Connect with us

Arts & Entertainment

‘Heart’ of the matter

Gay-penned classic gets first-ever D.C.-area production

Published

on

Larry Kramer, The Normal Heart, HIV/AIDS, Arena Stage, gay news, Washington Blade

Patrick Breen, left, as Ned and Luke MacFarlane as Felix in ‘The Normal Heart’ at Arena Stage. (Photo by Scott Suchman; courtesy Arena )

‘The Normal Heart’
Through July 29
Arena Stage
1101 6th Street, SW
$40-$94
202-488-3300
arenastage.org

Larry Kramer’s “The Normal Heart,” is aging well, breathtakingly so. This was proved last year on Broadway and it’s being demonstrated again with a powerfully searing production now playing at Arena Stage.

When Kramer’s biographical take on the early days of the AIDS crisis premiered in New York in 1985, gay men were dying in large numbers and then-President Reagan had yet to utter the word “AIDS” publicly, so not surprisingly the gay playwright’s words reportedly rang angry and alarmed. Today, Arena’s stripped-down and fast-paced revival helmed by gay director George C. Wolfe (who co-staged the Tony-winning Broadway version) still conveys the fury and fear while embracing the empathy and sadness also found in Kramer’s stunning play.

Kramer’s script wastes no time in establishing the horror of the situation. Seated in their doctor’s waiting room (circa 1981 Manhattan), several gay men tensely discuss the still nameless plague that is making them ill and killing their friends. They talk early symptoms (swollen glands, night sweats, fatigue), treatment (almost nothing) and chances of survival (slim). As one patient exits the office revealing a youthful face jarringly marred by Kaposi sarcoma lesions, another enters collapsing from the effects of a violent seizure. The plague is on and it’s going to get worse.

The action focuses on irascible but likeable writer/activist Ned Weeks, a Kramer stand-in superbly played with nuance and great heart by Patrick Been. After several informational meetings and an examination with Dr. Brookner (Patricia Wettig), a prickly physician whose patients include many of the epidemics’ first victims, Ned is convinced that gay men will need to save themselves. He suspects the disease is sexually transmitted.

Determined to rally gays to action, Ned creates an advocacy group similar to Gay Men’s Health Crisis (co-founded by Kramer), and manages to grow the organization despite a lack of support from closeted New York City Mayor Ed Koch and a largely apathetic gay community. Eventually, Ned’s co-members, wrongly but understandably, reject his increasingly angry style as well as his promotion of total abstinence (the concept of safe sex would come later). “We just feel that you can’t tell people how to live,” says Bruce (Nick Mennell), one of the organization’s more popular members. Ned is forced out.

More than a tirade, “The Normal Heart” is also an absorbing family drama. Ned has the love and support of his hotshot lawyer brother played by John Procaccino, but yearns for his total acceptance. It’s also a medical mystery and quite strikingly, a sweet love story. While the plague rages, Ned unexpectedly finds love with Felix, a New York Times style writer beautifully played by handsome gay actor Luke Macfarlane. He’s Ned’s first serious lover.

In the second act when Felix is diagnosed with the deadly virus, he warns Ned that things will become messy, and indeed they do. Messy and heartbreaking, as evidenced by the ongoing sniffles and stifled sobs heard throughout Arena’s Kreeger Theatre.

Plague weary, the central characters finally crack in a series of emotionally raw monologues. Beleaguered activist Mickey (subtly played by Michael Berresse) considers suicide; the typically reserved Dr. Brookner rails against the smug government doctor who refuses her application for a grant; conservative Bruce, a bank V.P. and former Green Beret, dissolves to tears explaining his late lover’s humiliating death; and Ned fiercely expresses his disappointment with the gay community’s inadequate early response to the epidemic.

David Rockwell’s stark set is quietly monumental: White walls embossed with AIDS-related words and phrases (also white) which — depending on the David Weiner’s smart lighting — can or cannot be seen in relief. Also, various locale descriptions and, most affectively, the names of actual AIDS victims are projected on to the set. As the play progresses, these projected names grow exponentially.

The terrific cast also includes Christopher J. Hanke as Tommy Boatwright, a saucy but caring southerner; Jon Levenson as the mayor’s imperious aide de camp; local actor Chris Dinolfo is the young patient with K.S; and Tom Berklund plays Grady, a dim but well-built volunteer.

For Kramer, who learned he was HIV-positive in 1988, “The Normal Heart” might simply serve as proof that he was right all along, but that’s antithetical to his fighting spirit. At Arena, leaflets penned by Kramer decrying the un-won global war on AIDS are distributed to audience members as they leave. The battle continues.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Photos

PHOTOS: Taste of Point

Annual fundraiser held for LGBTQ youth scholarship, mentorship organization

Published

on

Taste of Point DC (Washington Blade photo by Michael Key)

The Point Foundation held its annual Taste of Point fundraiser at Room & Board on May 2.

(Washington Blade photos by Michael Key)

Continue Reading

Theater

Miss Kitty tackles classical mythology in ‘Metamorphoses’

Folger production seen through the lens of the African diaspora

Published

on

Miss Kitty (Photo by Sarah Laughland Photography)

‘Metamorphoses’
May 7-June 16
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Miss Kitty’s words are thoughtful and measured, occasionally punctuated by flamboyant flourishes and uplifting proclamations. Her tried and tested tagline is “live in fierce not fear.” 

She describes herself as “AMAB (assigned male at birth), nonbinary, genderqueer, transfemme” as well as “chanteuse, noble blacktress, and dancer.” 

Currently, Miss Kitty is testing her talents in Mary Zimmerman’s “Metamorphoses” at Folger Theatre on Capitol Hill. 

At 90 minutes, “Metamorphoses,” is made up of interwoven vignettes from classical mythology including the tales of Midas and his daughter, Alcyone and Ceyx, and Eros and Psyche. 

“It’s all stories that relate to the human condition: the follies, the happiness, the love, the loss,” Miss Kitty explains. “And a thorough knowledge of mythology isn’t a requirement for enjoyment.” 

The language is contemporary and with its 11-person ensemble cast – comprised exclusively of Black or indigenous people of color – they’re adding their own spin to its present-day feel, she adds. 

In Zimmerman’s famously staged premiere production, the actors performed in and around a pool of water. At Folger, director Psalmayene 24 has ditched actual aquatics; instead, he suggests the element by introducing Water Nymph, a new character constructed around Miss Kitty. 

Water Nymph doesn’t speak, but she’s very visible from the opening number and throughout the play on stage and popping up in unexpected places around the venue. 

“It’s a lot of dancing; I haven’t danced the way Tony Thomas is choreographing me in a very long time. At 40, can she still make theater with just my body as her instrument?

The name “Miss Kitty” was born over a decade ago. 

Miss Kitty recalls, “She was still presenting as male and going by her dead name. Someone commented that with the wig she was wearing for a part, she looked like Eartha Kitt whom she deeply admires.”

Her penchant for illeism (referring to oneself in third person) isn’t without good reason. She explains, “It’s to reiterate that however she might look, she’s always there; and if you misgender, she will let you know.”

Initially, the moniker was a drag persona at Capital Pride or the occasional fabulous cabaret performance at a nightclub.

But as time passed, she realized that Miss Kitty was something she couldn’t take off. She had always been a part of her. 

“She’s helped me to grow and flourish; she’s given me the strength that I never would have had before. I’m so proud of myself for realizing that before it was too late.” 

Bringing Miss Kitty into her theatrical career presented some concerns. Would theater folks be open to the new her, especially those she’d worked with before? 

Not always, but she’s found new companies who’ve welcomed Miss Kitty with open arms including Avant Bard, Spooky Action Theater, and now Folger. 

Last fall, Miss Kitty appeared in Spooky Action’s Agreste (Drylands), a stunning queer story penned by gay Brazilian playwright Newton Moreno. 

After being invited to audition and reading the script, Miss Kitty was determined to be a part of the production. 

A work dealing with love and being trans, and transphobia, and how people can turn on a dime once they learn the truth about someone, resonated deeply with the actor. 

“The play speaks to the idea that if people just let people be who they are and love who they want to love we’d all be a lot happier,” she says. 

For her sublime efforts, Miss Kitty nabbed a Helen Hayes Award nomination in the Outstanding Lead Performer category (winner to be determined on Monday, May 20 during a ceremony at The Anthem). 

It’s her first time nominated and first time attending. She’s thrilled. 

Miss Kitty grew up in Oxen Hill, Md., and now lives near Washington Harbor. Her entry into performance was through music followed by high school plays. She graduated from Catholic University with a degree in music/concentration in musical theater, and from there dove directly into showbiz. 

Looking back, Miss Kitty says, “being a person of color AND queer can be a double whammy of difficulty. You have to live in light and do the things you’re afraid to do. That’s the game changer.” 

Presenting “Metamorphoses” through the lens of the African diaspora (the cast also includes Jon Hudson Odom and Billie Krishawn, among others) helps us to realize that every story can be universal, especially for marginalized people — South Asian, Native American, or fully queer perspectives, she says.  

“Having an all-Black ensemble opens all new worlds for everyone.”

Continue Reading

Travel

Pride journey: Las Vegas

Start planning now for the October celebrations

Published

on

Las Vegas (Photo courtesy of Joey Amato)

Las Vegas, known for its vibrant and inclusive atmosphere, embraces LGBTQ culture with open arms, making it a thriving hub for the community. Iconic events like the annual Las Vegas Pride Parade and Festival bring together people from all walks of life to celebrate diversity and unity. The 2024 Las Vegas Pride festival is scheduled for Oct. 12, so start planning now.

The city’s commitment to inclusivity is reflected in the diverse range of LGBTQ-friendly accommodations, ensuring that visitors feel welcome and respected. Beyond the nightlife, Las Vegas hosts a variety of LGBTQ-focused community organizations, support groups, and cultural events that contribute to the rich tapestry of the city’s inclusive ethos. Whether exploring the famous entertainment offerings or participating in community-driven initiatives, LGBTQ individuals and allies alike find a warm and accepting home in the vibrant tapestry of LGBTQ culture in Las Vegas.

Ever since I was young, I have always wanted to stay at Bellagio. Its iconic foundations have fascinated me for decades. The hotel stands as an epitome of luxury and sophistication, offering an unparalleled experience that seamlessly blends opulence, entertainment, and fine dining. From the moment you step into the grand lobby, it’s evident that Bellagio is committed to providing a world-class stay, especially when you glance at the ceiling adorned with Chihuly glass sculptures.

I stayed in a recently renovated room in the Spa Tower with an unobstructed view of the Vegas Strip and the fountains. The attention to detail is evident in the tasteful decor, plush furnishings, and modern amenities. Beginning at 3 p.m. on weekdays and noon on weekends, the choreographed water show set against the backdrop of the Las Vegas Strip is a mesmerizing display of artistry, combining music, light, and water in perfect harmony. It sets the tone for the exquisite experiences that await within Bellagio.

Bellagio is also home to the famous Conservatory and Botanical Gardens, a lush oasis that undergoes seasonal transformations, displaying stunning floral displays and thematic installations. This botanical escape provides a serene contrast to the lively atmosphere of the casino and the bustling Strip. During our stay, the staff were completing the new springtime exhibition, which gave us Alice in Wonderland vibes. 

For those seeking entertainment, Bellagio offers the spectacular “O” by Cirque du Soleil, a water-themed extravaganza that complements the hotel’s overall theme. Bellagio Gallery of Fine Art is another cultural gem within the hotel, featuring rotating exhibitions that display masterpieces from around the world.

Although it is possible to never leave the hotel, we wanted to experience other MGM Resorts properties, so we headed to LPM at the Cosmopolitan of Las Vegas for dinner. LPM offers an exquisite dining experience that effortlessly marries Mediterranean charm with the vibrant energy of the Strip. From the moment you step through the entrance, you are greeted by an ambiance that strikes a perfect balance between sophistication and conviviality.

LPM’s interior is a visual feast, adorned with chic decor, warm lighting, and an intimate atmosphere. The combination of contemporary design elements and classic French accents creates a welcoming space that feels both elegant and comfortable. Whether you’re celebrating a special occasion or seeking a romantic dinner, LPM’s ambiance sets the stage for an unforgettable dining experience.

LPM’s menu is a culinary triumph, highlighting the rich and diverse flavors of the French Riviera. The emphasis on fresh, high-quality ingredients is evident in every dish. We began our meal with a variety of appetizers, including the Yellowtail Carpaccio, Escargots, and their signature Burrata prepared with heritage tomatoes and basil and topped with white truffles. For our main courses, we decided to focus on seafood entrees, so we tried the Lobster Risotto and grilled Chilean Bass. Both were prepared to perfection and paired very well together if you are looking to share entrees.

Of course, one of the biggest attractions of Las Vegas is the Strip itself. Spend a few hours meandering through each hotel and taking in the Vegas vibe. There is no other place in the world quite like it.

If you are in the mood for a little adventure, head to Area15, located about 10 minutes from the strip. Area15 is an immersive entertainment complex that blends art, technology, and entertainment in a unique and captivating way. Boasting an otherworldly exterior and a dynamic interior, Area15 is home to a variety of innovative experiences, including interactive art installations and virtual reality adventures. Its anchor tenant, the Meow Wolf’s Omega Mart, is a surreal supermarket-like environment filled with mind-bending art and hidden mysteries. The venue also hosts concerts and live events including Beyond Brunch, a variety show hosted by drag queen extraordinaire Andrew Ryan. The two-hour spectacle includes a wonderful buffet and performances by talented acts ranging from hoop dancers to Cirque-style entertainers. The show is well worth the price of admission; it is not your typical drag brunch.

Spend the afternoon touring Area15 or head to The Sphere, Las Vegas’s newest concert venue. Rock icons U2 opened the venue with a 40-night run, but guests can purchase tickets to Darren Aronofsky’s multi-sensory film “Postcard from Earth.”

For a trip down memory lane, especially if you are in you were born in the ‘70s or ‘80s, check out Retro by Voltaggio at Mandalay Bay. The restaurant owned by Top Chef stars, Bryan and Michael Voltaggio, takes diners on a nostalgic journey through time, blending modern culinary techniques with comforting flavors reminiscent of classic American dishes set in a retro-chic environment. The space is adorned with quirky memorabilia, neon accents, and a colorful palette that captures a sense of nostalgia without feeling overly kitschy, creating a welcoming environment for diners to unwind and enjoy the culinary adventure.

Retro by Voltaggio’s menu is a playful exploration of classic American favorites. We started our dinner with the deviled eggs with smoked trout roe along with the beet steak tartare, which was incredible. Next came the bluefin tuna ceviche served over coconut crushed ice. For our entrees we tried the trout meuniere, which was served in a lemon and caper sauce, as well as the lobster thermidor with lobster waffles — yes, you read that correctly. It was as delicious as it sounds.

Save room for the dessert cart, which contains innovative creations that satisfy the sweet tooth. Whether you’re a fan of nostalgic flavors or simply seeking a unique and enjoyable meal, Retro by Voltaggio is worth the visit.

After dinner, catch a performance of Michael Jackson “ONE” by Cirque du Soleil also at Mandalay Bay. The show is a captivating tribute to the King of Pop that seamlessly blends the magic of Cirque du Soleil with the timeless music and iconic choreography of Michael Jackson. From the moment the lights dim to the final bow, the show is a high-energy, emotionally charged celebration of the legendary entertainer’s life and legacy. This isn’t your typical Cirque du Soleil show and is more like a concert featuring all of Michael’s greatest hits, memorable dance moves, and state-of-the-art production. I felt like “ONE” is the type of concert Michael would have wanted to perform if he were still with us.

The thing I like most about Vegas is it is always evolving. Every time you visit, there is something new to see or do. Viva Las Vegas!

Continue Reading
Advertisement
Advertisement

Sign Up for Weekly E-Blast

Follow Us @washblade

Advertisement

Popular