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David Archuleta may have lost ‘Masked Singer’ but he’s winning life

Overcoming a period of darkness to release new music

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David Archuleta (Photo by Zach Schmitt)

HOLLYWOOD – David Archuleta is easily the sweetest of crooners. His warm, romantic, sweet voice has charmed a breadth of audiences for more than a decade, first as a top contender on “American Idol,” and most recently with his boyish face completely hidden on the “Masked Singer.” In both competitions, he beat out dozens of massively talented singers to land in the No. 2 slot. 

When he came in second on “Idol,” he got lost within the sea of confetti heralding David Cook as the winner. On the “Masked Singer,” when he lost to Bishop Briggs, he was all anyone was talking about, including by the winner herself. 

When he was revealed as The Macaw, usually comedic judge Ken Jeong was brought to tears. Archuleta’s voice was personal to Ken. His “American Idol” rendition of “Imagine” had gotten the Jeong family through tough times. Reminding the world that David’s was the voice of an “angel” Ken told him, “You are a ray of light to me, my wife and to my kids — thank God for you!”  In response, David shared his walk back from suicidal thoughts to coming out as queer. Then the rest of the audience, and winner Bishop Briggs, were also brought to tears. The Macaw may not have won the night, but David did.

David has always had his eye on love and compassion for all, even when he could not extend that courtesy to himself. His consideration came into play in his choices on how to present “Imagine” those many years ago. He had to decide which of the three verses of the song to perform.

He told me why he chose the third verse. “If I was only going to have one verse, and it was my last time being in front of an audience of that magnitude, I thought the song’s message was a lot bigger in that verse, avoiding lyrics where people usually get stuck on the words. I didn’t want them focusing on what the words were saying, I wanted them to see that the song talks about looking past differences, and just being one. Imagine a world of peace where there wasn’t fighting, there weren’t differences, there wasn’t division. That’s what I wanted to emphasize, and I felt the third verse did the best with that message, and was not going to turn people away, turn people’s hearts off, hearing trigger words like ‘Imagine there’s no Heaven’ it’s easy if you try.”

David is not about “no Heaven,” he is about bringing it to everyone.

David may have come in second in the highest profile singing contests on the planet, but he refuses to come in second in his own life now. There, he is the hands-down winner. He makes that clear in his newest song release “Up.” Rising back into popular view from his period of darkness, the song declares that he is headed “Up, up, up up.”

David discussed with me the religious and mental health crisis from which he has emerged. He said, “Religion gives you a very structured view of life and of purpose…why you are here, and where you are going to go, who God is, and what God expects of you. Being raised and being told ‘what God thinks of homosexuality and gay people’ and that if you succumb to it, you are distancing yourself from Him. I tried so hard to do what I was told I needed to do and growing up a Mormon, I was told to call it ‘same sex attraction’ acknowledging that I had a ‘weakness’ or ‘challenge’ that I needed to overcome, and if I did not give into it, I would be OK. 

“When I realized that I was never going to ‘overcome this challenge of same sex attraction’ I looked at myself as not just inauthentic, but as a failure. Clearly, I thought if I was truly a righteous person, I would be able to change myself from this ‘wicked’ state. When I realized I couldn’t, I thought ‘I’m wicked’, and there was nothing I could do about that. It made me afraid of myself, and I did not want to be a ‘wicked’ person walking the earth. No matter how many times I tried, no matter how many times I tried dating a woman, I went to church and fasted, never looked at pornography, and despite that, I realized it was just my nature. It was not even that I was trying to have sex with anyone, I just felt a bond and attraction to other guys—falling love or having a crush on someone. It led me to wanting to terminate my life. That ideology came from the way I was raised, from my religion, my spirituality as I saw it at that time.”

During his time of struggle, he even hid himself musically — he put out several outstanding Christmas albums. He released an album called “Therapy Sessions,” which highlighted, albeit veiled, his thoughts and struggles to suppress his sexuality.

He finally ended up throwing himself to God in a final prayer of desperation. 

He recounted the experience, “When I tuned into that higher connection, I heard God say, ‘David, you need to stop asking me this, because you’ve been asking me this for over half your life and you can see, it’s not changing. You need to understand, I do not intend it to change. This is what I meant for you. You are supposed to be this way. You are meant to be happy the way you are. You are meant to connect with the people I designed you to connect with. It is not an error despite what well meaning religious people say, and understand.’” 

David realized once and for all that he was not evil, that gay people were not evil. “There was an absolute clarity and assurance, absolute confidence, so loving support from a higher power greater than me, that showed me how to love greater. It taught me to love myself and allow myself to be loved.  It was pure, it was healing.”

The revelation gave him the confidence to confront church leaders, to see through their “suggestions” and stand alone as his authentic queer self.

While cloaked in the Macaw, he walked the stage clearer and truer than ever, and at the unmasking, the world was seeing not just David Archuleta, but a David Archuleta it had not known before.

Now he is singing a new song, literally. The song is an anthem that can speak to every trans, LGBTQ+ kid or adult in the community.

More, it is a declaration of who David Archuleta is, and what we can expect from him.

“The only place I’m goin’ is up

Only make room for love

‘Cause my story’s far from over

It’s only begun

I’ma throw it all away

Every last piece of your hate

And though my story’s far from over

I’ve already won

I’m goin’ up, up, up, up, up, up, up”

Yes, Archuleta is back, winning, and this time, he is taking us with him.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

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Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

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The queer Asian comics building collective joy in D.C.

Spotlighting chaotic ways family, romance, identity take shape in their lives

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Alex Kim performs at the Pride Comedy Special in Washington, D.C., on June 18, 2026. (Photo by Christina Lee/VOICES)

Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward. 

“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.

Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives. 

From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together. 

“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”

Each performance evoked queer Asian joy through a medium that could use more of its presence.

According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said. 

When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”

“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”

But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center. 

Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.

“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said. 

Family is a major throughline of their comedic repertoires. 

Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down. 

“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”

Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form. 

“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’” 

Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church. 

“I’ve been finding it hard to escape her,” Kim said. 

Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.

Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet. 

“As a person of color, I just don’t think I should be with a Swiftie,” they said. 

Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training. 

“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked. 

Laughter is not the only reward for the comics.

To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said. 

Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition. 

“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”

Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.

Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.

“As long as I can keep doing this, I’m super happy,” he said.

This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

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