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Celebrating Ina Garten’s 13th cookbook with her biggest fan

Trent Pheifer has made all 1,272 of her recipes and counting

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Trent Pheifer cooking with Cassandra Schultz of Cassandra’s Kitchen. (Photo courtesy of Pheifer)

Ina Garten’s gay appeal is undeniable. From her fabulous home and gardens, to her creative cocktail recipes, to her many gay friends and over-the-top brunch parties, who wouldn’t want to count Ina as a friend?

He may not be on the brunch invitation list yet, but we can all live a bit vicariously through Trent Pheifer, 37, a home cook who chronicled his quest to cook all 1,272 of Garten’s recipes on Instagram (@storeboughtisfine), catching her eye and ultimately cooking with her on a Zoom event earlier this year. 

To celebrate the release of Garten’s 13th cookbook this week, “Go-To Dinners,” the Blade sat down with Pheifer to talk all things Ina.

“She pulled me in, in a way that wasn’t about cooking,” Pheifer said. “She was always having a good time, it was approachable.”

Pheifer said that when he first started cooking he tried Julia Child, but ran into problems with her lengthy recipe for Beef Bourguignon. 

“A lot of those recipes weren’t working out for me because I didn’t have the skills,” he said. “I had made a few of Ina’s recipes and everything was easy to read and gave me confidence in the kitchen and the results were delicious.” 

Pheifer loved the film “Julie and Julia,” about a Julia Child fan who cooked all of the iconic chef’s recipes, and thought he would cook his way through Ina’s many recipes. 

It took him nearly six and a half years, but he did it and in March of this year, he reached the end, culminating in a memorable Zoom event with Ina herself in which Pheifer cooked the final recipe, her Boston Cream Pie, a notoriously tricky dish.

What did he learn during all that time in the kitchen as an amateur cook?

“It’s about diving in — you just have to do it,” he says. “So many people think they aren’t good cooks because they’ve never cooked or they’ve tried something too complicated. … Don’t overdo it when getting started and slowly build.”

Pheifer noted that he was eating mostly prepared foods from Trader Joe’s when he started and now can make anything in Ina’s vast repertoire. But learning to cook isn’t all about impressing dinner guests with fancy dishes. Pheifer, who’s gay and works as a fundraiser for the Advertising Council in New York City, said the bigger lesson was discovering his self-confidence.



“I’ve always struggled with self-confidence — not being good enough or smart enough – and I think in the last seven years of this project my confidence has skyrocketed,” he said. “Having worked hard at something and being recognized, having fun with people, I found confidence in being myself and that has spilled over into my job and life. I wouldn’t be where I am without it.”

Pheifer also shared his thoughts on Ina’s appeal to gay men, noting that about half of his Instagram followers are men, most of whom he assumes are gay.

“A lot of gay men are attracted to strong women,” he said. “A lot of gay boys grew up with ‘Barefoot Contessa’ and a lot of her friends are gay and it’s a place you knew you were welcome. She never waved the Pride flag, but I knew I would be welcomed into her home.” 

Aside from baking cookies with his mother and grandmother as a child, Pheifer didn’t grow up with an interest in the kitchen, though he noted the family sat down to dinner most nights together. By college he wasn’t cooking at all.

“When I was approaching 30 I realized I didn’t know how to cook for myself and it’s expensive to go out to dinner every day,” he said. Julia Child inspired him at first, until that run-in with the Beef Bourguignon. After discovering Ina’s recipes were more approachable, he only encountered one bad experience while cooking his way through her books: vegetable lasagna.

The recipe calls for roasting three trays of vegetables and making a sauce — not an easy feat in a small New York City kitchen. “There were too many elements at the same time,” he says.

Undeterred by the laborious lasagna recipe, Pheifer soldiered on for nearly seven years, sometimes wondering if all his efforts and Instagram posts would be noticed. He says he didn’t start the project hoping to get media attention, but there were thoughts that maybe all of this could lead somewhere.

“At some point you get years into the project and wonder, will anyone notice,” he said. “Ina is so beloved that she inspired this fan base of people who love her and I think I got lucky that no one else was doing it already.” He added that he didn’t do any outreach and the subsequent media attention was organic and came via word of mouth. 

One highlight of Pheifer’s culinary journey came unexpectedly while on a vacation in Paris, which happens to be Ina Garten’s favorite city where she and husband Jeffrey own an apartment. He was on a foodie trip with friends and snagged a coveted table at Verjus, known for its tasting menu, when he spotted Ina and Jeffrey at a table in the intimate dining room. When they finished, Pheifer summoned the courage to approach his culinary idol. 

“It was kismet,” he says, “the color ran from my face. I approached after they finished and my friend knocked over their bottle of wine as I was shaking their hands.” 

He introduced himself as the man behind @storeboughtisfine and Ina immediately recognized him and they posed for a photo.

“I couldn’t think of a more magical way to meet her,” he said, “this was such an intimate experience and in the city she loves the most. Ina is obsessed with Paris so it was a magical moment.”

With Ina’s new book out Oct. 25, Pheifer says he will continue his quest to cook all of the recipes. He plans to tackle two or three each week. 

And if Pheifer could pick the theme for Ina’s 14th cookbook, he says it would be “Store Bought is Fine.” Ina has said her next book will be a memoir and Pheifer hopes she will write about what drives her to create.

Although Pheifer turns to Ina for French, Italian, and American dishes, he said he collects all sorts of cookbooks and his favorite this year is “Korean American” by New York Times writer Eric Kim.

As for Pheifer’s favorite Ina recipe to make, he says it’s her rigatoni with sausage and fennel from “Cooking with Jeffrey.” Least favorite: pear and parsnip gratin. His go-to Ina dinner: Shrimp and Linguini Fra Diavolo with Outrageous Garlic Bread. Go-to dessert: Mocha Iced Box Cake. And his favorite Ina cookbook is “Barefoot Contessa At Home.”

Ina Garten’s latest, “Go-To Dinners” is out Oct. 25 from Clarkson Potter and includes breakfast-for-dinner options, make-ahead ideas, and simply assembled dishes. 

Trent Pheifer making Ina Garten’s Easy Tomato Soup. (Photo courtesy of Pheifer)

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Photos

PHOTOS: Petal Release Party

Tiara-Missou hosts drag show at Spark Social

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Labianna performs at the Petal Release Party and Drag Show at Spark Social on Friday. (Washington Blade photo by Landon Shackelford)

The Petal Release Party and Drag Show was held at Spark Social on Friday, July 31. Performers included Tiara-Missou, Labianna and Darcy de la Cuadra.

(Washington Blade photos by Landon Shackelford)

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Celebrity News

Madonna headlines World Pride Music Festival in Amsterdam

Kylie Minogue made surprise appearance alongside gay icon

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Kylie Minogue with Madonna at the World Pride Music Festival in Amsterdam on Aug. 2, 2026. (Photo courtesy of Cejlon Studio)

AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.

The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.

“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.

Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.

Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”

(Washington Blade video by Michael K. Lavers)

“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”

Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.

Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.

Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.

“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”

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Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

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Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?” 

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor. 

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.” 

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real. 

BLADE: Are you curating the upcoming 2026–2027 season? 

WHITE: Yes, I am.  It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard. 

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work. 

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV. 

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique? 

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work. 

BLADE: How do you think queer audiences will receive the season? 

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.

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