Arts & Entertainment
Valentine’s gifts for the queers you love
Elevated chocolates, top-shelf liquors, and more

Spread the love this Valentine’s Day with these festive, fun, and sometimes frisky gifts to fill all your special someone’s hearts with happiness and appreciation.
Love Script Pillows

PillowScript’s royal-hued love script pillows – in muted green, red, blue or gray – imbue your personal space with optimism, openness and a velvety softness smoother than Cupid’s bare bottom. $50, PillowScript.com
Tale as Old as Time

At once slim and sleek, the Vincero Kairos and Eros Petite mesh and leather-banded watches look stunning on a beauty or a beast. $99-$178, VinceroCollective.com
Fondue Feasts

You dip, she dips, they dip bite-size savories and sweets into BOSKA’s cheese and chocolate fondue sets equally suited for a sophisticated date night at home or as the centerpiece of a ’70s-inspired Galentine’s party. Better dust off the orgy lamp. $33-$44, USA.Boska.com
Covered in Love

Kisses and hugs and on-the-couch snugs are instantly cozier in Sunday Citizen’s XOXO throw or the Mamas Blanket x Calhoun & Co.’s pink-and-red girl-power blanket for wrapping up near-and-dear babes and broads. $170, SundayCitizen.co; $138, AustinMotelStore.com
Playboy Pleasure
You might assume that a synonymous-with-sex brand like Playboy would already have a leg (or two) up on the adult-toy industry, but its recently launched, first-foray Playboy Pleasure line couldn’t be rushed: The inaugural collection includes vibrators with heating, tapping, and thrusting functions; a spinning butt plug; multi-motor cock rings; toys with flickering tongues; solo strokers, and a first-of-its-kind flapper shaft for the G-spot. You’re gonna need a bigger tarp. $26-$200, LoversStores.com
Chinola x Vesta Chocolate

Skip the Stover’s and improve your chocolate-gifting game with limited-edition Chinola bonbon and ganache chocolates, the melt-in-your-mouth collab between Dominican-sourced Chinola Passion Fruit Liqueur and Vesta Chocolate, co-founded by Chef Roger Rodriguez. $25-$48, VestaChocolate.com
Lace Charms

Customize your kicks with splashes of sparkle when you outfit their laces with burnished beads and baubles – like Lace Charms’ Digital Pink Bundle, featuring gold stars and rosy bling-blings – fit for sneakerhead kweens and king-kings. $30-$75, LaceCharms.com
Happy Juice
You’ll get your lips kissed when you twirl a Sunkist on the stylish Verve Culture artisan citrus juicer (available in gold, rose gold, and black), your new go-to hand-operated appliance that gilds the lily of an already decadent holiday brunch in bed. $98-$150, VerveCulture.com
Power Flowers

If Miley can buy herself flowers, so can you: Treat your resilient self to Perfect Plants’ bounty of blooms – including houseplants, trees, shrubs, hedges and a wide selection of coveted Drift rose bushes – that’ll keep your space fresh long after love stales. $40+, MyPerfectPlants.com
Gas You Up

Motivational neon signs that empower you to “Rise & Grind,” “LISTEN TO YOUR HEART,” “Hu$tle,” and “BE A BAD ASS WITH A GOOD ASS” not only add pops of radiating light and liveliness to your home and office, but they just might reduce your therapy bill too. $200-$600, CustomNeon.com
Big AND Beautiful

Lizzo launched a thousand hips with her body-positive lyrics and lifestyle, and you can continue that self-satisfying trend with Le Chic Miami’s hand-painted, more-to-love basswood Venus hoop earrings, available in three everywoman skin tones. $27, LeChicMiami.store
All the Restaurants
Former New Yorker magazine editor turned self-taught artist John Donohue recognizes that most Americans’ first dates take place at restaurants (Starbucks is #1 while In-N-Out Burger clocks in at #2, according to a survey of Clover app users), which is why he’s made it his mission to commemorate the occasion with signed, limited-edition prints of your fave romantic dining destinations, including Manhattan’s 12 Chairs Café and Abilene Bar, Jaleo in D.C., and London’s Noble Rot. $95, AllTheRestaurants.com
Bye-Bye Dry January

Build a more discerning home bar in 2023 with a curated selection of luxury liquors, including Empress 1908 and Jaisalmer gins, Rampur Double Cask and Bearface Triple Oak whiskies, Tequila Ocho Plata, and L’etoile du Nord vodka. Prices vary, Drizly.com; TotalWine.com
Jaisalmer Gin Negroni
1.25 oz Jaisalmer Indian Craft Gin
1 oz Camapri
.75 oz Cocchi Torino Vermouth
Combine all ingredients in a mixing glass. Add ice and stir until proper chill and dilution are achieved. Strain into a double rocks glass. Add a few large pieces of clear ice. Garnish with an orange twist.
One Love

Dateless for V-Day? Toast your single status – self-imposed independence should be celebrated (just ask Shakira) – with a bottle of Beau Joie Rosé Champagne and poppable Doughp cookie dough bites, in upbeat flavors like Cinnamood, Brownie Beast, Cookie Monsta, and Red Velvet Vixen. $135, TotalWine.com; $12-$16, Doughp.com
Mikey Rox is an award-winning journalist and LGBTQ lifestyle expert whose work has been published in more than 100 outlets. Connect with Mikey on Instagram @mikeyroxtravels.

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)










































The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)



















































Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.