Arts & Entertainment
Dance: Lords of the dance
Gay creative energy abounds in season’s visiting performance troupes


A promo still from ‘The Rambler,’ a performance by the Joe Goode Performance Group. Goode, a gay San Francisco-based artist, will be in Rockville this weekend for two performances — Saturday at 7:30 p.m. and Sunday at 2 p.m. at American Dance Institute (1570 E. Jefferson Street in Rockville). Visit americandance.org for details. (Photo courtesy Joe Goode Performance Group)
Last year at this time we were saying farewell to the famous D.C. Cowboys, but just because the Cowboys have performed their last dance doesn’t mean there aren’t plenty of other important dance offerings in the region this spring. Many feature gay performers, gay themes or gay directors, so make sure to mark your calendar for your favorites.
Bowen McCauley Dance, led by dancer and choreographer Lucy Bowen McCauley performs at the Atlas Intersections Festival tonight at 10 p.m. at the Atlas Performing Arts Center (1333 H Street N.E.). This performance will combine dance and rock music and a live performance by Half Brother. On April 5-6, Bowen McCauley Dance performs at the Kennedy Center (2700 F Street N.W.) at 7:30 p.m. They will be celebrating the centennial anniversary of “Rite of Spring” and other pieces. Tickets range from $36-40.
On March 7-8, gay dancer and choreographer Helanius J. Wilkins performs his powerful piece “Closer” two final times at the Atlas Performing Arts Center (1333 H Street N.E.) as part of the Atlas Intersections Festival. In this piece, Wilkins navigates his way from questions to statements while exploring newfound realizations of dance. For more information visit hjwedgeworks.com.
David Burkholder is the artistic director of The Playground, which performs “The Chemistry of Lime Trees” at The Mead Theatre Lab @ Flashpoint (916 G Street N.W.) March 14-24. This piece explores the impact of real and perceived boundaries in our lives.
Gay helmed VT Dance/Vincent Thomas celebrates 10 years of dancing with VT Dance Looking Back, Moving Forward on March 16-17 at the Theatre Project Baltimore (45 W Preston Street, Baltimore). For more information visit www.theatreproject.org.
From March 20-24, The Washington Ballet performs “Cinderella.” which combines magnificent beauty with ravishing costumes in the retelling of this classic romance. This piece is choreographed by gay director and choreographer Septime Webre and will take place at the Kennedy Center Eisenhower Theatre (2700 F Street N.W.). Tickets are available starting at $25.
The New York City Ballet performs at The Kennedy Center Opera House March 26-31. The company will dance two signature mixed reparatory programs accompanied by the New York City Ballet Orchestra. For more information or tickets go to kennedy-center.org.
At Dance Place (3225 8th Street N.E.) on April 6-7, Abraham.In.Motion performs Pavements, which is “Boyz in the Hood” re-imagined as a dance work investigating the state of black America.
On April 13, gay choreographer Dana Tai Soon Burgess and his company dance at Episcopal High School (1200 North Quaker Lane, Alexandria Va).
The 2013/2014 season marks the 10th anniversary season for the gay lead dance outfit Dakshina/Daniel Phoenix Singh Dance Company. On April 13 and 14 they perform a mixed show of Sokolow work, classical Indian dance and fusion at Dance Place (3225 8th Street N.E.).
On May 3-5 at the Davis Performing Arts Center at Georgetown University (3700 O Street N.W.) Derek Goldman presents “Once Wild: Isadora in Russia” written by gay award-winning playwright Norman Allen and choreographed by Cynthia Word. This progressive multidisciplinary production offers a bold new vision of Isadora Duncan. For tickets or more information go to performingarts.georgetown.edu.
From May 8-12 the Washington Ballet performs Septime Webre’s newest exploration into American literature with Heminway’s “The Sun Also Rises.” Tickets start at $25 for this Kennedy Center performance. For more information on to purchase tickets visit kennedy-center.org.
The Washington Ballet also performs “Peter and the Wolf” at the THEARC Theater May 18-19. To purchase tickets or for more information, visit thearcdc.org.
Gay choreographer and artistic director Josh Beamish of Move presents “Pierced” at the American Dance Institute (1570 East Jefferson St, Rockville) May 18-19.
Edgeworks Dance Theater, lead by openly gay choreographer Helanius J. Wilkins, returns to the Millennium Stage at the Kennedy Center (2700 F Street NW) on June 3. This predominately African-American Dance Company will dance a mixed repertory program featuring signature and new works.
Dance Place (3225 8th Street N.E.) has many additional offerings throughout the spring including Revision Dance Company, Karen Sherman and Idan Cohen among others. For more information and a full listing of performances visit danceplace.org
The D.C. Lambda Squares, an LGBT square dance/social club, has numerous square dance events and class sessions coming up this spring including a community dance on March 9 with a Mardi Gras theme. Monday night beginner classes continue until May 20 from 7:30-9 p.m.
a&e features
Doug Spearman takes his chance
‘Noah’s Arc: The Movie’ debuted on Paramount+ last month

There’s no question that when Patrik-Ian Polk’s series “Noah’s Arc” premiered on Logo 20 years ago, it was a groundbreaking creation. The story of a group of Black gay men and their wonderful friendship. The titular arc was that of the cute main character, Noah (Darryl Stephens), and his close-knit circle of friends, including Chance played by gay actor Doug Spearman. This compelling and loving fraternity may, in fact, be what brought viewers back repeatedly, including a 2008 movie, “Noah’s Arc: Jumping the Broom,” as well as the 2020 “Noah’s Arc” short, and now, a new full-length feature “Noah’s Arc: The Movie,” debuting on Paramount+ on June 20. In the movie, filled with equal measures of laughs and tears, Chance, who has faced a devastating loss, finds his dependable friends there, ready to support and comfort him at a moment’s notice. I had the pleasure of speaking with Spearman the morning of the streaming premiere of “Noah’s Arc: The Movie.”
WASHINGTON BLADE: Doug, since the early 2000s, when the “Noah’s Arc” series premiered on Logo, you have been playing the character of Chance, including in the latest installment, “Noah’s Arc: The Movie.” What was it about Chance that appealed to you as an actor?
SPEARMAN: When Patrik (-Ian Polk) called me to ask me to play him (Chance), I was at JFK airport in the baggage claim, waiting for a suitcase. He explained what the part was. The thing that stuck out to me was the fact that Chance was in a long-term relationship with another Black man. And, they had a child; they had a 4-year-old daughter named Kenya. I had never seen two Black gay men raise a child on TV before. I thought it was the most revolutionary thing I’d ever seen. I immediately thought I’ve got to do this because that was something nobody had seen. I thought it was incredibly important to take the part.
BLADE: “Noah’s Arc: The Movie” was, once again, written and directed by Patrik-Ian Polk, who you just mentioned, is the creator of the entire franchise. What’s the secret to your long-standing working relationship?
SPEARMAN: [Laughs] the whole team, all of us, are like a band of brothers. We fight like brothers, we come together like brothers, we hash things out, we talk, because we’re all very different from our characters. I think the challenge of playing these guys and then uplifting these men, playing a part, especially something written by Patrik, is like solving a math equation. There’s always a challenge that’s enjoyable for me as an actor: to try to find out what it is that Patrik wants, and then how do I do it.
BLADE: I think you do a very good job of it.
SPEARMAN: Thank you very much
BLADE: In the years between “Jumping the Broom” and the new full-length movie, many changes have occurred, and the story addresses some of them, including gay widowhood, which is something that the aging community is now confronting, as well as mental health issues. Please say a few words about how you approached those subjects in the new movie.
SPEARMAN: I had a lot of loss in my life, right before we started shooting. Two months before we started shooting the first series, my mother died. I was going through the grief process through that whole first season. Since then, I’ve lost a lot of people in my life. In fact, when we started shooting the second season, the second week we were shooting, my ex died of a heart attack. I was having to fold that into what I was doing with my life on the set and off the set. You’ve got to show up and you’ve got to do your work. The first two seasons of “Noah’s Arc” are always tinged with the memory of grief. So, when I had to deal with the death that Chance faces (in the new movie), which is a significant death in his life, it wasn’t that hard to reach back, especially the scene in the graveyard. It was something that I unfortunately could pull from personal experience.
BLADE: Shifting gears, the movie features delightful cast surprises, including Jasmine Guy and TS Madison. Did you have a chance to interact with either or both when they were on set?
SPEARMAN: No, I didn’t have any scenes with Jasmine, and I missed her. I wish I had gotten to see her because I actually got to direct Jasmine for a CBS promo shoot for “Queen,” back in the early ‘90s. I had a huge crush on her when she was on “A Different World.” So, I really would have liked to reconnect. But TS and I got to see each other every day because I was in all her scenes. It was extraordinary being around somebody like that. That is one outspoken woman!
BLADE: Even though Beyoncé never makes an appearance in the movie, there’s a lot of talk about her. Would you say you are a Beyoncé fan?
SPEARMAN: Yes! I’m breathing! Yes, I’m a Beyoncé fan. I actually got the chance to meet her. I knew her mom. Her mom was extraordinary to me. She is in the second movie I directed. She also gave us a wedding gown to use in the very first scene of the movie. That family is extraordinarily important to me. Not only just to be a fan, but to be somebody who’s gotten to know them and work with them and see how hard they work. I don’t think anybody works as hard as Tina or Beyoncé.
BLADE: There was a recent news item about gay actor Benito Skinner of the Amazon Prime series “Overcompensating” being told not to bother auditioning for straight roles. As an out actor yourself, how important do you think it is for queer characters to be portrayed by queer actors, and vice versa?
SPEARMAN: Being queer is a multifaceted identity. There’s no one kind of queer person. I think finding the best actor that’s your first circle of casting. I think one of the joys about being an actor is that you get to play different parts. I play straight guys all the time. Dads and husbands and things like that. I think a lot of people are told not to do it. In fact, I wouldn’t be Chance if the actor who was originally cast as Chance hadn’t been pulled out of the series by his agents because they didn’t want him to play a gay character.
BLADE: That’s amazing! Thank you for sharing that. Without giving away too much, the ending of the movie is a little ambiguous, even ending with a question mark. If there was a “Noah’s Arc: The Movie” sequel, would you come back for that?
SPEARMAN: Yeah! A lot of it would depend on what Chance’s journey is going to be like. Patrik and I have conversations like that all the time. He’s very interested and supportive of input. I hope I would be, as we all would be, part of the creative growth with these characters. They live in Patrik’s head, and he writes them, but we’re the ones who have to flesh them out. It’s a conversation, it’s always a conversation.
BLADE: You are currently performing in Molière’s “The Imaginary Invalid” as part of the New Orleans Shakespeare Festival at Tulane. What has this experience been like for you?
SPEARMAN: It’s extraordinary! I started on stage when I was seven. There’s nothing like working with a live audience and having that immediacy. I’m working with an extraordinarily talented cast in a really great play, and I have some of the best scene partners I could ever want.
BLADE: Are there any upcoming film or TV projects you’d like to mention?
SPEARMAN: I’m still a writer, and I’m still a director, and I’ve still got scripts that I would like to make. I have a little something that’s a cross between “Treme” and “Bridgerton” that I want to do. I’m always trying to figure out what the next thing is.
Photos
PHOTOS: Montgomery County Pride in the Plaza
LGBTQ celebration held in downtown Silver Spring

Montgomery County Pride in the Plaza was held on Sunday, June 29 at Veterans Plaza in Silver Spring, Md.
(Washington Blade photos by Michael Key)























The fifth annual Fredericksburg Pride march and festival was held on Saturday, June 28. A march through the streets of downtown Fredericksburg, Va. was followed by a festival at Riverfront Park.
(Washington Blade photos by Michael Key)


















