Arts & Entertainment
Theatrical highs
Many stellar gay-helmed productions infused D.C. stage scene


Delia Taylor as Winnie in WSC Avant Bardās production of Samuel Beckettās āHappy Days.ā (Photo by Dru Sefton; courtesy WSC)
It was a particularly good year for Washington theater. Included among the many solid offerings were numerous shows made by and about LGBT people.
Woolly Mammoth presented works by rising gay playwrights Robert OāHara and Samuel D. Hunter. OāHaraās autobiographical comedyĀ āBootycandy,āĀ about growing up black and gay in America, follows the misadventures of young Sutter as he grapples with finding his place in the world and his own burgeoning sexuality. OāHara ā who also directed ā led a terrific design team and got some great comedic performances from a talented five-person ensemble who portrayed a much larger number of characters ranging in age, portrayed many more characters ranging in age, sexual orientation and gender.
HunterāsĀ āA Bright New BoiseāĀ is a dark comedy set in the break room of a big box store in Idaho. Woollyās production was staged by gay director John Vreeke and featured an finely drawn performance from gay actor Michael Russotto.
Leading dramatists were honored. In the spring, Arena Stage celebrated the work ofĀ Edward AlbeeĀ with a festival featuring the gay playwrightās entire canon (mostly staged readings). The festivalās centerpiece were fully staged productions of Albeeās searing domestic dramaĀ āWhoās Afraid of Virginia Woolf?āĀ which starred Tracy Letts and Amy Morton as the boozy, battling spouses George and Martha; and Albeeās more recent workĀ āAt Home at the Zoo,āĀ a riveting peek into the lives of three New Yorkers.
At the same time, the Georgetown University Theater and Performance Studies Program presented an equally ambitious celebration of another gay playwrightās stunning oeuvre: theĀ Tennessee Williams Centennial FestivalĀ (Tenn Cent Fest for short).Ā Included in the extensive, multidisciplinary program was a production ofĀ āThe Glass MenagerieāĀ featuring Sarah Marshall, who is gay, as the former Southern belle matriarch Amanda Wingfield, whoās based on the playwrightās overbearing mother.
In May, the Kennedy Center presentedĀ āFolliesāĀ (gay composer Stephen Sondheimās paean to ex-chorines and messy relationships) starring Bernadette Peters. Staged by local gay director Eric Schaeffer, it was a little uneven but boasted a sublime second act. Since its run here, an improved version of the same production moved on to Broadway and is slated for a limited Los Angeles run in the spring.
At Synetic Theater, gay actor Philip Fletcher continued to do amazing things with his body during 2011. A longtime regular with the movement-based theater group, Fletcher played Edmund in a stunning, punk rockĀ āKing LearāĀ in April, and in October he reprised his role as the most maniacal third of a triadic Iago inĀ āOthello.ā
At WSC Avant Bard in Rosslyn, director Jose Carrasquillo directed Delia Taylor (both gay) in a splendid production of Samuel Beckettās dauntingĀ āHappy Days.āĀ Tony Cisek ā also gay ā designed the set. In fact, Cisek designed sets for many productions throughout the year including Fordās āParade,ā Folgerās āOthelloā and āAfter the Fallā at Theatre J.
Other news from 2011:Ā The Shakespeare Theatre CompanyāsĀ gay artistic director Michael Kahn celebrated 25 years at the troupeās helm; legendary (and lanky) Broadway choreographerĀ Tommy TuneĀ came to town to accept the Helen Hayes Tribute for an exceptionally successful career in theater; award-winning local actorĀ Holly TwyfordĀ (who is gay) made an impressive directing debut at No Rules Theater Company with āStop Kiss.ā On a sadder note,Ganymede Arts, Washingtonās only gay-specific theater closed, citing straightened finances as the main reason. The company was known for successfully staging works of special interest in LGBT audiences and for four years, it held fun fall arts festival, which attracted cool notables like Karen Black, Charles Busch and Holly Woodlawn.
For Helen Hayes Award-winning actor and DC theater scene veteranĀ Rick Hammerly, 2011 was an especially busy and professionally fulfilling year.Ā Ā In addition to acting in the Kennedy Centerās long-running āShear Madness,ā the Tenn Cent Festivalās āAnd Tell Sad Stories of the Deaths of Queensā¦,āand most recently as Mr. Fezziwig in āA Christmas Carolā at Fordās Theatre, he also produced āMagnificent Wasteā for Factory 449, a progressive theater company that he and a small group of other theater artists founded several years ago.
And in what Hammerly describes as the highlight of his year, he staged a timely production ofĀ āDead Men WalkingāĀ at American University in the fall. The play was created for universities by Tim Robbins through his Dead Man Walking School Theatre Project. It closely follows Robbinsā 1995 award winning film adaptation of the book by Sister Helen Prejean, based on her time spent with Death Row inmates.
āThe experience gave me the opportunity to introduce the students to the power of theater ā what it can really accomplish if youāre tackling things that are current. We used the story of Troy Anthony Davisā execution in the play to tie whatās taking place on stage to something that is actually happening in the world. It demonstrated the strength of art and theater.ā

Freddie’s Follies had a 20th anniversary show at Freddie’s Beach Bar in Arlington, Va. on Saturday, March 18. Performers included Destiny B. Childs, Monet Dupree, Patti Lovelace, Sasha Adams Sanchez and Ophelia Bottoms.
(Washington Blade photo by Michael Key)



















Covering Freddieās Follies 20th Anniversary for @WashBlade . @DestinyBChilds performing: pic.twitter.com/urpHgiMZ05
— Michael Patrick Key (@MichaelKeyWB) March 19, 2023

D.C.’s newest LGBTQ venue The Little Gay Pub (1100 P Street, N.W.) had a soft opening on Friday, March 17.
(Washington Blade photos by Michael Key)

















Covering the opening of The Little Gay Pub in Logan Circle for @WashBlade pic.twitter.com/hrAbvbW2C3
— Michael Patrick Key (@MichaelKeyWB) March 18, 2023

The Capital Pride Alliance held its annual Pride Reveal party at Hotel Monaco on Thursday, March 16. Following a performance by drag artist Shi-Queeta Lee, members of the board of the Capital Pride Alliance announced “Peace, Love, Revolution” as the theme for Pride 2023 in D.C.
(Washington Blade photos by Michael Key)






























Covering Pride Reveal at Hotel Monaco for @WashBlade . @shiqueeta performing: pic.twitter.com/cONCQQR706
ā Michael Patrick Key (@MichaelKeyWB) March 17, 2023
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