Celebrity News
John Waters gets Hollywood Walk of Fame star
Baltimore native proclaimed ‘here I am … closer to the gutter than ever’
Today, the famed Hollywood Walk of Fame became a little more rainbow than it had been before. With gilded star etchings depicting icons on every corner, the powers that be dedicated September 18 to a man who arguably helped thrust LGBTQ visibility into a culture that was probably not ready at the time to receive it. The modern-day fascists amongst us might even call him a “groomer.”
We call him John Waters.
Waters first arrived in Hollywood in 1970. He parked at Hollywood and Vine and received his first bit of Los Angeles recognition.
He got a jaywalking ticket.
Outspoken and brash, Waters introduced outsider culture and heralded gay and transgender visibility into American cinema when the Stonewall uprising was still a very recent memory. His 1972 film “Pink Flamingos” was brazenly trans affirming. It powerfully and glamorously flew in the faces of audiences while trans people only faced marginalization and were stigmatized in the Nixon Vietnam and Watergate era.
His film Hairspray was first a cult favorite and in later iterations, a hit Broadway musical, and a second mainstream hit movie. It featured LGBTQ characters and a leading character in drag. Waters has also written several LGBTQ themed books including “Shock Value” and “Role Models.”
Part of the charm of John Waters is his knack for not taking himself, or any of us, too seriously. His first words as he ascended the podium for the Walk of Fame honor: “Here I am…closer to the gutter than ever!”
“I hope the most desperate showbiz rejects walk over me here and feel some sort of respect and strength,” he said later paying tribute to his greatest inspirations: The underdogs.
Waters dedicated his star to his parents. Pat and John Waters, who had been horrified by his earliest films, but encouraged him to pursue Hollywood nonetheless. “What else could I do?” he mused.
All in all, Waters was “astonished” over the tribute. He thanked Outfest for sponsoring the event and for thinking he was “gay enough to receive it.”
Ever the director, and thinking ahead, he took a moment to make a recommendation for whom he thinks should be Hollywood Boulevard’s next star recipient:
Divine.
Film critic and historian Leonard Maltin summed up John Waters this way: “John Waters is a national treasure, a unique and original voice in American cinema. His films are subversive, hilarious, and thought-provoking, and they have helped to change the way we think about outsider culture and LGBTQ+ representation.”
Now Waters has his day, and his star, immortalized forever on the famous Hollywood path. We can only hope his effect on American culture, where the “outsider” can stand tall, proves to be as solid.
Celebrity News
John Waters released from hospital after car accident
Crash took place in Baltimore County
BY TAJI BURRIS | Baltimore filmmaker John Waters was released from the hospital Tuesday morning following a car accident.
The 78-year-old released a statement saying that although he was hurt in the Baltimore County crash, he did not sustain major injuries.
The rest of this article can be found on the Baltimore Banner’s website.
Celebrity News
More than 1 million people attend Madonna concert in Rio
Free event took place on Copacabana Beach on Saturday
An estimated 1.6 million people on Saturday attended Madonna’s free concert on Rio de Janeiro’s Copacabana Beach.
The concert, which was the last one as part of Madonna’s Celebration Tour, included a tribute to people lost to AIDS.
Bob the Drag Queen introduced Madonna before the concert began. Pabllo Vittar, a Brazilian drag queen and singer, and Anitta, a bisexual pop star who was born in Rio’s Honório Gurgel neighborhood, also joined Madonna on stage.
Congresswoman Erika Hilton, a Black travesti and former sex worker, and Rio Municipal Councilwoman Mônica Benício, the widow of Marielle Franco, a bisexual Rio Municipal Councilwoman who was assassinated in 2018, are among those who attended the concert.
“Madonna showed that we fight important fights for the human rights of Black (people), young (people), women and LGBTQIA+ people, and against all injustice, discrimination, and violence,” said Associaçao Nacional de Travestis e Transexuais (National Association of Travestis and Transsexuals), a Brazilian trans rights group known by the acronym ANTRA, on its X account. “What they call identitarianism’ is our subversion to the retrograde and conservative tackiness that plagues the country.”
The Associated Press reported the concert was Madonna’s biggest ever.
In a move aimed at celebrating the beauty, brilliance and resilience of the LGBTQ community, the Human Rights Campaign unveiled the “Queer Renaissance Syllabus” that Beyoncé’s “Renaissance” album inspired.
Curated by Justin Calhoun, Leslie Hall and Chauna Lawson of the HRC’s Historically Black Colleges and Universities Program, the syllabus includes a variety of academic articles, essays, films and other media rooted in Black queer and feminist studies. Each piece is directly inspired by the tracks on Beyoncé’s Billboard 200-topping dance album, “Renaissance.”
Beyoncé’s album “Renaissance” stands as a cultural milestone, celebrating the Black queer roots of dance music while shedding light on overlooked Black queer artists. Inspired by her late-Uncle Johnny, the album not only garnered critical acclaim but also shed light on the often marginalized contributions of Black queer artists. Winning four Grammys and yielding chart-topping hits like “Break My Soul” and “Cuff It,” the album sparked discussions about economic impact and cultural representation.
Amid its success, legislative challenges arose, with Florida and Texas enacting bans on DEI initiatives in public colleges. Recognizing the album’s transformative potential, HRC developed the “Queer Renaissance Syllabus” to leverage its impact for education and activism.
Tailored for educators, youth-serving professionals, DEI practitioners, higher education leaders and admirers of Beyoncé’s artistry, the syllabus aims to encourage meaningful discussions, enrich lesson plans, and explore innovative ways to honor the vibrancy and significance of LGBTQ individuals and their culture.
With six themes anchoring the syllabus, ranging from “intersectionality and inclusivity” to “social justice and activism,” it provides a comprehensive exploration of various facets of LGBTQ experiences and expressions. Fan-favorite tracks from the album are paired with scholarly readings, offering insights into empowerment, self-acceptance and the transformative power of artistic expression. The syllabus also reinforces HRC’s efforts to highlight, amplify and re-center Black and queer voices.
By providing links to articles, books, podcasts and interviews, each associated with a song from the album, it celebrates the rich cultural heritage and contributions of the Black queer community.
The concluding section of the syllabus includes Beyoncé’s tribute to O’Shea Sibley, a young Black queer person who was murdered in Brooklyn, N.Y., last July while voguing to “Renaissance” songs at a gas station. HRC also includes a statement that condemns hate crimes.
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