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Going ‘Greene’

Broadway star joins Gay Men’s Chorus for annual holiday extravaganza

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Red and Greene GMCW

Gay Men's Chorus of Washington presents "Red & Greene" (Washington Blade photo by Michael Key)

It’s that time of the year again and the Gay Men’s Chorus is ringing in the holidays and the opening of its 2011-2012 season with its annual holiday concert. This year’s version is being dubbed “Red & Greene” and features special guest Ellen Greene, Broadway’s original Audrey from “Little Shop of Horrors.”

“There’s nothing like a Jew who loves Christmas, by the way,” Greene says. “I’ve been known to have three Christmas trees … one for children in the front, one for the middle room where the piano was and then one in the back.”

Greene will be joined by pianist Christian Klikovits and Grammy Award-winning cellist Stephen Erdody. The three were in town last weekend for a dinner with the Chorus’s board, managing director David Jobin and a couple rehearsals with artistic director Jeff Buhrman and the whole chorus.

“David Jobin is such a spectacular producer,” Greene says. “We’ve been treated so well, everybody’s been lovely to us … this is my Christmas present.”

The show will include the full chorus singing holiday standards, including “Angels We Have Heard on High” and smaller ensembles having fun dancing and singing in full costumes.

“Christmas represents to me, theater, people, artists, and I mean artists acrossthe board … if you think, if you dream, if you create, you’re an artist … so Christmas represented … coming together as a family,” Greene says. “Anything that involves music and coming together feels holy and special and magical.”

Greene plans two dedications during the engagement — “Winter Song” for those who’ve died, and “Universal Child” for same-sex marriage rights and anti-bullying.

“My show is so depressing, that the reason I have to talk in between is I can make everyone laugh so I can sing another song,” she says.

This isn’t Greene’s first time singing with a chorus. Growing up, her whole family sang, earning them the nickname, “the singing Greenes” and she always had a big solo on holidays.

“I was singing with the cantor … and I got a 104 fever because I had tremendous stage fright … I don’t know why I picked this career,” Greene says. “My father … he says, ‘Let her sing.’ As soon as I sang, my temperature went down.”

Greene started her career as a nightclub singer in New York at Reno Sweeney, which is where she got all her shows. Her first starring role was in the Broadway bomb, “Rachael Lily Rosenbloom (And Don’t You Ever Forget It)” in 1973.

“Dead? Hollywood? Dead? My whole life I’ve dreamed I’d finally get there. You mean I finally get there, it’s dead? Take away my dreams, you take away my mind,” she recited from the play that closed before it even opened.

Buhrman says the Chorus members are thrilled to have Greene join them.“We had the opportunity to rehearse with her last weekend and she’s just a wonderfully talented performer,” he says.

Greene and the Chorus will each perform their own selections but will also collaborate on three songs Klikovits arranged specifically for the occasion. About 225 men will be in the Chorus, a record for the group. There will be no second-half skit as in previous years, but there will be several theatrical elements including a pageant of showboys, dancing nuns and more.

Buhrman says Greene was on the Chorus’s “wish list” of celebrity guests. “We contacted her management team and made it happen,” he says.

It’s been a big year of collaboration for the Chorus. For its 30th anniversary concert earlier this year, another Broadway vet joined them — Jennifer Holliday.

Greene was performing in Central Park during the 1977 New York City blackout.

“I was on stage, about to sing my big number … and it went absolutely dark in the park … all of a sudden, I just started to sing … and the pianist started followingme. And I said, ‘If you just do what you always do, walk straight, you will not fall off the platform,” Greene says.

They finished the show with car headlights lighting the stage.

Greene is also active politically, working with various groups including GLSEN (Gay, Lesbian & Straight Education Network) and more.

While working on the show “Pushing Daisies,” Bruce Cohen asked Greene to go to New Hampshire to campaign for Hillary Clinton with the “Lucky Charms.”

“She couldn’t be busier … she actually found my address and wrote me a letter,” Greene says. “I made [Klikovits] open the letter because I was shaking.”

Coming up, Greene is thinking of releasing a holiday album, rereleasing “In Her Eyes,” an album she made with Klikovits, and possibly a never-before-released album.

The Chorus will be giving four performances starting at 8 p.m. on Dec. 16. There will be two performances on Dec. 17 at 3 and 8 p.m. and a final performance on Dec. 18 at 3 p.m. Tickets range from $25 to $50 and can be purchased online at gmcw.org.

“I’m very excited to see all the dancing and singing and silliness … I know they’re going to take care of the fun part,” Greene says. “I’m excited to meet 225 men, I mean, it’s me and all those men, what’s bad about those odds?”

‘RED & GREENE’
Gay Men’s Chorus of Washington With special guest Ellen Greene
Lisner Auditorium 730 21st Street, NW
Dec. 16 at 8 p.m. Dec. 17 at 3 and 8 p.m. Dec. 18 at 3 p.m.
$20-$50 gmcw.org

New book shares Chorus history

The holiday concert isn’t the only news about the Gay Men’s Chorus. Paula Bresnan Gibson has written a book, “Voices from a Chorus,” all about the group and its history.

The book is told through the perspective of a woman who served on the Chorus’s board of directors. It includes many interviews, including one with the first openly gay Episcopalian bishop Gene Robinson, a longtime supporter of the Chorus and recipient of its highest award.

The interviews show how men have overcome challenges such as dealing with their sexual orientation, their families, friends, living with HIV/AIDS and more just by participating in the Chorus.

Gibson is scheduled to make appearances at American University on Feb. 10, Proud Bookstore in Rehoboth Beach on Feb. 11 and Day of the Book Festival in Kensington on April 22.

The book is available for purchase online at voicesfromachorus.com and in local bookstores, Politics & Prose, Kramerbooks, Trohv Home & Gift and Kensington Row Bookshop.

The Blade wrote an extensive story of the Chorus’s history upon its 30th anniversary in June. It’s here.

 

 

 

 

 

 

 

 

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Theater

Miss Kitty tackles classical mythology in ‘Metamorphoses’

Folger production seen through the lens of the African diaspora

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Miss Kitty (Photo by Sarah Laughland Photography)

‘Metamorphoses’
May 7-June 16
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Miss Kitty’s words are thoughtful and measured, occasionally punctuated by flamboyant flourishes and uplifting proclamations. Her tried and tested tagline is “live in fierce not fear.” 

She describes herself as “AMAB (assigned male at birth), nonbinary, genderqueer, transfemme” as well as “chanteuse, noble blacktress, and dancer.” 

Currently, Miss Kitty is testing her talents in Mary Zimmerman’s “Metamorphoses” at Folger Theatre on Capitol Hill. 

At 90 minutes, “Metamorphoses,” is made up of interwoven vignettes from classical mythology including the tales of Midas and his daughter, Alcyone and Ceyx, and Eros and Psyche. 

“It’s all stories that relate to the human condition: the follies, the happiness, the love, the loss,” Miss Kitty explains. “And a thorough knowledge of mythology isn’t a requirement for enjoyment.” 

The language is contemporary and with its 11-person ensemble cast – comprised exclusively of Black or indigenous people of color – they’re adding their own spin to its present-day feel, she adds. 

In Zimmerman’s famously staged premiere production, the actors performed in and around a pool of water. At Folger, director Psalmayene 24 has ditched actual aquatics; instead, he suggests the element by introducing Water Nymph, a new character constructed around Miss Kitty. 

Water Nymph doesn’t speak, but she’s very visible from the opening number and throughout the play on stage and popping up in unexpected places around the venue. 

“It’s a lot of dancing; I haven’t danced the way Tony Thomas is choreographing me in a very long time. At 40, can she still make theater with just my body as her instrument?

The name “Miss Kitty” was born over a decade ago. 

Miss Kitty recalls, “She was still presenting as male and going by her dead name. Someone commented that with the wig she was wearing for a part, she looked like Eartha Kitt whom she deeply admires.”

Her penchant for illeism (referring to oneself in third person) isn’t without good reason. She explains, “It’s to reiterate that however she might look, she’s always there; and if you misgender, she will let you know.”

Initially, the moniker was a drag persona at Capital Pride or the occasional fabulous cabaret performance at a nightclub.

But as time passed, she realized that Miss Kitty was something she couldn’t take off. She had always been a part of her. 

“She’s helped me to grow and flourish; she’s given me the strength that I never would have had before. I’m so proud of myself for realizing that before it was too late.” 

Bringing Miss Kitty into her theatrical career presented some concerns. Would theater folks be open to the new her, especially those she’d worked with before? 

Not always, but she’s found new companies who’ve welcomed Miss Kitty with open arms including Avant Bard, Spooky Action Theater, and now Folger. 

Last fall, Miss Kitty appeared in Spooky Action’s Agreste (Drylands), a stunning queer story penned by gay Brazilian playwright Newton Moreno. 

After being invited to audition and reading the script, Miss Kitty was determined to be a part of the production. 

A work dealing with love and being trans, and transphobia, and how people can turn on a dime once they learn the truth about someone, resonated deeply with the actor. 

“The play speaks to the idea that if people just let people be who they are and love who they want to love we’d all be a lot happier,” she says. 

For her sublime efforts, Miss Kitty nabbed a Helen Hayes Award nomination in the Outstanding Lead Performer category (winner to be determined on Monday, May 20 during a ceremony at The Anthem). 

It’s her first time nominated and first time attending. She’s thrilled. 

Miss Kitty grew up in Oxen Hill, Md., and now lives near Washington Harbor. Her entry into performance was through music followed by high school plays. She graduated from Catholic University with a degree in music/concentration in musical theater, and from there dove directly into showbiz. 

Looking back, Miss Kitty says, “being a person of color AND queer can be a double whammy of difficulty. You have to live in light and do the things you’re afraid to do. That’s the game changer.” 

Presenting “Metamorphoses” through the lens of the African diaspora (the cast also includes Jon Hudson Odom and Billie Krishawn, among others) helps us to realize that every story can be universal, especially for marginalized people — South Asian, Native American, or fully queer perspectives, she says.  

“Having an all-Black ensemble opens all new worlds for everyone.”

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Travel

Pride journey: Las Vegas

Start planning now for the October celebrations

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Las Vegas (Photo courtesy of Joey Amato)

Las Vegas, known for its vibrant and inclusive atmosphere, embraces LGBTQ culture with open arms, making it a thriving hub for the community. Iconic events like the annual Las Vegas Pride Parade and Festival bring together people from all walks of life to celebrate diversity and unity. The 2024 Las Vegas Pride festival is scheduled for Oct. 12, so start planning now.

The city’s commitment to inclusivity is reflected in the diverse range of LGBTQ-friendly accommodations, ensuring that visitors feel welcome and respected. Beyond the nightlife, Las Vegas hosts a variety of LGBTQ-focused community organizations, support groups, and cultural events that contribute to the rich tapestry of the city’s inclusive ethos. Whether exploring the famous entertainment offerings or participating in community-driven initiatives, LGBTQ individuals and allies alike find a warm and accepting home in the vibrant tapestry of LGBTQ culture in Las Vegas.

Ever since I was young, I have always wanted to stay at Bellagio. Its iconic foundations have fascinated me for decades. The hotel stands as an epitome of luxury and sophistication, offering an unparalleled experience that seamlessly blends opulence, entertainment, and fine dining. From the moment you step into the grand lobby, it’s evident that Bellagio is committed to providing a world-class stay, especially when you glance at the ceiling adorned with Chihuly glass sculptures.

I stayed in a recently renovated room in the Spa Tower with an unobstructed view of the Vegas Strip and the fountains. The attention to detail is evident in the tasteful decor, plush furnishings, and modern amenities. Beginning at 3 p.m. on weekdays and noon on weekends, the choreographed water show set against the backdrop of the Las Vegas Strip is a mesmerizing display of artistry, combining music, light, and water in perfect harmony. It sets the tone for the exquisite experiences that await within Bellagio.

Bellagio is also home to the famous Conservatory and Botanical Gardens, a lush oasis that undergoes seasonal transformations, displaying stunning floral displays and thematic installations. This botanical escape provides a serene contrast to the lively atmosphere of the casino and the bustling Strip. During our stay, the staff were completing the new springtime exhibition, which gave us Alice in Wonderland vibes. 

For those seeking entertainment, Bellagio offers the spectacular “O” by Cirque du Soleil, a water-themed extravaganza that complements the hotel’s overall theme. Bellagio Gallery of Fine Art is another cultural gem within the hotel, featuring rotating exhibitions that display masterpieces from around the world.

Although it is possible to never leave the hotel, we wanted to experience other MGM Resorts properties, so we headed to LPM at the Cosmopolitan of Las Vegas for dinner. LPM offers an exquisite dining experience that effortlessly marries Mediterranean charm with the vibrant energy of the Strip. From the moment you step through the entrance, you are greeted by an ambiance that strikes a perfect balance between sophistication and conviviality.

LPM’s interior is a visual feast, adorned with chic decor, warm lighting, and an intimate atmosphere. The combination of contemporary design elements and classic French accents creates a welcoming space that feels both elegant and comfortable. Whether you’re celebrating a special occasion or seeking a romantic dinner, LPM’s ambiance sets the stage for an unforgettable dining experience.

LPM’s menu is a culinary triumph, highlighting the rich and diverse flavors of the French Riviera. The emphasis on fresh, high-quality ingredients is evident in every dish. We began our meal with a variety of appetizers, including the Yellowtail Carpaccio, Escargots, and their signature Burrata prepared with heritage tomatoes and basil and topped with white truffles. For our main courses, we decided to focus on seafood entrees, so we tried the Lobster Risotto and grilled Chilean Bass. Both were prepared to perfection and paired very well together if you are looking to share entrees.

Of course, one of the biggest attractions of Las Vegas is the Strip itself. Spend a few hours meandering through each hotel and taking in the Vegas vibe. There is no other place in the world quite like it.

If you are in the mood for a little adventure, head to Area15, located about 10 minutes from the strip. Area15 is an immersive entertainment complex that blends art, technology, and entertainment in a unique and captivating way. Boasting an otherworldly exterior and a dynamic interior, Area15 is home to a variety of innovative experiences, including interactive art installations and virtual reality adventures. Its anchor tenant, the Meow Wolf’s Omega Mart, is a surreal supermarket-like environment filled with mind-bending art and hidden mysteries. The venue also hosts concerts and live events including Beyond Brunch, a variety show hosted by drag queen extraordinaire Andrew Ryan. The two-hour spectacle includes a wonderful buffet and performances by talented acts ranging from hoop dancers to Cirque-style entertainers. The show is well worth the price of admission; it is not your typical drag brunch.

Spend the afternoon touring Area15 or head to The Sphere, Las Vegas’s newest concert venue. Rock icons U2 opened the venue with a 40-night run, but guests can purchase tickets to Darren Aronofsky’s multi-sensory film “Postcard from Earth.”

For a trip down memory lane, especially if you are in you were born in the ‘70s or ‘80s, check out Retro by Voltaggio at Mandalay Bay. The restaurant owned by Top Chef stars, Bryan and Michael Voltaggio, takes diners on a nostalgic journey through time, blending modern culinary techniques with comforting flavors reminiscent of classic American dishes set in a retro-chic environment. The space is adorned with quirky memorabilia, neon accents, and a colorful palette that captures a sense of nostalgia without feeling overly kitschy, creating a welcoming environment for diners to unwind and enjoy the culinary adventure.

Retro by Voltaggio’s menu is a playful exploration of classic American favorites. We started our dinner with the deviled eggs with smoked trout roe along with the beet steak tartare, which was incredible. Next came the bluefin tuna ceviche served over coconut crushed ice. For our entrees we tried the trout meuniere, which was served in a lemon and caper sauce, as well as the lobster thermidor with lobster waffles — yes, you read that correctly. It was as delicious as it sounds.

Save room for the dessert cart, which contains innovative creations that satisfy the sweet tooth. Whether you’re a fan of nostalgic flavors or simply seeking a unique and enjoyable meal, Retro by Voltaggio is worth the visit.

After dinner, catch a performance of Michael Jackson “ONE” by Cirque du Soleil also at Mandalay Bay. The show is a captivating tribute to the King of Pop that seamlessly blends the magic of Cirque du Soleil with the timeless music and iconic choreography of Michael Jackson. From the moment the lights dim to the final bow, the show is a high-energy, emotionally charged celebration of the legendary entertainer’s life and legacy. This isn’t your typical Cirque du Soleil show and is more like a concert featuring all of Michael’s greatest hits, memorable dance moves, and state-of-the-art production. I felt like “ONE” is the type of concert Michael would have wanted to perform if he were still with us.

The thing I like most about Vegas is it is always evolving. Every time you visit, there is something new to see or do. Viva Las Vegas!

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Out & About

Blade Summer Kickoff Party returns to Rehoboth

Politicians slated to speak at annual Blue Moon party

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Sarah McBride is scheduled to deliver keynote remarks at the Blade’s 17th annual Summer Kickoff Party on May 17 in Rehoboth Beach. (Washington Blade file photo by Daniel Truitt)

The Washington Blade’s 17th annual Summer Kickoff Party returns Friday, May 17, 5-7 p.m. at the Blue Moon (35 Baltimore Ave.) in Rehoboth Beach, Del. 

It’s an exciting election year in Delaware, which is poised to elect its first Black woman senator (Lisa Blunt Rochester) and the nation’s first transgender member of Congress (Sarah McBride).

McBride is scheduled to speak at the party along with several politicos from the area. With the retirement of longtime state Rep. Peter C. Schwartzkopf, a staunch LGBTQ ally, three strong contenders are running to replace him. All three — Marty Rendon, Kathy McGuiness, and Claire Snyder-Hall — are slated to speak at the party. A representative from Blunt Rochester’s campaign is scheduled to speak, along with Kim Leisey, the new executive director of CAMP Rehoboth. 

Tax-deductible tickets are $20 and available on Eventbrite or via the Blade’s Facebook page. The party is sponsored by Justin Noble of Sotheby’s, The Avenue Inn & Spa, and Blue Moon.

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