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National Cannabis Festival features out vendors like D.C.’s Sean Kim

Owner of Pride Smoke Shop on coming out, embracing his dream

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Sean Kim standing by his business Pride Smoke Shop in NW DC (Washington Blade photo by Michael Key)

Ahead of the April 22 National Cannabis Festival, the Washington Blade caught up with Sean Kim on Friday at his store, Pride Smoke Shop, a smoke, gift, vape shop, and glass gallery located near Dupont Circle at 21st and P streets, N.W.

“I want to show the community that I’m here for everybody,” he said, “And I’m not afraid anymore.”

This year will be Kim’s first National Cannabis Festival, and he is looking forward to setting up shop with two connected booths, “It’s amazing, actually, they put us near an LGBTQ pavilion that they have,” he said.

As a sponsor of the event, the Blade will be stationed nearby. Tickets are still available for the Festival, which will feature an all-day concert along with “exhibitors, education pavilions, munchies zone, sponsored lounges and more.”

“It’s gonna be amazing,” Kim said. “I’m so excited. We have a lot of stuff planned.”

The event’s organizers are debuting the designated LGBTQ space this year. A spokesperson told the Blade by phone it is designed to be a “chill spot for the community,” a place where “you can take a load off,” they said, noting there will also be a seniors’ lounge.

Kim said Pride Smoke Shop represents his entrée into a new phase of his life, where he is free to live authentically as himself, his full self – out of the closet as LGBTQ, the sole proprietor of a smoke shop who had abandoned a successful career in auto sales to chase his dream of starting the business.

The endeavor has been successful. In fact, for this interview Kim had traveled back to D.C. from Atlantic City, N.J., where he is planning to open a second location of his store.

“As I got older and realized time is short on this earth, I became the true me – the person that I had suppressed for years and years, almost decades,” Kim said. “And I just became free.”

The decision to start his business came like an epiphany, he told the Blade. “I just woke up one morning and I was just like, I don’t want to be an old man looking back and thinking ‘I’ve lived this lie my whole life,'” Kim said.

Working in a corporate job had brought Kim considerable success, but while he was earning a comfortable living in accordance with his family’s wishes and expectations, he said, “I wasn’t happy.”

“It was my awakening, you know, no more being afraid of whatever stigmas, other people — I just don’t care anymore,” Kim said. “I want to be me and do what I love.”

The nature of Kim’s business also meant he would be coming out again and again. “For years and decades, even, I hid it from a lot of people – family, even a lot of friends,” he said. “I grew up in a Korean American household where it’s not even a question — you just don’t smoke.”

For this reason, Kim said, he felt like even more of “an odd one.”

When it comes to the location of his shop, Kim is cognizant that he was hardly the first LGBTQ person to venture into a certain Washington, D.C. neighborhood in search of refuge and the company of others who are different.

When I was younger, I always heard of Dupont [Circle] as like a safe place for our community,” Kim said, so his decision to situate his business there was an easy one — a homecoming of sorts to “the place where I felt safest, always.”

When it comes to the name of his business, “I couldn’t think of any word” other than Pride that would exemplify the idea that “this is me now, no questions asked, this is what I represent,” Kim said, adding “it’s pride of everything,” of his whole identity and everything that entails.

The name also touches on the idea that “a smoke shop can thrive,” he said, “that it’s not a terrible thing.”

For his parents, Kim said, “It was like the biggest shock, but now they’re my biggest supporters.”

The change of heart did not come easily, though. “It was very hard,” Kim said. “For my dad, it was the toughest thing. And now he’s the first person to fight for me, you know? If someone tries to say something, and he’s in construction, so he’s the first guy pulling up in his truck with all his tools come in to fix whatever.”

“My dad is bringing his workers,” Kim continued, “but then I see him, like, he has no questions, you know, he brings them right in, like, you can even see his workers’ faces looking around, like, you know, they see all the [LGBTQ pride] flags, so they get it.”

Customers “get it” too. Pride Smoke Shop is a window into its owner’s life, personality, and tastes.

“You’ll see my vision of my store” just by walking in, Kim said. “It’s just my favorite things,” like the “Wu Tang symbol on the ground” to celebrate “one of my favorite artists,” to “Lucy Ricardo’s picture [hanging] because ‘I Love Lucy’ is my favorite show,” he said. “Richie Rich was my favorite comic and you’ll see that influence. It’s just everything I love, and I’m here to just showcase that this is me.”

Sean Kim inside his store, Pride Smoke Shop (Washington Blade photo by Michael Key)
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Photos

PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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Books

Susan Lucci on love, loss, and ‘All My Children’

New book chronicles life of iconic soap star

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(Book cover image courtesy of Blackstone Publishing)

‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages

They’re among the world’s greatest love stories.

You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.

Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.

That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”

She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.

Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.

She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.

And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.

And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”

“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.

If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.

These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.

The Blade may receive commissions from qualifying purchases made via this post.

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