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D.C.’s hottest new LGBTQ nightclub is — Bunker

‘A real playground with energy that’s unlike anything else’

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Bunker takes over the space vacated by Tropicalia at the busy corner of 14th and U streets, N.W.

D.C.’s hottest new nightclub is — Bunker. Opening within the next month, Bunker takes over the space vacated by Tropicalia at the busy corner of 14th and U streets, N.W.  And filling a need for a dedicated dance club, Bunker is set to take D.C. LGBTQ nightlife to the next level.

Owned by the producers of KINETIC Presents, Zach Renovatés and Jesus Quispe, Bunker will be open Thursday-Sunday, each night featuring a distinct theme.

Bunker takes up the mantle of celebrated nightlife spots that have closed in recent years: Cobalt, Town Danceboutique, Secrets, and DC Eagle.

“As a longtime DC resident, it was devastating,” says Renovatés. “ There was no guaranteed space to have that night out for dancing, just for our community.”

Running KINETIC Presents, Renovatés has been producing events for the LGBTQ community for nearly a decade. He works with business partner Quispe to host rotating parties at various venues, like Echostage and Bliss.

KINETIC, however, has become not just a company that throws parties, but a safe space. For example, KINETIC partners with Capital Pride Alliance in June and throughout the year, and produced the official nighttime parties during this year’s Mid-Atlantic Leather in partnership with Centaur MC. During the monkeypox outbreak, KINETIC provided attendees with health information and guidance. With its own space, Renovatés can leverage a physical location as a more substantive platform to gather and share.

Yet as KINETIC grew, so did the need for a dedicated, LGBTQ-owned-and-operated location for guests to get together.

Bunker presented itself as that location.

“This is a space that’s 100% for the LGBTQ community and by the LGBTQ community,” he says.

“Our goal,” he says, “is to grow nightlife, to bring more talent and more tourists. We want to support the economic growth of the city, and know that LGBTQ patrons can help do that with Bunker.”

What also sets Bunker apart is the live DJ sets that spin every night it’s open. “You can expect production levels similar to venues that KINETIC was in,” he says. “What is important to me is that it has unique music every night.”

Bunker will source local, national, and international DJs representing various genres. Pop, house, circuit, and disco will all be featured. In the works is also Sunday “disco daddy” tea day-to-night party. Other events include a nightly 7-9 p.m. happy hour as a social lubricant for the rest of the evening, whether that’s at Bunker or another location. Renovatés notes that he has strong relations with other gay bars in the city, and looks forward to being located within walking distance of many of them.

Renovatés says that drag and other entertainment are also in the works.

As for the actual space itself, “when I descended those stairs since I saw it as Tropicalia, the first thing I saw was beautiful concrete walls – that’s why we went with the name. We embraced that.”

“With Bunker, we’ve taken the interior down to its essentials and are rebuilding it  exactly for what our community needs.” He shied away from leaning in too hard on the underground aesthetic. While plenty of concrete delivers the bunker vibe, “where Bunker shines is bringing in murals, lighting, sound, and more. It represents the color and vibrance of community.” The 11-foot ceilings certainly helped.

A custom-built, 600-pound steel door that “looks like it was blasted into the side of a mountain” welcomes partygoers. While inside is lots of steel and rock, it still has character. “It’s like a ‘60s Cold War shelter made fabulous,” he says. Lively murals by various artists are splashed across the space, with relaxed seating meant to be used earlier in the evening.

“Our goal is that every single night, someone local or visiting can get an incredible DJ and lighting experience in a safe space that’s so important today,” says Renovatés. Bunker is not only a place to dance, he notes, it is the embodiment of the community space that was so lacking.

As Bunker’s website teases few details on the club, Renovatés hints that Instagram may be the platform for more information as the grand opening gets closer.

As soon as that concrete door lets guests in, Renovatés wants people to expect “a real playground with energy that’s unlike anything else in D.C.”

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Nightlife

Ed Bailey brings Secret Garden to Project GLOW festival

An LGBTQ-inclusive dance space at RFK this weekend

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Ed Bailey's set at last year's Project Glow. (Photo courtesy Bailey)

When does a garden GLOW? When it’s run by famed local gay DJ Ed Bailey.

This weekend, music festival Project GLOW at RFK Festival Grounds will feature Bailey’s brainchild the Secret Garden, a unique space just for the LGBTQ community that he launched in 2023.

While Project GLOW, running April 27-28, is a stage for massive electronic DJ sets in a large outdoor space, Secret Garden is more intimate, though no less adrenaline-forward. He’s bringing the nightclub to the festival. The garden is a dance area that complements the larger stages, but also stands on its own as a draw for festival-goers. Its focus is on DJs that have a presence and following in the LGBTQ audience world.

“The Secret Garden is a showcase for what LGBTQ nightlife, and nightclubs in general, are all about,” he says. “True club DJs playing club music for people that want to dance in a fun environment that is high energy and low stress. It’s the cool party inside the bigger party.”

Project GLOW launched in 2022. Bailey connected with the operators after the first event, and they discussed Bailey curating his own space for 2023. “They were very clear that they wanted me to lean into the vibrant LGBTQ nightlife of D.C. and allow that community to be very visibly a part of this area.”

Last year, club icon Kevin Aviance headlined the Secret Garden. The GLOW festival organizers loved the its energy from last year, and so asked Bailey to bring it back again, with an entire year to plan.

This year, Bailey says, he is “bringing in more D.C. nightlife legends.” Among those are DJ Sedrick, “a DJ and entertainer legend. He was a pivotal part of Tracks nightclub and is such a dynamic force of entertainment,” says Bailey. “I am excited for a whole new audience to be able to experience his very special brand of DJing!”

Also, this year brings in Illustrious Blacks, a worldwide DJ duo with roots in D.C.; and “house music legends” DJs Derrick Carter and DJ Spen.

Bailey is focusing on D.C.’s local talent, with a lineup including Diyanna Monet, Strikestone!, Dvonne, Baronhawk Poitier, THABLACKGOD, Get Face, Franxx, Baby Weight, and Flower Factory DJs KS, Joann Fabrixx, and PWRPUFF. 

 Secret Garden also brings in performers who meld music with dance, theater, and audience interactions for a multi-sensory experience.

Bailey is an owner of Trade and Number Nine, and was previously an owner of Town Danceboutique. Over the last 35 years, Bailey owned and operated more than 10 bars and clubs in D.C. He has an impressive resume, too. Since starting in 1987, he’s DJ’d across the world for parties and nightclubs large and intimate. He says that he opened “in concert for Kylie Minogue, DJed with Junior Vasquez, played giant 10,000-person events, and small underground parties.” He’s also held residencies at clubs in Atlanta, Miami, and here in D.C. at Tracks, Nation, and Town. 

With Secret Garden, Bailey and GLOW aim to bring queer performers into the space not just for LGBTQ audiences, but for the entire music community to meet, learn about, and enjoy. While they might enjoy fandom among queer nightlife, this Garden is a platform for them to meet the entirety of GLOW festival goers.

Weekend-long Project GLOW brings in headliners and artists from EDM and electronic music, with big names like ILLENIUM, Zedd, and  Rezz. In all, more than 50 artists will take the three stages at the third edition of Project GLOW, presented by Insomniac (Electric Daisy Carnival) and Club Glow (Echostage, Soundcheck).

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Nightlife

D.C.’s gay DJ collective CTRL returns

Electropop group resurfaces at Trade on March 30

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CTRL is back after a six-year absence.

Finger lasers, confetti cannons, drag shows, photo booths, throwback tunes, and a touch nerdy: after a long break, D.C.’s gay DJ collective CTRL is throwing its first party in six years.

Born in an Eritrean restaurant more than a decade ago, this longstanding gay nightlife electropop group is resurfacing with a comeback event at Trade on March 30.

Gay DJs Adam Koussari-Amin, Jeff Prior, Devon Trotter, and Brett Andreisen hosted the first CTRL party at now-closed restaurant Dahlak, on the corner of 18th and U Streets. After a year of hosting pop-ups in that restaurant’s dining room, they upgraded down 18th Street to now-closed gay club Cobalt. There, the parties grew: drag shows, a pop-up photo booth from David Claypool, and quirky activations like throwing hot dogs into print-outs of Putin’s mouth. Their productions grew as well, like producing the now-defunct Brightest Young Gays (BYG) Pride events at Wonderbread Factory and Union Market and the ‘Get Wet’ pool party with David Brown’s Otter Crossing at the Capitol Skyline Hotel.

CTRL wasn’t done. The group received its biggest stage yet after a call from Ed Bailey, the owner of now-closed gay club Town, as well as current gay bars Number 9 and Trade. At Town, the opportunity “allowed our creativity to flourish with even bigger performances, bigger photo experiences, crazier hand-outs, and the same electropop dance vibes our fans had come to know us for,” says Koussari-Amin.

CTRL pressed pause when Town shut down, which “was a huge loss to the LGBTQIA+ community and D.C. nightlife in general,” says Koussari-Amin. After that, it hosted an occasional spinoff called QWERTY. Post-pandemic, Koussari-Amin has spent a few nights solo as DJ at Trade and other venues.

After connecting with Jesse Jackson, the Trade general manager, as well as with Bailey, who agreed to host the inaugural event, Koussari-Amin was determined to shift CTRL back to life.

However, getting the old band back together proved to be a challenge. While the rest of the group have either left Washington, D.C., or are pursuing other projects, Koussari-Amin received their blessing to stay on and find new members. 

“When it came to finding new partners, both DJ Dez [Desmond Jordan] and DJ Lemz [Steve Lemmerman] were obvious choices,” he says, noting that “they also have distinct styles and interests.” Dez has a residency at Pitchers and Kiki as well as pop-ups, and Lemz throws events like Sleaze and BENT.

 “It seemed important to come back to the nightlife table with an experience that could complement all the amazing experiences that have even built up since CTRL threw its last event at Town. Bringing back both the DJ collective and the CTRL event with Dez and Lemz means new voices, perspectives, sounds, and excitement.”

“CTRL is an opportunity for the community to come together, enjoy music, drinks, and good vibes,” adds Jordan, noting that for him, it’s an event that celebrates queer identity.

And after months of planning, CTRL will kick off its monthly party series at Trade on March 30 for the first gig after its glow-up.

The trio says that its core inspiration “is driven by the indie and electropop favorites of new and old, like Goldfrapp, Ava Max, Charli XCX, … We’re also all huge fans of slut and trash pop music like Kim Petras, Slayyyter, Cupcakke,” as well as pop diva remixes, new bops, and songs that reside inside and far beyond the expanse of Top 40.

CTRL is also bringing back its activations that complement the tunes. Summer Camp is set for drag performances, David Claypool is back with his photo booth, and Koussari-Amin promises “to have all sorts of weird and wacky handouts like we used to.”

After the March premiere, April’s party is “CTRLella”, a Coachella send-up. Future events will feature various different themes, and they plan to throw a party during Capital Pride; they’re also looking to be a central part of Trade’s expansion into the adjacent space.

 Koussari-Amin says that “the event’s signature experience [is] a lynchpin in connecting D.C.’s expanding generations of queer folks, giving everyone a safe space to let loose and feel a rush no matter who they are.” 

For his part, Bailey continues to support CTRL and its collective intention, expressing its essential nature as a party for partiers by partiers. “CTRL is the kind of party that represents what people want. It’s just a real party by real people that just want to hear good music and dance with their friends.”

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Nightlife

SMYAL’s dragtastic event takes center stage at the REACH

Tara Hoot among the performers

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Tara Hoot (Washington Blade photo by Michael Key)

Get ready for an unforgettable evening as SMYAL, in collaboration with Culture Caucus, presents a vibrant event celebrating LGBTQ culture and expression. 

Join them on Feb. 7 at 6 p.m. at the REACH at the Kennedy Center for an enlightening Drag Story Hour with Tara Hoot, followed by performances from local drag sensations Pretty Rik E and Bombshell Monroe.

This inclusive gathering welcomes LGBTQ youth under 18 and their parents/caregivers to delve into the rich history of drag while enjoying the mesmerizing talents of these beloved performers. Costumes are not just welcomed but encouraged, promising an atmosphere filled with creativity and self-expression.

Mark your calendars and secure your spot by registering on the event’s website through the Program Culture Caucus. This is an opportunity to come together, learn and celebrate the vibrant world of drag at the REACH at the Kennedy Center with SMYAL and its fantastic lineup of performers.

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