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Film fans will love ‘Hollywood Pride’

A celebration of queer representation in Hollywood

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(Book cover image courtesy of Running Press)

‘Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film
By Alonso Duralde
c.2024, Running Press
$40/322 pages

You plan to buy lots of Jujubes.

They’ll stick to your teeth, but whatever, you’ll be too busy watching to care. You like the director, you know most of the actors as first-rate, and word is that the newcomer couldn’t be more right for the role. Yep, you’ve done your homework. You read Rotten Tomatoes, you’ve looked up IMDB, and you bought your ticket online. Now all you need is “Hollywood Pride” by Alonso Duralde, and your movie night is complete.

William Kennedy Laurie Dickson likely had no idea that what he’d done was monumental.

Sometime in the very late 1800s, he set up a film camera and a wax cylinder to record a short dance between two men, hands around one another’s waists, as Dickson played the violin. It “was one of the very first movies ever shot,” and probably the first film to record men dancing rather intimately alone together.

Back then, and until well into the 20th century, there were laws against most homosexual behavior and cross-dressing, and very rigid standards of activity between men and women. This led to many “intense relationships between people of the same gender.” Still, in World War I-era theaters and though LGBTQ representation “was somewhat slower to get rolling” then, audiences saw films that might include drag (often for comedy’s sake), camp, covert affection, and “bad girls of the era.”

Thankfully, things changed because of people like Marlene Dietrich, Ramon Novarro, Claudette Colbert, George Cukor, Alfred Hitchcock, and others through the years, people who ignored social mores and the Hays Code to give audiences what they wanted. Moviegoers could find LGBTQ actors and themes in most genres by the 1940s; despite politics and a “pink scare” in the 1950s, gay actors and drag (still for comedy’s sake) still appeared on-screen; and by the 1960s, the Hays Code had been dismantled. And the Me Decade of the 1970s, says Duralde, “ended with the promise that something new and exciting was about to happen.”

So have you run out of movies on your TBW list? If so, get ready.

You never want to start a movie at the end, but it’s OK if you do that with “Hollywood Pride.” Flip to the end of the book, and look up your favorite stars or directors. Page to the end of each chapter, and you’ll find “artists of note.” Just before that: “films of note.” Page anywhere, in fact, and you’ll like what you see.

In his introduction, author Alonso Duralde apologizes if he didn’t include your favorites but “Hollywood has been a magnet for LGBTQ+ people” for more than a century, making it hard to capture it completely. That said, movie-loving readers will still be content with what’s inside this well-illustrated, well-curated, highly readable historical overview of LGBTQ films and of the people who made them.

Come to this book with a movie-lover’s sensibility and stay for the wealth of photos and side-bars. If you’re up for binge-reading, binge-watching, or Date Night, dig into “Hollywood Pride.” Popcorn not necessary, but welcome.

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Books

New book highlights long history of LGBTQ oppression

‘Queer Enlightenments’ a reminder that inequality is nothing new

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(Book cover image courtesy of Atlantic Monthly Press)

‘Queer Enlightenments: A Hidden History of Lovers, Lawbreakers, and Homemakers’
By Anthony Delaney
c.2025, Atlantic Monthly Press
$30/352 pages

It had to start somewhere.

The discrimination, the persecution, the inequality, it had a launching point. Can you put your finger on that date? Was it DADT, the 1950s scare, the Kinsey report? Certainly not Stonewall, or the Marriage Act, so where did it come from? In “Queer Enlightenments: A Hidden History of Lovers, Lawbreakers, and Homemakers” by Anthony Delaney, the story of queer oppression goes back so much farther.

The first recorded instance of the word “homosexual” arrived loudly in the spring of 1868: Hungarian journalist Károly Mária Kerthbeny wrote a letter to German activist Karl Heinrich Ulrichs referring to “same-sex-attracted men” with that new term. Many people believe that this was the “invention” of homosexuality, but Delaney begs to differ.

“Queer histories run much deeper than this…” he says.

Take, for instance, the delightfully named Mrs. Clap, who ran a “House” in London in which men often met other men for “marriage.” On a February night in 1726, Mrs. Clap’s House was raided and 40 men were taken to jail, where they were put in filthy, dank confines until the courts could get to them. One of the men was ultimately hanged for the crime of sodomy. Mrs. Clap was pilloried, and then disappeared from history.

William Pulteney had a duel with John, Lord Hervey, over insults flung at the latter man. The truth: Hervey was, in fact, openly a “sodomite.” He and his companion, Ste Fox had even set up a home together.

Adopting your lover was common in 18th century London, in order to make him a legal heir. In about 1769, rumors spread that the lovely female spy, the Chevalier d’Éon, was actually Charles d’Éon de Beaumont, a man who had been dressing in feminine attire for much longer than his espionage career. Anne Lister’s masculine demeanor often left her an “outcast.” And as George Wilson brought his bride to North American in 1821, he confessed to loving men, thus becoming North America’s first official “female husband.”

Sometimes, history can be quite dry. So can author Anthony Delaney’s wit. Together, though, they work well inside “Queer Enlightenments.”

Undoubtedly, you well know that inequality and persecution aren’t new things – which Delaney underscores here – and queer ancestors faced them head-on, just as people do today. The twist, in this often-chilling narrative, is that punishments levied on 18th- and 19th-century queer folk was harsher and Delaney doesn’t soften those accounts for readers. Read this book, and you’re platform-side at a hanging, in jail with an ally, at a duel with a complicated basis, embedded in a King’s court, and on a ship with a man whose new wife generously ignored his secret. Most of these tales are set in Great Britain and Europe, but North America features some, and Delaney wraps up thing nicely for today’s relevance.

While there’s some amusing side-eyeing in this book, “Queer Enlightenments” is a bit on the heavy side, so give yourself time with it. Pick it up, though, and you’ll love it til the end.

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A history of lesbian workarounds to build family

Fighting for the right to have and raise kids

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‘Radical Family: Trailblazing Lesbian Moms Tell Their Stories’
Edited by Margaret Mooney
c.2025, Wisconsin Historical Society Press
$20/150 pages

You don’t have a white picket fence with an adorable gate.

The other parts of the American Dream – the house in the suburbs, a minivan, and a big backyard – may also be beyond your reach. You’ve never wanted the joyous husband-wife union, but the two-point-five kids? Yeah, maybe that’s possible. As in the new book “Radical Family,” edited by Margaret Mooney, it’s surely more so than it was in the past.

Once upon a time, if a lesbian wanted to raise a family, she had two basic options: pregnancy or adoption. That is, says Mooney, if she was willing to buck a hetero-centric society that said the former was “selfish, unnatural and radical” and the latter was often just simply not possible or even legal.

Undaunted, and very much wanting kids, many lesbians ignored the rules. They built “chains” of women who handed off sperm from donor to doctor to potential mother. They demanded that fertility clinics allow single women as customers. They wrote pamphlets and publications aimed to help others become pregnant by themselves or with partners. They carefully sought lesbian-friendly obstetricians and nurses.

Over time, lesbians who wanted kids were “emboldened by the feminist movement and the gay and lesbian rights movement” and did what they had to do, omitted facts when needed, traveled abroad when they could, and found workarounds to build a family.

This book tells nine stories of everyday lesbians who succeeded.

Denise Matyka and Margaret McMurray went to Russia to adopt. Martha Dixon Popp and Alix Olson raised their family, in part and for awhile in conjunction with Popp’s husband. Gail Hirn learned from an agriculture publication how to inseminate herself. MC Reisdorf literally stood on her head to get pregnant. Mooney says that, like most lesbian parents then, she became a mother “without any safety nets…”

Such “struggles likely will feel familiar as you read about [the] desire to become parents…” says Mooney. “In short, these families are ordinary and extraordinary all at once.”

In her introduction, editor Margaret Mooney points out that the stories in this book generally take place in the latter part of the last century, but that their relevance is in the struggles that could happen tomorrow. There’s urgency in those words, absolutely, and they’re tinged with fear, but don’t let them keep you from “Radical Family.”

What you’ll see inside these nine tales is mostly happy, mostly triumphant – and mostly Wisconsin-centric, though the variety in dream-fulfillment is wide enough that the book is appropriate anywhere. The determination leaps out of the pages here, and the storytellers don’t hide their struggles, not with former partners, bureaucracy, or with roadblocks. Reading this book is like attending a conference and hearing attendees tell their tales. Bonus: photos and advice for any lesbian thinking of parenthood, single or partnered.

If you’re in search of positive stories from lesbian mothers and the wall-busting they did, or if you’ve lived the same tales, this slim book is a joy to read. For you, “Radical Family” may open some gates.

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Books

Florida’s war on Black, queer lives hidden no more

New book ‘American Scare’ exposes truth of decades of erasure, attacks

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‘American Scare: Florida’s Hidden Cold War on Black and Queer Lives’
By Robert W. Fieseler

“What’s with Florida?,” Bobby Fieseler, disgusted, asked after completing his initial research into the vicious investigation of suspected homosexual teachers by the Florida Legislative Investigation Committee (FLIC) in the 1950s. How did the official animus toward all things queer happen in Florida, Fieseler pitched his publisher. We can be grateful Dutton gave him the green light for “American Scare, Florida’s Hidden Cold War on Black and Queer Lives.” 

Fieseler’s book is a masterpiece of archive activism that begins in a rental van escaping Florida with some 20 boxes of historical documents meant to be seen by no one. The cartons contained a secret second copy of materials that had been held back from the jaws of the Florida State Archives in Tallahassee. Soon, more folders would surface with unredacted materials. “There are friends of Dorothy in any system,” he explains his archival detective work with a wink.

What’s with Florida? In the 1950s, it was all about legislators exposing politically helpless homosexuals to justify the committee’s investigations and budgets. The FLIC documents reveal the names of the accused “perverts,” the cops who raided the restrooms, the terrified queer informants and the professional interview techniques that would extract confessions from the victims. On another level, this was about old-school Southern racists determined to stop integration at all costs with intention to weave lies about Communist infiltration of the NAACP. Finally, Fieseler encountered first-hand an official determination to erase and lock-up this history.  The statewide obsession with erasing history continues to this day. The Florida Department of Transportation this year painted over the community rainbow crosswalk memorial to the Pulse nightclub massacre victims in Orlando.  

 “American Scare” is such a fully documented investigation of what unfolded, it will be impossible to paint over the magnitude of this assault. The book bears witness in gory detail to the ruination of private people that exceeds in pure perniciousness the more famous “Lavender Scare.” Although the “Lavender Scare” purged many more individuals, it was about the U.S. Department of State firing public officials slimed as “pinstripe twerps.” The Florida investigations were a statewide purge using a dark politics of exposure of schoolteachers leading private lives. Fieseler quotes Remus Strickland, the head homo-hunter and executive director of the Southern Association of Intelligence Agents formed in response to the Supreme Court’s Brown v. Board of Education desegregation decision (1954), “If the Committee’s first pursuit (race and Communism) was a mandate, its second pursuit (homosexuals) was an opportunity.”  Remus (that’s really this Southerner’s name) explained years later without remorse, “We first looked at the University of Florida for Communists….then we came back and did the homosexual purge.” Fieseler’s archival research reveals how far-right politicians and investigators like Strickland characterized Communists, African Americans (through the NAACP) and homosexuals as aligned “treasonously in a subversive societal infestation.”  

The whole show was the creation of a wily, populist politician — a Florida “Pork Chopper” — Charley Johns, president of the Florida Senate. “Pork Choppers,” the rural, white Northern Florida wing of the old Democratic Party, controlled the state legislature from the 1930s to the 1960s. They were strongly opposed to integration, Communists, homosexuals, reapportionment and government reform. Johns owned the Charley E. Johns Insurance Agency, which insured state agencies. Fieseler’s history brings these North Florida politicians into grotesque focus. Their “power had lynched history,” he writes about his passion to excavate how they sealed and redacted the records so they would never face responsibility for their actions. 

 “American Scare” reveals how these Pork Choppers were willing to crush homosexuals as an instrument to maintain power. Their victims were isolated gay and lesbian teachers who could only plead for mercy, vanish or inform on one another. They were entrapped by the system itself. Fieseler tells the story of how Remus Strickland pulled Miss Poston, a physical education teacher out of her classroom surprising her with a tape recorder and a request to give a misdirecting statement about the prevention of child molestation. Suddenly Remus changed the subject: “Miss Poston, in your acts with Miss Bradshaw whom you referred to on this record, would she play the part of the aggressor…..She was known as the butch is that true?….Was there any occasion of any oral copulation?” He closed in for the kill, “Could there have been more than one time”?  Miss Poston caved, “Possibly but if so only one more time.” The reel-to-reel tape is turning.

Concert pianist and music teacher William James Neal received the same taped grilling.  Remus begins the interview, “You’re an educated Nigra,” confronting Neal with testimony he was a homosexual “nigra.” Years later, Neal remembered, “He told me I would never teach within the continental limits of the United States. He said he had proof I was a homosexual.” An African-American concert pianist, Neal had extensively toured the U.S. playing with major orchestras and hosting his own radio program in Florida. Neal had the self-respect and courage to take his illegal termination to the Florida Supreme Court. In 1962, the court ruled in his favor (Neal v. Bryant) handing Remus Strickland a devastating defeat, writing “The statements accused teachers allegedly made were obviously extracted under a threat of publicity.”  Vindicated, William Neal nonetheless left Florida never to return.

There have been resolutions for an acknowledgment and apology. None have advanced through the Republican-controlled legislature occupied with a slew of “Don’t Say Gay” bills.  “American Scare’ is larger than a small-bore history of investigations. It is the story of a Great Florida Teacher’s Purge launched to stop integration. Fieseler is done with redactions. He names names. If there is anything redemptive in this Southern hot mess, it is this: Bobby Fieseler, a queer historian, rescued the boxes and delivers readers their contents with history’s gale force.

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