For someone who’s been dead for 160 years, Abraham Lincoln is still hot.

No, we don’t mean it that way, though if we were talking about the Lincoln of “Lavender Men” – a new movie starring and co-written by queer playwright Roger Q. Mason, who also wrote the acclaimed play from which it is adapted – we certainly could be. We’re really just making the observation that the 16th POTUS continues to occupy a central place in America’s national imagination. And in an age when our America is torn by nearly as much division (over many of the same core values) as the one he presided over, it’s impossible not to compare the ideals he has come to stand for with the ones currently holding sway over the country’s political identity, and wonder at how short we have fallen from the mark.

Yet there has always been a gap between the historical reality of Lincoln’s “Great Emancipator” reputation and the romanticized pedestal upon which he has been placed; and if he looms large as an influence over American identity, it’s as much for his enigmatic nature as for the values he represents. Was he a true believer in the principals of “liberty and justice for all” or a political pragmatist who recognized that preserving the nation – and its growing power in the larger arena of world affairs – required the abolition of an increasingly unsustainable system that had divided it? Your answer to that rhetorical question will likely depend on which version of “American Identity” aligns most closely with your own.

It’s also a question that’s further complicated in the context of Lincoln’s private life, something that has itself been the subject of debate as modern historians and scholars consider the questions about his sexuality unavoidably implied in his well-documented biographical record, which reveals not only a pattern of closely bonded male “friendship” with various companions throughout his life but plentiful evidence that the romantic nature of these relationships was something of an “open secret” in his lifetime, as explored in last year’s brash but scrupulously documented “Lover of Men.” If Lincoln was himself an “other,” a queer man who had risen to position and power in a world that despised and shunned people like him, what new light would that cast on his legacy?

That’s the crux of the premise behind “Lavender Men,” which builds a “fantasia” around one of Lincoln’s most intense male relationships – with Colonel Elmer Ellsworth, a young family friend who helped him carry out his 1860 campaign for president and would later become the first “notable” casualty of the Civil War when he was shot while removing a Confederate flag from the window of an inn facing the White House. The film, however, doesn’t take place in a period setting; instead, it happens in an empty modern-day theater – an apropos allusion to the location of Lincoln’s ultimate fate – where the overworked and underappreciated Taffeta (Mason) oversees the production of a play about the romance between Lincoln and Ellsworth (Pete Ploszek and Alex Esola). After a particularly demoralizing performance, the put-upon stage manager ponders alone about their own life – as a queer, plus-sized, Black Filipinx TGNC person trying to find connection and community in a world where they feel invisible – through an imagined retelling of Lincoln’s doomed love story in which the narrative is projected through the lens of their own struggle to be seen, loved, and accepted,

Expanded from the play and directed by co-screenwriter Lovell Holder, a lifelong friend of Mason who helped develop the project and oversaw the original 2022 stage production at Los Angeles’s Skylight Theater Company, the film was in his own words “shot over 10 days on a shoestring budget” – and it admittedly shows. However, it leans into its limitations, letting the spare, isolated atmosphere of the empty theater exert its own influence over the material. In this framing, Taffeta becomes something like a reverse ghost, a spirit from the present haunting a past in which their own unfulfilled longings – and resentments – are reflected through the rumored romance of a president and his “little” man, and their exploration of the narrative, with all its inherent observations about the dynamics of power, gender, status, and physical attraction, ultimately becomes a meditation on the importance of redefining personal identity free from the shaping influence of other people’s experience or expectations.

Needless to say, it’s not the kind of movie that will appeal to every taste; highly conceptual in nature, with a nonlinear storytelling pattern that frequently calls attention to its own artificiality, it might prove perplexing to audiences used to a more traditional approach. Even so, it’s refreshingly unpretentious, acknowledging its own campiness without undercutting the authenticity of the voice which drives it – which is, of course, Mason’s.

Delivering an entirely charismatic, commandingly fabulous, and palpably honest tour de force, the playwright/actor is at the center of “Lavender Men” at every level, evoking our delight, laughter, tears, discomfort, and myriad other shades of response as they take us on their historically themed tour of queer identity, which involves its own collection of repressive and/or demeaning social expectations about “fitting in” – and illuminate this hidden chapter of queer history along the way. Indeed, capturing their performance – which Mason reprises, along with fellow original co-stars Ploszek and Esola, from the stage production – is arguably the film’s most significant accomplishment. It’s a powerful example of the kind of fierce, spirited expression that is rarely seen outside the half-empty houses of underground theaters, well worthy of several repeated viewings.

For Mason, however, the thing that matters most is not their performance, nor even their brilliantly conceived script. Discussing the movie, he describes it as something much bigger than that: “I hope this film serves as a rally cry, a fountain of joy and a grounding of purpose for the LGBTQIA+ movement in the U.S. and abroad at a time when we need stories which affirm, empower and embolden us more than ever.”

“Lavender Men” is showing in limited theaters now. Watch for information on streaming/VOD availability.

The College of Cardinals on Thursday elected Cardinal Robert Prevost from Chicago as the Catholic Church’s next pope.

Leo XIV’s election took place less than three weeks after Pope Francis died at Casa Santa Marta, his official residence at the Vatican. The conclave to choose his successor began on Wednesday.

Leo XIV, who was born in Chicago in 1955, is the first American pope.

Leo XIV was bishop of the Diocese of Chiclayo in Peru from 2015-2023. Francis made him a cardinal in 2023

“We salute the appointment of the new Pope Leo XVI,” said the U.S. Embassy in Peru on X.
“A celebration for the world’s Catholics, and a joy especially shared between the American people and the Peruvian people. From Chicago to Chiclayo.”

U.S. Rep. Robert Garcia (D-Calif.), a gay man of Peruvian descent, also congratulated Leo XIV.

“As a Catholic and Peruvian American, I wish Pope Leo XIV strength as he steps into his role as a global and spiritual leader,” said the California Democrat on X. “He has demonstrated that he believes in justice for the poor and immigrants. May his leadership reflect these ideals as he spreads peace across the world.”

As a Catholic and Peruvian American, I wish Pope Leo XIV strength as he steps into his role as a global and spiritual leader. He has demonstrated that he believes in justice for the poor and immigrants. May his leadership reflect these ideals as he spreads peace across the world.

— Congressman Robert Garcia (@RepRobertGarcia) May 8, 2025

Francis died on April 21 at Casa Santa Marta, his official residence at the Vatican. The conclave to choose the Argentine pontiff’s successor began on Wednesday.

The Vatican’s tone on LGBTQ and intersex issues softened under Francis’s papacy, even though church teachings on homosexuality did not change.

Francis, among other things, described laws that criminalize consensual same-sex sexual relations as “unjust” and supported civil unions for gays and lesbians. Transgender people were among those who greeted Francis’s coffin at Rome’s St. Mary Major Basilica before his burial on April 26.

The New York Times reported Leo XIV in a 2012 speech to bishops specifically cited “homosexual lifestyle” and “alternative families comprised of same-sex partners and their adopted children” when he said Western media and popular culture has promoted “sympathy for beliefs and practices that are at odds with the gospel”

Marianne Duddy-Burke, executive director of DignityUSA, a group that represents LGBTQ Catholics, traveled to Rome for the conclave.

She told the Washington Blade in a text message from St. Peter’s Square shortly after Leo XIV’s election that she “heard him speak” last October and “found him thoughtful and gently challenging.”

“[He] hasn’t said a lot since early 2010s. [I] hope he has evolved,” said Duddy-Burke. “His commitment to synodality is a hopeful sign.”

Her group later issued a statement.

“This election appears to signal a willingness to continue building on Pope Francis’s commitment to synodality and social justice,” said DignityUSA. “We pray that the needs of those whom our church has historically marginalized, including LGBTQ+ people and their families, will continue to be heard and addressed by the Vatican and other church leaders.”

Francis DeBernardo, executive director of New Ways Ministry, a Maryland-based LGBTQ Catholic organization, in a statement said there is “a special pride in having the first pope from the United States, his longtime ministry in Latin America most likely had an equally formative influence on his spirituality and approach to church issues.” DeBernardo, however, criticized Leo XIV’s 2012 comments.

“We pray that in the 13 years that have passed, 12 of which were under the papacy of Pope Francis, that his heart and mind have developed more progressively on LGBTQ+ issues, and we will take a wait-and-see attitude to see if that has happened,” he said.

“We pray that as our church transitions from 12 years of an historic papacy, Pope Leo XIV will continue the welcome and outreach to LGBTQ+ people which Pope Francis inaugurated,” added DeBernardo. “The healing that began with ‘Who am I to judge?’ needs to continue and grow to ‘Who am I, if not a friend to LGBTQ+ people?'” 

DignityUSA agreed.

“We express concern with the former Cardinal’s statements — as reported in the New York Times — in a 2012 address to bishops, where he stated that Western news media and popular culture fostered ‘sympathy for beliefs and practices that are at odds with the gospel’ including the ‘homosexual lifestyle’ and ‘alternative families comprised of same-sex partners and their adopted children.'” We note that this statement was made during the papacy of Benedict XVI, when doctrinal adherence appeared to be expected,” said the organization in its statement. “In addition, the voices of LGBTQ people were rarely heard at that level of church leadership. We pray that Pope Leo XIV will demonstrate a willingness to listen and grow as he begins his new role as the leader of the global church.”

The Washington Blade’s 18th annual Summer Kickoff Party is scheduled for Friday, May 16 in Rehoboth Beach, Del.

The event, held at the Blue Moon (35 Rehoboth Ave.) from 5-7 p.m., is a fundraiser for the Blade Foundation’s Steve Elkins Memorial Fellowship in Journalism, which funds a summer position reporting on LGBTQ news in Delaware. This year’s recipient is Abigail Hatting, a rising senior at American University.

This year’s event will feature remarks from state Sen. Russ Huxtable, who recently introduced a state constitutional amendment to codify the right of same-sex couples to marry. CAMP Rehoboth Executive Director Kim Leisey and Blade editor Kevin Naff will also speak, in addition to surprise guests. The event is generously sponsored by Realtor Justin Noble, The Avenue Inn & Spa, and Blue Moon.

A suggested donation of $20 is partially tax deductible and includes drink tickets and light appetizers. Tickets are available in advance at bladefoundation.org/rehoboth or at the door.