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Asia O’Hara interview: the Queen has arrived

‘Drag Race’ season 10 favorite readies Capital Pride headlining appearance

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Asia O'Hara interview, gay news, Washington Blade

Asia O’Hara says experience helped her go far on ‘RuPaul’s Drag Race” season 10. (Photo courtesy Project Publicity)

Asia O’Hara

 
Capital Pride Concert
 
Sunday, June 10
 
7 p.m.
 
Capitol Concert Stage
 
3rd and Pennsylvania Ave., N.W.
 
Free admission

Asia O’Hara took home the titles for Miss Gay USofA in 2007, All American Goddess 2012 and Miss Gay America 2016 but still had to audition three times to compete for the crown on “RuPaul’s Drag Race.”

Hailing from Dallas, the 35-year-old veteran drag queen has now fought her way to the final five on season 10 of the drag competition show and secured her spot as a headliner of the Capital Pride Concert. 

O’Hara will perform at the Capital Pride Festival/concert at 7 p.m. on the CAPITOL Concert Stage (3rd & Pennsylvania) as part of the HOT 99.5 event. It’s free. Details here.

Speaking with the Washington Blade, O’Hara dished on who she thought went home too soon, the truth behind reality show editing and what it was like getting slapped by RuPaul.

WASHINGTON BLADE: In the beginning of the season you went out of your way to help the other queens during one of the challenges and didn’t leave time for yourself. Do you regret doing that now?

O’HARA: Not at all. My viewpoint in competition is a little different than others. I feel like as long as you make it to the next week, it’s a win. Although it was scary to be that close to the bottom, once I realized that I was not lip-syncing or possibly going home, then I was fine. It’s like an investment. Sometimes it’s risky and it’s scary at the moment but once you realize that you’re going to be fine and it paid off, then there’s no sense in regretting the risk that you took.

BLADE: Why do you think the judges didn’t connect with your Beyoncé impression in Snatch Game?

O’HARA: The entire goal of the Snatch Game is to make Ru and the judges laugh. Beyoncé is not somebody that is known for being comedic. On top of that, she no longer does interviews, so it’s hard for people to connect with her personality because people don’t really know her personally. I thought that since her personality is ambiguous it gave me a lot of room to play and do whatever I wanted. Some people that are celebrities just have infectious personalities and they’re successful primarily because people just love them and their personalities. She, unfortunately, is probably not one of them. She’s a celebrity because of her talent. I think that’s why the judges had trouble connecting with her.

BLADE: You were one of the only people that broke down the Vixen’s wall and said you understood where both she and the others were coming from. Did you feel like she heard you?

O’HARA: Absolutely. I know for a fact that she did. It’s one of those things where approach is everything. I know that she heard me and understood where I’m coming from. I think that I just acknowledged that I understood what she was saying and didn’t think she was just bat crazy is what gave her the ability to be openminded with what I was saying.

BLADE: What’s your relationship like with her now?

O’HARA: It’s great. We don’t talk all the time but we text back and forth about funny stuff and talk about our goals in the future. Every time we see one another we hang out. I was recently in Chicago, which is where she lives, and she came out to the show and we hung out in the dressing room. Honestly, it’s no different than how it always was. Other than that brief moment where she was obviously upset that I said her name for who I thought should go home. But we’ve always had a great relationship.

BLADE: Where do you get your life wisdom from?

O’HARA: I don’t think that I’m wise. I was older than everybody. I think that’s just how that works. Mayhem (Miller) and I were the two oldest contestants. “Drag Race” was a new avenue for me but I’ve done drag in multiple facets of the community. Pageants, being a showgirl, being a backup dancer, being a show director, doing charity drag and now a reality show. So I’ve seen drag from multiple points of view. I think it’s sometimes easier for me to understand and communicate in the world of drag because I don’t have just a one-sided perspective of what drag is or should or should not be.

BLADE: Another memorable moment in the season was when you got accidentally slapped by RuPaul. What was that like?

O’HARA: To be honest, it was quite fun because it was so great to see her so concerned. She legitimately for a split second was concerned that I was hurt. She didn’t know what direction that was about to go in. That to me was the funnest part just to see how nervous she was. She was like, “Oh my god is she about to act a fool? Are we going to have to go stop the cameras so she can see the medic?” That was the funnest part for me because she’s completely in control of every aspect of the competition. So to see her in that brief moment not know what was about to happen was quite refreshing.

BLADE: How do you feel about the way the show has been edited versus how it felt in the moment? Do you think you were fairly represented?

O’HARA: I think everybody is always fairly represented. People love to say that editing changes things. They basically take two or three days worth of filming and condense them into 78 minutes of footage. I feel like everything has been completely accurate for me and everyone. There were times I was terrible in the competition and it accurately showed that. There were times I was great in the competition and it was accurate as well. The editing has been exactly how I remember things happened.

BLADE: Was there anyone that you felt went home too early?

O’HARA: Absolutely. Now, when I say someone went home too early I’m saying they had more to offer the competition. I’m not saying I don’t feel like they deserved to go home based on what they presented that week. But two people I saw going further in the competition were Blair St. Clair and Monét X Change. Blair was one of the only people that on day one I thought to myself, “Clearly, she’s top four material.” I was really shocked when she went home close to halfway through. Monét  X Change also had some great moments. I was surprised that she didn’t make it. Not initially, but as I got to know her and see her talent level, she was another person I could see making it to the end.

BLADE: Speaking of Blair St. Clair, how did you feel when she opened up about her sexual assault? Did it just come out of nowhere?

O’HARA: It didn’t come out of nowhere. The lead question that prompted that may have gotten missed I don’t recall how that happened in person. As we got to know Blair personally, we knew that there was something there. Unfortunately, what you don’t get to see on television, in any reality competition, is sometimes just being in the same room with someone and having a conversation with them you feel like you need to ask them, “Something else on your mind?”

BLADE: Aquaria is one of the younger queens. What was it like watching her approach the competition as a more seasoned queen?

O’HARA: It was great. The thing about Aquaria is that although she’s young, she’s more mature than most 21-year-olds and more mature than I was at that age. She’s very talented. It’s refreshing to see someone so young, so talented and so self-aware about their art. Of course when I found out how old she was I didn’t know what to expect. But as the competition progressed and I got to know her I was thrilled to know she was only 21.

BLADE: Was there any moment that didn’t make the cut featuring you that you wish viewers had seen?

O’HARA: Not really. There are more moments that I forgot happened that I was pleasantly surprised with. One logistic thing that probably just wouldn’t have made sense on television is that during the “Breastworld” challenge when I was playing the Para Salin character, the first half of that challenge they went through multiple times. I was sitting on the sidelines for probably 45 minutes before it got to my part because I was the last character to enter the scene. When I entered the scene the judges just erupted into laugher because I think they forgot I was even there because I was off to the side while they were working with the other girls. I thought that might make the cut but it probably was something production wise than it was an actual piece of the story. I think Michelle (Visage) even said “Oh my god, I completely forgot you were sitting over there.”

BLADE: What can people expect from your Capital Pride performance?

O’HARA: I call myself a chameleon queen. I don’t travel around the world presenting the same creative ideas that I presented in the competition because I feel like people like to be surprised and like something fresh and new. People can expect to be pleasantly surprised and see something that is authentically Asia but not something they’ve seen already on television.

Asia O’Hara says Capital Pride audiences will see another side of her this weekend. (Photo courtesy Project Publicity)

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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Looking back at the 10 biggest A&E stories of 2025

‘Wicked,’ Lady Gaga’s new era, ‘Sexy’ Bailey and more

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Although 2025 was a year marked by countless attacks on trans rights and political setbacks, the year also saw brilliant queer artists continuing to create art. From Cannes and Sundance Award winners now vying for Oscar consideration to pop icons entering new stages of their careers, queer people persevered to tell their stories through different media.

With the state of the world so uncertain, perhaps there’s no more vital time to celebrate our wins, as seen through some of this year’s top pop culture moments. While there’s no collection of 10 stories that fully encompass “the most important” news, here are some events that got the gays going:

10. ‘Mysterious Gaze of the Flamingo’ wins big at Cannes 

A scene from ‘The Mysterious Gaze of the Flamingo.’ (Image courtesy AFI Fest)

The Cannes Film Festival has become a crucial start for films hoping to make their way to the Oscars, and first-time director Diego Céspedes won the top Un Certain Regard prize for his intimate western “The Mysterious Gaze of the Flamingo.” The film is set in the ‘80s and is intended as an allegory for the AIDS epidemic. Seeing a film that unpacks vital queer history win one of the most coveted awards at Cannes has been a huge point of pride in the independent filmmaking community.

Since the film bowed at Cannes, it has been selected as Chile’s Oscar entry in the Best International Feature race. Speaking with The Blade during the film’s AFI Fest run in October, Céspedes said: At first, I was kind of scared to have this campaign position in the times that we’re living [in] here. But at the same time, I think the Oscars mean a huge platform — a huge platform for art and politics.”

9. ‘The Last of Us’ returns for an even gayer season 2

While the first season of The Last of Us gave us one of TV’s most heartbreaking queer love stories in the episode “Long, Long Time,” Season 2 doubled down on its commitment to queer storytelling with the blossoming relationship between Ellie (Bella Ramsey) and Dina (Isabela Merced). The show expanded on the pair’s relationship in the original video game, making it perhaps the central dynamic to the entire season. That unfortunately came with more homophobic backlash on the internet, but those who checked out all the episodes saw a tender relationship form amid the show’s post-apocalyptic, often violent backdrop. For their performance, Ramsey was once again nominated for an Emmy, but Merced deserved just as much awards attention.

8. ‘Emilia Pérez’ sparks controversy 

Jacques Audiard’s genre-bending trans musical “Emilia Pérez” proved to be an awards season juggernaut this time last year, winning the Golden Globe for Best Musical/Comedy. But when the lead star Karla Sofia Gascón’s racist, sexist, and homophobic old tweets resurfaced, the film’s Oscar campaign became a tough sell, especially after Netflix had tried so hard to sell Emilia Pérez as the “progressive” film to vote for. Mind you, the film had already received significant backlash from LGBTQ+ audiences and the Mexican community for its stereotypical and reductive portrayals, but the Gascón controversy made what was originally just social media backlash impossible to ignore. The only person who seemed to come out of the whole debacle unscathed was Zoe Saldaña, who won the Oscar for Best Supporting Actress over Ariana Grande.

7. ‘Sorry, Baby’ establishes Eva Victor as major talent  

Back in January at the Sundance Film Festival, Eva Victor (known by many for her brand of sketch comedy) premiered their directorial debut “Sorry, Baby” to rave reviews, even winning the Waldo Salt Screening Award. Victor shadowed Jane Schoenbrun on the set of “I Saw the TV Glow,” and seeing Victor come into their own and establish such a strong voice immediately made them one of independent cinema’s most exciting new voices. A memorable scene in the film sees the main character, Agnes (played by Victor), struggling to check a box for male or female, just one example of how naturally queerness is woven into the fabric of the story.

Most recently, Victor was nominated for a Golden Globe for her performance in the film, and she’s represented in a category alongside Jennifer Lawrence (“Die My Love”), Jessie Buckley (“Hamnet”), Julia Roberts (“After the Hunt”), Renate Reinsve (“Sentimental Value”) and Tessa Thompson (“Hedda”). The film also received four Independent Spirit Award nominations overall.

6. Paul Reubens comes out in posthumous doc

Paul Reubens came out posthumously in 2025. (Image courtesy of HBO)

While Paul Reubens never publicly came out as gay before passing away in 2023, the two-part documentary “Pee-wee as Himself” premiered back in May on HBO Max, giving the legendary comedian a chance to posthumously open up to the world. Directed by Matt Wolf, the documentary explores how Reubens found his alter ego Pee-Wee Herman and why he kept his private life private.

The documentary won an Emmy in the Outstanding Documentary or Nonfiction Special category and remains one of the most critically acclaimed titles of the year with a 100% Rotten Tomatoes score. Also worth noting, the National Geographic documentary Sally told the posthumous coming out story of Sally Ride through the help of her long-time partner, Tam O’Shaughnessy.

5. Lady Gaga releases ‘Mayhem’ 

Lady Gaga entered a new phase of her musical career with the release of Mayhem, her seventh album to date. From the frenzy-inducing pop hit Abracadabra to the memorable Bruno Mars duet featured on “Die With a Smile,” seeing Gaga return to her roots and make an album for the most die-hard of fans was especially rewarding after the underwhelming film releases of “House of Gucci” and “Joker: Folie à Deux.” Gaga has been touring with The Mayhem Ball since July, her first arena tour since 2018. She even extended her tour into 2026 with more North American dates, so the party isn’t stopping anytime soon. And Gaga is even set to make an appearance next May in “The Devil Wears Prada 2.”

4. Cynthia Erivo, Ariana Grande perform at the Oscars 

Cynthia Erivo performs in the 97th Academy Awards. (Screen capture via ABC)

While “Wicked: For Good” didn’t quite reach the heights of the first film, we will forever have Cynthia Erivo and Ariana Grande’s breathtaking live performance that opened the 97th Academy Awards. The pair sang a rendition of “Over the Rainbow,” “Home,” and “Defying Gravity,” paying proper homage to the original 1939 “Wizard of Oz.” Even non-Wicked fans can’t deny how magical and brilliantly staged this performance was. With both Erivo and Grande up for acting Oscars last year, they’re hoping to repeat success and make history with consecutive nominations. Either way, let’s hope there’s another live performance in the making, especially with two new original songs (The Girl in the Bubble and No Place Like Home) in the mix.

3. Indya Moore speaks out against Ryan Murphy 

Indya Moore has consistently used social media as a platform for activism, and in September, posted a 30-minute Instagram live speaking out against “Pose” co-creator Ryan Murphy. Moore claimed that Murphy wasn’t being a true activist for trans people. “Ryan Murphy, we need you to do more. You need to address the racism, the violence, and the targeting of people on your productions, Ryan Murphy. You do need to make sure trans people are paid equally. Yes, Janet did the right thing,” Moore said. Murphy was also back in the headlines this year for the critically panned “All’s Fair” and the controversial “Monster: The Ed Gein Story” starring Laurie Metcalf and Charlie Hunnam.

2. Cole Escola wins Tony for Best Leading Actor 

Few pop culture moments this year brought us together more than Cole Escola winning a Tony award for “Oh, Mary!” the Broadway show they created, wrote and starred in (we love a triple threat!) Escola made history by becoming the first nonbinary person to win a Tony in the leading actor category, and seeing them excitedly rush to the stage wearing a Bernadette Peters-inspired gown instantly became a viral social media moment.

The cherry on top of Escola’s major moment is the recent news that they are writing a Miss Piggy movie with Jennifer Lawrence and Emma Stone producing — news that also broke the internet for the better. We cannot wait!

1. Jonathan Bailey makes gay history as ‘Sexiest Man Alive’ 

Jonathan Bailey made some sexy history in 2025.

The same year as his on-screen roles in blockbusters “Jurassic World Rebirth” and “Wicked: For Good,” Jonathan Bailey made history as the first openly gay man to be named People magazine’s “Sexiest Man Alive.” The fact that it took 40 years for an openly gay man to earn the title is a signifier of how far we still have to go with queer representation, and seeing Bailey celebrated is just one small step in the right direction.

“There’s so many people that want to do brilliant stuff who feel like they can’t,” he told PEOPLE, “and I know the LGBT sector is under immense threat at the moment. So it’s been amazing to meet people who have the expertise and see potential that I could have only dreamed of.” In 2024, Bailey founded the charity titled The Shameless Fund, which raises money for LGBTQ+ organizations.

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Your guide to D.C.’s queer New Year’s Eve parties

Ring in 2026 with drag, leather, Champagne, and more

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Trade leans into a shark motif with its NYE plans. (Washington Blade photo by Michael Key)

With Christmas in the rear view mirror, we can turn our attention to ringing in a much-anticipated New Year with a slew of local LGBTQ parties. Here’s what’s on tap.

Pitchers

This spacious Adams Morgan bar is hosting the “Pitchers’ Perfect New Year’s Eve.”  There will be a midnight Champagne toast, the ball drop on the big screens, and no cover, all night long. The bar doesn’t close until 4 a.m., and the kitchen will be open late (though not until close). All five floors will be open for the party, and party favors are promised.

Trade

D.C.’s hottest bar/club combo is leaning into the Shark motif with its NYE party, “Feeding Frenzy.” The party is a “glitterati-infused Naughty-cal New Year’s Even in the Shark Tank, where the boats are churning and the sharks are circling.” Trade also boasts no cover charge, with doors opening at 5 p.m. and the aforementioned Shark Tank opening at 9 p.m.. Four DJs will be spread across the two spaces; midnight hostess is played by Vagenesis and the two sea sirens sensuously calling are Anathema and Justin Williams.

Number Nine

While Trade will have two DJs as part of one party, Number Nine will host two separate parties, one on each floor. The first floor is classic Number Nine, a more casual-style event with the countdown on TVs and a Champagne midnight toast. There will be no cover and doors open at 5 p.m. Upstairs will be hosted by Capital Sapphics for its second annual NYE gathering. Tickets (about $50) include a midnight Champagne toast, curated drink menu, sapphic DJ set by Rijak, and tarot readings by Yooji.

Crush

Crush will kick off NYE with a free drag bingo at 8 p.m. for the early birds. Post-bingo, there will be a cover for the rest of the evening, featuring two DJs. The cover ($20 limited pre-sale that includes line skip until 11 p.m.; $25 at the door after 9 p.m.) includes one free N/A or Crush, a Champagne toast, and party favors (“the legal kind”). More details on Eventbrite.

Bunker

This subterranean lair is hosting a NYE party entitled “Frosted & Fur: Aspen After Dark New Year’s Eve Celebration.” Arriety from Rupaul Season 15 is set to host, with International DJ Alex Lo. Doors open at 9 p.m. and close at 3 p.m.; there is a midnight Champagne toast. Cover is $25, plus an optional $99 all-you-can-drink package.

District Eagle

This leather-focused bar is hosting “Bulge” for its NYE party. Each District Eagle floor will have its own music and vibe. Doors run from 7 p.m.-3 a.m. and cover is $15. There will be a Champagne toast at midnight, as well as drink specials during the event.

Kiki, Shakiki

Kiki and its new sister bar program Shakiki (in the old Shakers space) will have the same type of party on New Year’s Eve. Both bars open their doors at 5 p.m. and stay open until closing time. Both will offer a Champagne toast at midnight. At Kiki, DJ Vodkatrina will play; at Shakiki, it’ll be DJ Alex Love. Kiki keeps the party going on New Year’s Day, opening at 2 p.m., to celebrate Kiki’s fourth anniversary. There will be a drag show at 6 p.m. and an early 2000s dance party 4-8 p.m.

Spark

This bar and its new menu of alcoholic and twin N/A drinks will host a NYE party with music by DJ Emerald Fox. Given this menu, there will be a complimentary toast at midnight, guests can choose either sparkling wine with or without alcohol. No cover, but Spark is also offering optional wristbands at the door for $35 open bar 11 p.m.-1 a.m. (mid-shelf liquor & all NA drinks). 

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