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‘Heart’ of the matter

Gay-penned classic gets first-ever D.C.-area production

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Larry Kramer, The Normal Heart, HIV/AIDS, Arena Stage, gay news, Washington Blade

Patrick Breen, left, as Ned and Luke MacFarlane as Felix in ‘The Normal Heart’ at Arena Stage. (Photo by Scott Suchman; courtesy Arena )

‘The Normal Heart’
Through July 29
Arena Stage
1101 6th Street, SW
$40-$94
202-488-3300
arenastage.org

Larry Kramer’s “The Normal Heart,” is aging well, breathtakingly so. This was proved last year on Broadway and it’s being demonstrated again with a powerfully searing production now playing at Arena Stage.

When Kramer’s biographical take on the early days of the AIDS crisis premiered in New York in 1985, gay men were dying in large numbers and then-President Reagan had yet to utter the word “AIDS” publicly, so not surprisingly the gay playwright’s words reportedly rang angry and alarmed. Today, Arena’s stripped-down and fast-paced revival helmed by gay director George C. Wolfe (who co-staged the Tony-winning Broadway version) still conveys the fury and fear while embracing the empathy and sadness also found in Kramer’s stunning play.

Kramer’s script wastes no time in establishing the horror of the situation. Seated in their doctor’s waiting room (circa 1981 Manhattan), several gay men tensely discuss the still nameless plague that is making them ill and killing their friends. They talk early symptoms (swollen glands, night sweats, fatigue), treatment (almost nothing) and chances of survival (slim). As one patient exits the office revealing a youthful face jarringly marred by Kaposi sarcoma lesions, another enters collapsing from the effects of a violent seizure. The plague is on and it’s going to get worse.

The action focuses on irascible but likeable writer/activist Ned Weeks, a Kramer stand-in superbly played with nuance and great heart by Patrick Been. After several informational meetings and an examination with Dr. Brookner (Patricia Wettig), a prickly physician whose patients include many of the epidemics’ first victims, Ned is convinced that gay men will need to save themselves. He suspects the disease is sexually transmitted.

Determined to rally gays to action, Ned creates an advocacy group similar to Gay Men’s Health Crisis (co-founded by Kramer), and manages to grow the organization despite a lack of support from closeted New York City Mayor Ed Koch and a largely apathetic gay community. Eventually, Ned’s co-members, wrongly but understandably, reject his increasingly angry style as well as his promotion of total abstinence (the concept of safe sex would come later). “We just feel that you can’t tell people how to live,” says Bruce (Nick Mennell), one of the organization’s more popular members. Ned is forced out.

More than a tirade, “The Normal Heart” is also an absorbing family drama. Ned has the love and support of his hotshot lawyer brother played by John Procaccino, but yearns for his total acceptance. It’s also a medical mystery and quite strikingly, a sweet love story. While the plague rages, Ned unexpectedly finds love with Felix, a New York Times style writer beautifully played by handsome gay actor Luke Macfarlane. He’s Ned’s first serious lover.

In the second act when Felix is diagnosed with the deadly virus, he warns Ned that things will become messy, and indeed they do. Messy and heartbreaking, as evidenced by the ongoing sniffles and stifled sobs heard throughout Arena’s Kreeger Theatre.

Plague weary, the central characters finally crack in a series of emotionally raw monologues. Beleaguered activist Mickey (subtly played by Michael Berresse) considers suicide; the typically reserved Dr. Brookner rails against the smug government doctor who refuses her application for a grant; conservative Bruce, a bank V.P. and former Green Beret, dissolves to tears explaining his late lover’s humiliating death; and Ned fiercely expresses his disappointment with the gay community’s inadequate early response to the epidemic.

David Rockwell’s stark set is quietly monumental: White walls embossed with AIDS-related words and phrases (also white) which — depending on the David Weiner’s smart lighting — can or cannot be seen in relief. Also, various locale descriptions and, most affectively, the names of actual AIDS victims are projected on to the set. As the play progresses, these projected names grow exponentially.

The terrific cast also includes Christopher J. Hanke as Tommy Boatwright, a saucy but caring southerner; Jon Levenson as the mayor’s imperious aide de camp; local actor Chris Dinolfo is the young patient with K.S; and Tom Berklund plays Grady, a dim but well-built volunteer.

For Kramer, who learned he was HIV-positive in 1988, “The Normal Heart” might simply serve as proof that he was right all along, but that’s antithetical to his fighting spirit. At Arena, leaflets penned by Kramer decrying the un-won global war on AIDS are distributed to audience members as they leave. The battle continues.

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Out & About

LGBTQ Military Happy Hour set for Sept. 15

In-person gathering to be held at Tom’s Watch Bar

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A scene from the 2026 Capital Pride Parade. (Washington Blade photo by Michael Key)

Modern Military Association of America will host “Pride in Service: An LGBTQ+ Military Happy Hour” on Tuesday, Sept. 15 at 4 p.m. at Tom’s Watch Bar. 

This in-person gathering is the perfect chance to connect, share stories, and celebrate the diversity within the military community. Come relax, meet fellow LGBTQ+ service members and allies, and enjoy a fun, supportive atmosphere. Don’t miss out on an evening full of pride, camaraderie, and good vibes. Visit Eventbrite for more details. 

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Calendar

Calendar: September 11-17

LGBTQ events in the days to come

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Friday, September 11

Go Gay DC will host “Out in DC LGBTQ+ Community Social” at 7 p.m. at Hotel Zena.This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite

Women in their Twenties and Thirties will meet at 8 p.m. on Zoom. This is a social discussion group for queer women in the Washington, D.C. area. For more details, visit Facebook.

Saturday, September 12

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

The DC LGBTQ+ Community Center will host screenings of “Princess Sparkles” and “Kiloran Bay” at 1:30 p.m. “Kiloran Bay” is a 13-minute musical short set amid the wild beauty of the Scottish Hebrides and the fierce joy of a wedding cèilidh. “Princess Sparkles” is about a girl who accidentally signs up to pet-sit a princess only to discover she’s actually a nippy, Fox News-watching pig. More details are available on the DC LGBTQ+ Community Center’s website

Sunday, September 13

“Nellie’s DC Drag Brunch” will be at 12 p.m. at Nellie’s Sports Bar. Come get served like a queen by a queen. Join Sapphire Blue, Deja Diamond and their team of amazing drag performers for the most fun you’ll have all weekend. Tickets are $58.51 and are available on Eventbrite

Monday, September 14

“Center Aging: Monday Coffee Klatch” will be at 10:00a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Tuesday, September 15

Center Bi Pan+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting. Visit Facebook or Meetup for more information.

Wednesday, September 16

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

The DC LGBTQ+ Community Center will host “Movement for Healing” at 3 p.m. This trauma- and yoga therapy–informed class is designed to help guests gently reconnect with their body and their breath. Through mindful movement, somatic awareness, and grounding practices, guests will explore how to release tension, increase mobility, and cultivate a deeper sense of safety and ease within. For more details, visit the DC Center’s website

Thursday, September 17

The DC Center’s Fresh Produce Program will be held all day at the DC LGBTQ+ Community Center. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC LGBTQ+ Community Center’s website.  

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Books

Historiography with heart

Pioneering author John D’Emilio continues to enlighten us in new book ‘Making Gay History’

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(Book cover image courtesy of Duke University Press)

‘Making Gay History, Memoir of a Scholar-Activist’
By John D’Emilio
Dukeupress.edu/making-gay-history

“Dear Dr. Kameny,” wrote the earnest graduate history student almost 50 years ago. “As you know, the academic community only rarely deemed the lives of gay men and women to be worthy of serious scholarly study. To my knowledge, no American history faculty at a major university has yet sponsored a dissertation that deals with gays historically.”  

That student was a young man from the Bronx who would change all that. His name is John D’Emilio. 

“I must be able to uncover ‘manuscript’ sources, that is unpublished and unique historical materials,” he explained to D.C. gay civil rights pioneer Dr. Franklin E. Kameny who lived in a house stacked to the ceiling with “unique historical materials.” In reality, these were piles of correspondence with government officials and politicians, legal filings, mimeograph copies, gay newspapers, press releases, Mattachine Society brochures and picket signs. Frank Kameny, a self-described “pack rat,” invited D’Emilio into his private world of papers and memorabilia to begin uncovering an erased and forgotten pre-Stonewall history. This was one of many such research forays into “basements, garages and overcrowded living rooms” across America conducted by John D’Emilio. He was a young man on fire to complete a Ph.D. dissertation at the frontier of a distant galaxy — writing a scholarly gay and lesbian history backed by original research where there had been none, only a void.

Reading D’Emilio’s memoir “Making Gay History” (2026, Duke University Press) one has the sense of watching an emerging galaxy spinning around a galactic core of New York scholars and their mentors, young activists, and community historians throbbing with the New York City energy celebrated by Walt Whitman a century before in his epic poem “Mannahatta”.   Spinning out of the ‘60s anti-Vietnam War activism; Marxist historical analysis, the Stonewall riots and gay liberation, we can see it coalescing around this one history student’s search for a dissertation topic and himself piecing together a new history that “no one had yet written about … a pioneering work in this newly emerging field.” D’Emilio pitches his idea for a dissertation that “spanned the length of U.S. history, moving from the religious teachings that shaped law and social attitudes … to how the federal government dealt with the increasing visibility of a homosexual world in the twentieth century.” With the blessings of Columbia’s Department of History, he completed his dissertation leading to the publication of his groundbreaking history: “Sexual Politics, Sexual Communities: The Making of a Homosexual Minority in the United States” (1983). When he received his first copy of the bound book in the mail, he “cradled the book in my arm holding it close to my chest….It was as if I had fathered a child.” 

More so, D’Emilio fathered a new history. Historiography is the story of how history gets written, conducting original research, uncovering the data and creating the narrative(s) — often a snoozing read of academic process. But not this historiography. “Making Gay History” is a historiography with heart.

“Nothing was going to stop me from giving everything I had to this effort at making change in society and myself,” he declares while connecting with others who share his “boundless excitement for the collection of documents.” There were many others in this spiral with D’Emilio who are mentioned and play important roles. In the spiral were Jonathan Ned Katz (“Gay American History”, 1976); Allan Berube (“Coming Our Under Fire” 1990), Martin Duberman (“Hidden from History”, 1989); Daughters of Bilitis activists Del Martin and Barbara Gittings; Civil War historian Eric Foner and author/activist Larry Kramer. No libertarians among them. Well, maybe the divine Bette Midler who was well known for performing uptown at the Continental Baths who makes an appearance at a Washington Square rally.

He craved his parents’ approval. Among the most riveting scenes in the memoir are a series of family dinners in the Bronx with his old-school parents who go into near shock when he tells them he is gay. How to evade this any longer, especially now that his dissertation is going to be on homosexuality? It is a moving and hilarious sequence. After he says it out loud, “I am gay”: “No. No. No!” his father gasps. “This can’t be true. It can’t be.” D’Emilio thinks, “Oh my God, he’s going to die. I’ve killed my father.”  

The D’Emilios — Vincent and Sophie — so resemble the wonderful Castorinis in “Moonstruck,” I am thinking “Oh my God, this is Cher coming out to her parents Cosmo and Rose.” The young graduate student survives the family dramatics even more certain that this was not just his success but “a gay liberation success.” From the family dinner table to the streets, he writes how he marched in the 1973 Pride parade beneath a banner held high: “Gay Socialists.”  This man is a born scholar-activist.

D’Emilio does not seem able to pull back. There are passages that veer into autobiographical minutia, detail about the grind to earn a living from the University of North Carolina Greensboro to the University of Illinois Chicago. He writes, ”I would be living on less than half my usual salary for the year, but with the small amount of royalties that I got for my three books, plus some occasional speaking gigs and dipping into savings…”.   Much of this is gray matter compared to the galaxy John D’Emilio helped energize that even now brightens our sky.

Charles Francis is president of The Mattachine Society of Washington, D.C. and author of Archive Activism: Memoir of a Uniquely NastyJourney” (University of North Texas, 2023)

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