Arts & Entertainment

Music of the season

Gay productions among upcoming holiday concerts and shows

Published

15 years ago

November 23, 2011

Wolf Trap’s Holiday Sing-A-Long, featuring the U.S. Marine band and members of local choirs and vocal groups is Dec. 4. (Photo by Sam Kittner, courtesy Wolf Trap)

The holiday season has officially begun with Thanksgiving over and it’s time for holiday concerts and shows. Washington and the region have a rich bounty slated — you could go to concerts almost every night between now and Christmas and still not see everything.

The Gay Men’s Chorus of Washington has its annual holiday concert, “Red & Greene,” for four performances from Dec. 16-18 at Lisner Auditorium (730 21st St., N.W.) featuring Ellen Greene, Broadway’s original Audrey from “Little Shop of Horrors.” Tickets range from $25 to $50 and can be purchased at gmcw.org.

The Gay Men’s Chorus will also be joining Metropolitan Community Church of Washington for its “Joy All Over the World” Christmas concert at Lincoln Theater on Dec. 3. Oleta Adams will make a special appearance. Orchestra seats are $30; balcony seats are $20. This is lesbian music minister Shirli Hughes’ swan song with the church. Go to mccdc.com for more information or ticketmaster.com for tickets.

Wolf Trap (1645 Trap Rd.) in Vienna has two holiday shows coming up. Starting Wednesday is Steve Solomon’s “My Mother’s Italian, My Father’s Jewish & I’m Home for the Holidays.” Solomon uses impersonations to tell the story of a family reunion in his one-man show, the longest running one-man show in Broadway history. The show runs through Dec. 2. Tickets are $32 and can be purchased online at wolftrap.org.

Dec. 4 brings Wolf Trap’s free annual holiday sing-a-long featuring Christmas carols and Hanukkah songs by choir and vocal groups and the United States Marine Band.

The Kennedy Center (2700 F St., N.W.) has a bevy of different holiday performances and events coming up in December.

The American Ballet Theatre will be performing “The Nutcracker” from Dec. 8-11 featuring the Kennedy Center Opera House Orchestra, the Norwood Middle School Choir and the National Cathedral School Choir. Tickets range from $45 to $150.

The National Symphony Orchestra, conducted by Matthew Halls, will be performing Handel’s “Messiah” starting Dec. 15. The show will run through Dec. 18 and tickets range from $20 to $85.

Before the Orchestra’s performance, the Kennedy Center will have Yvonne Caruthers give a comprehensive history of “Messiah” performances throughout the years in “Searching for the Real Messiah” on Dec. 10 at 2 p.m. Tickets are $15.

Tickets for all Kennedy Center performances can be purchased online at kennedy-center.org.

The Cantate Chamber Singers will be giving their “Holiday in Venice” concert on Dec, 11 at St. Mark Episcopal Church (118 3rd St., S.E.) at 3 p.m.

If too much “Messiah”/”Nutcracker”-type traditionalism has you reaching for the eggnog, there are some less reverential offerings as well.

Gay filmmaker John Waters brings his eponymous Christmas show to the Birchmere on Dec. 18. Tickets are $45 at birchmere.com.

And the Kinsey Sicks, a “dragapella” beauty-shop quartet, are back in D.C. with their show “Oy Vey in a Manger” at Theater J (1529 16^th St., N.W.) for four performances from Dec. 24-26. Tickets range from $25 to $65 and can be purchased online at theaterj.org.

The Bohemian Caverns Jazz Orchestra will be performing its holiday concert, “A Bohemian Christmas,” featuring holiday favorites re-imagined with a jazz bent, at The Mansion at Strathmore (10701 Rockville Pike) in North Bethesda on Dec. 18 at 5:30 and 7:30 p.m. Tickets are $20.

Grammy Award nominee Dave Koz, who’s gay, is coming to the Music Center at Strathmore (5301 Tuckerman Lane) in North Bethesda on Dec. 5 for his Christmas tour with special guests Rick Braun, Jonathan Butler and Candy Dulfer. The concert will feature songs from Koz’s holiday albums. The concert begins at 8 p.m. and tickets range from $38 to $72.

The Baltimore Symphony Orchestra will be performing “Holiday Cirque de la Symphonie” on Dec. 8 at the Music Center at 8 p.m. The concert will be performed on and above the stage.

The orchestra will also perform Handel’s “Messiah” on Dec. 3 at 8 p.m. featuring Edward Polochick and concert artists of Baltimore Symphonic Chorale.

Tickets for both Orchestra performances range from $28 to $88.

The National Philharmonic will also be performing Handel’s “Messiah” with two performances on Dec. 10 and 11 featuring Stan Engebretson conducting. Kids from 7 to 17 can attend this concert for free. Tickets range from $32 to $79. There will also be a free lecture before the concert on Dec. 10.

On Dec. 12, Pink Martini (featuring Thomas Lauderdale, who’s openly gay) will be performing at the Music Center at 8 p.m. Tickets range from $55 to $125 and can be purchased online at ticketmaster.com. All Strathmore tickets can be purchased online at Strathmore.org unless otherwise noted.

The BlackRock Center for the Arts (12901 Town Commons Drive) in Germantown will have the “Lift Every Voice: A Holiday Gospel Celebration” concert on Dec.3 at 8 p.m. featuring vocal performances by Solomon Howard, EXTOL and Nischka Higginbotham. Tickets are $25 and can be purchased online at blackrockcenter.org.

The Olney Theater (2001 Olney-Sandy Spring Rd.) has two holiday shows coming up in December. First up is “The Nutcracker” starting Dec. 9 and running through Dec. 24. This is the Olney Ballet Theatre’s 50th anniversary production of the show. And starting Dec. 14, Paul Morella returns to Olney with his performance of “A Christmas Carol: A Ghost Story of Christmas.” Tickets for all shows at Olney start at $26 and can be purchased by calling the box office at 301-924-3400.

The Christ Church Episcopal (118 N. Washington St.) in Alexandria has “A Festival of Nine Lessons and Carols” on Dec. 4 at 5 p.m. The traditional service will feature hymns and anthems, including music by gay composters Joel Martinson, Richard Webster and David Ashley White. This is a free event, but an offering will be taken to benefit the music program at Mount Vernon Woods Elementary School. A wine-and-cheese reception will follow the performance.

D.C. Different Drummers’ holiday concert is Dec. 11 at the Columbia Heights Education Campus Auditorium (3101 16^th St., N.W.) at 3 p.m. The performance will include music from D.C. Swing!, the Capitol Pride Symphonic Band and several of the groups small ensembles, almost all of whom are LGBT. Tickets to the concert are $21 for adults and $11 for students and seniors and can be purchased online at dcdd.org.

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Madonna headlines World Pride Music Festival in Amsterdam

Kylie Minogue made surprise appearance alongside gay icon

Published

5 hours ago

August 2, 2026

Michael K. Lavers

Kylie Minogue with Madonna at the World Pride Music Festival in Amsterdam on Aug. 2, 2026. (Photo courtesy of Cejlon Studio)

AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.

The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.

“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.

Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.

Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”

(Washington Blade video by Michael K. Lavers)

“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”

Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.

View this post on Instagram

A post shared by Kylie Minogue (@kylieminogue)

Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.

Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.

“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”

Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

Published

14 hours ago

August 2, 2026

Patrick Folliard

Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?”

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor.

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.”

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real.

BLADE: Are you curating the upcoming 2026–2027 season?

WHITE: Yes, I am. It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard.

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work.

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV.

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique?

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work.

BLADE: How do you think queer audiences will receive the season?

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.