Arts & Entertainment
Madonna lashes out after London Palladium cuts off concert for going past curfew
Madonna is making news again for a disruption of her current “Madame X” tour, but it’s not because she cancelled another show.
Variety reports that the 61-year-old “Queen of Pop” has been venting her anger at the London Palladium after the venue cut short her concert for running over an 11 p.m. curfew on Wednesday night.
The singer was still performing when Palladium staff closed the stage curtain and switched off the sound when she went past the deadline, prompting an expletive-laced outburst from the “Vogue” hitmaker, who emerged from behind the curtain and continued the show despite the house lights being on and her microphone being off.
The pop icon later took to Instagram to further express her fury at the Palladium, accusing the venue of attempting to “censor” her “Madame X” performance in a post which included a video showing her coming through the curtains with her backup dancers and launching into the concert’s final song, “I Rise,” as the audience applauded and sang along.
The singer wrote, “…it was 5 minutes past our 11:00 curfew—-we had one more song to do and The Palladium decided to censor us by pulling.down the metal fire curtain that weighs 9 tons. Fortunately they stopped it half way and no one was hurt………….. Many Thanks to the entire Audience who did not move and never left us. ?????? Power to The People!! #Irise #ongod #madamextheatre #thelondonpalladium”
The video as posted on Madonna’s Instagram begins with a caption that says, “Everybody’s hurt. What is important, what drives you, torments you, is that you must find some way of using this to connect with everyone else alive. Artists are here to disturb the peace.”
On Thursday, a Palladium spokeswoman issued a statement disputing the controversial star’s claim that the metal fire curtain had been lowered, saying, “Contrary to a number of reports, at no point during last night’s performance did staff at The London Palladium pull down, or attempt to pull down, the Iron Fire Curtain.”
At a previous Palladium show last week, Madonna told the audience that she had been warned by the local Westminster council that an “iron curtain” would fall over the production if she went beyond the designated cutoff time.
According to The Daily Mail, the star trolled the venue again at her Palladium show on Thursday, the following night, by saying on stage, “You know there’s an iron curtain waiting for me. Some handcuffs? I hope someone will arrest me.”
Not all of Madonna’s fans agreed with her take on the incident. At least one fan at the Wednesday show blamed the singer, telling The Mail, “Classic Madge. All her own fault.” Her original Instagram post also included several comments from concert-goers scolding her for her tardiness, such as @jpstunnas, who wrote, “Bravo to the theater. This should of been done in the states. You need to learn to not be super tardy.”
The Wednesday concert had been scheduled to begin at 8:30pm, but the singer did not take the stage until approximately 30 minutes later, causing the performance to run past its scheduled ending time. Madonna has a long history of being late for performances, and is currently being sued by fans over the devaluation of show tickets due to her tardiness.
She has previously cancelled 10 of the 93 scheduled dates for her current tour due to injury.
The DC Center for the LGBTQ Community, SMYAL and Rainbow Families sponsored Gay Day at the Zoo on Sunday at the Smithsonian National Zoo. The Smithsonian marked International Family Equality Day with special exhibits and an event space.
(Washington Blade photos by Michael Key)
Covering Gay Day at the Zoo for @WashBlade . Here at @NationalZooDC pic.twitter.com/LqgGNOOAiM
— Michael Patrick Key (@MichaelKeyWB) May 5, 2024
Photos
PHOTOS: Taste of Point
Annual fundraiser held for LGBTQ youth scholarship, mentorship organization
The Point Foundation held its annual Taste of Point fundraiser at Room & Board on May 2.
(Washington Blade photos by Michael Key)
Theater
Miss Kitty tackles classical mythology in ‘Metamorphoses’
Folger production seen through the lens of the African diaspora
‘Metamorphoses’
May 7-June 16
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Miss Kitty’s words are thoughtful and measured, occasionally punctuated by flamboyant flourishes and uplifting proclamations. Her tried and tested tagline is “live in fierce not fear.”
She describes herself as “AMAB (assigned male at birth), nonbinary, genderqueer, transfemme” as well as “chanteuse, noble blacktress, and dancer.”
Currently, Miss Kitty is testing her talents in Mary Zimmerman’s “Metamorphoses” at Folger Theatre on Capitol Hill.
At 90 minutes, “Metamorphoses,” is made up of interwoven vignettes from classical mythology including the tales of Midas and his daughter, Alcyone and Ceyx, and Eros and Psyche.
“It’s all stories that relate to the human condition: the follies, the happiness, the love, the loss,” Miss Kitty explains. “And a thorough knowledge of mythology isn’t a requirement for enjoyment.”
The language is contemporary and with its 11-person ensemble cast – comprised exclusively of Black or indigenous people of color – they’re adding their own spin to its present-day feel, she adds.
In Zimmerman’s famously staged premiere production, the actors performed in and around a pool of water. At Folger, director Psalmayene 24 has ditched actual aquatics; instead, he suggests the element by introducing Water Nymph, a new character constructed around Miss Kitty.
Water Nymph doesn’t speak, but she’s very visible from the opening number and throughout the play on stage and popping up in unexpected places around the venue.
“It’s a lot of dancing; I haven’t danced the way Tony Thomas is choreographing me in a very long time. At 40, can she still make theater with just my body as her instrument?
The name “Miss Kitty” was born over a decade ago.
Miss Kitty recalls, “She was still presenting as male and going by her dead name. Someone commented that with the wig she was wearing for a part, she looked like Eartha Kitt whom she deeply admires.”
Her penchant for illeism (referring to oneself in third person) isn’t without good reason. She explains, “It’s to reiterate that however she might look, she’s always there; and if you misgender, she will let you know.”
Initially, the moniker was a drag persona at Capital Pride or the occasional fabulous cabaret performance at a nightclub.
But as time passed, she realized that Miss Kitty was something she couldn’t take off. She had always been a part of her.
“She’s helped me to grow and flourish; she’s given me the strength that I never would have had before. I’m so proud of myself for realizing that before it was too late.”
Bringing Miss Kitty into her theatrical career presented some concerns. Would theater folks be open to the new her, especially those she’d worked with before?
Not always, but she’s found new companies who’ve welcomed Miss Kitty with open arms including Avant Bard, Spooky Action Theater, and now Folger.
Last fall, Miss Kitty appeared in Spooky Action’s Agreste (Drylands), a stunning queer story penned by gay Brazilian playwright Newton Moreno.
After being invited to audition and reading the script, Miss Kitty was determined to be a part of the production.
A work dealing with love and being trans, and transphobia, and how people can turn on a dime once they learn the truth about someone, resonated deeply with the actor.
“The play speaks to the idea that if people just let people be who they are and love who they want to love we’d all be a lot happier,” she says.
For her sublime efforts, Miss Kitty nabbed a Helen Hayes Award nomination in the Outstanding Lead Performer category (winner to be determined on Monday, May 20 during a ceremony at The Anthem).
It’s her first time nominated and first time attending. She’s thrilled.
Miss Kitty grew up in Oxen Hill, Md., and now lives near Washington Harbor. Her entry into performance was through music followed by high school plays. She graduated from Catholic University with a degree in music/concentration in musical theater, and from there dove directly into showbiz.
Looking back, Miss Kitty says, “being a person of color AND queer can be a double whammy of difficulty. You have to live in light and do the things you’re afraid to do. That’s the game changer.”
Presenting “Metamorphoses” through the lens of the African diaspora (the cast also includes Jon Hudson Odom and Billie Krishawn, among others) helps us to realize that every story can be universal, especially for marginalized people — South Asian, Native American, or fully queer perspectives, she says.
“Having an all-Black ensemble opens all new worlds for everyone.”
PHOTOS: Gay Day at the Zoo
PHOTOS: Taste of Point
Miyares joins efforts to fight Title IX changes
US Census Bureau testing survey on LGBTQ households
What property should I purchase if I’m not sure how long I’ll be in D.C.?
Judy Shepard to receive Presidential Medal of Freedom
Pride journey: Las Vegas
United Methodist Church removes 40-year ban on gay clergy
University students have a right to protest
