Arts & Entertainment
‘Heart’ of the matter
Gay-penned classic gets first-ever D.C.-area production

Patrick Breen, left, as Ned and Luke MacFarlane as Felix in ‘The Normal Heart’ at Arena Stage. (Photo by Scott Suchman; courtesy Arena )
‘The Normal Heart’
Through July 29
Arena Stage
1101 6th Street, SW
$40-$94
202-488-3300
arenastage.org
Larry Kramer’s “The Normal Heart,” is aging well, breathtakingly so. This was proved last year on Broadway and it’s being demonstrated again with a powerfully searing production now playing at Arena Stage.
When Kramer’s biographical take on the early days of the AIDS crisis premiered in New York in 1985, gay men were dying in large numbers and then-President Reagan had yet to utter the word “AIDS” publicly, so not surprisingly the gay playwright’s words reportedly rang angry and alarmed. Today, Arena’s stripped-down and fast-paced revival helmed by gay director George C. Wolfe (who co-staged the Tony-winning Broadway version) still conveys the fury and fear while embracing the empathy and sadness also found in Kramer’s stunning play.
Kramer’s script wastes no time in establishing the horror of the situation. Seated in their doctor’s waiting room (circa 1981 Manhattan), several gay men tensely discuss the still nameless plague that is making them ill and killing their friends. They talk early symptoms (swollen glands, night sweats, fatigue), treatment (almost nothing) and chances of survival (slim). As one patient exits the office revealing a youthful face jarringly marred by Kaposi sarcoma lesions, another enters collapsing from the effects of a violent seizure. The plague is on and it’s going to get worse.
The action focuses on irascible but likeable writer/activist Ned Weeks, a Kramer stand-in superbly played with nuance and great heart by Patrick Been. After several informational meetings and an examination with Dr. Brookner (Patricia Wettig), a prickly physician whose patients include many of the epidemics’ first victims, Ned is convinced that gay men will need to save themselves. He suspects the disease is sexually transmitted.
Determined to rally gays to action, Ned creates an advocacy group similar to Gay Men’s Health Crisis (co-founded by Kramer), and manages to grow the organization despite a lack of support from closeted New York City Mayor Ed Koch and a largely apathetic gay community. Eventually, Ned’s co-members, wrongly but understandably, reject his increasingly angry style as well as his promotion of total abstinence (the concept of safe sex would come later). “We just feel that you can’t tell people how to live,” says Bruce (Nick Mennell), one of the organization’s more popular members. Ned is forced out.
More than a tirade, “The Normal Heart” is also an absorbing family drama. Ned has the love and support of his hotshot lawyer brother played by John Procaccino, but yearns for his total acceptance. It’s also a medical mystery and quite strikingly, a sweet love story. While the plague rages, Ned unexpectedly finds love with Felix, a New York Times style writer beautifully played by handsome gay actor Luke Macfarlane. He’s Ned’s first serious lover.
In the second act when Felix is diagnosed with the deadly virus, he warns Ned that things will become messy, and indeed they do. Messy and heartbreaking, as evidenced by the ongoing sniffles and stifled sobs heard throughout Arena’s Kreeger Theatre.
Plague weary, the central characters finally crack in a series of emotionally raw monologues. Beleaguered activist Mickey (subtly played by Michael Berresse) considers suicide; the typically reserved Dr. Brookner rails against the smug government doctor who refuses her application for a grant; conservative Bruce, a bank V.P. and former Green Beret, dissolves to tears explaining his late lover’s humiliating death; and Ned fiercely expresses his disappointment with the gay community’s inadequate early response to the epidemic.
David Rockwell’s stark set is quietly monumental: White walls embossed with AIDS-related words and phrases (also white) which — depending on the David Weiner’s smart lighting — can or cannot be seen in relief. Also, various locale descriptions and, most affectively, the names of actual AIDS victims are projected on to the set. As the play progresses, these projected names grow exponentially.
The terrific cast also includes Christopher J. Hanke as Tommy Boatwright, a saucy but caring southerner; Jon Levenson as the mayor’s imperious aide de camp; local actor Chris Dinolfo is the young patient with K.S; and Tom Berklund plays Grady, a dim but well-built volunteer.
For Kramer, who learned he was HIV-positive in 1988, “The Normal Heart” might simply serve as proof that he was right all along, but that’s antithetical to his fighting spirit. At Arena, leaflets penned by Kramer decrying the un-won global war on AIDS are distributed to audience members as they leave. The battle continues.
Theater
D.C. theater scene has something for everyone this holiday season
‘Nutcracker,’ ‘A Christmas Carol,’ and much more
With its familiar music, yuletide imagery, and storytelling, theater can be a big part of the holidays. Add to that making memories and theater tickets wrapped as presents under the tree, and it’s a seasonal no brainer.
Folger Theatre presents “Resplendent Joy: Christmas Traditions from Spain and Portugal” (Dec. 5-14); the marvelous Folger Consort will perform early Spanish Christmas carols and traditional holiday music from early modern Spain and Portugal: folger.edu/resplendent
At Round House Theatre, playwright Sam Holcroft’s “Rules for Living” (Dec. 3-Jan. 4) makes its U.S. premiere. The darkly funny holiday comedy was a hit in London and is now hoping to repeat that success with a version tailored for the states. The seven-person cast includes versatile actors Naomi Jacobson and real-life spouse John Lescault. Ryan Rillette directs. roundhousetheatre.org
Theatre J presents “Chanukah in the Dark” (Dec. 6-21), an hour-long play ideal for ages five and up. “When the lights go out during Chanukah, Max and family begin sharing songs, stories, and traditions — only to discover the lights they needed and the miracles they searched for were in their midst all along.” edcjcc.org
The Cathedral Choral Society’s “Joy of Christmas” (Dec. 13-14) presents a wonderful program of carols and beloved holiday favorites at the festively decorated National Cathedral. The program features Seraph Brass, organist Edward Hewes, Carillonneur Edward M. Nassor, percussionist Mary La Blanc of “The President’s Own” U.S. Marine Band, and the Eastern Concert Choir from Eastern Senior High School. Cathedralchoralsociety.org
With “The Holiday Show,” (Dec. 13, 14, and 20), the Gay Men’s Chorus returns to entertain audiences with its annual and most popular show.
This year the holiday extravaganza is bigger than ever at historic Lincoln Theatre with new, soulful arrangements of favorite holiday carols: “The reindeer will be high-kicking and the snowflakes will sparkle. Songs include “O Holy Night,” “Rudolph the Red Nosed Reindeer,” “Let It Snow,” “We Wish You the Merriest,” and “Go Tell It on the Mountain.’” gmcw.org
At Olney’s intimate Mulitz-Gudelsky Theatre Lab, out actor Michael Russotto is back for the holiday season in his solo show “Christmas Carol: A Ghost Story of Christmas” (through Dec. 28). The talented Russotto portrays nearly 50 different characters from the Charles Dickens classic, that proves “funnier and far more relevant than you might imagine.” Olneytheatre.org
Also on holiday offer in the DMV are a jolly bunch of musical chestnuts as well as reliable Christmas crowd-pleasers.
Included on the roster is Olney Theatre’s production of Jerry Herman’s “Hello, Dolly!” (through Jan. 4) starring the mega-talented Nova Y. Payton. Based on the play “The Matchmaker” by famed gay playwright Thornton Wilder, the musical has proved a vehicle for many a diva including Carol Channing, Pearl Bailey, Bette Midler, and Barbra Streisand. Now Payton dons the mantle and the buzz is good.
Another beloved musical is “Fiddler on the Roof” (through Jan. 25), the story of Tevye, a poor Jewish milkman, his family and their tight-knit community who honor tradition while contending with pogroms in Czarist Russia. Currently being performed intimately in the round at Signature Theatre in Arlington and directed by Joe Calarco, the large cast features actors Douglas Sills, Chrisopher Bloch, and terrific out actor Jake Loewenthal as the poor tailor Motel Kamzoil, all singing Broadway favorites like “Sunrise, Sunset” “If I Were a Rich Man” and “Matchmaker.” sigtheatre.org
At Shakespeare Theatre Company’s Harman Hall is Frank Loesser’s “Guys and Dolls” (through Jan. 4). Based on tales from famed American journalist Damon Runyon, the show focuses on two overlapping love stories set in Depression-era Times Square. The terrific score includes songs like “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” “A Bushel and a Peck,” and more songs you’ll know. Directed by Francesca Zambello and choreographed by Joshua Bergasse.
The cast includes Julie Benko, Lamont Brown, and Holly Twyford as General Matilda B. Cartwright, which is reason enough to buy a ticket. shakespearetheatre.org
And for hardcore traditionalists there’s the Washington Ballet’s “The Nutcracker” (through Dec. 29) with its balletic magic at the charming gilded Warner Theatre. The beloved production of Tchaikovsky’s ballet, here set in 1882 Georgetown, features a retinue of agile partiers, children, soldiers, rats, and notable figures from American history. washingtonballet.org
And last but hardly least, historic Ford’s Theatre presents “A Christmas Carol” (through Dec. 31), an enduring Washington tradition since I was youngish. Conceived by Michael Baron, this charming Dickens’ moneymaker again spotlights Craig Wallace as miserly Ebenezer Scrooge who after a night of ghostly visits, rediscovers Christmas joy. Fords.org
Drag
Pattie Gonia calls out Hegseth’s anti-LGBTQ policies — while doing better pull-ups
Drag queen Pattie Gonia uses a viral instagram video to call out Hegseth’s exclusionary policies while doubling down on activism for LGBTQ rights and the environment.
Drag queen and environmental activist Pattie Gonia has gone viral after posting a video last week calling out Defense Secretary Pete Hegseth — and doing so while knocking out a set of pull-ups with cleaner form than his own, all while in full drag. The clip is a direct response to a separate viral video Hegseth himself posted days earlier, in which he performed less-than-perfect pull-ups that drew widespread mockery online.
“Hi Pete Hegseth, Pattie Gonia here, while you’re busy trying to take away the rights of queer people, I’m over here advocating for the rights of all people, including my right to do better pull-ups than you all with my balls tucked inside of me,” she declares in the now-viral Instagram clip, delivering the message in full drag garb with the theatricality she’s known for.
The video lands at a moment when Hegseth’s record on LGBTQ rights continues to draw scrutiny. Since being appointed by President Trump to lead the Pentagon, the Defense Secretary has pushed the twice impeached president toward a series of exclusionary shifts inside the department.
Hegseth’s efforts have included pressing for the rollback of DEI measures, pausing all gender-affirming care for service members, and blocking promotions for personnel with “a history of gender dysphoria.” He has also openly stated that transgender people should not serve in the military and drew controversy for formally renaming a ship previously dedicated to Navy veteran and LGBTQ icon Harvey Milk to USNS Oscar V. Peterson. Hegseth has long criticized the repeal of “Don’t Ask Don’t Tell,” framing the policy change as harmful to the armed forces. And in October, he courted further backlash after suggesting women could be barred from military service altogether, arguing that the government would hold personnel to the “highest male standard.”
Pattie’s viral moment is only the latest in her growing portfolio of environmental and queer activism. In August, she joined a team of climbers in Yosemite, helping raise a massive 66-foot-wide trans flag across the iconic El Capitan wall — a striking symbol of trans visibility in one of the most storied national parks in the country. Her drag name even riffs on Patagonia, the famed South American mountain range, blending outdoor culture with camp.
Last week, Pattie Gonia also made a bold statement at the Out 100 award celebration in Los Angeles, wearing a dress crafted from the same trans flag flown at El Capitan in Yosemite National Park. She attended the event alongside non-binary NSP agent SJ Joslin who was fired for her role in helping put up the flag.
Since the beginning of her drag career, Pattie has steadily expanded her influence beyond the stage. She co-founded the Outdoorist Oath, a nonprofit dedicated to helping BIPOC, LGBTQIA+ people and femmes build community in the outdoors through education and shared stewardship. She also launched the Queer Outdoor and Environmental Job Board, a free resource that supports queer people seeking work in environmental and nature-based industries, with the aim of diversifying fields where LGBTQ representation remains limited. Her fundraising efforts have generated over $2.7 million for LGBTQIA+, Black, Indigenous, and People of Color (BIPOC), and environmental nonprofits, underscoring her ability to mobilize huge audiences toward collective action.
Her recent projects also include a national tour of her environmental drag show, “SAVE HER!”, which blends performance art with climate messaging, and the release of a documentary TV series, “Go Gently,” co-created with Harry Potter’s Bonnie Wright (Ginny Weasley). The series follows their journey from Los Angeles to Portland, Oregon, where they explore sustainable living and meet with communities protecting the Earth in innovative ways.
Photos
PHOTOS: Remove the Regime rally and march
Dropkick Murphys, Earth to Eve perform on steps of Lincoln Memorial
The Remove the Regime rally and march was held on Saturday, Nov. 22.
(Washington Blade photos by Michael Key)








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