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Exhibit showcases trans, nonbinary joy in Maryland and Virginia
‘Becoming Ourselves’ proclaims that our lives are ‘expressions of divine creation’
Gwen Andersen was putting up posters for her photography exhibition “Becoming Ourselves” in and around Takoma Park shortly following the death of Nex Benedict. “Everybody’s heart was heavy,” the lesbian photographer said, “and I’m waltzing around town putting up these posters.” At a bookstore, she asked the person working at the front desk if she could put up one of the posters. They immediately looked at it more closely because of the trans flag, and said yes.
“When they read it and saw that it was something positive, beautiful, happy, they started to cry,” Andersen said, and she instinctively asked if she could give them a hug. With permission, she walked around the counter and embraced them — and in many ways, herself — in a world where negativity and violence takes aim at and harms the LGBTQ community. It was a powerful moment, she admitted, because “the first person didn’t even see the pictures.”
“That’s when I realized.” she said, “just how the idea of this is making an impact.”
“Becoming Ourselves” is an exhibition of 26 photos featuring happy and joyful trans and nonbinary adults and children that has been displayed at six different spaces of worship and one gallery in Maryland and Virginia. From the United Universalist Congregation of Rockville (UCCR) to its eighth spot that opened at the Sandy Springs Meeting House on Oct. 1, the exhibition originally started after Andersen’s friend Marian Bowden connected her with Sandra Davis, then president-elect for the Women’s Caucus of Art. Davis, seeing that Andersen had something critical to say during a time of intense anti-trans violence, became her mentor.
Andersen decided to host the exhibition at the UCCR based on the suggestions of her friend Rev. Jill McCrory, an affirming pastor and justice advocate, who along with Stevie Neal had previously invited Andersen to help found Montgomery County (MoCo) Pride. McCrory recommended UCCR and Davis shared that the church had their own hanging system, but for Andersen, their eager acceptance of the show sealed the deal.
“They were so happy to have been asked,” Andersen said. “They weren’t just consenting. They were wildly enthusiastic about it. I could not have had a better first place to host this.”
Rev. Dr. Rebekah Savage echoed this affirmation. Andersen approached her in October 2023 and from the very beginning, Savage acknowledged, we knew it would be a vital gift to congregants. Showcasing queer and trans people in spaces of worship, as the portraits hung in the Sanctuary during Sunday morning worship for Transgender Day of Visibility is critical, Savage explained, and it “does more than challenge exclusion,” Savage said. “It proclaims to the world that LGBTQ+ lives are sacred, beautiful, and an essential expression of the divine creation.”
“This visibility is both healing and life-saving, especially right now: for trans youth and families who need to know that there are faith communities ready to celebrate with them fully,” Savage continued. “Becoming Ourselves,” she said, visualized the leadership of our trans loved ones and held space for joy and celebration during times of intense violence. It has, Savage said, “become a beacon of hope, within our congregation and beyond, witnessing to the power of love, equality, and justice as sacred commitments.”
But there was a time crunch — the exhibition would open in March 2024, so all photos had to be taken by December 2023 and to her surprise, there was great interest in being part of the project. She had taken some photos already, but when a friend’s child asked if their friends could be part of it, they realized they would need extra enforcements to get the photos taken and processed in time for printing, so she connected with Salgu Wissmath, a nonbinary photography who recently opened their own exhibition “Divine Identity,” and other photographers from Los Angeles, London, and Baltimore.
She also reached out to Natasha Nazareth from Gaithersburg and Elias Nikitchyuk who worked locally and contributed photos to the exhibition.
She also brought a child — Emery — on as the Formal Youth Adviser, recognizing that the show’s most important audience would be trans and nonbinary children. The resulting 26 photos of joyful trans and nonbinary adults and children were chosen by LGBTQ young people from across the United States who shared their selections through a virtual survey, and the group just made the tight deadline. Sadly, Stevie (a nickname for the beloved Petra Stephanie) Neal passed before the project was put on display, but their estate covered photography printing costs.
Soon, the UCCR was filled to the brim with photos of happy and joyful trans people. While UCCR has designated a room for its display, there were too many so the photos spilled out into the hallway, entryway, and anywhere else they would fit. It was only the first of many surprises.
She anticipated just displaying the show at the church in Rockville, but at the opening, McCrory shared that she would love for the show to be on display at Bethesda United Church of Christ (UCC) where she was then and is now working as an interim pastor, so it went to Bethesda UCC next, but that wasn’t its final stop as church members attended other parishes, they shared that they wanted the photos displayed in their own spaces of worship, and soon the photos had travelled to Christ the Servant Lutheran Church in Gaithersburg, Pilgrim Church in Wheaton, Hope United Church of Christ in Alexandria, PhotoWorks at Glen Echo, and finally, Third Space in Baltimore — its most recent stop at the recommendation of one of the photographers. A friend of Octavia Bloom, a Baltimore photographer, wanted the show to come to their hometown.
The exhibition at Third Space came to an end on Aug. 8, but as before, another church —this one Sandy Springs Meeting House — stepped up to host the show. The brick Sandy Springs Meeting House was originally constructed in 1817 and has stood ever since, making the Sandy Spring Meeting of the Religious Society of Friends one of the oldest Quaker Meetings in Maryland. Sandy Spring just put up their hanging system, on loan from a local artist, this month and aims to have the show on display to the public soon.
For some, the choice to display the exhibition in churches may seem like a strange or at least surprising one, but for Andersen, it was a meaningful choice. For Andersen, it helps counter the narrative of churches being places of hostility and part of campaigns against us. While recognizing the history of harm that churches and other religious institutions have caused through conversion therapy, exclusion, hate speech, and more, Andersen’s exhibition showcases how spaces of faith can also be key centers of LGBTQ advocacy and organizing. In fact, D.C. has a rich history of LGBTQ activism based out of and supported by faith communities.
“The fact that it was held in a church made so many people so happy. It also made many people cry because the church has been a place of hostility because the resistance, the hatred, of lesbians, gays, bis and transgender people has been biblical, both in terms of its size and in terms of its purported origin, and so having churches hold this exhibit was dearly important symbolically,” Andersen said.
Andersen shared that so many friends of hers who came to the show had not visited churches in decades because they (justifiably in some cases) viewed them as completely hostile locations. When they went to the exhibitions in the churches and were treated well, she said, she believes it was a healing experience, as it was for many trans and nonbinary children and adults and their parents who are facing a world of negative representation — either hostile from conservative, Christian nationalist groups or media portraying trans and nonbinary people as victims.
Andersen wanted to create a show that offered hope to trans and nonbinary kids, as It Gets Better did many years before. sharing videos and photos of happy and joyful LGBTQ adults as a way to share positivity and hopefully prevent suicide among LGBTQ children. It was more than timely than ever following Benedict’s death in February 2024. The previous day, Benedict was assaulted by other high school students in a girls’ restroom and later died by suicide.
“The purpose of the show was to counter all of the negativity because with Republicans running and now Trump in office there was so much animosity and hostility and people trying to pass these hateful laws that I knew this had to be having a negative impact on the mental health of trans kids.”
Andersen hopes that this exhibition enriches this rich tradition and sparks new conversations — and maybe even more happy tears — at Sandy Springs Meeting House this fall.
The show will be open most days between about 10 and 4 except for Mondays and Saturdays. Viewers are advised to call Sandy Springs Meeting House at 301-774-9792 first on weekdays. The show will continue until the end of December.
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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
a&e features
Looking back at the 10 biggest A&E stories of 2025
‘Wicked,’ Lady Gaga’s new era, ‘Sexy’ Bailey and more
Although 2025 was a year marked by countless attacks on trans rights and political setbacks, the year also saw brilliant queer artists continuing to create art. From Cannes and Sundance Award winners now vying for Oscar consideration to pop icons entering new stages of their careers, queer people persevered to tell their stories through different media.
With the state of the world so uncertain, perhaps there’s no more vital time to celebrate our wins, as seen through some of this year’s top pop culture moments. While there’s no collection of 10 stories that fully encompass “the most important” news, here are some events that got the gays going:
10. ‘Mysterious Gaze of the Flamingo’ wins big at Cannes
The Cannes Film Festival has become a crucial start for films hoping to make their way to the Oscars, and first-time director Diego Céspedes won the top Un Certain Regard prize for his intimate western “The Mysterious Gaze of the Flamingo.” The film is set in the ‘80s and is intended as an allegory for the AIDS epidemic. Seeing a film that unpacks vital queer history win one of the most coveted awards at Cannes has been a huge point of pride in the independent filmmaking community.
Since the film bowed at Cannes, it has been selected as Chile’s Oscar entry in the Best International Feature race. Speaking with The Blade during the film’s AFI Fest run in October, Céspedes said: At first, I was kind of scared to have this campaign position in the times that we’re living [in] here. But at the same time, I think the Oscars mean a huge platform — a huge platform for art and politics.”
9. ‘The Last of Us’ returns for an even gayer season 2
While the first season of The Last of Us gave us one of TV’s most heartbreaking queer love stories in the episode “Long, Long Time,” Season 2 doubled down on its commitment to queer storytelling with the blossoming relationship between Ellie (Bella Ramsey) and Dina (Isabela Merced). The show expanded on the pair’s relationship in the original video game, making it perhaps the central dynamic to the entire season. That unfortunately came with more homophobic backlash on the internet, but those who checked out all the episodes saw a tender relationship form amid the show’s post-apocalyptic, often violent backdrop. For their performance, Ramsey was once again nominated for an Emmy, but Merced deserved just as much awards attention.
8. ‘Emilia Pérez’ sparks controversy
Jacques Audiard’s genre-bending trans musical “Emilia Pérez” proved to be an awards season juggernaut this time last year, winning the Golden Globe for Best Musical/Comedy. But when the lead star Karla Sofia Gascón’s racist, sexist, and homophobic old tweets resurfaced, the film’s Oscar campaign became a tough sell, especially after Netflix had tried so hard to sell Emilia Pérez as the “progressive” film to vote for. Mind you, the film had already received significant backlash from LGBTQ+ audiences and the Mexican community for its stereotypical and reductive portrayals, but the Gascón controversy made what was originally just social media backlash impossible to ignore. The only person who seemed to come out of the whole debacle unscathed was Zoe Saldaña, who won the Oscar for Best Supporting Actress over Ariana Grande.
7. ‘Sorry, Baby’ establishes Eva Victor as major talent
Back in January at the Sundance Film Festival, Eva Victor (known by many for her brand of sketch comedy) premiered their directorial debut “Sorry, Baby” to rave reviews, even winning the Waldo Salt Screening Award. Victor shadowed Jane Schoenbrun on the set of “I Saw the TV Glow,” and seeing Victor come into their own and establish such a strong voice immediately made them one of independent cinema’s most exciting new voices. A memorable scene in the film sees the main character, Agnes (played by Victor), struggling to check a box for male or female, just one example of how naturally queerness is woven into the fabric of the story.
Most recently, Victor was nominated for a Golden Globe for her performance in the film, and she’s represented in a category alongside Jennifer Lawrence (“Die My Love”), Jessie Buckley (“Hamnet”), Julia Roberts (“After the Hunt”), Renate Reinsve (“Sentimental Value”) and Tessa Thompson (“Hedda”). The film also received four Independent Spirit Award nominations overall.
6. Paul Reubens comes out in posthumous doc
While Paul Reubens never publicly came out as gay before passing away in 2023, the two-part documentary “Pee-wee as Himself” premiered back in May on HBO Max, giving the legendary comedian a chance to posthumously open up to the world. Directed by Matt Wolf, the documentary explores how Reubens found his alter ego Pee-Wee Herman and why he kept his private life private.
The documentary won an Emmy in the Outstanding Documentary or Nonfiction Special category and remains one of the most critically acclaimed titles of the year with a 100% Rotten Tomatoes score. Also worth noting, the National Geographic documentary Sally told the posthumous coming out story of Sally Ride through the help of her long-time partner, Tam O’Shaughnessy.
5. Lady Gaga releases ‘Mayhem’
Lady Gaga entered a new phase of her musical career with the release of Mayhem, her seventh album to date. From the frenzy-inducing pop hit Abracadabra to the memorable Bruno Mars duet featured on “Die With a Smile,” seeing Gaga return to her roots and make an album for the most die-hard of fans was especially rewarding after the underwhelming film releases of “House of Gucci” and “Joker: Folie à Deux.” Gaga has been touring with The Mayhem Ball since July, her first arena tour since 2018. She even extended her tour into 2026 with more North American dates, so the party isn’t stopping anytime soon. And Gaga is even set to make an appearance next May in “The Devil Wears Prada 2.”
4. Cynthia Erivo, Ariana Grande perform at the Oscars
While “Wicked: For Good” didn’t quite reach the heights of the first film, we will forever have Cynthia Erivo and Ariana Grande’s breathtaking live performance that opened the 97th Academy Awards. The pair sang a rendition of “Over the Rainbow,” “Home,” and “Defying Gravity,” paying proper homage to the original 1939 “Wizard of Oz.” Even non-Wicked fans can’t deny how magical and brilliantly staged this performance was. With both Erivo and Grande up for acting Oscars last year, they’re hoping to repeat success and make history with consecutive nominations. Either way, let’s hope there’s another live performance in the making, especially with two new original songs (The Girl in the Bubble and No Place Like Home) in the mix.
3. Indya Moore speaks out against Ryan Murphy
Indya Moore has consistently used social media as a platform for activism, and in September, posted a 30-minute Instagram live speaking out against “Pose” co-creator Ryan Murphy. Moore claimed that Murphy wasn’t being a true activist for trans people. “Ryan Murphy, we need you to do more. You need to address the racism, the violence, and the targeting of people on your productions, Ryan Murphy. You do need to make sure trans people are paid equally. Yes, Janet did the right thing,” Moore said. Murphy was also back in the headlines this year for the critically panned “All’s Fair” and the controversial “Monster: The Ed Gein Story” starring Laurie Metcalf and Charlie Hunnam.
2. Cole Escola wins Tony for Best Leading Actor
Few pop culture moments this year brought us together more than Cole Escola winning a Tony award for “Oh, Mary!” the Broadway show they created, wrote and starred in (we love a triple threat!) Escola made history by becoming the first nonbinary person to win a Tony in the leading actor category, and seeing them excitedly rush to the stage wearing a Bernadette Peters-inspired gown instantly became a viral social media moment.
The cherry on top of Escola’s major moment is the recent news that they are writing a Miss Piggy movie with Jennifer Lawrence and Emma Stone producing — news that also broke the internet for the better. We cannot wait!
1. Jonathan Bailey makes gay history as ‘Sexiest Man Alive’
The same year as his on-screen roles in blockbusters “Jurassic World Rebirth” and “Wicked: For Good,” Jonathan Bailey made history as the first openly gay man to be named People magazine’s “Sexiest Man Alive.” The fact that it took 40 years for an openly gay man to earn the title is a signifier of how far we still have to go with queer representation, and seeing Bailey celebrated is just one small step in the right direction.
“There’s so many people that want to do brilliant stuff who feel like they can’t,” he told PEOPLE, “and I know the LGBT sector is under immense threat at the moment. So it’s been amazing to meet people who have the expertise and see potential that I could have only dreamed of.” In 2024, Bailey founded the charity titled The Shameless Fund, which raises money for LGBTQ+ organizations.
a&e features
Your guide to D.C.’s queer New Year’s Eve parties
Ring in 2026 with drag, leather, Champagne, and more
With Christmas in the rear view mirror, we can turn our attention to ringing in a much-anticipated New Year with a slew of local LGBTQ parties. Here’s what’s on tap.
Pitchers
This spacious Adams Morgan bar is hosting the “Pitchers’ Perfect New Year’s Eve.” There will be a midnight Champagne toast, the ball drop on the big screens, and no cover, all night long. The bar doesn’t close until 4 a.m., and the kitchen will be open late (though not until close). All five floors will be open for the party, and party favors are promised.
Trade
D.C.’s hottest bar/club combo is leaning into the Shark motif with its NYE party, “Feeding Frenzy.” The party is a “glitterati-infused Naughty-cal New Year’s Even in the Shark Tank, where the boats are churning and the sharks are circling.” Trade also boasts no cover charge, with doors opening at 5 p.m. and the aforementioned Shark Tank opening at 9 p.m.. Four DJs will be spread across the two spaces; midnight hostess is played by Vagenesis and the two sea sirens sensuously calling are Anathema and Justin Williams.
Number Nine
While Trade will have two DJs as part of one party, Number Nine will host two separate parties, one on each floor. The first floor is classic Number Nine, a more casual-style event with the countdown on TVs and a Champagne midnight toast. There will be no cover and doors open at 5 p.m. Upstairs will be hosted by Capital Sapphics for its second annual NYE gathering. Tickets (about $50) include a midnight Champagne toast, curated drink menu, sapphic DJ set by Rijak, and tarot readings by Yooji.
Crush
Crush will kick off NYE with a free drag bingo at 8 p.m. for the early birds. Post-bingo, there will be a cover for the rest of the evening, featuring two DJs. The cover ($20 limited pre-sale that includes line skip until 11 p.m.; $25 at the door after 9 p.m.) includes one free N/A or Crush, a Champagne toast, and party favors (“the legal kind”). More details on Eventbrite.
Bunker
This subterranean lair is hosting a NYE party entitled “Frosted & Fur: Aspen After Dark New Year’s Eve Celebration.” Arriety from Rupaul Season 15 is set to host, with International DJ Alex Lo. Doors open at 9 p.m. and close at 3 p.m.; there is a midnight Champagne toast. Cover is $25, plus an optional $99 all-you-can-drink package.
District Eagle
This leather-focused bar is hosting “Bulge” for its NYE party. Each District Eagle floor will have its own music and vibe. Doors run from 7 p.m.-3 a.m. and cover is $15. There will be a Champagne toast at midnight, as well as drink specials during the event.
Kiki, Shakiki
Kiki and its new sister bar program Shakiki (in the old Shakers space) will have the same type of party on New Year’s Eve. Both bars open their doors at 5 p.m. and stay open until closing time. Both will offer a Champagne toast at midnight. At Kiki, DJ Vodkatrina will play; at Shakiki, it’ll be DJ Alex Love. Kiki keeps the party going on New Year’s Day, opening at 2 p.m., to celebrate Kiki’s fourth anniversary. There will be a drag show at 6 p.m. and an early 2000s dance party 4-8 p.m.
Spark
This bar and its new menu of alcoholic and twin N/A drinks will host a NYE party with music by DJ Emerald Fox. Given this menu, there will be a complimentary toast at midnight, guests can choose either sparkling wine with or without alcohol. No cover, but Spark is also offering optional wristbands at the door for $35 open bar 11 p.m.-1 a.m. (mid-shelf liquor & all NA drinks).
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