Arts & Entertainment
MLB won’t suspend Brewers pitcher Josh Hader for anti-gay, racist tweets
The posts were made when the athlete was 17 years old


Josh Hader addressing his offensive tweets during a post-game press conference (Photo via Twitter)
Major League Baseball won’t suspend Milwaukee Brewers relief pitcher Josh Hader for old anti-gay, sexist and racist tweets that resurfaced during his first All-Star appearance at the 2018 MLB All-Star Game on Tuesday night.
The tweets, which were posted in 2011 and 2012, included use of the N-word and one tweet that stated: “I hate gay people.”
— Oracio Franquez (@oraciofranquez) July 18, 2018
Yahoo Sports reporter Jeff Passan tweeted that during the game Hader’s family took off jerseys with his name on it and wore generic jerseys.
Some members of Josh Hader’s family, wearing his All-Star replica jersey, have taken them off and been given generic jerseys without his name on the back.
— Jeff Passan (@JeffPassan) July 18, 2018
Hader was unaware of the Twitter firestorm until after the game when he issued an apology to reporters.
“You know, it was something that happened when I was 17 years old,” the now 24-year-old Maryland native said. “As a child, I was immature, and I obviously said some things that were inexcusable. That doesn’t reflect on who I am as a person today, and that’s just what it is.”
When asked to explain the tweets, Hader said, “I’m sure there’s some lyrics, some rap lyrics being tweeted. I really don’t know exactly what’s all out there.”
The MLB won’t suspend Hader for the tweets but will require him to attend sensitivity training.
“During last night’s game we became aware of Mr. Hader’s unacceptable social media comments in years past and have since been in communication with the Brewers regarding our shared concerns,” the MLB said in a statement. “After the game, Mr. Hader took the necessary step of expressing remorse for his highly offensive and hurtful language, which fails to represent the values of our game and our expectations for all those who are a part of it. The Office of the Commissioner will require sensitivity training for Mr. Hader and participation in MLB’s diversity and inclusion initiatives.”
Watch Hader’s apology below.
Josh Hader addresses the tweets that surfaced during the game pic.twitter.com/Zzh6uS2frH
— Ryan Fagan (@ryanfagan) July 18, 2018
Josh Hader, part 2 of his comments addressing the tweets pic.twitter.com/tWs2zBmukS
— Ryan Fagan (@ryanfagan) July 18, 2018
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.
(Washington Blade photos by Michael Key)























The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.
(Washington Blade photos by Michael Key)



































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