Arts & Entertainment
Dance: Lords of the dance
Gay creative energy abounds in season’s visiting performance troupes

A promo still from ‘The Rambler,’ a performance by the Joe Goode Performance Group. Goode, a gay San Francisco-based artist, will be in Rockville this weekend for two performances — Saturday at 7:30 p.m. and Sunday at 2 p.m. at American Dance Institute (1570 E. Jefferson Street in Rockville). Visit americandance.org for details. (Photo courtesy Joe Goode Performance Group)
Last year at this time we were saying farewell to the famous D.C. Cowboys, but just because the Cowboys have performed their last dance doesn’t mean there aren’t plenty of other important dance offerings in the region this spring. Many feature gay performers, gay themes or gay directors, so make sure to mark your calendar for your favorites.
Bowen McCauley Dance, led by dancer and choreographer Lucy Bowen McCauley performs at the Atlas Intersections Festival tonight at 10 p.m. at the Atlas Performing Arts Center (1333 H Street N.E.). This performance will combine dance and rock music and a live performance by Half Brother. On April 5-6, Bowen McCauley Dance performs at the Kennedy Center (2700 F Street N.W.) at 7:30 p.m. They will be celebrating the centennial anniversary of “Rite of Spring” and other pieces. Tickets range from $36-40.
On March 7-8, gay dancer and choreographer Helanius J. Wilkins performs his powerful piece “Closer” two final times at the Atlas Performing Arts Center (1333 H Street N.E.) as part of the Atlas Intersections Festival. In this piece, Wilkins navigates his way from questions to statements while exploring newfound realizations of dance. For more information visit hjwedgeworks.com.
David Burkholder is the artistic director of The Playground, which performs “The Chemistry of Lime Trees” at The Mead Theatre Lab @ Flashpoint (916 G Street N.W.) March 14-24. This piece explores the impact of real and perceived boundaries in our lives.
Gay helmed VT Dance/Vincent Thomas celebrates 10 years of dancing with VT Dance Looking Back, Moving Forward on March 16-17 at the Theatre Project Baltimore (45 W Preston Street, Baltimore). For more information visit www.theatreproject.org.
From March 20-24, The Washington Ballet performs “Cinderella.” which combines magnificent beauty with ravishing costumes in the retelling of this classic romance. This piece is choreographed by gay director and choreographer Septime Webre and will take place at the Kennedy Center Eisenhower Theatre (2700 F Street N.W.). Tickets are available starting at $25.
The New York City Ballet performs at The Kennedy Center Opera House March 26-31. The company will dance two signature mixed reparatory programs accompanied by the New York City Ballet Orchestra. For more information or tickets go to kennedy-center.org.
At Dance Place (3225 8th Street N.E.) on April 6-7, Abraham.In.Motion performs Pavements, which is “Boyz in the Hood” re-imagined as a dance work investigating the state of black America.
On April 13, gay choreographer Dana Tai Soon Burgess and his company dance at Episcopal High School (1200 North Quaker Lane, Alexandria Va).
The 2013/2014 season marks the 10th anniversary season for the gay lead dance outfit Dakshina/Daniel Phoenix Singh Dance Company. On April 13 and 14 they perform a mixed show of Sokolow work, classical Indian dance and fusion at Dance Place (3225 8th Street N.E.).
On May 3-5 at the Davis Performing Arts Center at Georgetown University (3700 O Street N.W.) Derek Goldman presents “Once Wild: Isadora in Russia” written by gay award-winning playwright Norman Allen and choreographed by Cynthia Word. This progressive multidisciplinary production offers a bold new vision of Isadora Duncan. For tickets or more information go to performingarts.georgetown.edu.
From May 8-12 the Washington Ballet performs Septime Webre’s newest exploration into American literature with Heminway’s “The Sun Also Rises.” Tickets start at $25 for this Kennedy Center performance. For more information on to purchase tickets visit kennedy-center.org.
The Washington Ballet also performs “Peter and the Wolf” at the THEARC Theater May 18-19. To purchase tickets or for more information, visit thearcdc.org.
Gay choreographer and artistic director Josh Beamish of Move presents “Pierced” at the American Dance Institute (1570 East Jefferson St, Rockville) May 18-19.
Edgeworks Dance Theater, lead by openly gay choreographer Helanius J. Wilkins, returns to the Millennium Stage at the Kennedy Center (2700 F Street NW) on June 3. This predominately African-American Dance Company will dance a mixed repertory program featuring signature and new works.
Dance Place (3225 8th Street N.E.) has many additional offerings throughout the spring including Revision Dance Company, Karen Sherman and Idan Cohen among others. For more information and a full listing of performances visit danceplace.org
The D.C. Lambda Squares, an LGBT square dance/social club, has numerous square dance events and class sessions coming up this spring including a community dance on March 9 with a Mardi Gras theme. Monday night beginner classes continue until May 20 from 7:30-9 p.m.
Out & About
LGBTQ Military Happy Hour set for Sept. 15
In-person gathering to be held at Tom’s Watch Bar
Modern Military Association of America will host “Pride in Service: An LGBTQ+ Military Happy Hour” on Tuesday, Sept. 15 at 4 p.m. at Tom’s Watch Bar.
This in-person gathering is the perfect chance to connect, share stories, and celebrate the diversity within the military community. Come relax, meet fellow LGBTQ+ service members and allies, and enjoy a fun, supportive atmosphere. Don’t miss out on an evening full of pride, camaraderie, and good vibes. Visit Eventbrite for more details.
Friday, September 11
Go Gay DC will host “Out in DC LGBTQ+ Community Social” at 7 p.m. at Hotel Zena.This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Women in their Twenties and Thirties will meet at 8 p.m. on Zoom. This is a social discussion group for queer women in the Washington, D.C. area. For more details, visit Facebook.
Saturday, September 12
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC LGBTQ+ Community Center will host screenings of “Princess Sparkles” and “Kiloran Bay” at 1:30 p.m. “Kiloran Bay” is a 13-minute musical short set amid the wild beauty of the Scottish Hebrides and the fierce joy of a wedding cèilidh. “Princess Sparkles” is about a girl who accidentally signs up to pet-sit a princess only to discover she’s actually a nippy, Fox News-watching pig. More details are available on the DC LGBTQ+ Community Center’s website.
Sunday, September 13
“Nellie’s DC Drag Brunch” will be at 12 p.m. at Nellie’s Sports Bar. Come get served like a queen by a queen. Join Sapphire Blue, Deja Diamond and their team of amazing drag performers for the most fun you’ll have all weekend. Tickets are $58.51 and are available on Eventbrite.
Monday, September 14
“Center Aging: Monday Coffee Klatch” will be at 10:00a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, September 15
Center Bi Pan+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting. Visit Facebook or Meetup for more information.
Wednesday, September 16
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
The DC LGBTQ+ Community Center will host “Movement for Healing” at 3 p.m. This trauma- and yoga therapy–informed class is designed to help guests gently reconnect with their body and their breath. Through mindful movement, somatic awareness, and grounding practices, guests will explore how to release tension, increase mobility, and cultivate a deeper sense of safety and ease within. For more details, visit the DC Center’s website.
Thursday, September 17
The DC Center’s Fresh Produce Program will be held all day at the DC LGBTQ+ Community Center. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC LGBTQ+ Community Center’s website.
Books
Historiography with heart
Pioneering author John D’Emilio continues to enlighten us in new book ‘Making Gay History’
‘Making Gay History, Memoir of a Scholar-Activist’
By John D’Emilio
Dukeupress.edu/making-gay-history
“Dear Dr. Kameny,” wrote the earnest graduate history student almost 50 years ago. “As you know, the academic community only rarely deemed the lives of gay men and women to be worthy of serious scholarly study. To my knowledge, no American history faculty at a major university has yet sponsored a dissertation that deals with gays historically.”
That student was a young man from the Bronx who would change all that. His name is John D’Emilio.
“I must be able to uncover ‘manuscript’ sources, that is unpublished and unique historical materials,” he explained to D.C. gay civil rights pioneer Dr. Franklin E. Kameny who lived in a house stacked to the ceiling with “unique historical materials.” In reality, these were piles of correspondence with government officials and politicians, legal filings, mimeograph copies, gay newspapers, press releases, Mattachine Society brochures and picket signs. Frank Kameny, a self-described “pack rat,” invited D’Emilio into his private world of papers and memorabilia to begin uncovering an erased and forgotten pre-Stonewall history. This was one of many such research forays into “basements, garages and overcrowded living rooms” across America conducted by John D’Emilio. He was a young man on fire to complete a Ph.D. dissertation at the frontier of a distant galaxy — writing a scholarly gay and lesbian history backed by original research where there had been none, only a void.
Reading D’Emilio’s memoir “Making Gay History” (2026, Duke University Press) one has the sense of watching an emerging galaxy spinning around a galactic core of New York scholars and their mentors, young activists, and community historians throbbing with the New York City energy celebrated by Walt Whitman a century before in his epic poem “Mannahatta”. Spinning out of the ‘60s anti-Vietnam War activism; Marxist historical analysis, the Stonewall riots and gay liberation, we can see it coalescing around this one history student’s search for a dissertation topic and himself piecing together a new history that “no one had yet written about … a pioneering work in this newly emerging field.” D’Emilio pitches his idea for a dissertation that “spanned the length of U.S. history, moving from the religious teachings that shaped law and social attitudes … to how the federal government dealt with the increasing visibility of a homosexual world in the twentieth century.” With the blessings of Columbia’s Department of History, he completed his dissertation leading to the publication of his groundbreaking history: “Sexual Politics, Sexual Communities: The Making of a Homosexual Minority in the United States” (1983). When he received his first copy of the bound book in the mail, he “cradled the book in my arm holding it close to my chest….It was as if I had fathered a child.”
More so, D’Emilio fathered a new history. Historiography is the story of how history gets written, conducting original research, uncovering the data and creating the narrative(s) — often a snoozing read of academic process. But not this historiography. “Making Gay History” is a historiography with heart.
“Nothing was going to stop me from giving everything I had to this effort at making change in society and myself,” he declares while connecting with others who share his “boundless excitement for the collection of documents.” There were many others in this spiral with D’Emilio who are mentioned and play important roles. In the spiral were Jonathan Ned Katz (“Gay American History”, 1976); Allan Berube (“Coming Our Under Fire” 1990), Martin Duberman (“Hidden from History”, 1989); Daughters of Bilitis activists Del Martin and Barbara Gittings; Civil War historian Eric Foner and author/activist Larry Kramer. No libertarians among them. Well, maybe the divine Bette Midler who was well known for performing uptown at the Continental Baths who makes an appearance at a Washington Square rally.
He craved his parents’ approval. Among the most riveting scenes in the memoir are a series of family dinners in the Bronx with his old-school parents who go into near shock when he tells them he is gay. How to evade this any longer, especially now that his dissertation is going to be on homosexuality? It is a moving and hilarious sequence. After he says it out loud, “I am gay”: “No. No. No!” his father gasps. “This can’t be true. It can’t be.” D’Emilio thinks, “Oh my God, he’s going to die. I’ve killed my father.”
The D’Emilios — Vincent and Sophie — so resemble the wonderful Castorinis in “Moonstruck,” I am thinking “Oh my God, this is Cher coming out to her parents Cosmo and Rose.” The young graduate student survives the family dramatics even more certain that this was not just his success but “a gay liberation success.” From the family dinner table to the streets, he writes how he marched in the 1973 Pride parade beneath a banner held high: “Gay Socialists.” This man is a born scholar-activist.
D’Emilio does not seem able to pull back. There are passages that veer into autobiographical minutia, detail about the grind to earn a living from the University of North Carolina Greensboro to the University of Illinois Chicago. He writes, ”I would be living on less than half my usual salary for the year, but with the small amount of royalties that I got for my three books, plus some occasional speaking gigs and dipping into savings…”. Much of this is gray matter compared to the galaxy John D’Emilio helped energize that even now brightens our sky.
Charles Francis is president of The Mattachine Society of Washington, D.C. and author of “Archive Activism: Memoir of a ‘Uniquely Nasty’ Journey” (University of North Texas, 2023)
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