Arts & Entertainment
Kim Petras and Beyoncé make history at the 65th annual Grammys
The 65th annual Grammys served up a night of LGBTQ significance as Beyoncé and Kim Petras both make history
The 65th annual GRAMMY Award Ceremonies held Sunday evening at the Crypto.com Arena saw a significant LGBTQ+ presence and wins in several categories including a GRAMMY for Best Solo Pop Duo/Group Performance awarded to Out Trans artist Kim Petras along side nonbinary artist Sam Smith for their song “Unholy.”
Madonna was on hand to introduce the duo, and in doing so, seemed to shout praise to the entire queer community. “Here’s what I have learned after four decades in music. If they call you shocking, scandalous, troublesome, problematic, provocative, or…dangerous. You are definitely on to something. So I am here to give thanks to all the rebels out there forging a new path, and taking the heat for all of it. You guys need to know, all you trouble makers out there, you need to know your fearlessness does not go unnoticed, you are seen, you are heard, and most of all you are appreciated.”
While online chatter seemed obsessed with Madonna’s physical appearance, there is hope her message reached queer teens, currently under the ire of current conservative politics, in the same way the singer elevated HIV positive people in the 1980s by not only accepting them, but calling them heroes.
Sam Smith insisted that Kim Petras give their acceptance speech so that she could experience the full effect of being the first transgender woman to receive the award in the Recording Academy’s 65 year history.
Petras acknowledged Madonna’s effect as an icon when she said in her acceptance speech, “I want to thank Madonna for always fighting for LGBTQ rights, I would not be here if not for Madonna.”
She also called out SOPHIE, the transgender Grammy-nominated DJ, producer and recording artist who died in Athens after a tragic accident. “I just want to thank all the incredible transgender legends before me who kicked these doors open for me so I could be here tonight. SOPHIE, especially, my friend who passed away two years ago, who told me this would happen and always believed in me. Thank you so much for your inspiration, SOPHIE. I adore you and your inspiration will always be in my music.”
“I grew up next to a highway in nowhere, Germany, and my mother believed me that I was a girl and I wouldn’t be here without her and her support,” Petras concluded her historic speech. “Sam, thank you, you’re a true angel and hero in my life and I love you. And everyone who made the song, too, I love you guys. Sorry, I didn’t write down the names. I love you.”
Longtime LGBTQ+ ally Harry Styles received a GRAMMY for Album of the Year for his Harry’s House. Styles also picked up a GRAMMY win Best Pop Vocal Album for Harry’s House. Earlier Styles received a GRAMMY trophy for Best Engineered Album, Non-Classical also for Harry’s House.
Beyoncé, who was the most nominated artist going into Sunday’s ceremonies, made GRAMMY history breaking the record for the most wins ever by an artist. In her acceptance speech where she mentioned her late uncle who died from HIV/AIDS she acknowledged the queer community for their support and “for inventing the genre” of dance music, which she honors in her album.
“I’m trying not to be too emotional. I’m trying to just receive this night. I want to thank God for protecting me. Thank you, God. I’d like to thank my uncle Johnny who’s not here, but he’s here in spirit.
I’d like to thank my parents, my father, my mother for loving me and pushing me. I’d like to thank my beautiful husband, my beautiful three Children who are at home watching.
I’d like to thank the queer community for your love, for inventing the genre. God bless you.
Thank you so much to the GRAMMYs. Thank you.”
She also posted a thank you note on Instagram celebrating the three awards she won earlier in the evening: Best Traditional R&B Performance (“Plastic Off the Sofa”), Best R&B Song (“Cuff It”), and Best Dance/Electronic Recording (“Break My Soul”).
First Lady Dr. Jill Biden walked on stage during the ceremonies to a standing ovation. GRAMMYs host Trevor Noah, who introduced her, described her as “the only person in the world who knows which of tonight’s songs the President sings in the shower.”
The First Lady presented two awards – the Song of the Year and the new award “Best Song for Social Change.”
Iranian singer Shervin Hajipour won the new social change award. His song Baraye has been described as the anthem of the Mahsa Amini protests in Iran. Biden described the song as a “powerful and poetic call for freedom and women’s rights.”
He was arrested on September 29, 2022 – two days after his song was released on social media – and was released two days later. He is not allowed to leave Iran.
Biden then presented Song of the Year to Just Like That by Bonnie Raitt. She kissed Raitt on the cheek.
Vanessa Valdivia, Press Secretary for Biden told the traveling press pool: “The First Lady was honored to be asked by the Recording Academy to announce the GRAMMYs’ first Social Change award to Shervin Hajipour for his song ‘Baraye’. As a steadfast champion for women and girls around the world, the First Lady was inspired by his song that served as an anthem for freedom and women’s rights.”
2023 GRAMMY Award Winners
* Winners in bold
Album of the Year:
Harry Styles – Harry’s House
ABBA – Voyage
Adele – 30
Bad Bunny – Un Verano Sin Ti
Beyoncé – Renaissance
Mary J. Blige – Good Morning Gorgeous (Deluxe)
Brandi Carlile – In These Silent Days
Coldplay – Music of the Spheres
Kendrick Lamar – Mr. Morale & the Big Steppers
Lizzo – Special
Song of the Year:
Bonnie Raitt – “Just Like That”
Gayle – “abcdefu”
Lizzo – “About Damn Time”
Taylor Swift – “All Too Well (10 Minute Version)”
Harry Styles – “As It Was”
Steve Lacy – “Bad Habit”
Beyoncé – “Break My Soul”
Adele – “Easy On Me”
DJ Khaled feat. Rick Ross, Lil Wayne, JAY-Z, John Legend, and Fridayy – “God Did”
Kendrick Lamar – “The Heart Part 5”
Record of the Year:
Lizzo – “About Damn Time”
ABBA – “Don’t Shut Me Down”
Adele – “Easy On Me”
Beyoncé – “Break My Soul”
Mary J. Blige – “Good Morning Gorgeous”
Brandi Carlile feat. Lucius – “You and Me on the Rock”
Doja Cat – “Woman”
Steve Lacy – “Bad Habit”
Kendrick Lamar – “The Heart Part 5”
Harry Styles – “As It Was”
Best New Artist:
Samara Joy
Anitta
Omar Apollo
Domi & JD Beck
Muni Long
Latto
Måneskin
Tobe Nwigwe
Molly Tuttle
Wet Leg
Best Alternative Music Album:
Wet Leg – Wet Leg
Arcade Fire – WE
Big Thief – Dragon New Warm Mountain I Believe in You
Björk – Fossora
Yeah Yeah Yeahs – Cool It Down
Best Alternative Music Performance:
Wet Leg – “Chaise Lounge”
Arctic Monkeys – “There’d Better Be a Mirrorball”
Big Thief – “Certainity”
Florence + The Machine – “King”
Yeah Yeah Yeahs feat. Perfume Genius – “Spitting Off the Edge of the World”
Best Rock Performance:
Brandi Carlile – “Broken Horses”
Bryan Adams – “So Happy It Hurts”
Beck – “Old Man”
The Black Keys – “Wild Child”
IDLES – “Crawl!”
Ozzy Osbourne feat. Jeff Beck – “Patient Number 9”
Turnstile – “Holiday”
Best Rock Song:
Brandi Carlile – “Broken Horses”
Red Hot Chili Peppers – “Black Summer”
Turnstile – “Blackout”
The War on Drugs – “Harmonia’s Dream”
Ozzy Osbourne feat. Jeff Beck – “Patient Number 9″
Best Rock Album:
Ozzy Osbourne – Patient Number 9
The Black Keys – Dropout Boogie
Elvis Costello & The Imposters – The Boy Named If
IDLES – Crawler
Machine Gun Kelly – Mainstream Sellout
Spoon – Lucifer on the Sofa
Best Metal Performance:
Ozzy Osbourne feat. Tony Iommi – “Degradation Rules”
Ghost – “Call me Little Sunshine”
Megadeth – “We’ll Be Back”
Muse – “Kill or Be Killed”
Turnstile – “Black Out”
Best Solo Pop Performance:
Adele – “Easy on Me”
Bad Bunny – “Moscow Mule”
Doja Cat – “Woman”
Steve Lacy – “Bad Habit”
Lizzo – “About Damn Time”
Harry Styles – “As It Was”
DJ Khaled feat. Rick Ross, Lil Wayne, JAY-Z, John Legend, and Fridayy – “God Did”
Best Solo Pop Duo/Group Performance:
Sam Smith & Kim Petras – “Unholy”
ABBA – “Don’t Shut Me Down”
Camila Cabello feat. Ed Sheeran – “Bam Bam”
Coldplay & BTS – “My Universe”
Post Malone & Doja Cat – “I Like You (A Happier Song)”
Best Pop Vocal Album:
Harry Styles – Harry’s House
ABBA – Voyage
Adele – 30
Coldplay – Music of the Sphere
Lizzo – Special
Best Dance/Electronic Recording:
Beyoncé – “Break My Soul”
Bonobo – “Rosewood”
Diplo & Miguel – “Don’t Forget My Love”
David Guetta & Bebe Rexha – “I’m Good (Blue)”
Kaytranada feat. H.E.R. – “Intimidated”
RÜFÜS DU SOL – “Intimidated”
Best Dance/Electronic Album:
Beyoncé – Renaissance
Bonobo – Fragments
Diplo – Diplo
Odesza – The Last Goodbye
RÜFÜS DU SOL – Surrender
Best Rap Album:
Kendrick Lamar – Mr. Morale & the Big Steppers
DJ Khaled – God Did
Future – I Never Liked You
Jack Harlow – Come Home the Kids Miss You
Pusha T – It’s Almost Dry
Best Rap Song:
Kendrick Lamar – “The Heart Part 5”
Future feat. Drake and Tems – “Wait for U”
Jack Harlow feat. Drake – “Churchill Downs”
DJ Khaled feat. Rick Ross, Lil Wayne, JAY-Z, John Legend, and Fridayy – “God Did”
Gunna and Future feat. Young Thug – “Pushin’ P”
Best Rap Performance:
Kendrick Lamar – “The Heart Part 5”
DJ Khaled feat. Rick Ross, Lil Wayne, JAY-Z, John Legend, and Fridayy – “God Did”
Doja Cat – “Vegas”
Gunna & Future feat. Young Thug – “Pushin P”
Hitkidd & GloRilla – “F.N.F. (Let’s Go)”
Best Melodic Rap Performance:
Future feat. Drake and Tems – “Wait for U”
DJ Khaled feat. Future and SZA – “Beautiful”
Jack Harlow – “First Class”
Kendrick Lamar feat. BLXST and Amanda Reifer – “Die Hard”
Latto – “Big Energy (Live)”
Best Música Urbana Album:
Bad Bunny – Un Verano Sin Ti
Rauw Alejandro – Trap Cake, Vol. 2
Daddy Yankee – Legendaddy
Farruko – LA 167
Maluma – The Love & Sex Tape
Best Americana Album:
Brandi Carlile – In These Silent Days
Dr. John – Things Happen That Way
Keb’ Mo’ – Good to Be…
Robert Plant & Alison Krauss – Raise the Roof
Bonnie Raitt – Just Like That…
Best Comedy Album:
Dave Chappelle – The Closer
Jim Gaffigan – Comedy Monster
Randy Rainbow – A Little Brains, a Little Talent
Louis CK – Sorry
Patton Oswalt – We All Scream
Best Music Video:
Taylor Swift – “All Too Well: The Short Film”
Adele – “Easy on Me”
BTS – “Yet to Come”
Doja Cat – “Woman”
Kendrick Lamar – “The Heart Part 5”
Harry Styles – “As It Was”
Best Music Film:
Various Artists – Jazz Fest: A New Orleans Story
Adele – Adele One Night Only
Justin Bieber – Our World
Billie Eilish – Billie Eilish Live at The O2
Rosalía – Motomami (Rosalía TikTok Live Performance)
Neil Young & Crazy Horse – A Band A Brotherhood A Barn
Best Score Soundtrack for Visual Media:
Germaine Franco – Encanto
Michael Giacchino – The Batman
Hans Zimmer – No Time to Die
Jonny Greenwood – The Power of the Dog
Nicholas Britell – Succession: Season 3
Best Compilation Soundtrack for Visual Media:
Encanto
Elvis
Stranger Things: Soundtrack from the Netflix Series, Season 4 (Vol 2)
Top Gun: Maverick
West Side Story
Best Remixed Recording:
Lizzo – “About Damn Time (Purple Disco Machine Remix)”
Beyoncé – “Break My Soul (Terry Hunter Remix)”
Ellie Goulding “Easy Lover (Four Tet Remix)”
The Knocks & Dragonette – “Slow Song (Paul Woolford Remix)”
Wet Leg -“Too Late Now (Soulwax Remix)”
Best Engineered Album, Non-Classical:
Harry Styles – Harry’s House
Bayn – Adolescence
Robert Glasper – Black Radio III
Father John Misty – Chloë and the Next 20th Century
Wet Leg – Wet Leg
Producer of the Year:
Jack Antonoff
Boi-1da
Dernst “D’Mile” Emile II
Dahi
Dan Auerbach
Additional reporting by Brody Levesque
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Rob Watson is the host of the popular Hollywood-based radio/podcast show RATED LGBT RADIO.
He is an established LGBTQ columnist and blogger having written for many top online publications including Parents Magazine, the Huffington Post, LGBTQ Nation, Gay Star News, the New Civil Rights Movement, and more.
He served as Executive Editor for The Good Man Project, has appeared on MSNBC and been quoted in Business Week and Forbes Magazine.
He is CEO of Watson Writes, a marketing communications agency, and can be reached at [email protected] .
The Petal Release Party and Drag Show was held at Spark Social on Friday, July 31. Performers included Tiara-Missou, Labianna and Darcy de la Cuadra.
(Washington Blade photos by Landon Shackelford)
Celebrity News
Madonna headlines World Pride Music Festival in Amsterdam
Kylie Minogue made surprise appearance alongside gay icon
AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.
The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.
“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.
Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.
Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”
(Washington Blade video by Michael K. Lavers)
“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”
Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.
Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.
Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.
“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”
Theater
Reggie White relishing first season as artistic director of Woolly Mammoth
First five shows a reminder that ‘pressure is a privilege’
Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.
White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.
A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.
White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?”
Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor.
“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.”
WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?
REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real.
BLADE: Are you curating the upcoming 2026–2027 season?
WHITE: Yes, I am. It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard.
I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work.
These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV.
Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.
BLADE: As a queer artistic director, what makes you unique?
WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.
I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].
BLADE: Will we see familiar faces?
WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work.
BLADE: How do you think queer audiences will receive the season?
WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.
Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.
PHOTOS: Petal Release Party
Madonna headlines World Pride Music Festival in Amsterdam
Reggie White relishing first season as artistic director of Woolly Mammoth
PHOTOS: Amsterdam Pride Canal Parade
Amsterdam Pride Canal Parade draws hundreds of thousands
Madonna to perform at World Pride in Amsterdam
BLADE ENDORSEMENT: Susan Stewart for mayor of Rehoboth Beach
PHOTOS: Lambda Legal in the Pines
Calendar: July 31-August 6
