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Obama speechwriter reflects on marriage ruling, Charleston shooting in new book

Cody Keenan revisits 10 critical days from unique vantage point

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Cody Keenan encapsulates 10 days in the Obama years in his new book, "Grace: Barack Obama and Ten Days in the Battle for America." (Photo by Melanie Dunea)

Cody Keenan, director of speechwriting for President Obama, had a prominent vantage point in the White House during an eventful 10 days that included recovery from a violent memory underscoring lingering issues with racism.

Those 10 days, which saw the U.S. Supreme Court ruling in favor of same-sex marriage and upholding Obamacare as well as Obama’s speech in the aftermath of a racist shooting at a Black church in Charleston, are now encapsulated in his new book, “Grace: Barack Obama and Ten Days in the Battle for America.”

The Washington Blade spoke with Keenan about his book in an interview on Tuesday that includes an exchange the author and this reporter shared from different perspectives during Obama’s speech in the Rose Garden after the Supreme Court’s ruling for same-sex marriage.

Read the full interview below:

Blade: Why was the time now for this book?

Cody Keenan: There’s a couple of reasons for that. No. 1 is sort of technical. I was still working for President Obama up until the beginning of 2021. And so I didn’t feel appropriate to start writing a book that’s largely about him as long as he was paying me. So that’s the technical answer.

The other is I’d just been rolling these 10 days around in my head for a while. You know, it doesn’t coalesce all at once. You don’t wake up in the morning after marriage equality and Charleston and say, “OK, I’m going to write a book.” It really took the Trump years to actually crystallize it in my head because suddenly we were living through the opposite. We come through this kind of amazing 10-day burst of progress. That, of course, is not limited to 10 days. It was a result of decades of effort, and then the backlash to it. It makes it seem all that more sharp.

Blade: I think our viewers are going to be very interested in the discussion on the marriage ruling and the potential outcomes that you depict in the book. Looks like there was a lot of anxiety behind closed doors about the decision as well as the possible decision on the Affordable Care Act. Do you think that anxiety was shared by President Obama?

Cody Keenan: I’ll never know for certain. He didn’t show his hand like that. He never looked at the drafts we wrote the kind of ‘in case of emergency break glass’ drafts. He just he never did. Not on election nights, not on Supreme Court rulings. It’s not that he’s cocky, he was confident. I think it was more confident in the ACA decision because he knew that it shouldn’t have been there in the first place. So, I don’t so I don’t know how he felt about the marriage equality ruling coming in. I know how he felt about it after the fact. You can watch his remarks on YouTube, which are pretty extraordinary.

They were fairly short as written and then he decided to keep going, which is always interesting as a speech writer, knowing that the remarks are over. I love watching him ad lib, but when the remarks are over, and he just keeps going and there’s no runway to land that plane and that’s always a little interesting. On the page, it’s not a lot but he was really thinking as he was saying the words, as he was tying it to the countless small acts of courage with people who came out and parents who love their kids in return, people who just who made this happen through decades of efforts. And then, he tied this into Bobby Kennedy, which is really exciting. So that was kind of fascinating to watch.

I’ve always thought that he was genuinely moved by the fact that America had come so far and, relatively speaking, so fast on the equal rights issue like that. … I asked him later why he ad-libbed all that and why he was talking so slowly. He just he said he was up too late, reworking my speech, which isn’t true, because he gave it back to me like 11 p.m. But no, I think he was genuinely proud of the country, and then a whole lot of people at that point.

Blade: Yeah, I remember that day very well because I was actually right in front of Obama as he was giving those remarks. I’m a White House reporter, so I wanted to be able to see these remarks firsthand. I was at the Supreme Court and I rushed back to the White House. I actually missed the call time just by ever so slightly but a when the White House staffer saw me there, she escorted me to the Rose Garden. And I was seated there, then press saw me there and they knew how important it was to me so they allowed me to take the seat in the front row where normally the major news stations sit. I was a few feet away from Obama, as he was saying those words.

Keenan: Oh wow. Well, this isn’t a two-way interview, obviously, but I’d be very curious afterwards as to how you were feeling that morning before and then.

Blade: For me, it was a very surreal and very powerful experience to have this issue that has been a really important issue for so many people, and really animated my work for so long, to more or less reach its conclusion. And one thing that really stood out to me was it just seems to me like when I was writing about marriage equality, it was really of interest to a certain group of people and other people really weren’t that interested. But on that day, it was a reminder that that wasn’t the case. Because remember, President Obama gave his remarks and then the entire White House staff circled around the perimeter of the Rose Garden and gave applause and it was just it was very touching, very moving. I don’t think they did that for the ACA speech. It struck me just how powerful it was because people wanted to embrace that decision with that reaction.

Keenan: The difference there is that we had — this is who people are, we had so many colleagues that — I just dreaded the idea of having to look a colleague in the eye or a friend had it gone the other way. There was anxiety and we were also relieved and excited that it went the right way. There was anxiety that morning. I guess I can always speak for myself, but as a Democrat and as a Chicago sports fan, I am never satisfied until it’s over…I’m always hopeful we’re gonna win, but I don’t ever expect. So until that really came down, I was pretty anxious for sure.

Blade: Was there anything during that speech that surprised you. I think you said Obama said a few things you didn’t think he was going to say but just anything that otherwise happened that just really opened your eyes on that either after the ruling or in his remarks?

Kennan: The remarks didn’t surprise me…I just thought it was so interesting that he kept going. He always gave long speeches, but for a speech to be over on paper and for him to not want to stop. You know, he didn’t want to stop and just wanted to say more, and I thought that was so fascinating and awesome and exciting, and then obviously five minutes after that we need to head down to Charleston.

Blade: I do want to ask you about Charleston, but one thing I want to ask you about was that was the night that the White House was lit up in rainbow colors. And I’m just wondering if you were part of the discussion, if you aware of that, if you remember your reaction to that?

Keenan: I was not a part of the discussion. I didn’t know what was going to happen until that morning or the morning after, I can’t remember. We were on the Rose Garden for the remarks, and Denis McDonough came up and told me, “God, that’s cool.” It’s one of those things where you wish you thought of it because it seems so obvious. I’ve talked to a lot of people for this book. I talked to Jeff Tiller and Tina Tchen. [Jeff Tiller was an Obama White House LGBTQ media liaison.] And one of the coolest things Jeff told me was he was the one that kind of spearheaded this whole thing and found funding for it, found quotes from contractors and was out there kind of tearing his hair out when the lights weren’t necessarily working.

But the coolest thing he said is they were talking about what to do if the Supreme Court ruled the other way. Do they light it up? And Jeff said, “Yeah, it’s even more important then.”

Blade: That’s definitely something that was planned for. I was really surprised at how they were able to keep it under wraps for so long. It was a surprise to everyone I think.

Keenan: The only bummer is that Obama was gonna fly around the front of the White House on Maine One to look at it. But I don’t think anybody remembered this was like the longest week of the year daylight-wise. So we’ve been back for maybe two hours before it actually started, before colors actually started getting visible.

Blade: So on the Charleston speech, a much more somber moment, do you think having the nation’s first Black president at the time offered us something unique in that moment?

Keenan: Sure. I talk a lot about how difficult it was to write about race just because we haven’t all lived the same experiences. It may have actually been more difficult to write that speech had it been for a white president to deliver. The fact that a Black president gave that eulogy was pretty remarkable. It’s not just that he is a walking sign of progress and change, and a lot of people didn’t like that, hence some of the backlash we’re living in now.

….He can speak to race and the possibilities of reconciliation and change, I think, more so than a white president could have in that moment. It’d be easy for a white president to just condemn it, but for a Black president to go up and find the words is easier symbolically. It might have been more difficult on the page. I really don’t know. But it was a quintessential hit, what he did to the text, using the lyrics to Amazing Grace to kind of create the space for people to change their minds, the space for people to — the whole song was written by a slave owner who changed his ways, to repent. And it’s sort of the same thing, if anything’s ever going to wake us up to the long legacy of racism and to what gun violence is doing, that’s what the Confederate flag means to some people. It has to be this. So in some ways, I don’t know the answer as to whether it be easier or harder, but he did bring something unique to it just by virtue of his experience.

Blade: Did you think the Charleston shooting represented the last dying breath of racism in the United States, or that it was a prelude of things to come?

Keenan: I don’t think either. I could see the argument for each but I don’t think either. We’ve obviously endured racial violence for centuries. A Black church was set on fire in Massachusetts the day Obama was elected. He had more threats against him than any other president. It’s what we live with. So it definitely wasn’t the start, and it’s not the end. I mean, in a lot of ways, the fact that Donald Trump announced his candidacy the day before the shooting, it’s just kind of an awful reminder that a president’s words can unleash a lot of bad things, and at their best they can inspire the best in people, at their worst they can turn people against each other and kind of let loose the country’s worst demons and create permission structure for people to act out their political violence.

What kind of linked those things that week, and even Obamacare to a lesser extent, is who are we? Do we stand up to white supremacy and bigotry? Or do we allow this to continue, do we allow state legislators to fly the Confederate flag over where Black people live and work and worship? Do we allow the Supreme Court to basically codify bigotry by saying, “No, you can’t get married”? Do we allow them to say sorry to millions of poor people and working people you don’t get to have health insurance unless you’re wealthy? And like all those things just came to a head in the same week.

Blade: So my final question for you is what kind of impact would you like for your book to have?

Keenan: There’s kind of three buckets here. One is first I really do think it’s an important story to tell for history. I want people to read about this some day as this kind of amazing spasm of progress that is not due to one president, but to two generations of people who marched and fought and bled for this. I also teach speech writing at Northwestern, I want young people who are in college now and look at politics and think, “Why would I want to do that?” and change their minds. I want them to think this is a place that’s worth my time and effort. It can actually be fulfilling and collegial and fun.

And anyone else myself included who’s started to feel really cynical in recent years, and there’s plenty of reasons for it, I wanted to throw that up. I’ve gotten some of the greatest feedback so far from a couple strangers who reached out to say they sign up to knock on doors and one of my former colleagues texted this morning to say just reminded me in politics in the first place, and that’s what I want. I want people to read it and say, “You know what, for all the awfulness out there and for the act of undermining of our democracy and the heinous cruelty, we’re still in charge.”

{Editor’s Note: This interview has been edited for length.]

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Hungary

JD Vance to travel to Hungary next week

Country’s elections to take place on April 12

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Vice President JD Vance speaks at CPAC on Feb. 20, 2024. He and his wife, Usha Vance, will travel to Hungary next week. (Washington Blade photo by Michael Key)

Vice President JD Vance and his wife, second lady Usha Vance, will visit Hungary next week.

An announcement the White House released on Thursday said the Vances will be in Budapest, the Hungarian capital, from April 7-8.

JD Vance “will hold bilateral meetings with” Hungarian Prime Minister Viktor Orbán. The announcement further indicates the vice president “will also deliver remarks on the rich partnership between the United States and Hungary.”

The Vances will travel to Hungary less than a week before the country’s parliamentary elections take place on April 12.

Orbán, who has been in office since 2010, and his Fidesz-KDNP coalition government have faced widespread criticism over its anti-LGBTQ crackdown.

The Associated Press notes polls indicate Orbán is trailing Péter Magyar and his center-right Tisza party.

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The White House

Pam Bondi ousted as attorney general

Donald Trump announced firing on Thursday

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Now former U.S. Attorney General Pam Bondi (Washington Blade photo by Michael Key)

President Donald Trump removed Attorney General Pam Bondi from her post Thursday, following growing criticism over how she and the Department of Justice handled a range of issues, including matters related to sex offender and Trump ally Jeffrey Epstein.

Trump announced Bondi’s removal on Truth Social, where he also said Todd Blanche will serve as acting head of the Justice Department.

“Pam Bondi is a great American patriot and a loyal friend, who faithfully served as my attorney general over the past year,” Trump wrote on the platform. “Pam did a tremendous job overseeing a massive crackdown on crime across our country, with murders plummeting to their lowest level since 1900.”

Trump was seen as recently as Wednesday with the now-former attorney general at a Supreme Court hearing on citizenship.

The decision contrasts with Trump’s previous public praise of Bondi, the 87th U.S. attorney general and former 37th attorney general of Florida, who served in that role from 2011-2019 before joining the Trump-Vance administration. He has frequently lauded her loyalty and said he speaks with her often. Bondi was also one of president’s defense lawyers during his first impeachment trial.

Privately, however, Trump had grown frustrated that Bondi was not “moving quickly enough” to prosecute critics and political adversaries he wanted to face criminal charges, according to multiple sources. The New York Times reported that her inability to charge former FBI Director James B. Comey and New York Attorney General Letitia James with any crimes is a large factor in the president’s choice to fire her from the government’s primary law enforcement agency.

The move comes as Trump has sought to minimize public turmoil within his administration, avoiding the perception of a revolving-door Cabinet that defined his first term.

Lee Zeldin, a former Republican congressman from New York who unsuccessfully ran for governor, has emerged as a leading contender to lead the Justice Department. He has been one of Trump’s most reliable allies.

“He’s our secret weapon,” Trump said of Zeldin in February during a White House event promoting the coal industry, adding, “He’s getting those approvals done in record-setting time.”

Bondi has also growing faced scrutiny from Congress.

The House Oversight Committee recently subpoenaed her to testify about the department’s handling of certain files, where she declined to answer key questions during a contentious House Judiciary Committee hearing in February.

The Tampa native has a long history of opposing LGBTQ rights through her roles in government. As Florida attorney general, she fought against the legalization of same-sex marriage, arguing it would cause “serious public harm,” pushing forward a legal battle that cost taxpayers nearly half a million dollars. She also asked the Florida Supreme Court to overturn a lower court ruling that found the state’s same-sex marriage ban unconstitutional.

More recently, Bondi established a “Title IX Special Investigations Team” within the Justice Department focused on restricting transgender women and girls from participating in women’s and girls’ sports teams and accessing facilities aligned with their gender identity. She also told Children’s Hospital of Philadelphia to turn over the medical records of anyone under 19 who received gender-affirming care.

Her removal follows Trump’s decision last month to oust another controversial female Cabinet figure, Kristi Noem.

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The White House

VIDEO: Gay journalist detained for booing Trumps at ‘Chicago’ opening night

Eugene Ramirez booed first family at Kennedy Center

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Eugene Ramirez outside of the Kennedy Center after the ordeal, holding a First Amendment rights protest sign he found. (Photo courtesy of Eugene Ramirez)

President Donald Trump and first lady Melania Trump attended the opening night of “Chicago” at the John F. Kennedy Center for the Performing Arts on Tuesday. They were greeted by a mix of cheers, applause, and some audible boos.

Among them was Eugene Ramirez, a gay Washington resident, who later shared his account of the night after being briefly detained by security for booing the president and giving a thumbs-down gesture — an expression of what many would call a textbook definition of constitutionally protected speech to criticize the government.

Ramirez attended the opening night performance with a group of friends, hoping to catch a final show before the center undergoes two years of major changes under Trump oversight. The musical, based on a 1926 play of the same name, has become synonymous with Broadway success.

With music by John Kander, lyrics by Fred Ebb, and a book by Ebb and Bob Fosse, “Chicago” has cemented itself as a cultural staple — known for its signature Fosse choreography, stripped-down staging, and sleek, campy aesthetic. The story follows Roxie Hart and Velma Kelly, women who murder their husbands but — with the help of the manipulative, charismatic, and narcissistic attorney Billy Flynn — walk away scot-free.

It remains the longest-running American musical in Broadway history, and its 2002 film adaptation famously won the Academy Award for Best Picture. On this night, however, the production also became the backdrop for a very modern moment of political protest.

“I accompanied five friends to opening night of ‘Chicago’, as a way to enjoy a final performance in the Kennedy Center as we know it,” Ramirez began to recount to the Washington Blade, describing the moment his group settled into their seats inside the ornate Opera House theater.

Just before the performance began, the twice impeached president and first lady appeared in the balcony box, drawing immediate attention from the audience below. Theatergoers stood, cheered, clapped, and waved, while Ramirez made a different choice.

While accounts of the crowd’s reaction have varied, Ramirez said his response was intentional, immediate, and within his rights. Moments after booing and giving a thumbs-down while recording on his iPhone, security intervened.

The video of Ramirez booing the Trump’s is here:

“Within moments, the director [of security] and another guard approached and escorted me to a side area where several other security guards were waiting,” he said. “I was detained until everyone was seated and the lights dimmed.”

As he was escorted away, Ramirez said his instincts as a journalist kicked in. A former lead anchor for Sinclair’s national evening news broadcast, he said the situation immediately felt off — or more aptly put — as if he could see the strings being pulled from someone attempting to control the narrative.

“Journalism is a vocation, not just a job. I immediately knew there wasn’t just an uncomfortable interaction with security,” he said. “The Kennedy Center is a federally funded cultural institution, and being questioned about speech related to the president in that setting felt like something the public should know about.”

Ramirez explained the difference between a standard visit by a public official and this performance: the president’s appearance wasn’t just ceremonial; it was very clearly a media moment.

“The White House press pool was there, and it was clear this was an effort to manage the president’s image in the media,” Ramirez continued. “The irony was not lost on me that this was happening on opening night of ‘Chicago’, a musical about manipulating the press to shape public perception.”

According to Ramirez, the explanation he received from Kennedy Center Director of Safety and Security Karles C. Jackson Sr., was brief, but illuminating.

“He said, ‘they don’t want booing,’ and even called out my thumbs-down gesture. He never clarified who ‘they’ were, but whether it was the administration or the Kennedy Center, the distinction felt meaningless,” he explained. “Mr. Jackson ultimately told me he was just trying to do his job, shook my hand, and allowed me to return to my seat once the lights dimmed and the overture started playing.”

Ramirez said he didn’t blame the guard individually, noting the broader context of the Kennedy Center’s uncertain future and the pressures staff were under.

“With the center closing in the coming months, some of these security guards being pressured to restrict our freedom of speech may only have a few weeks of work left.”

He believes the decision to remove him was driven less by disruption than optics, particularly given the presence of the press.

“It was very clearly about protection — whether protecting the president from visible dissent, or his image before the media present. There was no disruption as almost everyone was standing and reacting loudly to the arrival of the president and first lady, with cheers, applause, and hand gestures. The difference was that my reaction, unlike most, was negative.”

Drawing on his experience covering public officials, Ramirez said the incident felt more about controlling perception than security.

“Usually, law enforcement may monitor or intervene if there’s a disruption, but here there was no disruption at all. Simply expressing dissent in a public, cultural space drew the attention of security. It made it feel less like a matter of decorum and more like an effort to control the narrative around the president,” he said. “It’s about what happens when dissent is treated as disruption rather than a right.”

“The show hadn’t started. I threatened no one. Billy Flynn would have approved of the optics. The rest of us should be paying attention.”

Ramirez framed the incident as part of a broader constitutional concern, one that is plaguing the Trump-Vance administration as they continue to reject rules and normalcy set forth by other reserved presidents.

“Being singled out by security at a federally funded institution for expressing dissent shouldn’t be brushed off; it undermines the First Amendment,” he said, looking at it slightly distanced from it now. “Being of Cuban heritage, and a journalist, it’s a right I’m not willing to give up readily.”

“Publicly funded cultural institutions should allow visible dissent, even in politically charged moments,” he added. “Of course, I understand the need to manage disruptions during a performance, but that was not the case here.”

The themes of “Chicago”, a long-running satire about media manipulation and public perception, added another layer of irony to the experience, Ramirez explained.

“The satire truly leapt off the stage! A show about controlling the narrative, manipulating the press, and covering up truths by leaning on showmanship and distractions. The show is decades old, but could’ve been written today. We’re being razzle-dazzled daily and it’s getting harder to tell fact from fiction, no matter where you get your news.”

He, being gay, also acknowledged how hard it must have been for the performers on stage, assuming that at least some in the cast were also members of the LGBTQ community — and artists — two things Trump doesn’t always get along with.

“It was not lost on me that many of the actors on that stage, that the president and first lady presumably applauded, are members of the LGBTQ community which this administration has rolled back protections for under the guise of religious liberty and free speech, resulting in blatant discrimination.”

He pointed to a particular number that felt surreal given the circumstances.

“Its ‘Razzle Dazzle’ number celebrates keeping audiences off balance; at its climax, a massive American flag descends as the song celebrates blinding audiences to what is real. Watching that scene after being detained for a thumbs-down was surreal.”

Ramirez said the show’s closing lines were especially sharp given the presidential audience and what he just experienced.

“At the end of the show,

Velma says: ‘You know, a lot of people have lost faith in America.’

Roxie replies: ‘And for what America stands for.’

Velma: ‘But we are the living examples of what a wonderful country this is.’

Roxie: ‘So we’d just like to say thank you and God bless you.’

They had both just gotten away with murder!”

His closing lines, however, were a bit more pointed than “scintillating sinners” Roxie Hart and Velma Kelly’s were in the show.

“Democracy only works when citizens are allowed to boo,” he said. “Tuesday night at the Kennedy Center, ‘Chicago’ made that point better than I ever could.”

The Blade reached out to the Kennedy Center but did not receive a comment back.

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