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The death of Irene Cara and the broken promise

Singer inspired a generation of gay men

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Irene Cara (Photo courtesy of Judith A. Moose/JM Media)

As I walked down the dark alley towards the glowing light, the opening bridge of the song called to me. “Baby, look at me and tell me what you see, You ain’t seen the best of me yet, Give me time, I’ll make you forget all the rest, I got more in me…” 

The movie “Fame” had just come out and its anthem theme song was HOT. The glowing light that night was a gay disco, tucked away from heterosexual view, while gay bashers circled in trucks a few blocks away. That safe haven in the dark alley allowed me, a 20-year old youth, a path out of the closet in which I emotionally and sexually had residence. To me, the words of the song “Fame,” and its overwhelming delivery, was my inner drive and conviction that I could be me, and my own personal superstar.

The young woman delivering the song was barely an adult herself. Irene Cara had been a child performer and was now breaking into the fame she was singing about. She was “instantly” famous thanks to “Fame.” Amongst other accolades, she was nominated for a Best New Artist Grammy. The song itself won the Oscar that year.

The Grammy nomination put a public trapping on what we all knew: She was a star, and had all the makings to become a superstar, an icon.

For LGBTQ people, her work that year spoke to our souls and our optimism. As “Randy 503” shared on the Joe.My.God site, “I was a deeply closeted and lonely kid in my early 20s. Not lonely because I didn’t have friends (had tons of them,) but lonely because I refused to admit I was gay and kept away from all that. I saw the movie and was transfixed. Bought the album and played it all the time, especially her songs. Her voice was so strong, and so expressive, it really touched me.” 

Cara’s second song in the movie also resonated with the gay audience. While “Fame” spoke to the sassy optimism of embracing our outstanding selves and taking the world by storm, “Out Here On My Own” spoke to the dark loneliness of the closet. “Sometimes I wonder where I’ve been, who I am, do I fit in … when I’m down and feeling blue, I close my eyes so I can be strong and be with you … I dry the tears I’ve never shown, Out here on my own.”

Randy points out, “Out here on my own always left me in tears. It hit so close to home, and I could feel sadness on it. It’s a great song sung by one of the best.”

After the success of “Fame,” Cara ventured into a sitcom pilot and a freshman album, “Anyone Can See.” Neither caught the world on fire, as apparently only some of us could actually “see” her real worth.

It was not long after however, where Cara’s apparent life mission to deliver culture changing anthems, came calling again. She was recruited to help out with the new “Flashdance” movie, and to work with iconic gay producer Giorgio Moroder for its theme song. Cara was reportedly reluctant. She had already been criticized as a second tier Donna Summer with “Fame,” and was hesitant to get into that musical lane. Later she would work with John Farrar whom she credited as being responsible for ALL of Olivia Newton John’s hits. It seems that her superstar aspirations were more to be Pop Princess than another Queen of Disco.

She did sign on board with Moroder and “Flashdance,” and made history. Her song “Flashdance… What a Feeling” went to #1 for six straight weeks. It affected American culture in style, attitude and substance. On Academy Awards night, Cara made history again. (She had already made history in a minor way a few years before as the first person to ever perform two nominated songs in one evening.) This time, she became the second African American woman to win an Oscar – the first being “Gone With the Wind”’s Hattie McDaniels. 

Cara was the first African American woman to ever win a non-acting Oscar ever.

The anthem “Flashdance…What a Feeling” spoke to LGBTQ audiences of the 80s, in a way that “Fame” had. “First when there’s nothing but a slow glowing dream that your fear seems to hide deep inside your mind. All alone, I have cried silent tears full of pride in a world made of steel, made of stone, Well, I hear the music, close my eyes, feel the rhythm wrap around, take hold of my heart. What a feeling, being is believing I can have it all..”

Online, Joe.My.God reader BearlvrFl shared, “LUV the song “Out Here On My Own” I call ‘Flashdance: What A Feeling’ my coming out song, popular on the dance floor very close to the time I finally came out at the age of 22. I could relate to “Take your passion/And make it happen.” Super simple lyric, but it’s timing was everything for me, having been closeted for so long.”

This time, AIDS had brought a very dark cloud over the community, however. Its ravage was starting to take widespread hold. It made the line in the song “now I’m dancing for my life” even more poignant and relevant.

The darkness that was falling over the LGBT world was on a parallel track in Cara’s own life. As she picked up Oscars and Grammys, there was a sadness in her eyes above the smile on her face. She shared later that the public glory was matched with a behind-the-scenes horror story. Her record company was keeping her from garnering any success from her accomplishments. Columnist Liz Smith stated in a 1993 piece that Cara earned only $183 in royalties.

Cara inspired women of her generation. Patti Piatt shared on Twitter, “I am from a generation of women who thought anything was possible because of Irene Cara. She gave us so much joy. We all danced to her songs, didn’t matter if we could dance, we danced because she made us want to dance.” 

In spite of singing THE anthem of women empowerment, Cara became an example of a woman destroyed by the male dominated music industry. As she fought back for earnings due her, she became black-listed, and her trek to superstardom halted. They made her all but disappear. A decade later, she won, but by that time, the damage had been done. 

Her final solo album subconsciously called out her professional demise with songs titled “Now That It’s Over,” “Get a Grip” and the ultimate defeatist title “Say Goodnight Irene.”

“I know well enough this is going nowhere … Might as well say goodnight, Say Goodnight, Irene.”

In the end, she seemed to find peace. Her final professional projects were gifts to other women musicians of color. She comfortably settled into what she called “semi-retirement” and her Florida home with a steady stream of funds from her hard-earned residuals.

The promise of becoming a superstar eluded her, but she busted the ceiling so it might not elude others. Painfully for fans, the promise from the song “Fame,” “I’m gonna live forever” also did not come true. 

Let’s instead, think of her making “it to heaven” and lighting “up the sky like a flame.”

For those trying to find final meaning from her life, and the un-fulfilled promise of what could have been for her and for us, may do so in the words from her lesser-known anthem. Here we swap out a promise instead for “The Dream”: 

“We can all be free, we hold the key, if we can see what we want to be. Life is never easy, you get no guarantees, why not give your all and see what you can find?”

And, yes.

Irene Cara, we will always remember your name.

“The Dream”

*************************

Rob Watson is the host of the popular Hollywood-based radio/podcast show RATED LGBT RADIO.

He is an established LGBTQ columnist and blogger having written for many top online publications including Parents Magazine, the Huffington Post, LGBTQ Nation, Gay Star News, the New Civil Rights Movement, and more.

He served as Executive Editor for The Good Man Project, has appeared on MSNBC and been quoted in Business Week and Forbes Magazine.

He is CEO of Watson Writes, a marketing communications agency, and can be reached at [email protected] .

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Outright International honors Cyndi Lauper at annual NYC gala

Singer, long-time ally spoke with Blade on red carpet

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Cyndi Lauper attends Outright International's Celebration of Courage gala in New York on June 1, 2026. (Washington Blade photo by Michael K. Lavers)

NEW YORK — Cyndi Lauper on Monday said LGBTQ Americans and their allies cannot give up in the fight for equality.

“We need to band together. We need to stand together, and we need to speak out, and we need to help each other,” she told the Washington Blade during an interview after she arrived at Outright International’s Celebration of Courage gala that took place at Pier 60 in Manhattan’s Chelsea neighborhood. “Otherwise, we’re dead.”

Outright International honored the singer and long-time ally at the gala that raised nearly $1.5 million for the global LGBTQ and intersex advocacy group. Levi Strauss and VoteLGBT, a group that seeks to increase LGBTQ representation in Brazilian politics, also received awards at the event that Laverne Cox emceed.

“These people have courage — you have the courage to stand up,” said Lauper in her acceptance speech, specifically referring to VoteLGBT and its work in Brazil.

‘I just saw a lot of things that weren’t right’

Lauper’s LGBTQ advocacy spans decades.

She co-founded True Colors United, which seeks to end homelessness among LGBTQ youth, in 2008. Gregory Lewis, who co-founded True Colors United alongside Lauper, introduced her at the Outright International gala.

Lauper in 2010 created the “Give a Damn” campaign through True Colors United that specifically encouraged straight people to support LGBTQ rights. She raised funds for True Colors United and the Stonewall Community Foundation when she was a contestant on President Donald Trump’s “The Celebrity Apprentice” the same year.

Lauper headlined the WorldPride 2019 opening ceremony in New York. She received the first U.N. High Note Global Prize for her LGBTQ rights advocacy later that year.

Lauper in 2022 performed at the White House ceremony during at which then-President Joe Biden signed the Respect for Marriage Act, which codified marriage rights for same-sex couples into federal law. Lauper last year was inducted into the Rock and Roll Hall of Fame.

Cyndi Lauper on Dec. 13, 2022, performs at the White House ceremony at which then-President Joe Biden signed the Respect for Marriage Act, which codified marriage rights for same-sex couples into federal law. (Washington Blade photo by Michael Key)

Lauper in her Outright International speech talked about her decision to support LGBTQ rights.

“I just saw a lot of things that weren’t right,” she said.

“Because I’m friend and family, I thought it would be important to show up here and be with you guys,” added Lauper.

She told gala attendees and honorees that they inspire her.

“Tonight was a big inspiration for me because I was feeling kind of down about how things are going,” said Lauper. “I know that we need to stand together in any civil rights movement — and that’s what it fucking is!”

Lauper reiterated that message when she spoke with the Blade. She also criticized those who “weaponize religion” in their opposition to LGBTQ rights in the U.S. and around the world.

“That’s very sad,” said Lauper. “Religion is supposed to be about humanity and love and understanding each other.”

Lauper urged gala attendees to vote and to encourage their families and friends to do the same. She also told them not to “give up.”

“We can never give up,” said Lauper. “Even though it might look like we’re not going anywhere, you guys made me see that we are.”

“That inspires people,” she added. “You make ripples and you change right before your eyes. It don’t look like much, but it is and it gets bigger and bigger and bigger.”

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Why Michelle Visage needs you to get ‘PrEP Wise’

‘RuPaul’s Drag Race’ judge speaks about new ViiV Healthcare campaign

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Michelle Visage (Photo by Santiago Felipe/Getty Images for MTV)

If you ask an LGBTQ person what Michelle Visage is known for, you’re likely to get a few similar answers. Most people will say that they know her as the co-judge on “RuPaul’s Drag Race,” with the woman serving looks (and scathing critiques) for more than a decade on this seminal program. Others may bring up her time awing audiences on the West End, or her initial star turn in the hit girl group Seduction. There are a few answers you may get when asking about Michelle Visage, but there’s one part of the performer’s career that not enough people bring up today: her advocacy. 

Before the record deals and hit TV shows, Michelle Visage was a tough teenager from New Jersey. A girl who knew she was meant for fame but was still figuring out how to get there. Eventually, the search for stardom brought her to 1980s New York, a thriving home of queer nightlife that taught Visage how her voice could be used to fight against hatred. And while she flexes that skill every day as a fierce advocate, she’s excited to be louder than ever through ViiV Healthcare’s new ‘PrEP Wisdom Campaign.’ 

Michelle Visage sat down with the Los Angeles Blade to discuss this campaign and how it feels to speak up about this important issue. But before we could get to the present, she stressed that if people wanted to know about her current work, they first had to understand how it all began.

Visage detailed her youth in New Jersey, her no-nonsense parents, and the many times she snuck into nightclubs hoping to be ‘discovered.’ It was in these clubs that she found the thriving ballroom scene of 1980s New York, saying, “I felt like Dorothy [from the ‘Wizard of Oz’] when she clicked her heels! [Except] Dorothy clicked her heels three times, and she ended up in Kansas — I ended up on Christopher Street with 30 or 40 of the weirdest, craziest looking misfits I’d ever seen in my life.” Michelle smiled widely as she remembered those early moments. “I was like, ‘Oh my god … I think I found my people.”

“I met Willie Ninja and Caesar Ninja Valentino, and they took me in as one of their own and started teaching me how to vogue. And that’s how life began for me in the ballroom!” She began to walk as a member of the House of Valentino — specifically Face, Body, and Femme Vogue — and found a second home amidst this thriving subculture of marginalized artists. “When I didn’t have anybody or a group or a clique to speak of, the queer scene in New York City took me in as one of theirs — and I became ‘Michelle Magnifique.’”

Through this community, Visage got to see the birth of our modern LGBTQ rights movement — as well as just how much the AIDS crisis would come to terrorize these people she’d begun to call her family. 

“Because I was so deep in this scene, I was affected greatly by the AIDS crisis and the lack of any kind of support from anything around us,“ said Michelle, speaking candidly about her many days spent at the bedsides of those suffering from this disease, acting as a source of comfort for folks whose blood family had abandoned them long ago. “I was standing by their side and holding their hand and being with them … I didn’t know what I was doing. But I knew that I needed to show up, and I knew that I needed to be there.”

Even when her career took Michelle from New York, she always carried those memories of standing by community members when nobody else would. This, when paired with her massive singing and acting talents, is what made her one of pop culture’s staunchest advocates for LGBTQ rights in the 90s and early 2000s. This earned her a massive queer following, and today, it’s what makes her the perfect partner for ViiV’s new PrEP Wisdom Campaign. 

“Viiv Healthcare is the only pharmaceutical company solely focused on preventing, treating, and ultimately curing HIV,” Michelle explained. “Their goal is to help end the HIV epidemic for all — and that, to me, is music to my ears.” 

It’s a goal that’s only become more important since the company was founded back in 2009. The only large-scale pharmaceutical company focused on ending the HIV epidemic, ViiV, not only fights cultural stigma but also saves thousands of lives daily by connecting folks to the treatment and prevention resources they need. Especially as we’re seeing numerous states — including California — begin to slash HIV funding, their work through campaigns like this one is becoming more important than ever.

“The PrEP Wisdom Campaign, first and foremost, is intended to encourage conversations between people who could benefit from PrEP, and [why they should] talk to their doctors to help determine which injectable PrEP might be right for them,” said Visage. She discussed how the campaign is information-oriented, with ViiV developing easy-to-understand pathways for folks to become more aware of injectable PrEP services as well as general HIV/AIDS-related resources. 

“More than 2 million Americans could benefit from PrEP to help prevent HIV [according to the] CDC — yet only 25 percent of them are currently using it!” She understands that there were many things holding people back from getting PrEP, ranging from cultural stigma to discriminatory doctors to a lack of awareness that these resources even exist. But she emphasizes that people cannot let social judgment hold them back from their health and safety! “If you’re not clicking with your health care provider, please find a new one. You don’t have to settle … there are plenty of people to choose from. Plenty of healthcare providers, plenty of doctors who want to work with you, who want to give you the information about PrEP, who want you to be on PrEP so you are protected.”

“Listen, we have come a long way since I started [back in] 1986], and we’ve got so much further to go,” Visage said, reflecting on her lifelong role as an HIV advocate, first as a teenager, and now as an acclaimed performer. But while she may have grown since then, she still carries the commitment to fighting against injustice that the queer community of 80s New York instilled in her. “I will fight forever on this platform. [Discrimination hasn’t] changed, so I don’t plan on changing.”

Michelle Visage knows that change doesn’t happen by being silent — it happens by staying informed and keeping yourself healthy so that you can speak out for what you know is right. In honor of the many lives she fought for in 1980s New York, Visage wants to help as many people as she can today get the PrEP resources they need. And through her new PrEP Wisdom campaign with ViiV, she’s excited to do exactly that.

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Peppermint made her mark on ‘Drag Race.’ Now, her advocacy is front and center

LGBTQ activist is this year’s NYC Pride grand marshal

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Peppermint speaks at a Trans Day of Visibility rally in front of the U.S. Capitol on March 31, 2026. (Washington Blade photo by Michael Key)

Uncloseted Media originally published this article on May 26.

By SPENCER MACNAUGHTON, BELLA SAYEGH, and LAURY PEYSSONNERIE | You may know Peppermint as a runner-up on season 9 of “RuPaul’s Drag Race.” Or for her stint as the first trans competitor on the runaway hit “The Traitors.” Or for her relentless activism at a time when the Trump administration is waging an unprecedented attack on the LGBTQ community.

Now, Peppermint is getting set to be one of New York City Pride’s official grand marshals. And she’s doing that while upholding the legacy of the trans women of color who were at the Stonewall Uprising in 1969.

In this episode of “UNCLOSETED, with Spencer Macnaughton,” Spencer sits down with Peppermint to hear about what it means to be a Black trans woman at the forefront of the LGBTQ movement during the second Trump administration.

(Uncloseted Media video)

SPENCER MACNAUGHTON: Hi everyone, welcome back to UNCLOSETED with me, Spencer Macnaughton. Today, I have the great pleasure of speaking with Miss Peppermint. She was a runner-up on “RuPaul’s Drag Race,” she was the first trans contestant on the runaway hit, “The Traitors,” and now she is the grand marshal for this year’s New York City Pride. Peppermint, thanks so much for speaking with me and Uncloseted Media today.

PEPPERMINT: Hello, I’m so happy to finally be with you. This is great! Hello, Uncloseted!

SM: Yes, we’ve done many collabs and you’ve definitely amplified our work, and you’re just such a huge advocate in the community so we’re thrilled to connect with you formally in this way. So, you were recently named the grand marshal for New York City Pride. How did that come about and what does that exactly mean? What is your duty if you’re grand marshal?

P: You know, I’m still trying to figure it out, but don’t tell them. Obviously, most parades and marches, and probably all of them traditionally, have a grand marshal who’s somebody that they honor who’s like one of the people at the very front of the parade as it goes through. And so I’ll be joined by some other fabulous grand marshals as well. I’m sharing the spotlight with Dominique Jackson, with Bernie Wagenblast, who New Yorkers will know as one of the voices of the subway system, and also Bowen Yang. And Gays Against Guns was just announced, and I’m so excited to share the spotlight with them.

SM: Yes, and you wrote, or you mentioned in a recent interview that you said, “Being named a grand marshal for New York City Pride is deeply meaningful, not just as an artist, but as a Black trans woman standing in the legacy of those who fought for us to be here.” That’s Marsha P. Johnson, that’s Sylvia Rivera. And through history, those voices, the voices of trans women of color have, for many parts since 1969, been erased from that conversation, right? So how meaningful is that to you as a Black trans woman to be in this space now in 2026, especially given the political climate we’re experiencing?

P: I am continuously dedicated to using whatever platform I have, whether it’s before I was on TV, since I’ve been on TV, still using my platform to advocate for the LGBT community, including, obviously, trans folks. As someone who is trans, it does feel good to know that they are, “they” meaning the New York City Pride, they hold some reverence for the legacy of trans women of color, of trans people in general and their contribution and to the legacy of Pride. The march is a sort of recreation of the very first time that the community marched to commemorate what happened in 1969 at the Stonewall Uprising, where, you know, the police came to raid the bar, Stonewall, the legendary gay bar Stonewall in the Village, and the community fighting back.

But, I think what a lot of people didn’t realize is that, yes, trans people, trans women were there on the forefront, but it wasn’t just an attack on the bar. This was an attack on sex workers, people who were homeless and on the street, many of which were femme presenting people, drag queens, trans women. These were the street kids who were working, who were sometimes cast out of their apartment, or kicked out of their homes from their families, and the only places that they could gather were, besides the bar, were also down at the pier and on the street, wherever, and they were, some of them were engaging in survival sex work. And the police, the NYPD, were attacking, constantly harassing, and throwing in jail, and just like targeting trans sex workers, essentially. These were the people who were, and are often, the most vulnerable when it comes to interactions with the police, and those were the people who said, “We are done, we are tired of it.” That story has been whitewashed over time in many ways. One of the very first movies, one of the mainstream movies about Stonewall that we’ve seen, is a bunch of blonde kids from Iowa as the ones fighting back when we know that it wasn’t. Again, it was the street kids, it was the people who were vulnerable. And so their legacy had been erased. And so while we’re hearing voices like Marsha P. Johnson and Sylvia Rivera being mentioned so much, especially in recent years, is because it hadn’t been included so much in the past. And it had been essentially erased. And It’s been restored, and then since then, this administration has tried to erase trans folks from that legacy, taking down the mention of trans from the official website for the Stonewall National Monument, removing trans women, you know, biology, gender, whatever, all these words from all federal government documents and websites. So, I know that was a long answer, but I think it was important for people to know that that’s why it’s important for me and that’s so important to be included in Pride, because it feels like this year in 2026, the same year that the flag came down and went back up, thank goodness, it feels it’s a good time to remind people that trans folks are a very important part of the community.

SM: A hundred percent. And when I hear you speak all that, you are at the end of the day a very brave person, a very courageous person. You have Trump erasing all references to gender identity from all government documents, taking down the pride flag for what reason? And then his administration unveiled a new counterterrorism strategy that maybe you’ve seen that talks about the biggest concern, which is not at all reflected in the evidence, is left-wing extremists and pro-radical transgender people, whatever that means. I just interviewed two extremism experts for a different episode, who talked about there’s not even one mention of white supremacy, even though all of the evidence points to that being the biggest threat. So I wanna know, you’re an advocate, but you’re also a Black trans woman, triple, quadruple jeopardy as it relates to who this administration’s attacking. How does that make you feel going into this Pride month as grand marshal?

P: It really just kind of solidified what I already knew, the absence of white supremacist groups and organizations, and white supremacy as a notion in terms of being a threat, domestic terrorism threat. It’s like the weakest part of that evidence because the biggest part of it was when they removed the proof that the federal government stated in multiple reports that white supremacy was the largest domestic terrorism threat in the United States since the ‘80s.

SM: And just so the listeners know, the Department of Homeland Security quietly removed that threat from documents so the public would not be privy to it.

P: So the absence is just an echo of that, right? Their action of removing that is what really was like, what? I clutched my pearls. So, this latest sort of act is just sort of confirmation of that, and it is terrifying. I want to leave the country.

SM: You want to leave the country? You do?

P: Yeah, part of me wants — of course. I want to continue to use my platform to advocate for what I feel is right. And part me wants to leave, part of me wants to stay and fight. You know, and I, I think like, what am I, what is this country that I want to fight for? I envision like, am I going to stay and fight and want to risk my life for like a bunch of other people that are just like, “Oh well, that’s what happened to the trans people.” Or are we all going to fight? Like, I can’t just fight by myself. We have to fight for each other. Sometimes when we see not only the government putting out documents, official documents on government letterhead that say, “We’re going to name trans people as terrorists.” But then at the end it’s saying, “We will find you and we will kill you.” That’s the part that’s like, well, do I need to wait for them to kill me?

SM: And just to be clear to the people who haven’t read this document, that is a verbatim quote. They essentially list the terror threats, which include, quote, “pro-transgender radicals,” and then they say, make no mistake, quote, “We will find you and we will kill you.” I mean, that’s insane.

P: That’s in the document.

SM: That’s in the document. You mentioned you can’t do this alone. If people are listening to this and they aren’t trans but are concerned and are seeing the stats, what can they do? What can we do to really be there for our trans siblings?

P: When I say, “I don’t want to do it alone,” it’s not so much, I need you to defend me, which would be nice; it’s more that I need you to defend yourself by defending me, is what I want people to know. Like the cis community, people who are cisgender, people who’re not trans, and also people who are outside of the queer community, need to know that if rights are what we have, if equal rights are what a democracy gives you and what you have, an attack on those and removal of those rights for who someone is, who they love or their political beliefs, then it is an attack on that very democracy and an attack on the people of that democracy and the people who value those rights. And so, going after people for who they are and removing their passports, naming them as terrorists, threatening to kill them, banning them from all types of government buildings and bathrooms and holding a job and da-da-da, and healthcare, all these things. The only way they can do that to me is if they change the rules to make it possible to do. Now we have a government that can remove people from all these things. So now that means all they have to do is include, you know, let’s include Mormons as terrorists. You know what? I mean, it took them how long to put out this document. Vegans, whatever, I don’t know. Like they can target anyone. It sounds absurd and preposterous because it is, but it won’t take long for them to widen that group to who they want to focus on next.

SM: And I know you’ve been outspoken in all different places, including mainstream media. You’ve gone on CNN a few times. I’ve seen you on there. And I worked in mainstream media, “60 Minutes,” the Wall Street Journal. And a big reason I left was because I didn’t feel like the coverage was rigorous enough, was fair enough, was frequent enough. How do you think the mainstream media is doing characterizing the issues plaguing the trans and LGBTQ community right now?

P: What is this question? They get an F, for fuck off. They get a terrible F because —

SM: Tell me why.

P: It’s so wild. Yeah, hello. We know that they’re interested because they talk about it on the daily. Every other day, there is mentions of trans people in some way, shape or form, and queer people in general. And so they’re constantly evoking us, talking about us, blaming us, bringing us up, attaching us, associating us, constantly. It is wild that they have so much to say about us and they don’t want to talk to us in general, the mainstream media. They don’t wanna include us. They don’t wanna hear. And I wonder why that is because with many other situations, they would want to go to, sort of like, the subject and speak with them about what it is, or the people who are involved in the story. You want to get their side of the story, except when it’s a situation like this, when it’s the political scapegoat. When it’s the political scapegoat, it actually is imperative that you don’t hear from them, that you just hear about them, because then you can create who they are for other people to sign off on.

SM: I have a friend, Alaina Kupec, and she’s a trans military veteran and she went on Abby Phillip’s CNN “NewsNight,” the 10 p.m. slot, after Trump passed the trans military ban. She was the only trans person on the panel. Other panelists include Scott Jennings, who is a Trump loyalist who has zero expertise in trans issues, but it created this false equivalency debate between Alaina, who was a military person and is trans, and Scott Jennings, as though both of those opinions should be considered equal from a journalistic perspective. How damaging are those kinds of conversations that are airing on shows like Abby Phillip’s that are, you know, sure we say “Americans don’t talk but they talk here,” but the majority of Americans perceive that as news still.

P: Yeah, it’s not news. It’s obviously just entertainment. And, you know, I really was upset with, I mean, I was really grateful to be on the show and have appeared there with another trans person, particularly, I got a chance to go on there.

SM: On Abby’s show?

P: On Abby’s show, pardon me, yes. But I do think that CNN has always served to launder the reputation, to launder the impact, and soften the perception of the very, very, real impact that sort of centrist politics that CNN holds. It really just exists to protect, sort of like capital and protect big business and sort of corporate, the corporate flow of politics that controls policy. And so I’m not surprised, but I think you’re 100 percent right. There is an epidemic, a habit, a vibe that this country has to just, like, take somebody off the street who has no knowledge about anything at all, other than their own opinion when they hear something, and that opinion when they hear, like, “What do you think of this concept that you’ve never heard of but we’re going to give it you and tell us what you think. And then here’s an expert in that, go!” And suddenly, you know, Scott Jennings gets to have an opinion on what I’m doing with my body or what rights I have and you know that thinks it’s harmful, it’s damaging and harmful.

SM: And I don’t want to single out, you know, Abby’s show too much because this happens on many different shows across network news, but to hosts like Abby or to producers on these shows — and I’ve worked in these newsrooms — who really care and really want to do it right, but might hit blocks. What’s your advice as a trans woman who’s experiencing this? What’s your advice to them? The people who are actually shaping the news packages we’re watching and actually do have some agency in deciding what gets to air.

P: My ask is, bring trans people on, at least to talk about the trans issues that you mentioned every day. But besides that, bring trans people on to talk about what’s going on with Medicare. Bring trans people on to talk about what’s going on with the war. Whatever. Bring trans people on to talk about more because those things impact us as well. The simplest thing is gender-affirming care. Gender-affirming care and issues of gender-affirming care, the government telling people what decisions they can make medically with their own body, ties directly with reproductive justice and access to abortion, and making your own medical decisions for your own body. That’s something that we can all talk about. That is an intersection that you could bring a trans person on to talk about.

So I would ask of those other creators, bring trans people on to talk about everything that you wanna talk about, Honey. We got lots to say, and we can add something to the conversation because we have a very unique perspective.

And then beyond that, my advice to CNN is you would want to follow what the other podcasters will be doing and having them on because you will be sealing your own demise and become a lot less relevant than you already are if you don’t.

SM: The least surprising thing from this interview is that you’re very interesting. I want to stick on media though for a second because right now you must know that the Ellisons, billionaires, own Paramount, right? And they, who are MAGA loyalists and they have really reshaped the narrative at CBS News, bringing in Bari Weiss, who is an opinion columnist, but Paramount also owns MTV, which airs “RuPaul’s Drag Race,” which you were a finalist on. Ru and the show have been a groundbreaking TV series as the most successful Emmy award-winning reality TV series of all time. They have been progressive trailblazers for many different reasons for LGBTQ rights. There’s been no messaging on the fact that Paramount’s owned by the Ellisons. Should there be? Should they stay with Paramount? What are your thoughts on that?

P: It would be wonderful to see anyone on that show speak out against sort of what is happening in our country with regards to the control over politics and policy and the intersection again of money with politics, especially as related to the Ellisons and the purchase of Paramount. We’ll know when the takeover is complete, when RuPaul is like, “I love Larry Ellison,” cause that’s probably happening. They’re gonna get a script. So let’s just wait for them to get a script and start talking about how great President Trump is, whatever, I don’t know. That’s what I envision happening is they will try to either cut “Drag Race” or use it as a tool to parrot what they want to say. I hope that doesn’t happen, but it’s either one or the other. They’re either gonna get rid of the show, but it’s such a ratings juggernaut that I imagine they’ll probably try to reshape “Drag Race” and take out any political messaging.

SM: That’s what I think about though. Ru has so much money, she doesn’t need any more money, right? And the show is such a ratings juggernaut [that] they could go somewhere else. They have enough power from a ratings perspective that they don’t have to be with Paramount. They’re enough of a product there that they could dip out. Do you think they should dip out given the political climate?

P: I don’t know, I guess I have mixed feelings on it. I certainly see a world where Paramount, CNN, anything under this new umbrella is going to have to follow what their owner and boss wants. Every show, every network that’s been sort of sucked into the umbrella is gonna have to fall in line. That’s what fascism is about. You follow directions. And so I think that’s in the future for the show if they don’t leave. If they don’t leave, then it’s probably going to, just they’ll either be disbanded or we’ll wake up one day and there’s gonna be this weird messaging coming out of drag or something like, where’s the lip sync? Suddenly they’re like forcing us to say the Pledge of Allegiance, but with Donald Trump’s name in it. Like that’s what’s gonna happen. That’s what happens in fascism. Do I think they should? I don’t wanna see a “RuPaul’s Drag Race” that’s teaching us how to march in a certain way. So I don’t know, because by that point, it won’t even matter. But I think if they could just go online and start doing it on YouTube or whatever, I think they could do that. But I think ultimately no linear, traditional television is safe. They own most of it.

SM: It’s so interesting. You know this from being on camera. I know this from being behind the scenes that there are always little things that the viewer might not realize happen. And I wonder over at Paramount, while they’re putting together “All Stars” or the next season, whatever it is, the little decisions that could be being made in the final script. And I think that there might be a lot of silent things to the next season that we don’t realize have been edited out to appease the big bosses who are MAGA loyalists. And those are just the things we’ll never know.

P: We’ll never know. And I would be so surprised if they, it would be smart of them to just leave Drag Race alone. Drag Race is a wonderful thing because it’s, because it features wonderful drag entertainers. That’s what’s so great about “Drag Race,” in my opinion. But I don’t rely on Drag Race to get my political anything.

SM: I hear you. Fascinating conversation about media, I could talk about it forever, but we’re going into Pride 2026, right? And we are now six years after the explosion of the Black Lives Matter movement after George Floyd’s murder that spawned into a submovement, the Black Trans Lives Matter Movement. And I’m curious, a lot of that has faded, at least from national international conversations, right? Where do you think we are now in 2026?

P: I think we are in a state of emergency, for sure. I think this administration has been successful. That’s where I think we are. It’s like a wild sort of, a wild, wild west. Do I think we need another moment? I mean, hopefully not, considering that what galvanized people was the death of an unarmed Black man. No, I don’t want that to happen, but it continues to happen on the daily and that we’re not marching in the street about it means that the sort of news cycle focus isn’t on it. And I’m grateful to see that people were able to become temporarily activated. And so I think we benefited from that, but I do think that it allowed people to sort of revert or to sort of jump to this automatic sort of social media style performative advocacy or reaction, which I think is a natural human response maybe in this situation. So by that matter, people posting a black square and thinking that they’ve done their part, fine, obviously it wasn’t enough. What I would like to see is instead of another sort of mainstream BLM moment is an awareness that yes, racism exists. Yes, transphobia exists. Yes, we have to fight those things, but also organizing and at the community level, connecting in sort of a mutual aid way so that we can’t say, “Oh my god girl, I can’t go out and protest because I’ll lose my job and I won’t be able to pay my rent.” Well, if we can make a way for your rent to be paid, you can go out in protest whether you lose your job or not, and then you don’t care and you’re more likely to challenge the system. And so that is where I want people’s minds to go because it’s gonna be necessary to withstand whatever’s coming.

SM: I want to be respectful of your time. That was great, that was an important answer so thank you.

I think out of all the people we collaborate with, there’s a lot of people who want to amplify our work, but you really are at the top of the list for people who are like I don’t care if this post hasn’t popped or isn’t going to get me more followers or I just want to do this and I can tell your advocacy is absolutely authentic and selfless. How did you get here?

P: That’s a good question. I wonder, I sit around asking myself, why am I doing this, like what in the world, but I’m just like driven to it, you know? And it’s something that I would be doing whether I’m alone, whether I am with people, whether there’s a benefit of it or not, it’s not something that I’ve seen that people can do to make money or things like that, most of what I do now is advocacy and all of it is unpaid. And I do it because I care about it and I will continue to do it. But it also means that I’m extremely vulnerable to not being able to survive because I’m not spending my time doing the things that it’s necessary to do to survive. I just want to make sure that we’re able to live and have basic rights, which means, you know, advocacy. And I think it started along, I mean, it definitely started a long time ago and it evolves over time. You know, I think I got it from my grandmother. She was heavily involved in civil rights and so that’s probably where it came from. I don’t know if it’s genetic or if it was just instilled as I was watching, but it’s here now.

SM: And when you got celebrity from “RuPaul’s Drag Race” and other things like that, how did that affect it? Because the celebrity status would have made you in a whole different ballgame with it, I would imagine.

P: Yeah, I remember thinking when I got on “RuPaul’s Drag Race,” I was basically, yes, my platform sort of multiplied and sort of exploded tenfold, which I’m grateful for. And I remember thinking, well, I’m basically doing exactly what I’ve always been doing the entire time, just on a larger scale. I believe I’m quite the family-friendly entertainer and personality. But I’m sure that there’s people that have been like, “Let’s not hire her because she might say the wrong thing.” I’m sure that I’ve suffered that, but it doesn’t change that if I lose every follower I have, I’m still gonna be doing the same thing. I’ll just be back to where I was before I started this stuff. And so, you know, that’s kind of my thought on it.

SM: I love it, and I feel like that is a beautiful place to stop. I could talk to you for a long time, but Peppermint, so grateful that you’ve given us your time. Thank you so much for speaking with me and Uncloseted Media today. This has been a really rich conversation.

P: Absolutely. I do want to remind people to tune in to the last job I held, which was “Survival of the Thickest” on July 2, right after New York City Pride.

SM: Absolutely, we can plug that also in the show notes. So yes, thank you again, Peppermint. This was fantastic.

P: Awesome, thank you.

Season 3 of “Survival of the Thickest” featuring Peppermint launches July 2 on Netflix.

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