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‘Angels in America’ playwright Tony Kushner working on Trump play

the screenplay will focus on the 2016 election

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(Screenshot via YouTube.)

“Angels in America” playwright Tony Kushner has revealed he is working on a new play about President Donald Trump.

Speaking with The Daily Beast, Kushner says the play would focus on two characters, one being Trump, set two years before the 2016 election. He compared the play to “Angels in America,” the Pulitzer-winning play about the AIDS crisis in the Reagan era, and says the two time periods feel similar.

“I don’t feel like I have to get something done while [Trump’s] still in office,” Kushner told The Daily Beast. “I gambled with ‘Angels,’ which is set in the Reagan era but which I felt would be historically significant 30, 40, 50 years later, because something really fundamental had shifted under Reagan. The same thing is true with Trump.”

Kushner continued that he typically doesn’t like to write characters like Trump because they’re “borderline psychotic.” He also believes Trump is “seriously mentally ill.”

“He’s the kind of person, as a writer, I tend to avoid as I think he is borderline psychotic,” Kushner says. “I definitely think that incoherence lends itself well to drama, but he really is very boring. It’s terrifying because he has all the power, but without the mental faculties, he ought to have. I think he is seriously mentally ill, and the fact that he is in the White House is very frightening.”

The Trump-inspired play is still in the early writing stages and no release date has been set. In the mean time, Kushner revealed he is working with Steven Speilberg on a remake of the classic musical, “West Side Story.” He says he is working on the screenplay and the musical’s setting, 1950s Upper West Side Manhattan, and original score by Leonard Bernstein, would stay the same.

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2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

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We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

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PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

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The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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