Arts & Entertainment
Best of the bunch
This year’s LGBT books featured a handful of must reads
'Beautiful Unbroken' was one of the best books this year. (Submitted image)
OK, so the year’s wound down and you’re ready to grab a hot cuppa and curl up somewhere. Or you’re heading to the beach and can’t stand to go empty handed. Whatever your destination, you can’t go wrong if you take these books with you. They were, in my opinion, the year’s best.
Now that the holidays are over and you can look back with a grin (or a growl), you can also safely read “It’s All Relative” by Wade Rouse. This funny, sad, makes-you-cry book is about holidays: those you spend alone, those you wish you’d spent alone and those you’d never in a million years be caught dead spending alone. I loved this book for its humor but the best part is that love — between parent and child, friends or partners — shines through every laugh.
Even though “Don’t Ask Don’t Tell” is over, this book can’t be dismissed: “The Last Deployment” by Bronson Lemer, a funny, wry and all-around great story of one gay man’s reluctant service in the North Dakota National Guard.
Lemer signed up for the education benefits and never thought he’d serve overseas — but overseas he went and not just once. While he was a soldier, he listened to his buddies as they teased and talked trash about gay men but Lemer never came out to fellow soldiers, friends or family until this book. Even though you can now be loud and proud in uniform, it’s definitely worth reading.
If a weekend in the country sounds good to you about now, first read “Sheepish” by Catherine Friend. Friend’s partner, Melissa, always wanted to be a farmer. Friend grew up in the city, but she compromised and hated it. But who can resist a sweet lamb? Who doesn’t love baby animals? Who could foresee the backbreaking work and heartbreaking loss that comes from falling in love with a farmer and her flock? Not you, so if you love a good yarn, you’ll want this book ba-a-a-a-d.
And if you’re looking forward to some sun, sand and pampering this year, then you’ll want to take “Concierge Confidential” by Michael Fazio (with Michael Malice) along. This memoir is an intimate look at what goes on at those high-priced hotels and how the concierges will do anything to make their customers happy. I loved the gossipyness of this book, mostly because it packs peeks but lacks snark.
And finally, you simply will not find a more lush or gorgeous book than “Beautiful Unbroken” by Mary Jane Nealon. This is the true story of a nurse who spends her life running away from the one thing she always wanted to do. For her entire life, it hurt to dream the dream she had, until she finds the very patients who heal the healer. Read this book, for sure, but bring a tissue with you.
And there you are. A passel of pages you simply can’t miss, for your vacation, your evening alone, your weekend away or just because you love a good book.
The DC Center for the LGBTQ Community, SMYAL and Rainbow Families sponsored Gay Day at the Zoo on Sunday at the Smithsonian National Zoo. The Smithsonian marked International Family Equality Day with special exhibits and an event space.
(Washington Blade photos by Michael Key)
Covering Gay Day at the Zoo for @WashBlade . Here at @NationalZooDC pic.twitter.com/LqgGNOOAiM
— Michael Patrick Key (@MichaelKeyWB) May 5, 2024
Photos
PHOTOS: Taste of Point
Annual fundraiser held for LGBTQ youth scholarship, mentorship organization
The Point Foundation held its annual Taste of Point fundraiser at Room & Board on May 2.
(Washington Blade photos by Michael Key)
Theater
Miss Kitty tackles classical mythology in ‘Metamorphoses’
Folger production seen through the lens of the African diaspora
‘Metamorphoses’
May 7-June 16
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Miss Kitty’s words are thoughtful and measured, occasionally punctuated by flamboyant flourishes and uplifting proclamations. Her tried and tested tagline is “live in fierce not fear.”
She describes herself as “AMAB (assigned male at birth), nonbinary, genderqueer, transfemme” as well as “chanteuse, noble blacktress, and dancer.”
Currently, Miss Kitty is testing her talents in Mary Zimmerman’s “Metamorphoses” at Folger Theatre on Capitol Hill.
At 90 minutes, “Metamorphoses,” is made up of interwoven vignettes from classical mythology including the tales of Midas and his daughter, Alcyone and Ceyx, and Eros and Psyche.
“It’s all stories that relate to the human condition: the follies, the happiness, the love, the loss,” Miss Kitty explains. “And a thorough knowledge of mythology isn’t a requirement for enjoyment.”
The language is contemporary and with its 11-person ensemble cast – comprised exclusively of Black or indigenous people of color – they’re adding their own spin to its present-day feel, she adds.
In Zimmerman’s famously staged premiere production, the actors performed in and around a pool of water. At Folger, director Psalmayene 24 has ditched actual aquatics; instead, he suggests the element by introducing Water Nymph, a new character constructed around Miss Kitty.
Water Nymph doesn’t speak, but she’s very visible from the opening number and throughout the play on stage and popping up in unexpected places around the venue.
“It’s a lot of dancing; I haven’t danced the way Tony Thomas is choreographing me in a very long time. At 40, can she still make theater with just my body as her instrument?
The name “Miss Kitty” was born over a decade ago.
Miss Kitty recalls, “She was still presenting as male and going by her dead name. Someone commented that with the wig she was wearing for a part, she looked like Eartha Kitt whom she deeply admires.”
Her penchant for illeism (referring to oneself in third person) isn’t without good reason. She explains, “It’s to reiterate that however she might look, she’s always there; and if you misgender, she will let you know.”
Initially, the moniker was a drag persona at Capital Pride or the occasional fabulous cabaret performance at a nightclub.
But as time passed, she realized that Miss Kitty was something she couldn’t take off. She had always been a part of her.
“She’s helped me to grow and flourish; she’s given me the strength that I never would have had before. I’m so proud of myself for realizing that before it was too late.”
Bringing Miss Kitty into her theatrical career presented some concerns. Would theater folks be open to the new her, especially those she’d worked with before?
Not always, but she’s found new companies who’ve welcomed Miss Kitty with open arms including Avant Bard, Spooky Action Theater, and now Folger.
Last fall, Miss Kitty appeared in Spooky Action’s Agreste (Drylands), a stunning queer story penned by gay Brazilian playwright Newton Moreno.
After being invited to audition and reading the script, Miss Kitty was determined to be a part of the production.
A work dealing with love and being trans, and transphobia, and how people can turn on a dime once they learn the truth about someone, resonated deeply with the actor.
“The play speaks to the idea that if people just let people be who they are and love who they want to love we’d all be a lot happier,” she says.
For her sublime efforts, Miss Kitty nabbed a Helen Hayes Award nomination in the Outstanding Lead Performer category (winner to be determined on Monday, May 20 during a ceremony at The Anthem).
It’s her first time nominated and first time attending. She’s thrilled.
Miss Kitty grew up in Oxen Hill, Md., and now lives near Washington Harbor. Her entry into performance was through music followed by high school plays. She graduated from Catholic University with a degree in music/concentration in musical theater, and from there dove directly into showbiz.
Looking back, Miss Kitty says, “being a person of color AND queer can be a double whammy of difficulty. You have to live in light and do the things you’re afraid to do. That’s the game changer.”
Presenting “Metamorphoses” through the lens of the African diaspora (the cast also includes Jon Hudson Odom and Billie Krishawn, among others) helps us to realize that every story can be universal, especially for marginalized people — South Asian, Native American, or fully queer perspectives, she says.
“Having an all-Black ensemble opens all new worlds for everyone.”
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