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SAGE honors Vilanch, Jewel Thais-Williams in L.A.

‘We did the bravest thing — we came out’

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SAGE USA, gay news, Washington Blade

Honorees Bruce Vilanch and Jewel Thais-Williams

LOS ANGELES — The fundraiser for SAGE USA March 4 in the Hollywood Hills felt like a reunion, a coming together of a generation of LGBT people with shared memories and a desire to confront aging, an issue, SAGE Board Development chair Bill Weinberger said, he heretofore had avoided thinking about. Honorees Jewel Thais-Williams and Bruce Vilanch, however, exemplify how LGBT people can age as respected elders with grace, continued activism, and humor.

Weinberger introduced Phill Wilson, founder of the Black AIDS Institute, whom he has known since the early 1980s. Shortly after, Wilson discovered he was HIV positive. He noted that while “many of us were dealing with whether we would survive or not, SAGE has always believed we would.” Wilson shared how Thais-Williams bravely opened Jewel’s Catch One Disco as a refuge for LGBT people desperate for a place where they could be themselves.

“Jewel has been a leader, a hero, and a visionary and an advocate for a long, long time,” Wilson said. “Jewel was one of those ‘bridge’ people,” linking the LGBT African-American community to organizations such as AIDS Project Los Angeles and her alma mater, UCLA. You always speak up, whether you’re afraid or not.”

Thais-Williams joked that she was honored to be honored, having spent the last 42 years at Catch One “partying,” adding that she will turn 78 in a couple of months. “To be of service to my community has been a great joy,” she said. “But there is still a lot of work to do. Remember to always reach out to those in need.”

“There has never been a more important time to come together,” SAGE CEO Michael Adams told the diverse crowd of SAGE board members, staffers and supporters at the elegant home of James Frost and William Yi. “We are living in very challenging times,” a notion received with a knowing chuckle for its understatement.

A civilization is historically measured by how it cares and supports its children and most vulnerable and how it supports its elders, Adams said, not just the “right kind of elders….We owe it to our elders, the pioneers who paved the way for the equality we celebrate today….We need the wisdom of our pioneers, our elders.”

SAGE (Services and Advocacy for GLBT Elders) was founded in 1978 in Greenwich Village by two activists and a handful of supporters to provide a visiting program and drop-in center for LGBT seniors. It is now a national organization with 30 SAGENet affiliates in 20 states and D.C., and is partnering with the Williams Institute at UCLA School of Law. Adams also had kind words for the LA LGBT Center and its programs caring for LGBT seniors.

Demographic estimates predict that there will be 6 million LGBT people age 65 years or over in America by 2030. That sets the stage for a potentially disastrous future since, as SAGE notes, LGBT seniors are “twice as likely to be single, twice as likely to live alone, and four times more likely to be without children than their heterosexual peers.”  And, Adam said, facilities that take care of the aging population are “woefully unprepared” to take care of LGBT seniors who fear having to go back in the closet in order to get care and treatment without discrimination.

In introducing comedic writer/actor Bruce Vilanch, SAGE Board co-chair Elizabeth Schwartz—whose co-chair is former LA-based board activist Kevin Williams—said Vilanch’s appearances on “Hollywood Squares” were “instrumental in shaping gay images.” Watching him, “we didn’t have to speculate obsessively” about whether he was gay “as I did over Kristy McNichol.”  She was also grateful that he was also out about being chubby. Vilanch, she said, has a “tireless dedication to the LGBT community.”

In accepting the handsomely shaped glass award, the legendary Oscar writer said that when he was told he was being honored by SAGE, his first thought was: “You have the wrong envelope,” referring to the Best Picture mishap at the Academy Awards.

However, a recent interview with a young journalist underscored that he is now arcing “into my dotage.” The young gay man had no idea who Ted Mack was, though “Ted Mack’s Amateur Hour,” the variety-show precursor to shows like “American Idol,” launched the careers of such future celebrities as Pat Boone and Ann-Margret.  The young man sat stone faced at the mention of her name.

“When queens don’t know who Ann-Margret is, we’re in trouble,” Vilanch said to an uproar of laughter.

“Senior gays are not venerated,” he said. “But we are valued because we can pick up the check or write it.”

As to his decision to be openly gay at a time when being out was a brave decision, Vilanch noted that he worked in the more accepting entertainment industry. But early on, he worked as a journalist writing features for the Chicago Tribune and tried to get gay stories into the paper. Vilanch cited a quote that stuck with him: “A faggot is a homosexual gentleman who just left the room.” He determined to be “the faggot who stayed in the room.”

LGBT progress is result of taking action. “We did the bravest thing—we came out and that changed everything,” Vilanch said. But the LGBT community cannot rely on help from outside. “We have to do it for ourselves….[and] we’re not done yet.”

SAGE CEO Michael Adams also announced the launch of a new initiative in conjunction with AARP—SAGETable— to build “intergenerational connections in the LGBT community” by “breaking bread with your LGBT family on May 18. Visit sagetable.org.

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Photos

PHOTOS: Gay Day at the Zoo

Smithsonian marks International Family Equality Day

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Gay Day at the Zoo (Washington Blade photo by Michael Key)

The DC Center for the LGBTQ Community, SMYAL and Rainbow Families sponsored Gay Day at the Zoo on Sunday at the Smithsonian National Zoo. The Smithsonian marked International Family Equality Day with special exhibits and an event space.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: Taste of Point

Annual fundraiser held for LGBTQ youth scholarship, mentorship organization

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Taste of Point DC (Washington Blade photo by Michael Key)

The Point Foundation held its annual Taste of Point fundraiser at Room & Board on May 2.

(Washington Blade photos by Michael Key)

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Theater

Miss Kitty tackles classical mythology in ‘Metamorphoses’

Folger production seen through the lens of the African diaspora

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Miss Kitty (Photo by Sarah Laughland Photography)

‘Metamorphoses’
May 7-June 16
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Miss Kitty’s words are thoughtful and measured, occasionally punctuated by flamboyant flourishes and uplifting proclamations. Her tried and tested tagline is “live in fierce not fear.” 

She describes herself as “AMAB (assigned male at birth), nonbinary, genderqueer, transfemme” as well as “chanteuse, noble blacktress, and dancer.” 

Currently, Miss Kitty is testing her talents in Mary Zimmerman’s “Metamorphoses” at Folger Theatre on Capitol Hill. 

At 90 minutes, “Metamorphoses,” is made up of interwoven vignettes from classical mythology including the tales of Midas and his daughter, Alcyone and Ceyx, and Eros and Psyche. 

“It’s all stories that relate to the human condition: the follies, the happiness, the love, the loss,” Miss Kitty explains. “And a thorough knowledge of mythology isn’t a requirement for enjoyment.” 

The language is contemporary and with its 11-person ensemble cast – comprised exclusively of Black or indigenous people of color – they’re adding their own spin to its present-day feel, she adds. 

In Zimmerman’s famously staged premiere production, the actors performed in and around a pool of water. At Folger, director Psalmayene 24 has ditched actual aquatics; instead, he suggests the element by introducing Water Nymph, a new character constructed around Miss Kitty. 

Water Nymph doesn’t speak, but she’s very visible from the opening number and throughout the play on stage and popping up in unexpected places around the venue. 

“It’s a lot of dancing; I haven’t danced the way Tony Thomas is choreographing me in a very long time. At 40, can she still make theater with just my body as her instrument?

The name “Miss Kitty” was born over a decade ago. 

Miss Kitty recalls, “She was still presenting as male and going by her dead name. Someone commented that with the wig she was wearing for a part, she looked like Eartha Kitt whom she deeply admires.”

Her penchant for illeism (referring to oneself in third person) isn’t without good reason. She explains, “It’s to reiterate that however she might look, she’s always there; and if you misgender, she will let you know.”

Initially, the moniker was a drag persona at Capital Pride or the occasional fabulous cabaret performance at a nightclub.

But as time passed, she realized that Miss Kitty was something she couldn’t take off. She had always been a part of her. 

“She’s helped me to grow and flourish; she’s given me the strength that I never would have had before. I’m so proud of myself for realizing that before it was too late.” 

Bringing Miss Kitty into her theatrical career presented some concerns. Would theater folks be open to the new her, especially those she’d worked with before? 

Not always, but she’s found new companies who’ve welcomed Miss Kitty with open arms including Avant Bard, Spooky Action Theater, and now Folger. 

Last fall, Miss Kitty appeared in Spooky Action’s Agreste (Drylands), a stunning queer story penned by gay Brazilian playwright Newton Moreno. 

After being invited to audition and reading the script, Miss Kitty was determined to be a part of the production. 

A work dealing with love and being trans, and transphobia, and how people can turn on a dime once they learn the truth about someone, resonated deeply with the actor. 

“The play speaks to the idea that if people just let people be who they are and love who they want to love we’d all be a lot happier,” she says. 

For her sublime efforts, Miss Kitty nabbed a Helen Hayes Award nomination in the Outstanding Lead Performer category (winner to be determined on Monday, May 20 during a ceremony at The Anthem). 

It’s her first time nominated and first time attending. She’s thrilled. 

Miss Kitty grew up in Oxen Hill, Md., and now lives near Washington Harbor. Her entry into performance was through music followed by high school plays. She graduated from Catholic University with a degree in music/concentration in musical theater, and from there dove directly into showbiz. 

Looking back, Miss Kitty says, “being a person of color AND queer can be a double whammy of difficulty. You have to live in light and do the things you’re afraid to do. That’s the game changer.” 

Presenting “Metamorphoses” through the lens of the African diaspora (the cast also includes Jon Hudson Odom and Billie Krishawn, among others) helps us to realize that every story can be universal, especially for marginalized people — South Asian, Native American, or fully queer perspectives, she says.  

“Having an all-Black ensemble opens all new worlds for everyone.”

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