I don’t know. I think the character is just really savvy and knows where to make an opportunity for herself. I think that’s really more it. I don’t know if it was necessarily because of the culture or the time or whatever. But I think that she’s just smart about doing what she can to get something.
BLADE: Was your first trip to Fire Island as a performer or as a vacationing guest?
CHO: Every trip I’ve made there was as a performer and then I stayed for vacation. So, I made it work and pleasure, both at the same time. I’ve been going there since 2008. I love spending time there and just hanging out. I’m actually more of a Provincetown lady. I’ve been going to Provincetown since the 1980s to work and perform and just hang out. These are very much important areas for me. It’s the gay beach life that I really love.
BLADE: You mentioned Andrew Ahn, the gay filmmaker who directed “Fire Island,” and he also directed the lauded 2019 film “Driveways.” Is he a director you could see yourself working with again?
CHO: Absolutely! I love Andrew. I think he’s quite an incredible director. Not only is he so great with actors…the way that he creates films is so visually stunning and they’re so emotionally rich. I really admire him and his vision as an auteur. I would love to work with him again.
BLADE: You were one of the performers in the line-up for the LGBTQ comedy show “Stand Out,” which was part of Netflix is a Joke: The Festival. Stand-up comedy has received increased attention with Jerrod Carmichael coming out as gay in his HBO Max comedy special “Rothaniel,” as well as the controversy surrounding Dave Chappelle’s Netflix comedy special. As a performer whose roots are in stand-up comedy, do you think there’s the possibility of healing?
CHO: Yes, I think so. We need to hear from LGBTQIA voices in comedy. I think that queer comedy has always been a part of the larger comedy world. We’ve always had a very strong presence within comedy. I see so many more of us participating and out there in this conversation. I was glad to be part of the festival and I’m so grateful to be part of the queer comedy community.
BLADE: Finally, I live in Fort Lauderdale, and I noticed that Florida is not on your tour schedule. I know that I’ve seen you perform in West Palm Beach, Miami, and, more recently, in Fort Lauderdale. With the political climate being what it is under the current governor, do you foresee performing here at any point in the near future?
CHO: Yes, definitely. I think it’s important to be out there. I was actually just there a few weeks ago, so. I think that we need to be constantly out there and we definitely need to be heard. Yes, I’m sure I’ll be returning again soon.
Arts & Entertainment
The very few queer highlights of the Oscars
Streisand’s live performance, a shocking tie, and more
LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.
During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”
Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.
One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.
When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”
“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”
Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.
The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.
(Washington Blade photos by Michael Key)






















Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen.
At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon).
Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan. Arenastage.org
La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram
Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org
Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu
As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org
In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org
The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com
At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org
At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.
Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play. Jason Loewith directs.
Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org
British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.
And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org
Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.
Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net
Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org
In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org
Exciting stuff ahead.
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