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Social agenda for March 5

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Friday, March 5

Join the DC Front Runners for their First Friday Happy Hour from 6:30-8:30 p.m. at the Green Lantern, located at 1335 Green Court, N.W.

Participate in Gay District from 8:30-10:30 p.m. at St. Margaret’s Episcopal Church. Gay District is a weekly, non-church affiliated discussion and social group for GBTQ men between 18 and 35. The group meets at St. Margaret’s Episcopal Church (1820 Connecticut Ave., N.W., just north of Dupont Circle. For more information, e-mail [email protected].

Raw, held from 10 p.m.-3 a.m., returns to the Green Lantern, 1335 Green Court, N.W. Raw is an electro-disco party on the first Friday of each month at the Green Lantern, inspired by gay parties of the early 80s. Join your host, Karl Marks, and resident DJs, Shea and Bil, for some retro fun, fog, lasers, strobe lights and throbbing music. Free entry before 11 p.m., cover is just $3 after that.

Town Danceboutique, located at 2009 8th St., N.W., presents its “So, you think you’re a drag queen?” competition. Doors open at 10 p.m. with the drag show/contest at 10:30 p.m. Contestants must arrive at the club by 10 p.m. (no later than 10:15) and bring a CD with a song you want to perform. Makeup should be done before your arrival. The audience decides the winner with a grand prize of $250.

Burgundy Crescent, a gay volunteer organization, holds its March Post-Valentine Sweet & Sentimental Social. To participate, visit www.burgundycrescent.org.

Saturday, March 6

Join your hosts and DJs Richard Morel and Bob Mould for Blowoff at the 9:30 club, located at 815 V St., N.W. Doors open at 11:30 p.m. with a $12 cover.

DC Metro LGBT IT Professionals meets from 10-11 a.m. at SteamCafe, 17th & R streets. RSVP at meetup.com at: http://www.meetup.com/GayDigerati/

Thom Bierdz will create a painting to be auctioned off to support Out for Work on Saturday, March 6 from 6-9 p.m. at MOVA Lounge (formerly Halo) at 1435 P St., N.W. Bierdz is the first openly gay actor to play an openly gay character, Phillip Chancellor III, on CBS’ “The Young & the Restless.”

EFF Winter Dance Party is held from 9 p.m.-2 a.m. at Freddie’s Beach Bar, 555 23rd St., South Arlington, Va. Party is 21+. There is a $5 cover, which benefits Capital Pride.

The March edition of the monthly gear/fetish party CODE at Motley Bar above EFN Lounge, 1318 9th St., N.W., 9 p.m.-3 a.m., will feature DJ Shea Van Horn. Admission is $10. Code is an 18+ event. Gear, rubber, skin, uniform or leather dress code will be strictly enforced.

JAM @ MOVA Lounge at 1435 P St., N.W., 9 p.m. – 3 a.m. Join B.O.I. and the ladies of Mixology as they take over MOVA Lounge. Come out and mingle, dance, drink or chill.

In recognition of National Black HIV/AIDS Awareness Day, Food & Friends will host a free community event 10 a.m.-3 p.m. at the Riggs LaSalle Community Center, 501 Riggs Rd., N.E. Free shuttle from the Fort Totten Metro Station (on the Red, Green-Yellow Lines). This free community event is open to all ages and includes free HIV testing and counseling, educational workshops and free food and entertainment.

DCist.com holds its fourth annual DCist Exposed Photography Show at Long View Gallery, March 6-21. Out of more than 1,000 entries submitted through Flickr.com, 47 winning images were selected by a panel to be included in this year’s DCist Exposed exhibit. This year’s opening reception will be Saturday, 6-10 p.m., $5 at the door. Long View Gallery is located at 1234 9th St., N.W., just a few blocks from the Mt. Vernon/Convention Center Metro.

A Night Out at Silo Point, a benefit for Moveable Feast. Built in 1923, the B&O Railroad grain terminal in Baltimore was the biggest and fastest grain elevator in the world. Today, it’s a contemporary 24-story condo tower rising above the Inner Harbor. Tour the building and help Moveable Feast while you’re at it — food and cocktails, dance to DJ D-Rizzo and tour six decorated models, 8 p.m.-12 a.m., 1200 Steuart St., Baltimore. Tickets are $45 per person or $75 per couple, purchase online at mfeast.org.

Sunday, March 7

Join the DC Center at Town Danceboutique, 2009 8th St., N.W., for the 5th Annual Oscar celebration, “Glamour, Glitter, & Gold.” Doors open at 7 p.m.; general admission is $15 in advance or $20 at the door. V.I.P. admission, $100. Purchase tickets at thedccenter.org or for more information e-mail [email protected].

AZÚCAR DC at EFN Lounge, 1318 9th St., N.W., 9 p.m.-2 a.m. Ginger Glamour joins the Queen of the House Alondra St. Cartier on the Azúcar stage and DJ Michael Brandon plays your favorite hits. Always 18 to dance, 21 to drink.

The Oscars at Black Fox Lounge. Black Fox is located two blocks north of Dupont Circle on Connecticut Avenue, between R and S Streets. Complimentary hors d’oeuvres, black tie optional. Prizes for Best Dressed Male and Best Dressed Female. 8-11:30 p.m. No cover.

Thom Bierdz will be signing copies of “Forgiving Troy,” at the Books-A-Million, Dupont Circle location from 3-5 p.m.

Monday, March 8

GLBT Youth Support Group will meet from 4:30-6 p.m. at the GW Center Clinic, 1922 F St., N.W., Suite 103.

Burgundy Crescent, a gay volunteer organization, has volunteer opportunities for Food & Friends and for the HRC phone banks. To participate, visit www.burgundycrescent.org.

Tuesday, March 9

Town Danceboutique, located at 2009 8th St., N.W., presents “Speakeasy.” The topic is “American Idol: Stories about brushes with fame.” Doors open at 6:30 p.m. and the show starts at 8 p.m. $10 cover, 21+. To sign up or for more info visit speakeasydc.com.

Burgundy Crescent, a gay volunteer organization, volunteers today for the Safer Sex Kit Packing Program. To participate, visit www.burgundycrescent.org.

Wednesday, March 10

Hollaback Transgender Support Group meets from 6:30-8 p.m. in the DC Center Activity Room. Hollaback is a program of the DC Community AIDS Network. The DC Center is located at 1810 14th St., N.W., convenient to the U Street/Cardozo Metro stop, and on the 14th Street bus lines.

Thursday, March 11

Whitman Walker: “Ready for Change” Harm Reduction Group, MRC, 2301 MLK Ave., S.E. from 3-5 p.m.

Dining Out for Life, an annual benefit for Food & Friends is held tonight at various restaurants around the city that donate a percentage of their take to charity. The Burgundy Crescent has related volunteer opportunities available. To participate, visit foodandfriends.org or burgundycrescent.org.

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Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

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Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?” 

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor. 

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.” 

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real. 

BLADE: Are you curating the upcoming 2026–2027 season? 

WHITE: Yes, I am.  It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard. 

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work. 

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV. 

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique? 

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work. 

BLADE: How do you think queer audiences will receive the season? 

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.

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PHOTOS: Amsterdam Pride Canal Parade

Annual LGBTQ celebration held in Dutch city during World Pride

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A scene from the 2026 Amsterdam Pride Canal Parade. (Washington Blade photo by Michael Key)

Editor’s note: International News Editor Michael K. Lavers and Photo Editor Michael Key are on assignment in the Netherlands through Aug. 10.

AMSTERDAM — The 2026 Amsterdam Pride Canal Parade was held on Saturday, Aug. 1.

(Washington Blade photos by Michael Key and Michael K. Lavers)

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PHOTOS: Lambda Legal in the Pines

Fundraiser held at ‘Normal Heart’ house

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A scene from the 'Lambda Legal in the Pines' fundraiser on July 25. (Photo by Santiago Felipe)

The LGBTQ organization Lambda Legal held its annual “Lambda Legal in the Pines” fundraiser on Saturday, July 25. The event was held at a house on Fire Island featured in Ryan Murphy’s 2014 HBO film, “The Normal Heart.”

Organizers say over $500,000 was raised to support Lambda Legal’s national litigation and advocacy work.

(Photos by Santiago Felipe)

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