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D.C.’s queer nightlife scene thriving, bucking national trends

Deep Cvnt, Crush, other bars and events keep city venues bustling

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Deep Cvnt is a ‘mini ball deluxe-inspired party.’ (Washington Blade photo by Joe Reberkenny)

John Etienne is familiar with the drifting sounds from vodka-fueled conversations and the tapping of feet against the floorboards of Trade, a gay bar in D.C.’s Logan Circle. On any other Thursday night, Etienne — a party host, judge, and queer nightlife socialite — would be up on the dance floor, sipping a gin and ginger ale, dancing to the new Beyonce song with friends.

But this is not just any Thursday.

Tonight he is sitting directly beneath the dance floor in a salon chair, adjusting his sparkly green dress and white go-go boots, flipping between checking his phone and looking at the clock, waiting for the other judges to arrive. It is just after 9 p.m. and Deep Cvnt is about to begin. 

Deep Cvnt is a “mini ball deluxe-inspired party.” Etienne hosts the event once a month at Trade where queer people from across the city come to walk down a runway in categories, show off their best outfits to an established theme, and ‘vogue the house down’ making the “dive bar with a dance floor” feel like the set of a 2024 Paris is Burning. The party’s name is based on a slur, reclaimed into a symbol of feminine and queer empowerment.  

During the day, the 25-year-old works as a Digital Fundraising Director for the House Majority PAC. To him, gay bars that host events are instrumental in fostering a feeling of welcome and belonging for those who identify as LGBTQ.

“[For me] It’s the sense of community,” Etienne said. “ I think that being able to go to a spot where there are people who are like me, in some shape or form being that they’re queer or from a marginalized community, and can find refuge in these spots is something that’s incredibly important. And then, too, I think that these [queer] spaces are just a lot more fun.” 

Historically gay bars have acted as places for the LGBTQ community to gather, celebrate, and mobilize for political causes when the general attitude was more hostile to the community. D.C.’s unique queer nightlife scene sets it apart from other major gay hubs, like New York or San Francisco, due to the city’s number of welcoming spaces, its business appeal, and the strong presence of the federal government in its culture, allowing for the country’s capital city to be a statistical anomaly. 

Nationwide, gay bars have been on the decline since the 1980s. Damron’s Travel Guide, a database that has been recording the locations and ratings of queer/gay bars since the 1960s, found that in the year 1980 there were approximately 1,432 gay bars across the United States. A recent study published in the National Library of Medicine found that the number of gay bars in the U.S. has nearly been cut in half, with only 803 queer-identified bars in existence despite increasing numbers of public support for the LGBTQ community.

This trend is occurring at the same time as a record number of anti-LGBTQ legislation is popping up in state legislatures across the U.S. According to the American Civil Liberties Union, more than 500 anti-LGBTQ bills have been introduced so far in 2024. These laws restrict the ability of transgender Americans to get gender-affirming care, force teachers to out their students to parents, and ban First Amendment-protected actions like performing in drag, among other issues. 

Meanwhile the number of bars that cater to the LGBTQ community in the nation’s capital has increased from six in 1980 to at least 22 in 2024. 

The LGBTQ population is still large in D.C., with some estimates putting the number at just over 66,000. Historically the “gayborhood,” or primary LGBTQ neighborhood was on 17th Street and in the Dupont Circle area. That has changed as numbers have increased over the years, making the whole city feel like the gayborhood.

“Being one of the gayest cities in the world — with one of the gayest per capita populations — that is kind of baked into the fabric of the nightlife economy,” said Salah Czapary, director of the D.C. Mayor’s Office of Nightlife and Culture, when asked about how the LGBTQ community has changed the landscape of the city. “If you look at these certain neighborhoods [17th Street and Dupont], their character has really been defined by the ‘gayborhood’ in the area. That has kind of changed and now you can’t really point to one area as being the sole gayborhood.”

Then the COVID-19 pandemic happened, causing the government to pause all non-essential businesses, including bars. After the pandemic, the growth in the number of gay bars accelerated.  “I think that’s kind of just generally after COVID, people are willing to take a risk on something new,” Czapary explained when discussing the impact of the pandemic on the gay bar community. 

Ed Bailey, a well-known DJ and co-owner of gay bars Trade and Number Nine, located around the corner from each other in Logan Circle, agrees about the economic opportunities COVID was able to provide but says that gay bar success boils down to the economics of real estate. 

“I have a very boring and not very sexy answer to why I think these things happen,” Bailey said when explaining the history of the prominent locations of gay bars in D.C. “At the end of the day, it’s all about real estate. Over time the gay community’s bars, restaurants, and nightclubs that catered specifically to, or were owned by, gay people were in underdeveloped neighborhoods… It wasn’t available to us to be in the high-priced areas. All the clubs and the bars were kind of on the ‘other side of town,’ whatever that meant.”

Bailey said the COVID-19 pandemic helped create a path for the current sprouting of gay bars all over D.C., especially in what are the mainstream, popular areas. “I think luckily the pandemic, at least in D.C., did open up an opportunity for a number of entrepreneurs to say ‘Hey! I have an option here.’ Some of these businesses are looking for people to buy them out or to move in, and so a bunch of people took advantage of that.”

The LGBTQ community has always had a presence in the city. It has been recorded that as early as the 1950s, Washington had become a space recognized for its ability to bring LGBTQ people together. 

“I feel like every time I take two steps, I run into another gay person,” Etienne said about living in Logan Circle and the queerness of the city. “I love it. I also think about the nature of what goes on in D.C. Historically, the government has always had a significant number of gay people working for it. Looking back to the Lavender Scare and even before then it’s always been a spot where gay men have either come professionally or personally.”

Mark Meinke, a 76-year-old self-described gay historian founded The Rainbow History Project, an organization that works to “collect, preserve and promote the history and culture of the diverse LGBTQ communities in metropolitan Washington, D.C.” His research supports exactly what Etienne described. 

“Between the [19]20s through the [19]60s, most of the gay spaces were owned by straight people,” Meinke said. A consequence of this, he explains, is that there was less of an outward recognition of these spaces as being LGBTQ friendly, keeping the community a secret. “Tolerance comes and tolerance goes,” he said as he explained why the number of accepting spaces increased and decreased during that time. 

This fluctuation of accepting bar owners began to change in the 1960s, as places that offered a safe space for LGBTQ people to meet, dance, drink, celebrate, and politically organize became more frequent and owned by more LGBTQ people. Meinke was able to track the increase of acceptance for the LGBTQ community by collecting advertisements from past issues of the Washington Blade (originally called the Gay Blade) from the ‘60s on as more gay-owned or more publicly gay-friendly establishments began to distribute the newspaper. Meinke also tracked additional gay literature in these gay bars, like that of Franklin Kameny’s Mattachine Society literature and their “Gay Is Good” buttons. The literature Kameny distributed was some of the first documented forms of LGBTQ activism in the U.S. and encouraged LGBTQ people to mobilize. 

Meinke noticed that during this time, one gay bar called JoAnna’s on Eighth Street in Southeast D.C. became a popular designation for gay people after the owner installed a dance floor. 

“In 1968, in Capitol Hill with JoAnna’s, a new social option had emerged for women, one with a dance floor,” Meinke said. In his presentation for the 2002 Washington Historical Conference titled “The Social Geography of Washington, D.C.’s Gay, Lesbian, Bisexual, and Transgendered Community,” Meinke said that the gay community wanted more gay dance floors.

This inspired others in the gayborhood to create more dance spaces. “Johnnie’s (across the street [from JoAnna’s]) saw the future and installed a postage stamp-sized dance floor, and began getting lots of customers…Same-sex dancing in the clubs was perhaps one of the greatest innovations on the social scene in the 1960s,” Meinke wrote.

Not only did the expanding gay bar scene impact who was visiting the city, but the presence of the federal government and the number of universities located in the area also helped attract the gay community, Meinke explained. 

As more LGBTQ people moved to D.C. to pursue careers related to the federal government, a backlash was brewing and created a time we now call the McCarthy era. This era, which extended from the early 1950s into the 60s, brought in political repression of left-leaning individuals in D.C.

This repression and eventual prosecution of people based on the fear of communism was led by Wisconsin Sen. Joseph McCarthy and became a major part of the Republican Party’s platform. This fear also heightened political tensions, eventually leading to Republicans accusing homosexuals of espionage. This period was known as the “Lavender Scare.”  

Robert Connelly, an adjunct senior professorial lecturer for American University’s Critical Race Gender and Culture Studies Department, explained that this scare was real for many LGBTQ people working in the government. “In [McCarthy’s] mind, homosexuals’ perceived duplicity and emotional instability made them susceptible to foreign espionage and blackmail, you know, which meant that the gays were giving away our secrets,” Connelly said. 

This fear prompted the 34th president to take more legal action against the LGBTQ people working in government. “When Eisenhower took office in 1953, one of his first executive orders that he signed was Executive Order 10450,” Connelly explained. “This codified the exclusion of perverts from government employment and thousands of lives were ruined because of this in the early 1950s.” This homophobia eventually led to the firing of thousands of LGBTQ people within the federal government during the ‘50s and ‘60s. 

This systematic injustice triggered many LGBTQ people to adapt techniques other marginalized communities were using, mostly inspired by the increasingly successful Civil Rights movement, to politically mobilize and reclaim their power. The homophile movement, one of the earliest precursors to the modern gay rights movement, had major players located in Washington to help push for gay rights. The activism ignited by LGBTQ people during this time endured for decades, addressing a multitude of issues, including anti-war protests and the fight for expanded civil rights.

Some, like Chadd Dowding, 35, a regular patron of gay bars across Washington said that Washington’s gay bar scene has been successful due to the high number of LGBTQ residents and their desire to feel connected to their community. 

“I think D.C. has the largest gay population per capita of any city in the country, so that draws a larger audience of queer folks here,” he said. According to the Williams Institute, D.C. still holds the highest percentage in the U.S.  “I think there’s also a need for spaces for community, mostly because a lot of people in D.C. are transplants from other parts of the country.” 

Others, Like Bombshell Monroe, a drag queen from the House of Mulan (a chosen family, that works to support and mentor queens in Balls and beyond) said that contrarian attitudes are baked into the nature of the city. 

As Bombshell slipped on her flower-adorned flared jeans and orange tank top, getting ready to make her first appearance on the dance floor of Trade for Deep Cvnt, matching the spring bling theme of the night, she explained why she felt D.C.’s gay nightlife has been able to grow.

“I feel like D.C. has always been a place of independence and where people, even if we’re not accepted, will fight to be accepted,” Bombshell said while pulling on a fuzzy white and orange bucket hat. “I’m D.C. born and raised and can attest personally. I think that it’s so crazy because it’s political, but it’s not political. I feel like once we get the pushback from other states, we’re the ones that take it and say, ‘Well, bitch! We got something for y’all. You don’t want the gay bars here, we’re gonna put another one here!’” 

And put another one they did. Within the past three years, at least six new gay bars have opened up with very different styles and goals. Some bars cater to particular groups within the LGBTQ community, like that of Thurst Lounge on 14th Street N.W., which is a predominantly Black gay space. As You Are Bar, at 500 8th St., S.E., seeks to make an accessible and comfortable space for all in the LGBTQ community, focusing on often overlooked female and non-binary members of the community. Others focus on creating unique nightlife experiences, like that of the craft cocktails in Logan Circle’s Little Gay Pub with its Instagram (and Grindr) famous selfie mirror, or like that of the freshly opened Crush bar, focusing on creating a dance bar for LGBTQ people. 

Regardless of the specific reason people visit gay bars, It is clear that they offer platforms to authentically express queer identity in a world that does not always deem this acceptable. 

“If we get to a point where we have to start sacrificing more physical spaces for online ones, these spaces could be easily invaded by people who may not have the best intentions,” Etienne said, preparing to head up the scuffed stairs to Beyonce’s Jolene.  “There is something very valuable about having a physical space with a physical location because, at the end of the day, that’s what we have fought for.”

As the lights dimmed the Trade dance floor began to hush. A path opened up in front of the stage as the crowd of floral wearing ballroom fans stepped back, accommodating Etienne’s entrance. With the glittery green dress, knee-high go-go boots, and oversized sunglasses it is clear he is in charge of the night. 

“Since this is Deep Cvnt I need everyone to raise their hand up,” Etienne said with a smile. “And now put it below your waist. Check how deep your motherfucking cunt is.” The crowd roared with laughter and cheers. “Alright let’s get into it!” Deep Cvnt has begun.

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Memorial for groundbreaking bisexual activist set for May 2

Loraine Hutchins remembered as a ‘force of nature’

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Loraine Hutchins died last year. (File photo courtesy of Hutchins)

The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m. 

Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com. 

An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all. 

Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.

In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”

“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.

“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”

“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”

“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day. 

Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.  

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Queery: Meet artist, performer John Levengood

Modern creative talks nightlife, coming out, and his personal queer heroes

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John Levengood (Blade photo by Michael Key)

John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.

Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.

“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.

He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”

He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.

How long have you been out and who was the hardest person to tell?

I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.

Whos your LGBTQ hero?

My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.

Whats Washingtons best nightspot, past or present?

Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.

We live in challenging times. How do you cope?

I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.

What streaming show are you binging?

After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.

What do you wish youd known at 18?

At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.

What are your friends messaging about in your most recent group chat?

We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.

Why Washington?

It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.

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Project GLOW celebrates LGBTQ acts

D.C.’s electronic music festival set for May 30-31

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A scene from last year’s Project GLOW. (Photo courtesy organizers)

Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.

Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.

President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.

As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.

“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”

The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”

K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.

Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.

K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.

Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.

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