Arts & Entertainment
National Cannabis Festival features out vendors like D.C.’s Sean Kim
Owner of Pride Smoke Shop on coming out, embracing his dream
Ahead of the April 22 National Cannabis Festival, the Washington Blade caught up with Sean Kim on Friday at his store, Pride Smoke Shop, a smoke, gift, vape shop, and glass gallery located near Dupont Circle at 21st and P streets, N.W.
“I want to show the community that I’m here for everybody,” he said, “And I’m not afraid anymore.”
This year will be Kim’s first National Cannabis Festival, and he is looking forward to setting up shop with two connected booths, “It’s amazing, actually, they put us near an LGBTQ pavilion that they have,” he said.
As a sponsor of the event, the Blade will be stationed nearby. Tickets are still available for the Festival, which will feature an all-day concert along with “exhibitors, education pavilions, munchies zone, sponsored lounges and more.”
“It’s gonna be amazing,” Kim said. “I’m so excited. We have a lot of stuff planned.”
The event’s organizers are debuting the designated LGBTQ space this year. A spokesperson told the Blade by phone it is designed to be a “chill spot for the community,” a place where “you can take a load off,” they said, noting there will also be a seniors’ lounge.
Kim said Pride Smoke Shop represents his entrée into a new phase of his life, where he is free to live authentically as himself, his full self – out of the closet as LGBTQ, the sole proprietor of a smoke shop who had abandoned a successful career in auto sales to chase his dream of starting the business.
The endeavor has been successful. In fact, for this interview Kim had traveled back to D.C. from Atlantic City, N.J., where he is planning to open a second location of his store.
“As I got older and realized time is short on this earth, I became the true me – the person that I had suppressed for years and years, almost decades,” Kim said. “And I just became free.”
The decision to start his business came like an epiphany, he told the Blade. “I just woke up one morning and I was just like, I don’t want to be an old man looking back and thinking ‘I’ve lived this lie my whole life,'” Kim said.
Working in a corporate job had brought Kim considerable success, but while he was earning a comfortable living in accordance with his family’s wishes and expectations, he said, “I wasn’t happy.”
“It was my awakening, you know, no more being afraid of whatever stigmas, other people — I just don’t care anymore,” Kim said. “I want to be me and do what I love.”
The nature of Kim’s business also meant he would be coming out again and again. “For years and decades, even, I hid it from a lot of people – family, even a lot of friends,” he said. “I grew up in a Korean American household where it’s not even a question — you just don’t smoke.”
For this reason, Kim said, he felt like even more of “an odd one.”
When it comes to the location of his shop, Kim is cognizant that he was hardly the first LGBTQ person to venture into a certain Washington, D.C. neighborhood in search of refuge and the company of others who are different.
When I was younger, I always heard of Dupont [Circle] as like a safe place for our community,” Kim said, so his decision to situate his business there was an easy one — a homecoming of sorts to “the place where I felt safest, always.”
When it comes to the name of his business, “I couldn’t think of any word” other than Pride that would exemplify the idea that “this is me now, no questions asked, this is what I represent,” Kim said, adding “it’s pride of everything,” of his whole identity and everything that entails.
The name also touches on the idea that “a smoke shop can thrive,” he said, “that it’s not a terrible thing.”
For his parents, Kim said, “It was like the biggest shock, but now they’re my biggest supporters.”
The change of heart did not come easily, though. “It was very hard,” Kim said. “For my dad, it was the toughest thing. And now he’s the first person to fight for me, you know? If someone tries to say something, and he’s in construction, so he’s the first guy pulling up in his truck with all his tools come in to fix whatever.”
“My dad is bringing his workers,” Kim continued, “but then I see him, like, he has no questions, you know, he brings them right in, like, you can even see his workers’ faces looking around, like, you know, they see all the [LGBTQ pride] flags, so they get it.”
Customers “get it” too. Pride Smoke Shop is a window into its owner’s life, personality, and tastes.
“You’ll see my vision of my store” just by walking in, Kim said. “It’s just my favorite things,” like the “Wu Tang symbol on the ground” to celebrate “one of my favorite artists,” to “Lucy Ricardo’s picture [hanging] because ‘I Love Lucy’ is my favorite show,” he said. “Richie Rich was my favorite comic and you’ll see that influence. It’s just everything I love, and I’m here to just showcase that this is me.”
Arts & Entertainment
Teyana Taylor, Erin Doherty have big night at Golden Globes
“Heated Rivalry” stars Connor Storie and Hudson Williams among presenters
Honoring Tinseltown’s finest actors and actresses in film and television, the 83rd annual Golden Globes awards had a myriad of memorable LGBTQ moments from throughout the show.
The prestigious A-list event had first time winners like LGBTQ ally Teyana Taylor, taking home the award for Best Supporting Female Actor – Motion Picture for her mesmerizing portrayal of Perfidia Beverly Hills in “One Battle After Another.”
Addressing the audience she said: “To my brown sisters and little brown girls watching tonight, our softness is not a liability. Our depth is not too much. Our light does not need permission to shine. We belong in every room we walk into, our voices matter, and our dreams deserve space. Thank you so much, everybody.”
Another first-time winner was Rhea Seehorn, who won Best Female Actor in a Drama Series for her portrayal as Carol, a queer woman in the Apple TV+ series “Pluribus.”
Created by Vince Gilligan, known for“Breaking Bad”and “Better Call Saul,” Seehorn said it was important “to honor getting the chance to play anybody from the LGBTQ community,” adding that she loves that this is not “the remarkable thing” about Carol.
“It is part of who she is as a human being, and her relationship with her wife that she’s lost is given so much weight because it is a partnership of love,” she said backstage in the pressroom.
“Vince is not trying to make a political statement. He’s actually just trying to say something about being human and what real love is. And so, it makes me very proud that it just happens to be a queer woman.”
Also, lesbian actress Erin Doherty was thrilled to be a first-time winner, receiving the award for best performance by a female actor in a supporting role on television, for Netflix’s “Adolescence.”
“I didn’t want to assume, but I feel like we all know therapists,” Doherty said. “Life can be tough. Mental health is everything. Thank you to therapists, and it was an honor to play one.”
Doherty received the accolade from the stars of the gay Canadian hockey series, “Heated Rivalry,” Hudson Williams and Connor Storrie. Experiencing an overnight success, the dynamic duo were first time attendees and presenters at the Globes.
In a fun comedy bit, Storrie, who was pretending to be shy on stage, said: “It’s a little nerve-wracking here, being at our first Golden Globes!” Williams replied: “Just take a deep breath and picture everyone in the audience … you know,” referring to the idea that in order to get over stage fright, you have to picture the audience with no clothes on.
“I don’t really know if that works since everyone’s seen us … you know,” Storrie quipped. Williams then asked if he thought everyone in the Hilton Ballroom had seen their show.
Storrie replied, “That’s a maybe, but their trainers have and their moms have and their daughters have!”
“Rivalry” is based on the gay romance book series by Rachel Reid called “Game Changers.” Earlier in the week, the Washington Blade caught up with Williams, who said it was “truly a dream come true” to be at the Globes. “I had no idea the show would be received so warmly, it has made my heart happy.”
Another phenomenon that won at the Globes was Netflix’s hit animated film, “KPop Demon Hunters,” which received three Golden Globe nominations, including best animated film, cinematic and box office achievement and best original song for “Golden,” with gay co-songwriter Mark Sonnenblick.
A controversial moment in the show was when presenter/comedian/LGBTQ activist Wanda Sykes presented the award for best stand-up comedy performance on TV. “Shoutout to the Golden Globes for having me. You know there’s some people pissed off that a queer Black woman is up here doing the job of two mediocre white guys.”
As she made jokes about each of the nominees, Sykes had a few terse words to say to Ricky Gervais, who was not present. The British comedian got in trouble for his jokes about the transgender community in his 2022 Netflix special.
“I love you for not being here. If you win, I get to accept the award on your behalf, and you’re going to thank God and the trans community.”
While Gervais did win for his stand-up comedy special, “Mortality.” Sykes had a swift reply, asking Taylor if she could borrow her (acceptance) speech.
“Because [Ricky] would like to thank God and the trans community.”
Photos
PHOTOS: ‘ICE Out For Good’ Sunday protests
Northern Virginia demonstrations among nationwide protest
“ICE Out For Good” demonstrations were held in the Northern Virginia municipalities of Haymarket, Annandale and Arlington, among others, on Sunday, Jan. 12.
Nearly 1,200 similar actions were scheduled nationwide over the weekend, according to a statement from organizers.
Demonstrations in D.C. against ICE included a protest march on Friday and a march around the White House on Saturday.
(Washington Blade photos by Michael Key)
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Theater
Ford’s ‘First Look’ festival showcases three new productions
A chance to enjoy historical dramas for free before they’re completed
The Ford’s Theatre Legacy Commissions: A First Look – 2026
Jan. 16 & 17
Ford’s Theatre
511 Tenth St., N.W.
FREE
Fords.org
When Ford’s Theatre debuted its new plays festival, “A First Look,” in 2023, it was unclear whether people would come for the staged readings.
“Before the pandemic if you announced the reading of a play, 12 people might show up,” says José Carrasquillo, director of artistic programming at Ford’s Theatre. “Since then, we’ve experienced comparatively massive turnout. Maybe because it’s cheap, or because of the very newness of the works.”
This year’s fourth edition showcases readings of three pieces currently in varied stages of development. The free, two-day festival offers audiences a chance to encounter historical dramas long before they’re completed and fully produced. None are finished, nor have they been read publicly. And befitting the venue’s provenance, the works are steeped in history.
The festival kicks off with “Springs” by playwright Jeanne Sakata and directed by Jessica Kubzansky. Commissioned by The Ford’s Theatre Legacy Commissions, it’s the both epic and personal story of Sakata’s Japanese American family including her grandfather’s experience in an internment camp.
“Sakata’s immigrant grandfather was an exceptionally skilled farmer who helped to stave off starvation in the camp. Still, he never gave up on the idea that he belonged in America. It’s very much a story of today,” says Carrasquillo.
Unlike “Springs,” the festival’s two other works weren’t commissioned by Ford’s. But they both fit the history brief and likely will benefit from the exposure and workshopping.
“Providence Spring,” by California based playwright Richard Helesen and directed by Holly Twyford, portrays Clara Barton (played by local favorite Erin Weaver) as a hero beyond the Red Cross whose then-radical initiatives included cataloguing the Civil War dead, many pulled from mass graves.
Directed by Reginald L. Douglas, “Young John Lewis: Prodigy of Protest” explores a slice from the life of the legendary civil rights activist and longtime congressman. With book and lyrics by Psalmayene 24 and music by Kokayi this collaboratively staged reading between Ford’s and Mosaic Theater is slated to premiere fully produced at Mosaic as a 90-minute musical in the spring of 2026.
“When I was hired at Ford’s in 2018, we began discussing hiring writers who do historical drama,” says Carrasquillo. “Our intention was resolute, but we didn’t do it right away. It took getting through the pandemic to revisit the idea.”
At the same time, the racial reckoning spurred Ford’s to hire playwrights of color to tell stories that had previously been forgotten or ignored.
For Carrasquillo, who is gay, the impulse to commission was crystalized when he saw the film “Hidden Figures,” a true story about “three brilliant African-American women — at NASA during the Space Race, overcoming racial and gender discrimination to make crucial contributions to America’s spaceflight success.” He says, “the film floored me. How many stories like this are there that we don’t know about?”
One of the festival’s happiest experiences, he adds, was the commission of playwright Chess Jakobs’s “The American Five” and its subsequent success. It’s the story of Martin Luther King Jr. and his inner circle, including Bayard Rustin (MLK’s brilliant, unsung gay adviser) leading up to the 1963 March on Washington. The play later premiered fully produced in Ford’s 2025 season.
Increasingly, the readings at Ford’s have become popular with both artists and audiences.
At Ford’s, Carrasquillo wears many hats. In addition to selecting plays and organizing workshops, he serves as an in-house dramaturg for some of the nascent works. But he’s not alone. Also helming the festival are senior artistic advisor Sheldon Epps, and The Ford’s Theatre Legacy Commissions advisor Sydné Mahone.
Because the plays are in development, comments from directors, dramaturgs, and the audience are considered and may become part of the playwrights’ rewrites and changes. If and when the play resurfaces fully produced, audience members might find their suggestion in the completed work.
Is this year’s festival queer influenced? Yes, both by those involved and the topics explored.
Carrasquillo explains, “While Sakata’s “Springs” is primarily about immigration, its message is relevant to the queer community. Civil rights are being taken away from us. We need this playwright’s story to know what has happened and what can happen to any of us.
“Many of Ford’s legacy commissions underscore the importance of civil rights in our country and that’s important to all of us. Queer and not queer.”
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