Arts & Entertainment
Welcoming the world
Activists, filmmakers prepare for Int’l AIDS Conference with busy lineup of local events
Members of the World AIDS Institute team (l-r): Chad Johnson, Diego Alves, Noel Short, David Miller, Angela Kelly, Kevin Maloney, Dave Purdy and Mariel Selbovitz. (Washington Blade photo by Michael Key)
As Washington gears up to host the International AIDS Conference for the first time in 22 years, local organizations have planned a bounty of free or independent events for those who could not afford the $150-$1,045 registration fee.
Global Village, an international organization that brings together leaders, researchers and performers from all over the world to increase awareness of HIV/AIDS, is hosting several sessions within the conference ranging from video screenings and art exhibitions to networking zones and meeting rooms. Everything the Global Village is hosting is free and open to delegates and locals.
“We are trying to connect science, research and community,” coordinator Joseph Elias says. “It is important that the D.C. community participates to get a grasp of what is happening locally and globally.”
Several of the events will be geared toward youth under the age of 30 dealing with HIV/AIDS.
Emily Carson, youth program coordinator at Global Village, says the focus on youth has been in demand.
“Young people are disproportionally affected by HIV,” she says. “In the conference in 2000, there were only 50 young people, and they said this is a severe problem, no one is speaking for us.”
Among the many attractions in the Global Village area, there will be an interactive story telling booth called, “Generations HIV.” The booth looks like a photo booth, but it records video instead.
The booth was created by Marc Smolowitz and Jörg Fockele, both San Francisco-based filmmakers, as part of their HIV Story Project. The booth has been featured three times in the San Francisco Bay area and has so far collected about 250 clips. The HIV Story Project is a non-profit organization that compiles multi-platform story telling and short films about living with HIV/AIDS.
“The booth is a conversation starter,” Smolowitz says. “It is to connect different generations of people living with HIV. You can ask questions of different generations, answer questions or record your personal story.”
Smolowitz and Fockele are currently trying to start an archive online where all the videos will be posted.
A still from ‘Ours,’ one of the films being screened July 24-25 in the AIDS Film Festival. (Image courtesy the Festival)
Along with the booth, the HIV Story Project team also has a movie screening at the International AIDS Film Festival, which is occurring in conjunction with the conference from July 24-25. The film is titled, “Still Around,” and is a compilation of 15 short films portraying different people living with HIV/AIDS in the San Francisco area. The people were paired with 16 different directors and had direct say in their own films. The films vary, and include stories about how people are thriving with the disease. One subject is a man who copes with his HIV-positive status through a hooking ritual. Another is a couple that marries, has a daughter and faces HIV/AIDS together.
Fockele says the film is an update of what the face of HIV/AIDS looks like in the U.S. and in Europe today.
“In Europe and the U.S. there are mostly historic films about HIV and AIDS,” he says. “What we went out to do is to get a film that is right here, right now.”
The movie is opening the festival on July 24 at 7 p.m. Tickets are $10, and a pass for all four films is $25. For more information about the International AIDS Film Festival 2012, visit internationalaidsfilmfestival.org.
The film festival and several other community events are a part of the AIDS2012 Reunion, a resource for conference attendees to see what local events are taking place outside the main conference.
“The one thing we are doing is we are allowing anyone to participate,” managing director David Purdy says. “Low-income people are one group that needs support and to get educated about HIV/AIDS.”
Some of the events in the AIDS2012 Reunion as well as other community events include:
• On July 20-21, the DC Center, National Coalition of LGBT Health, Whitman-Walker Health and Us Helping Us at George Washington University (2029 G St., N.W.) are hosting the Gay Men’s Health Summit. Registration is $85, $65 for students.
• On July 21, Jay Brannan is playing at the U Street Music Hall (1115A U St., N.W.) at 7 p.m. Tickets are $20.
• From July 21-27, the Textile Museum (2320 S St., N.W.) is showing a special display of one panel from the AIDS Quilt. An $8 donation is suggested.
• On July 22, there’s a March on Washington involving several different local organizations from noon to 2 p.m.
• On July 19 and 23, Arena Stage (1101 6th St., S.W.) hosts a benefit performance of its current production, the Larry Kramer-penned AIDS classic “The Normal Heart” at 8 p.m. Tickets are $65.
• On July 24, “Return to Lisner: A Forum on the State of HIV/AIDS,” is taking place at the Lisner Auditorium at George Washington University (2029 G St., N.W.). Registration is required.
For more events, visit the AIDS2012 Reunion website aids2012reunion.org.
These events are only a fraction of what will be occurring throughout the D.C. Metropolitan area.
Chris Dyer, organizer for the Gay Men’s Health Summit, says by hosting separate events from the conference, organizations can make them more focused on certain groups.
“Gay men’s health issues are unique,” he says. “The main conference deals with a variety of issues, but we are providing a safe place for gay, bisexual or trans men to talk about their specific issues in a safe place.”
Purdy also says that organizations like AIDS2012 Reunion bring the focus back to what is happening locally and connecting people to services they may not be aware of.
“We’re providing an opportunity to participate and win this war against AIDS,” he says.
Bringing the spotlight back to Washington, local filmmakers Art Jones and Pam Bailey are also presenting their documentary “13 Percent,” which is about how the African-American population in Washington and other metropolitan areas has been affected by HIV/AIDS in the past 10 years. The movie will be screening at Bloombars (3222 11th St., N.W.) on July 24 at 7 p.m. RSVP and $10 donation is suggested.
The film is intermixed with interviews from medical professionals, political leaders, religious leaders and those living with the virus. They showcase a variety of people affected by the disease and their stories, one of the most compelling being a young woman named Raven.
Raven was born with HIV and when her mother informed the Catholic school she was attending, Raven began facing daily discrimination from teachers and students. She describes how one teacher put garbage bags around her and would bar her from going on class trips. All of this occurred well after it was known how the virus is spread.
“I am hoping [the audience] take away the recognition that we are a community that is really threatened,” Jones says. “This film should be a call to action.”
He hopes this would lead to more exposure of how much of a threat HIV remains.
Purdy wishes similar things for attendees of the conference and the different community events.
“Really, I hope people have a new commitment or a recommitment to work together in this fight,” he says. “I would like them to share stories and remember the 30 million who have died from AIDS worldwide. There is a lot of work that needs to be done.”
Photos
PHOTOS: Taste of Point
Annual fundraiser held for LGBTQ youth scholarship, mentorship organization
The Point Foundation held its annual Taste of Point fundraiser at Room & Board on May 2.
(Washington Blade photos by Michael Key)
Theater
Miss Kitty tackles classical mythology in ‘Metamorphoses’
Folger production seen through the lens of the African diaspora
‘Metamorphoses’
May 7-June 16
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Miss Kitty’s words are thoughtful and measured, occasionally punctuated by flamboyant flourishes and uplifting proclamations. Her tried and tested tagline is “live in fierce not fear.”
She describes herself as “AMAB (assigned male at birth), nonbinary, genderqueer, transfemme” as well as “chanteuse, noble blacktress, and dancer.”
Currently, Miss Kitty is testing her talents in Mary Zimmerman’s “Metamorphoses” at Folger Theatre on Capitol Hill.
At 90 minutes, “Metamorphoses,” is made up of interwoven vignettes from classical mythology including the tales of Midas and his daughter, Alcyone and Ceyx, and Eros and Psyche.
“It’s all stories that relate to the human condition: the follies, the happiness, the love, the loss,” Miss Kitty explains. “And a thorough knowledge of mythology isn’t a requirement for enjoyment.”
The language is contemporary and with its 11-person ensemble cast – comprised exclusively of Black or indigenous people of color – they’re adding their own spin to its present-day feel, she adds.
In Zimmerman’s famously staged premiere production, the actors performed in and around a pool of water. At Folger, director Psalmayene 24 has ditched actual aquatics; instead, he suggests the element by introducing Water Nymph, a new character constructed around Miss Kitty.
Water Nymph doesn’t speak, but she’s very visible from the opening number and throughout the play on stage and popping up in unexpected places around the venue.
“It’s a lot of dancing; I haven’t danced the way Tony Thomas is choreographing me in a very long time. At 40, can she still make theater with just my body as her instrument?
The name “Miss Kitty” was born over a decade ago.
Miss Kitty recalls, “She was still presenting as male and going by her dead name. Someone commented that with the wig she was wearing for a part, she looked like Eartha Kitt whom she deeply admires.”
Her penchant for illeism (referring to oneself in third person) isn’t without good reason. She explains, “It’s to reiterate that however she might look, she’s always there; and if you misgender, she will let you know.”
Initially, the moniker was a drag persona at Capital Pride or the occasional fabulous cabaret performance at a nightclub.
But as time passed, she realized that Miss Kitty was something she couldn’t take off. She had always been a part of her.
“She’s helped me to grow and flourish; she’s given me the strength that I never would have had before. I’m so proud of myself for realizing that before it was too late.”
Bringing Miss Kitty into her theatrical career presented some concerns. Would theater folks be open to the new her, especially those she’d worked with before?
Not always, but she’s found new companies who’ve welcomed Miss Kitty with open arms including Avant Bard, Spooky Action Theater, and now Folger.
Last fall, Miss Kitty appeared in Spooky Action’s Agreste (Drylands), a stunning queer story penned by gay Brazilian playwright Newton Moreno.
After being invited to audition and reading the script, Miss Kitty was determined to be a part of the production.
A work dealing with love and being trans, and transphobia, and how people can turn on a dime once they learn the truth about someone, resonated deeply with the actor.
“The play speaks to the idea that if people just let people be who they are and love who they want to love we’d all be a lot happier,” she says.
For her sublime efforts, Miss Kitty nabbed a Helen Hayes Award nomination in the Outstanding Lead Performer category (winner to be determined on Monday, May 20 during a ceremony at The Anthem).
It’s her first time nominated and first time attending. She’s thrilled.
Miss Kitty grew up in Oxen Hill, Md., and now lives near Washington Harbor. Her entry into performance was through music followed by high school plays. She graduated from Catholic University with a degree in music/concentration in musical theater, and from there dove directly into showbiz.
Looking back, Miss Kitty says, “being a person of color AND queer can be a double whammy of difficulty. You have to live in light and do the things you’re afraid to do. That’s the game changer.”
Presenting “Metamorphoses” through the lens of the African diaspora (the cast also includes Jon Hudson Odom and Billie Krishawn, among others) helps us to realize that every story can be universal, especially for marginalized people — South Asian, Native American, or fully queer perspectives, she says.
“Having an all-Black ensemble opens all new worlds for everyone.”
Las Vegas, known for its vibrant and inclusive atmosphere, embraces LGBTQ culture with open arms, making it a thriving hub for the community. Iconic events like the annual Las Vegas Pride Parade and Festival bring together people from all walks of life to celebrate diversity and unity. The 2024 Las Vegas Pride festival is scheduled for Oct. 12, so start planning now.
The city’s commitment to inclusivity is reflected in the diverse range of LGBTQ-friendly accommodations, ensuring that visitors feel welcome and respected. Beyond the nightlife, Las Vegas hosts a variety of LGBTQ-focused community organizations, support groups, and cultural events that contribute to the rich tapestry of the city’s inclusive ethos. Whether exploring the famous entertainment offerings or participating in community-driven initiatives, LGBTQ individuals and allies alike find a warm and accepting home in the vibrant tapestry of LGBTQ culture in Las Vegas.
Ever since I was young, I have always wanted to stay at Bellagio. Its iconic foundations have fascinated me for decades. The hotel stands as an epitome of luxury and sophistication, offering an unparalleled experience that seamlessly blends opulence, entertainment, and fine dining. From the moment you step into the grand lobby, it’s evident that Bellagio is committed to providing a world-class stay, especially when you glance at the ceiling adorned with Chihuly glass sculptures.
I stayed in a recently renovated room in the Spa Tower with an unobstructed view of the Vegas Strip and the fountains. The attention to detail is evident in the tasteful decor, plush furnishings, and modern amenities. Beginning at 3 p.m. on weekdays and noon on weekends, the choreographed water show set against the backdrop of the Las Vegas Strip is a mesmerizing display of artistry, combining music, light, and water in perfect harmony. It sets the tone for the exquisite experiences that await within Bellagio.
Bellagio is also home to the famous Conservatory and Botanical Gardens, a lush oasis that undergoes seasonal transformations, displaying stunning floral displays and thematic installations. This botanical escape provides a serene contrast to the lively atmosphere of the casino and the bustling Strip. During our stay, the staff were completing the new springtime exhibition, which gave us Alice in Wonderland vibes.
For those seeking entertainment, Bellagio offers the spectacular “O” by Cirque du Soleil, a water-themed extravaganza that complements the hotel’s overall theme. Bellagio Gallery of Fine Art is another cultural gem within the hotel, featuring rotating exhibitions that display masterpieces from around the world.
Although it is possible to never leave the hotel, we wanted to experience other MGM Resorts properties, so we headed to LPM at the Cosmopolitan of Las Vegas for dinner. LPM offers an exquisite dining experience that effortlessly marries Mediterranean charm with the vibrant energy of the Strip. From the moment you step through the entrance, you are greeted by an ambiance that strikes a perfect balance between sophistication and conviviality.
LPM’s interior is a visual feast, adorned with chic decor, warm lighting, and an intimate atmosphere. The combination of contemporary design elements and classic French accents creates a welcoming space that feels both elegant and comfortable. Whether you’re celebrating a special occasion or seeking a romantic dinner, LPM’s ambiance sets the stage for an unforgettable dining experience.
LPM’s menu is a culinary triumph, highlighting the rich and diverse flavors of the French Riviera. The emphasis on fresh, high-quality ingredients is evident in every dish. We began our meal with a variety of appetizers, including the Yellowtail Carpaccio, Escargots, and their signature Burrata prepared with heritage tomatoes and basil and topped with white truffles. For our main courses, we decided to focus on seafood entrees, so we tried the Lobster Risotto and grilled Chilean Bass. Both were prepared to perfection and paired very well together if you are looking to share entrees.
Of course, one of the biggest attractions of Las Vegas is the Strip itself. Spend a few hours meandering through each hotel and taking in the Vegas vibe. There is no other place in the world quite like it.
If you are in the mood for a little adventure, head to Area15, located about 10 minutes from the strip. Area15 is an immersive entertainment complex that blends art, technology, and entertainment in a unique and captivating way. Boasting an otherworldly exterior and a dynamic interior, Area15 is home to a variety of innovative experiences, including interactive art installations and virtual reality adventures. Its anchor tenant, the Meow Wolf’s Omega Mart, is a surreal supermarket-like environment filled with mind-bending art and hidden mysteries. The venue also hosts concerts and live events including Beyond Brunch, a variety show hosted by drag queen extraordinaire Andrew Ryan. The two-hour spectacle includes a wonderful buffet and performances by talented acts ranging from hoop dancers to Cirque-style entertainers. The show is well worth the price of admission; it is not your typical drag brunch.
Spend the afternoon touring Area15 or head to The Sphere, Las Vegas’s newest concert venue. Rock icons U2 opened the venue with a 40-night run, but guests can purchase tickets to Darren Aronofsky’s multi-sensory film “Postcard from Earth.”
For a trip down memory lane, especially if you are in you were born in the ‘70s or ‘80s, check out Retro by Voltaggio at Mandalay Bay. The restaurant owned by Top Chef stars, Bryan and Michael Voltaggio, takes diners on a nostalgic journey through time, blending modern culinary techniques with comforting flavors reminiscent of classic American dishes set in a retro-chic environment. The space is adorned with quirky memorabilia, neon accents, and a colorful palette that captures a sense of nostalgia without feeling overly kitschy, creating a welcoming environment for diners to unwind and enjoy the culinary adventure.
Retro by Voltaggio’s menu is a playful exploration of classic American favorites. We started our dinner with the deviled eggs with smoked trout roe along with the beet steak tartare, which was incredible. Next came the bluefin tuna ceviche served over coconut crushed ice. For our entrees we tried the trout meuniere, which was served in a lemon and caper sauce, as well as the lobster thermidor with lobster waffles — yes, you read that correctly. It was as delicious as it sounds.
Save room for the dessert cart, which contains innovative creations that satisfy the sweet tooth. Whether you’re a fan of nostalgic flavors or simply seeking a unique and enjoyable meal, Retro by Voltaggio is worth the visit.
After dinner, catch a performance of Michael Jackson “ONE” by Cirque du Soleil also at Mandalay Bay. The show is a captivating tribute to the King of Pop that seamlessly blends the magic of Cirque du Soleil with the timeless music and iconic choreography of Michael Jackson. From the moment the lights dim to the final bow, the show is a high-energy, emotionally charged celebration of the legendary entertainer’s life and legacy. This isn’t your typical Cirque du Soleil show and is more like a concert featuring all of Michael’s greatest hits, memorable dance moves, and state-of-the-art production. I felt like “ONE” is the type of concert Michael would have wanted to perform if he were still with us.
The thing I like most about Vegas is it is always evolving. Every time you visit, there is something new to see or do. Viva Las Vegas!
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