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Point Foundation offers growing range of scholarships, support

‘Resources to succeed and thrive rather than just make it through’

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Celina Gerbic, a member of the Point Foundation’s board of directors, speaks at last year’s event. (Washington Blade file photo by Michael Key)

Many in D.C. know the Point Foundation for its longstanding scholarship program and its popular Taste of Point fundraiser each spring. But the nonprofit is offering a growing range of services to its young scholars, including mental health resources and social media support.

This year’s Taste of Point brought mixologists, restaurateurs, and donors together on May 3 at Room and Board for the annual celebration. With a number of local businesses and organizations donating to the silent auction, the event both raised money for Point Foundation’s scholarships while recognizing scholarship recipients and program alumni.

Among the lineup of featured speakers was one of the foundation’s flagship scholarship recipients, Rio Dennis, a dual master’s and law candidate at Georgetown University.

“I applied for the Point Foundation Flagship Scholarship because I believed in its mission of helping LGBTQ+ students achieve their academic goals while also providing training and resources so we can become better leaders within the LGBTQ community during school and long term,” Dennis said in her speech. 

The Taste of Point celebration began in 2013, born from another event called the Cornerstone Reception. Originally planned as a normal fundraiser with hor d’oeuvres, the foundation transformed it into the current Taste of Point celebration that facilitates partnerships with new, local restaurants.

Some restaurants, like Compass Rose and Hank’s Oyster Bar, partnered with Point Foundation for their first celebration. They have been catering at the fundraiser ever since.

“It really gives you the sense of the amount of love and the amount of community that we have around the Point Foundation and mission,” said Celina Gerbic, a member on the foundation’s board of directors. “They really see, with hearing from the scholars, what the effects can be if we’re raising money for those scholarships and mentoring opportunities.”

The event also allows the foundation to showcase new offerings, such as the Community College Scholarship that was rolled out in 2016. The community college program gives scholars a financial scholarship to support their costs in community college as well as coaching and admissions counseling for students planning to transfer to a university. 

The foundation is expanding all of its programs. In the next academic year, Point will offer 574 scholarships and grants to students around the country. This includes scholars in its BIPOC scholarship, the newest and largest program at Point.

Omari Foote, one of the current BIPOC scholarship recipients, appreciates how the scholarship recognizes her as a Black queer student. She is even encouraging other queer students and friends to apply to receive similar assistance.

However, Point is even more than that, Dennis notes. 

Before the school year started, the Point Foundation sent Dennis and all of the new flagship scholars to Los Angeles for a leadership development conference. Scholars discussed how to become active leaders on campus, how to ask for certain resources, what is offered by their campuses, and what tutoring programs are available.

Last year, Point also launched a joint partnership with an online therapy program to offer discounted prices for all scholars. 

“I have anxiety and depression and I struggled a lot in undergrad with trying to balance that with my having to support myself financially,” Dennis said. “So I was definitely grateful that Georgetown did have a program that is specifically for people of color to get free therapy and Point definitely helped with… asking those questions because it is one of those programs that isn’t as well publicized.”

Point even provided Dennis with a mentor who was also a Point Scholar in law school. Meeting monthly on Zoom and texting all throughout the month, Dennis’s mentor provides academic support that helps her use the right resources and make decisions about her career.

Foote finds the scholarship unique in other ways as well. As a recipient of a handful of other scholarships outside of Point, Foote’s interactions with her scholarship programs mostly stop after they send instructions for writing donor thank you notes. But Point keeps reaching out to maintain a relationship with scholars long after that.

“They’ve reached out to me to spotlight me on Instagram,” Foote said. “They reached out to me even for this dinner, paying for my transportation to and from the dinner … It’s like they’re not just there to give you the money. They’re there to really help you navigate the college world and to be that caring supportive system that a lot of us just don’t have anymore now that we are living by ourselves.”

Last November, the foundation also held an Out in Higher Ed Week, wherein they teach scholars how to be LGBTQ+ advocates on campus. These resources help students navigate the ins and outs of discussing LGBTQ+ issues in university settings.

After graduation, Dennis has even thought about returning to the Point Foundation as a mentor to help future Black queer students, especially first generation law students, balance their mental health and financial situations.

“Point has connected me with fellow scholars who have become my friends. Point has provided me with resources and support to succeed and thrive rather than just make it through,” Dennis said. “I definitely plan on continuing to be involved with Point.”

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District of Columbia

Juvenile arrested for anti-gay assault in D.C.

Police say suspect targeted victim in house with Pride flags

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The gay man who was hit in the face by a rock thrown through the front window of his house, shown here, by the juvenile who was arrested told the Blade he and his husband covered the now boarded up window with a large Pride flag. (Washington Blade photo by Lou Chibbaro, Jr.)

D.C. police announced on June 16 that they have arrested a 13-year-old juvenile male on a charge of Assault With Significant Bodily Injury for allegedly throwing a rock through the window of a house in Northeast D.C. and “striking the victim in the face.”

In a statement announcing the arrest, police said the incident took place on Friday, June 6, and  “LGBTQ+ flags were displayed at the front of the home.”

A separate D.C. police incident report obtained by the Washington Blade states, “Victim 1 reports he was sitting in his living room at the listed location watching television when a rock came through the front window and struck him about his left eye. Victim 1 suffered a laceration under his left eye.”

The report adds, “Victim 1 states he observed Suspect 1 running away.”

According to the June 16 statement issued by police, “On Sunday, June 15, 2025, officers located the suspect and placed him under arrest. [A] 13-year-old juvenile male of Northeast D.C., was charged with Assault With Significant Bodily Injury (Hate/Bias).”

The statement says the house where the incident occurred is located on the 400 block of 20th Street, N.E.

Similar to statements D.C. police have issued regarding LGBTQ bias-related cases in the past, the statement announcing this case says that while the case is being investigated as being potentially motivated by hate or bias, that designation could be changed at any time during the investigation.

It adds that a hate crime designation by D.C. police may not be prosecuted as a hate crime by prosecutors. Under D.C. law, juvenile cases are prosecuted by the Office of the D.C. Attorney General. 

Since court records for cases involving juveniles are sealed from public access, the Blade could not immediately determine whether prosecutors designated the case as a hate crime.

It also could not immediately be determined if the juvenile charged in the case was being held in detention while awaiting trial at juvenile court or whether he was released to a parent or guardian and whether a judge set any conditions for release.

The police statement concludes by saying that the department’s Special Liaison Branch, which includes the LGBT Liaison Unit, is assisting with the investigation. 

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District of Columbia

Drive with Pride in D.C.

A new Pride-themed license plate is now available in the District, with proceeds directly benefiting local LGBTQ organizations.

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A sample of the license plate with the "Progressive" Pride flag. (Screenshot from the DCDMV website)

Just in time for Pride month, the D.C. Department of Motor Vehicles has partnered with the Mayor’s Office of LGBTQ Affairs to create a special “Pride Lives Here” license plate.

The plate, which was initially unveiled in February, has a one-time $25 application fee and a $20 annual display fee. Both fees will go directly to the Office of Lesbian, Gay, Bisexual, Transgender and Questioning Affairs Fund.

The MOLGBTQA Fund provides $1,000,000 annually to 25,000 residents through its grant program, funding a slew of LGBTQ organizations in the DMV area — including Capital Pride Alliance, Whitman-Walker, the D.C. Center for the LGBTQ Community, and the Washington Blade Foundation.

The license plate features an inclusive rainbow flag wrapping around the license numbers, with silver stars in the background — a tribute to both D.C.’s robust queer community and the resilience the LGBTQ community has shown.

The “Pride Lives Here” plate is one of only 13 specialty plates offered in the District, and the only one whose fees go directly to the LGBTQ community.

To apply for a Pride plate, visit the DC DMV’s website at https://dmv.dc.gov/

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District of Columbia

Drag queens protest Trump at the Kennedy Center

President attended ‘Les Misérables’ opening night on Wednesday

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(Photo by Julian Applebaum from Qommittee)

On Wednesday night, four local drag performers attended the first night of the Kennedy Center’s season in full drag — while President Donald Trump, an outspoken critic of drag, sat mere feet away. 

Three queens — Tara Hoot, Vagenesis, and Mari Con Carne — joined drag king Ricky Rosé to represent Qommittee, a volunteer network uniting drag artists to support and defend each other amid growing conservative attacks. They all sat down with the Washington Blade to discuss the event.

The drag performers were there to see the opening performance of “Les Misérables” since Trump’s takeover of the historically non-partisan Kennedy Center. The story shows the power of love, compassion, and redemption in the face of social injustice, poverty, and oppression, set in late 19th century France. 

Dressed in full drag, the group walked into the theater together, fully aware they could be punished for doing so.

“It was a little scary walking in because we don’t know what we’re going to walk into, but it was really helpful to be able to walk in with friends,” said drag queen Vagenesis. “The strongest response we received was from the staff who worked there. They were so excited and grateful to see us there. Over and over and over again, we heard ‘Thank you so much for being here,’ ‘Thank you for coming,’ from the Kennedy Center staff.”

The staff weren’t the only ones who seemed happy at the act of defiance. 

“We walked in together so we would have an opportunity to get a response,” said Tara Hoot, who has performed at the Kennedy Center in full drag before. “It was all applause, cheers, and whistles, and remarkably it was half empty. I think that was season ticket holders kind of making their message in a different way.”

Despite the love from the audience and staff, Mari Con Carne said she couldn’t help feeling unsettled when Trump walked in.

“I felt two things — disgust and frustration,” Carne said. “Obviously, I don’t align with anything the man has to say or has to do. And the frustration came because I wanted to do more than just sit there. I wanted to walk up to him and speak my truth  — and speak for the voices that were being hurt by his actions right now.”

They weren’t the only ones who felt this way according to Vagenesis:

“Somebody shouted ‘Fuck Trump’ from the rafters. I’d like to think that our being there encouraged people to want to express themselves.”

The group showing up in drag and expressing themselves was, they all agreed, an act of defiance. 

“Drag has always been a protest, and it always will be a sort of resistance,” Carne said, after pointing out her intersectional identity as “queer, brown, Mexican immigrant” makes her existence that much more powerful as a statement. “My identity, my art, my existence — to be a protest.”

Hoot, who is known for her drag story times, explained that protesting can look different than the traditional holding up signs and marching for some. 

“Sometimes protesting is just us taking up space as drag artists,” Hoot added. “I felt like being true to who you are —  it was an opportunity to live the message.”

And that message, Ricky Rosé pointed out, was ingrained with the institution of the Kennedy Center and art itself — it couldn’t be taken away, regardless of executive orders and drag bans

“The Kennedy Center was founded more than 50 years ago as a place meant to celebrate the arts in its truest, extraordinary form,” said Ricky Rosé. “President Kennedy himself even argued that culture has a great practical value in an age of conflict. He was quoted saying, ‘the encouragement of art is political in the most profound sense, not as a weapon in the struggle, but as an instrument of understanding the futility of struggle’ and I believe that is the basis of what the Kennedy Center was founded on, and should continue. And drag fits perfectly within it.”

All four drag performers told the Washington Blade — independently of one another — that they don’t think Trump truly understood the musical he was watching.

“I don’t think the president understands any kind of plot that’s laid out in front of him,” Vagenesis said. “I’m interested to see what he thinks about “Les Mis,” a play about revolution against an oppressive regime. I get the feeling that he identifies with the the rebellion side of it, instead of the oppressor. I just feel like he doesn’t get it. I feel it goes right over his head.”

“Les Misérables” is running at the Kennedy Center until July 13.

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