Music & Concerts

New band LAYNE blends pop-rock sounds with nonchalant sexuality

‘I want people to walk away feeling something heavy’

Published

9 years ago

August 28, 2016

Mariah Cooper

LAYNE is Layne Putnam, left, and Alexander Rosca. (Photo by Brandon Wolford; courtesy ReyBee Inc.)

LAYNE

DC9

1940 9th St., N.W.

Wednesday, Aug. 31

Doors 8:30 p.m.

Show: 9 p.m.

$12

Inspiration isn’t always easy to come by and while others seek it out in the walls of a coffee shop or by taking a late night drive, Layne Putnam’s creativity flowed into her songwriting in the woods.

Growing up in Black Hills, S.D., Putnam, 21, admits the music scene was “almost nonexistent.” So Putnam, who grew up playing mostly drums and guitar, had to make her own and used her environment as her musical canvas. She says music was always in her life, and also her blood as her father Kenny Putnam was a fiddle players for the Red Willow Band and toured with country legend Roy Clarke. For Putnam, music was just “part of living and breathing.”

Putnam has since taken her musical ambitions from sparse South Dakota to Los Angeles as half of the indie pop-rock band LAYNE, which she formed with fellow bandmate Alexander Rosca. The band is on tour and LAYNE makes its D.C. stop at DC9 on Wednesday, Aug. 31. Putnam, who moved to Los Angeles three years ago, met Rosca there through someone they were both working with and says the connection was instantaneous.

“I needed a drummer and he was like, ‘Hey, I’m a drummer.’ We met and had coffee and it was like immediate, instant,” Putnam says. “We looked at each other and we were dressed exactly the same and we listened to the same music and he understood things like I did. I played him some stuff and he was like, ‘I’m there.’ We’ve hung out pretty much every day since. He’s like my best friend. We just clicked, and now we’re a team.”

The pair created a system with Putnam on vocals, synths and guitar, and Rosca on drums. Putnam says their collaboration is different every time. At times, Putnam sings a track and takes it to Rosca to create a drum beat and other times Rosca comes up with a drum beat for Putnam to build around.

“The Black Hills,” named after Putnam’s hometown and the duo’s first EP, is the finished product of their collaboration. “Good” and “Somebody” are two singles that have already been released as previews to the release with both music videos receiving thousands of YouTube views. Putnam says the EP, which will be released Aug. 26, is a collection of songs from the past year. Some of the tracks have the tell-tale mark of Putnam’s love of nature. She says the two got sound bites from the lakes, wind and trees from the areas Putnam grew up in and sampled them on the track.

Putnam says the EP chronicles their creative journey from the last year.

“I was in a midway point kind of transitioning and really honing in on the sound,” Putnam says. “So it really encapsulates the last year of what we’ve been doing creatively. We didn’t necessarily sit down at one time and do it. But I think that’s cool because it kind of sums up our last year.”

The EP reflects the pop-rock sound of the band which Putnam has always admired. She says she has always enjoyed both and likes to pull bits from each genre. The happy medium felt “natural and right for her.”

Putnam credits musicians like Prince, Joan Jett, Bjork and St. Vincent as musical favorites, but for more than just their songs.

“People like that their entire project is an art project, you know? From the music, to the visuals to the videos, it’s all a part of it and all encompassing,” Putnam says.

Although the band is just kicking off its career, Putnam has been open about being a lesbian from the start. Being out and proud at the onset of her career is something Putnam has no problem doing, but doesn’t want her sexuality to be a reason people listen to her music.

“I feel like we’re at a point now where the best thing you can do is just be equal,” Putnam says. “We’ve fought as a community to be treated the same way and I think now I’m in a place where I don’t ever want to openly say, ‘Listen to me because I’m a gay artist.’ I don’t want that to be a thing. I want to say, ‘Hey, listen to my music, and also I’m gay.’”

Putnam says she is “very proud to be part of the community,” but doesn’t want that to be the defining characteristic of her as a musician.

“People think it’s such a huge part of who you are as a person. And the message I would like to send is, it’s not a huge part. We’re all the exact same,” Putnam says. “So I wouldn’t necessarily come out and say, ‘I’m a gay artist’ but I’m not going to come out and say, ‘I’m not.’ I think there’s power in just acting like we’re equal. We are. There’s no reason to further put yourself in a minority or group when we’re all the same.”

That doesn’t mean Putnam isn’t focusing on her sexuality in her music. In fact, it’s quite the opposite.

Putnam admits she is always writing about her own experiences and relationships. Letting out her emotions in her music is deeply personal and writing about her relationships with women is bound to come out. But, Putnam believes her songwriting is universally relatable no matter what a person’s sexuality may be.

“I’ll say she, I’m not afraid of that. I like to listen to artists where I can relate to that. I absolutely have no fear in that. But I feel all relationships are the same. I write about my relationship and I feel anybody can relate to it if they’ve been in a relationship,” Putnam says.

At their upcoming DC9 show, Putnam is excited for her audience to connect with LAYNE’s music and simply feel that universality.

“I want people to feel empowered by feeling because that’s something that makes us superhuman, our ability to feel, and to hurt, and to be mad and be happy and all those things. I want people to feel either totally stoked or feel like, ‘Wow, that was heavy’ or think, ‘Wow, that made me sad.’ I want people to walk away feeling something heavy.”

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FUND LGBTQ JOURNALISM

Music & Concerts

Queer mega stars (and allies) ready to take D.C. stages this fall

Watch LGBTQ icons light up stages across the DMV as they sing, dance, and drag their way through spectacular shows.

Published

2 months ago

September 9, 2025

Joe Reberkenny

Doechii performing at WorldPride 2025's closing concert in June earlier this year. (Washington Blade photo by Michael Key)

One of the best ways to welcome fall is by catching LGBTQ performers (and their allies) lighting up some of the D.C. area’s biggest stages. From country and pop to drag and rock, the season is packed with shows you won’t want to miss.

Maren Morris – The country, rock, and pop diva—known for hits like “The Bones” and for standing up against Nashville’s anti-LGBTQ voices—takes the stage at Wolf Trap (1551 Trap Rd, Vienna, Va.) on Friday, Sept. 12 at 8 p.m. Tickets start at $64.

RuPaul – The mother of modern drag and host of “RuPaul’s Drag Race” will spin a DJ set at Echostage (2135 Queens Chapel Rd NE) in Northeast D.C. on Sept. 20. Before RuPaul swaps wigs for headphones, Trade and Number 9 owner Ed Bailey will warm up the decks. For tickets and details visit echostage.com.

Conan Gray – The queer pop prince, celebrated for his Gen Z anthems like “Heather” and “Maniac,” brings his Wishbone Pajama Show to EagleBank Arena in Fairfax, VA, (4500 Patriot Cir) on Sept. 20 at 8 p.m. Tickets start at $113. For more info visit shop.conangray.com/pages/tour.

All Things Go Music Festival – With a lineup that includes Noah Kahan, Lucy Dacus, Kesha, Clairo, Doechii, and more, the beloved LGBTQ-friendly festival takes over Merriweather Post Pavilion (10475 Little Patuxent Pkwy, Columbia, Md.) Sept. 26–28. For tickets and details visit allthingsgofestival.com.

BERTHA: Grateful Drag – This unique tribute brings drag artistry and the sounds of the Grateful Dead to The Atlantis (2047 9th St NW) on Sept. 27. Tickets start at $47 at theatlantis.com.

Peach PRC – Rising Australian pop star and out lesbian, whose confessional tracks like “Perfect for You” and “Forever Drunk” have made her a queer TikTok darling, performs at The Atlantis on Sept. 29 at 6:30 p.m. The show is general admission only. Additional details are on theatlantis.com.

Addison Rae – The TikTok star-turned-pop princess, who’s crossed over into music with glossy hits like “Diet Pepsi” brings her sold out show to The Anthem (901 Wharf St., S.W.) on Sept. 30. Tickets are sold out, but resale options start around $80. For more info visit theanthemdc.com.

The Rocky Horror Picture Show 50th Anniversary – Celebrate the cult classic that’s been a queer midnight-movie staple for decades, with Barry Bostwick (a.k.a. Brad Majors) at the Warner Theatre (513 13th St., N.W.) on Oct. 2 at 8 p.m. Tickets start at $41 via Ticketmaster.

Chaka Khan, Patti LaBelle, Gladys Knight & Stephanie Mills – Four legends, one stage. Between Khan’s funk, LaBelle’s soul, Knight’s R&B, and Mills’ powerhouse vocals, this concert at Capital One Arena (601 F St NW) on Oct. 3 at 8 p.m. promises pure diva magic. Tickets start at $103. For more details visit capitalonearena.com.

Lorde – Joined by The Japanese House and Chanel Beads, the Grammy-winning New Zealand singer-songwriter behind “Royals” and “Solar Power” returns to The Anthem on Oct. 4 at 7 p.m. Lorde has long been embraced by queer fans for her dreamy pop and subversive lyrics. For more info visit theanthemdc.com.

Andy Bell (of Erasure) – The British queer rock icon, best known for synth-pop classics like “A Little Respect” and “Chains of Love,” brings his Ten Crowns Tour to the Lincoln Theatre (1215 U St., N.W.) on Friday, Oct. 17 at 8 p.m. Tickets are $90.45.

Doechii – The self-described queer “Swamp Princess”—and WorldPride 2025 headliner—continues her breakout year with the Live from the Swamp Tour at The Anthem on Oct. 21 at 8 p.m. Known for blending rap, R&B, and avant-garde performance art, Doechii is one to watch. Tickets start at $153.

Neon Trees – The out-and-proud Utah rockers behind “Everybody Talks” and “Animal” perform at the Lincoln Theatre on Friday, Oct. 24 at 8 p.m. Lead singer Tyler Glenn, who came out publicly in 2014, has become a strong queer voice in alternative rock. For tickets and info visit impconcerts.com.

Sasha Colby – The “RuPaul’s Drag Race” Season 15 winner strips down on the Stripped II Tour at the Warner Theatre on Nov. 2 at 8 p.m. Tickets available now on Ticketmaster.

Lola Young – The bisexual indie-pop sensation, whose raw songwriting has earned her millions of TikTok fans and multiple chart soaring hits visits The Anthem on Nov. 9 at 8 p.m. Tickets are still available.

Opera Lafayette

Purcell’s Dido & Aeneas

Featuring Mary Elizabeth Williams as Dido

+ Elijah McCormack, Chelsea Helm

Oct. 16, 7:30 p.m.

Sixth & I

PostClassical Ensemble

The Pale Blue Do: A Musical Voyage Inspired By Nature

Featuring National Geographic’s Enric Sala, Guest Curator

Wednesday, November 19, 7:30 p.m.

Terrace Theater

Washington Concert Opera

Gluck’s Iphigénie en Tauride

Starring Kate Lindsey, Theo Hoffman, John Moore, and Fran Daniel Laucerica

Nov. 23, 6 p.m.

Lisner Auditorium

Washington Master Chorale

Sacred Jewel Box

An intimate a capella concert taking place in an architectural jewel, featuring cherished choral gems from Anglican and Catholic tradition and early American hymns. The concert will also present the world premiere of Christopher Hoh’s Holy, Holy, Holy is the Lord God of Hosts, and hymn singing featuring Robert Church, organist and choirmaster at St David’s.

Oct. 18, 7:30 p.m.

October 19, 5 p.m.

St. David’s Episcopal Church

Music & Concerts

Cyndi Lauper ready to have fun in Virginia

Superstar to bring final leg of farewell tour to Jiffy Lube Live

Published

4 months ago

July 18, 2025

Tinashe Chingarande

Pop icon Cyndi Lauper brings her farewell tour to Jiffy Lube Live on July 24. (Washington Blade file photo by Michael Key)

Superstar Cyndi Lauper will bring the final leg of her farewell tour “Girls Just Wanna Have Fun” to Bristow, Va., on Thursday, July 24 at Jiffy Lube Live.

Lauper’s international Farewell Tour – her first major headlining run in a decade – kicked off in North America last October, and included her first time ever headlining (and selling out) Madison Square Garden. Lauper’s performances have earned raves from the New York Times, Rolling Stone, Billboard, and many more, and surprise guests have included Chaka Khan, Sam Smith, and Hayley Williams. The tour just visited the U.K. and Europe, and will head to Australia and Japan in April.

Tickets are available on Live Nation’s website.

Music & Concerts

Red, White, and Beyoncé: Queen Bey takes Cowboy Carter to D.C. for the Fourth of July

The legendary music icon performed on July 4 and 7 to a nearly sold-out Northwest Stadium.

Published

4 months ago

July 9, 2025

Joe Reberkenny

Beyoncé performs on July 7. (Washington Blade photo by Joe Reberkenny)

Just in time for Independence Day, Beyoncé lit up Landover’s Commanders Field (formerly FedEx Field) with fireworks and fiery patriotism, bringing her deeply moving and genre-defying “Cowboy Carter” tour to the Washington, D.C. area.

The tour, which takes the global icon across nine cities in support of her chart-topping and Grammy-winning country album “Cowboy Carter,” landed in Prince George’s County, Maryland, over the Fourth of July weekend. From the moment Beyoncé stepped on stage, it was clear this was more than just a concert — it was a reclamation.

Drawing from classic Americana, sharp political commentary, and a reimagined vision of country music, the show served as a powerful reminder of how Black Americans — especially Black women — have long been overlooked in spaces they helped create. “Cowboy Carter” released in March 2024, is the second act in Beyoncé’s genre-traversing trilogy. With it, she became the first Black woman to win a Grammy for Best Country Album and also took home the coveted Album of the Year.

The record examines the Black American experience through the lens of country music, grappling with the tension between the mythology of the American Dream and the lived realities of those historically excluded from it. That theme comes alive in the show’s opening number, “American Requiem,” where Beyoncé sings:

“Said I wouldn’t saddle up, but
If that ain’t country, tell me, what is?
Plant my bare feet on solid ground for years
They don’t, don’t know how hard I had to fight for this
When I sing my song…”

Throughout the performance, Beyoncé incorporated arresting visuals: Black cowboys on horseback, vintage American iconography, and Fox News clips criticizing her genre shift — all woven together with voiceovers from country legends like Dolly Parton and Willie Nelson. The result was a multimedia masterclass in storytelling and subversion.

The “Cowboy Carter” tour has been a social media sensation for weeks, with fans scrambling for tickets, curating elaborate “cowboy couture” outfits, and tailgating under the summer sun. At Commanders Field, thousands waited in long lines for exclusive merch and even longer ones to enter the stadium — a pilgrimage that, for many, felt more like attending church than a concert.

One group out in full force for the concert was Black queer men — some rocking “denim on denim on denim on denim,” while others opted for more polished Cowboy Couture looks. The celebration of Black identity within Americana was ever-present, making the concert feel like the world’s biggest gay country-western club.

A standout moment of the night was the appearance of Beyoncé’s 13-year-old daughter, Blue Ivy Carter. Commanding the stage with poise and power, she matched the intensity and choreography of her mother and the professional dancers — a remarkable feat for someone her age and a clear sign that the Carter legacy continues to shine.

It’s been nearly two decades since Beyoncé and Destiny’s Child parted ways, and since then, she’s more than lived up to her title as the voice of a generation. With “Cowboy Carter,” she’s not just making music — she’s rewriting history and reclaiming the space Black artists have always deserved in the country canon.