Arts & Entertainment
Glenn Beck calls Milo Yiannopoulos ‘hurt 13-year-old boy’
political commentator says ‘I don’t know what pain you had to go through’
(Screenshot via YouTube)
Following Milo Yiannopoulos’s verbal sparring with ABC’s Terry Moran on “Nightline,” Glenn Beck has penned a letter to Yiannopoulos bashing the conservative Breitbart tech editor for his Twitter smear campaign against actress Leslie Jones.
“I don’t know what pain you had to go through to make you so cold and distant from any feelings of compassion and basic kindness but causing hurt makes you into the monster you are running from,” Beck wrote in a Facebook post. “You can hide behind anything that helps you sleep… but at some point you will come to the realization that you have become that bully that hurt you so deeply in the past.”
In the Nightline interview, Yiannopoulos defends his actions against Jones, which eventually led to the permanent ban of his Twitter account. The exchange grew heated as Moran asked Yiannopoulos if he would call Jones “dude” and Yiannopoulos replies he “probably would.”
“Then you’re an idiot,” Moran responds.“You’re going to go after somebody’s body to denigrate their ideas? What grade are you in? Seriously. Are you a 13-year-old boy?”
Beck also called Yiannopoulos’ views childish.
“This is the path taken by Russia 1917 and Germany 1930. We must distance ourselves from the populist and nationalist anger. At NO time in history has that lead any place of safety or freedom,” Beck continued. “I feel badly for those who are in or are drawn to this circle as they must surely be deeply wounded. The sexism, racism, hatred for anyone that opposes their line of thinking is, time after time, presented as something a desperate 10 or 13 year old boy would do. We need to pray for those who feel this alone.”
Arts & Entertainment
2026 Most Eligible LGBTQ Singles nominations
We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.
Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.
Our most eligible singles will be announced online in February. View our 2025 singles HERE.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)
a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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