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Ready to blow the roof off

Signature brings legendary ‘Dreamgirls’ show to region

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Dreamgirls, Nova Payton, Signature Theatre, gay news, Washington Blade

‘Dreamgirls’
Signature Theatre
4200 Campbell Ave.
Arlington, VA
Through Jan. 6
(Pride Night Dec. 7)
Tickets: start at $40
703-573-SEAT

Dreamgirls, Nova Payton, Signature Theatre, gay news, Washington Blade

Nova Y. Payton as Effie in Signature Theatre’s ‘Dreamgirls.’ Jennifer Holliday originated the role on Broadway. (Photo by Chris Mueller; courtesy of Signature Theatre)

Arlington’s Signature Theatre is about to tackle one of the biggest shows in Broadway and Hollywood history: “Dreamgirls.”

Director and choreographer Matt Gardiner had one word to describe his initial reaction: “daunting.” For actress Nova Payton, who will be starring as Effie White, the word was “demanding.” For costume designer Frank Labovitz, the word was “huge.”

“Dreamgirls” is a show that is often tagged with the word “legendary.” It was the last major show of legendary Broadway director and choreographer Michael Bennett. It was legendary for the backstage fights during workshops, rehearsals and previews, for the 20-minute show-stopping ovation during Act I on opening night, and for the long run on Broadway, along with numerous national and international tours. It was also legendary for the staging that featured set designer Robin Wagner’s rotating towers and for Theoni’s V. Aldredge’s dazzling costumes (both of which were featured on the show’s iconic posters).

And it was legendary for the new sounds that composer Henry Krieger brought to Broadway and for the smooth cinematic way that lyricist and bookwriter Tom Eyen wove the music and dialogue together. It became legendary for a movie adaptation that won an Academy Award for “American Idol” runner-up Jennifer Hudson in her movie debut.

“Dreamgirls” tells the story of the Dreamettes, a girl group from Chicago that rises to international fame. The plot is loosely based on the saga of Diana Ross and the Supremes and other Motown-era figures. After losing a talent competition at the famous Apollo Theatre in New York, the Dreamettes are hired as back-up singers for James Thunder Early. Spurred on by their ambitious manager Curtis Taylor, Jr., the girls break away from Jimmy and begin performing as “the Dreams.” Effie White (a character somewhat based on Supremes’ founder Florence Ballard) sings lead and her friends Deena Jones (the Diana Ross figure) and Lorrell Robinson sing back-up.

Although he is having an affair with Effie, Curtis moves Deena to the front of the group. She has a smoother sound and a slicker look that he thinks will be more appealing to white audiences, enabling the group to cross over and sell more records. Although the group does become increasingly popular, Effie is not happy singing back-up and begins to suspect that Curtis is having an affair with Deena. Her suspicions are confirmed when Curtis dumps her personally and professionally.

That’s the cue for the show’s most famous number, “And I Am Telling You I’m Not Going,” which original Effie Jennifer Holliday performed twice last year in D.C. — at Pride and with the Gay Men’s Chorus.

As Act II opens and the story moves from the 1960s to the 1970s, Curtis marries Deena, who becomes an international superstar, although she yearns to be seen as a serious actress. Jimmy falls on hard times when he rejects Curtis’ advice on how to appeal to broader audiences. Effie has a child and struggles to rebuild her career. The Dreams help usher in the disco era, and the rest is music — and musical theater — history.

Faced with this challenging material and famous predecessors, Gardiner and his collaborators have developed a fresh and exciting approach to the show.

“I spent a lot of time with our design team trying to come up with a way to do it that honored Michael Bennett’s original intention but made it our own,” he says. “At Signature, we would never be able recreate Bennett’s staging, so we are trying to find our own way into it that is more Signature.”

For example, the openly gay Gardiner notes, “Bennett and the writers really played with the idea of perspective, the change between backstage and onstage. In that original production he had the use of these beautiful towers that became iconic in the way the show is remembered. From the onset, we knew that we weren’t going to do it that way. We asked how do we play with the idea of perspective, both onstage and offstage, and the whole idea of the glamorous sparkle and what’s underneath it.” To answer that, they’ve created a more intimate approach to the musical that uses a smaller ensemble and focuses more clearly on the Dreams and their leading men.

One of the things that will give Signature Theatre’s production of “Dreamgirls” a distinctive feel is Nova Y. Payton’s highly anticipated performance as Effie White. Gardiner freely admits, “It is no secret that Signature chose the piece for her and I don’t think anyone’s going to be let down.”

Maryland native Gardiner is full of praise for his star. “She’s a wonderful person first and foremost and then on top of that she has the most killer voice. She’s a spectacular actress and a spectacular singer and we’re waiting for her to blow the roof off Signature.”

D.C. native Payton returns the praise to Gardiner. “I love Matt!” she says. “This will be second show I’ve done with him. (Their first collaboration was last season’s “Zanadu.”) Matt is brilliant. His vision of the show is very clear. In rehearsal, he’s very precise about what he’s looking for but at the same time allowing us as actors to bring what we may see. We are a team trying to put this production together and he trusts us.”

Payton also has great praise for the work of costume designer Frank Labovitz, although she won’t reveal much about the fabulous costumes she will be wearing.

“I don’t want to give away too much,” she says, “because when you think about “Dreamgirls” you think about the beautiful costumes.”

But she does praise Labovitz for his innovative design. “What excited me about Frank’s renderings was how different they were from what I’ve seen before. It’s fresh and a very new feel, but it stays true to the period. And of course there are lots of sequins and bright colors and beautiful shoes and wonderful hair and makeup. You can definitely look forward to that.”

Labovitz estimates that there are about 200 costumes in the show. The Dreams alone have 11 sets of three matching dresses, plus their individual costumes with day looks and eveningwear “It’s a constant parade of costumes,” the designer says. “If an actor isn’t onstage, he’s offstage changing clothes.” Labovitz says the costumes are almost like another character in the play. They help to tell the story, detailing the changing circumstances of the characters and capturing the feel of the rapidly changing world around them. “It’s rare that you get to work on a show where the costumes are so central to telling the story.”

The costume designer is also a big fan of Hollywood’s version of “Dreamgirls.”

“One of the things that was great about the movie was how faithful they were to the original,” he says. “The movie version really maintains the character of the show.” But he adds, there’s nothing like seeing the show in a theater. “There is something magical about watching it live. Some of the moments in the show are unbelievable, like when someone does a costume change onstage in front of you and you don’t see it happen because of tricks with lights and costumes. Those moments onstage seem to defy reality.” Like when the Dreams exit in one costume and appear onstage six seconds later in a different outfit.

The opening of “Dreamgirls” at Signature Theatre will also have a special resonance for D.C.’s LGBT community. While the show is a favorite for gay and lesbian audiences, the show’s signature song, “And I Am Telling You I’m Not Going” has long been a special favorite for drag queens in the nation’s capital and around the world. Many of D.C.’s leading ladies of drag will no doubt be rotating the song back into their act. And that’s fine with Nova Payton, who says, “I love seeing the ladies do what they do.”

Frank Labovitz also offers some advice about tackling the song: “It’s all about the attitude. It’s about owning it, about being as fiercely tenacious as you can be. It’s larger than life and it’s expressing an emotion we’re all familiar with, the idea that we’re not ready to move on yet.”

In the meantime, Matt Gardiner says theatergoers can expect one of the largest productions that Signature has ever done.

“It will blow people away,” he says.

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Movies

Nick Kroll and Andrew Rannells want to adopt baby in ‘I Don’t Understand You’

Film premiered at SXSW in Austin

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(Courtesy photo)

Editor’s note: Jack Morningstar attended SXSW in Austin, Texas.

“I Don’t Understand You” focuses on a couple whose romantic Italian getaway devolves into bloody chaos while they prepare to adopt their first child. 

The film, while veering into hilariously gruesome hijinks, tells the story of a gay couple who is willing to kill for a chance at fatherhood. It sheds light on the hurdles that same-sex couples often go through in the adoption process: Financial burdens, time constraints, fraud, and in this case, a rural Italian family.

The film premiered last weekend at SXSW in Austin and stars Nick Kroll and Andrew Rannells along with Nunzia Schiano, Morgan Spector and Eleonora Romandini. It was written and directed by Brian Crano and David Craig, who are married. They sourced inspiration from their own adoption struggles and an Italian vacay gone wrong. 

“We were about to leave for Italy when we found out that we had matched with a birth mother and our son would be born in about six weeks,” said Crano. 

According to Craig, the trip was tense and it culminated in their car getting stuck in a ditch on their way to an anniversary dinner.

“We ended up at an old lady’s house after she rescued us in her Fiat. Her family cooked us a meal and we stayed up drinking with them until 3 a.m., not understanding a word they were saying,” he said.

Without spoiling anything, the couple in the movie go to absurd lengths to ensure that their adoption goes through. Craig explained that the theme of the movie was “what would you do for your kid.” 

“We were three years into our own journey at the time and realized we would literally do anything to make that dream a reality. It’s really a love letter to our son,” he said.

The film is hard to relegate to a single genre. 

“When conceiving the story, we saw it as different parts — romantic comedy, horror movie, murder play — but I think by bringing in Nick and Andrew that blend actually became much more of an organic mix where the comedy sustained throughout. They elevated it in a more elegant fashion,” said Craig. 

“I Don’t Understand You”was produced by Pinky Promise, a women-led production company with the mission to elevate diverse voices in their storytelling. Kara Durrett, Pinky Promise’s current president was a champion of this script from the beginning. Founder Jessamine Burgum recounts that when Durrett was onboarding, she said “If you don’t get [“I Don’t Understand You”] I don’t know if this is going to work.” 

It ultimately became one of the first projects Burgum and Durrett collaborated on. 

Kroll and Rannells’ chemistry carried the film. 

“There was a desire to work with each of them because they had both separately been in such amazing comedian teams — like Andrew with Josh Gad and Nick with John Mulaney. Nick and Andrew’s characters are in almost every scene of the movie together, so they needed to be adept to basically doing a shared performance. There was no one more well-positioned to do this as naturally as possible,” said Crano. 

Their characters are easy to root for, yet also deeply flawed. 

“A big thing we wanted to do with this movie, and with all of our work in telling stories, is avoid telling a cliched gay trauma film. We’ve never ascribed to the idea that there is a subcategory to film that is LGBTQ, rather — movies are for everyone. We want to make a movie where gay characters are flawed, not for being gay, but because of who they are. They can be villains, but they are our protagonists,” said Craig. 

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Out & About

Celebrate spring with these D.C.-area events

Galas, Cherry Weekend, Pride, and more on tap

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The annual Pride on the Pier with fireworks show is set for Saturday, June. 8 at the Wharf. (Photo courtesy of The Wharf DC)

Temperatures outside are starting to rise and the sun is shining again. Here’s a list of upcoming D.C. events that can make enjoying the good weather even that much more thrilling.

Cherry Weekend Washington begins on Thursday, April 4. The Cherry weekend is a spectacular and joyous event held over four days featuring 16 world renowned DJs, nine different events and four fun daytime parties.

3rd Friday Night Open Mic will take place on Thursday, March 15 at 9 p.m. at the Bus Boys and Poets location in Brookland. This event will be hosted by Mariah Barber (they/she), a queer storyteller, consultant, spoken word artist, and activist who has been creating social justice-oriented art for the last 15 years. Tickets start at $5 and can be purchased on Eventbrite

RuPaul’s Drag Race Season 15 winner Sasha Colby will bring her Sasha Colby: Stripped Tour to the Howard Theatre on Wednesday, March 27 at 6:30 p.m. Tickets are $75 and can be purchased on the Howard Theatre’s website

Decades DC returns with Throwback Thursdays on Thursday, March 14 at 10 p.m. This event will have an open air rooftop and the first drink is on the house. Entry is free until midnight and more details are available on Eventbrite

Skin and Wellness Center will host Equinox Celebration on Tuesday, March 19 at 7 p.m. at 929 W. Broad St. This event will involve movement, breath work, meditation and community connection to celebrate the spring equinox and embrace energies of rebirth, fertility, creativity, balance, and expansive growth for mind, body, and spirit. Tickets cost $28.52 and can be purchased on Eventbrite

Models Inc. will host The Front Row! Fashion Show on Saturday, March 30 at 7 p.m. at the Silver Spring Black Box Theatre. This is the ultimate destination for designers seeking to showcase their talent and brand. This exclusive event provides a platform to promote artistry and visions, featuring various artists, creatives, fashion enthusiasts, models, stylists, and visionaries. Tickets start at $35 and can be purchased on Eventbrite

Spring Bling Adult Prom will be on Friday, April 26 at 8 p.m. at Graces Event Center. Guests are encouraged to wear their favorite spring colors and show up for a night of dancing, food and fun.Tickets cost $92.55 and can be purchased on Eventbrite.

TSR Productions will host Spring Salsa Bash on Saturday, March 23 at 8 p.m. at The Salsa Room Tysons. This event will feature Hermanos Galvan and Orquesta live in concert playing the best salsa, bachata, and merengue. There will also be top DJs playing the best in Latin trap, urbana, reggaetton. Tickets start at $25 and can be purchased on Eventbrite

We Will Survive Cancer will host Spring Fling Cocktail & Dance Party on Saturday, April 20 at 7:30 p.m. at Whino. This event will be hosted by DJ Steve. Tickets cost $25 and all proceeds are donated to cancer patients. More details are on Eventbrite.

Chase Brexton Health Care hosts its 2024 Gala at the Baltimore Museum of Art, with the theme centered around the NEW Roaring ‘20s on Saturday, March 30. Details at chasebrexton.org

CAMP Rehoboth’s annual Women’s FEST is scheduled for April 25-28. Lea DeLaria will headline with Crys Matthews opening. Visit camprehoboth.org for details.

Trans Pride Washington, D.C. is scheduled for Saturday, May 18. The full day of conference activities will take place at the Martin Luther King Jr. Memorial Library. Visit transpridewashingtondc.org for details.

The Blade’s 17th annual Summer Kickoff Party in Rehoboth Beach is scheduled for Friday, May 17; details to be announced soon.

D.C.’s 49th annual Pride celebration kicks off May 31-June 9, culminating with the parade and festival. Visit capitalpride.org for details. The annual Pride on the Pier with fireworks celebration is slated for Saturday, June 8, 2-9 p.m. at the Wharf. Visit prideonthepierdc.com for details.

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Travel

Gay hotel company brings luxury to Puerto Vallarta

Tryst Puerto Vallarta to open this spring

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Tryst Puerto Vallarta (Photo courtesy of Tristan Schukraft)

The Tryst Puerto Vallarta begins welcoming discerning gay guests this spring, just in time for the Mexican resort city’s Pride celebrations. 

The 55-room resort includes a penthouse suite featuring two terraces, three large suites with expansive living areas and terraces and several junior suites with unique features. A highly anticipated rooftop pool with a bar area and restaurant offering fine Mexican cuisine are just some of the highlights. 

“You can stay here and never leave the resort,” said Tristan Schukraft, the driving force behind Tryst Hotels, and self-described CEO of “everything gay.”

While he started out in his career working in the early days of electronic ticketing, Schukraft may be more known for his work with MISTR, a popular online source for PrEP. He also recently entered into an agreement to purchase the Abbey in West Hollywood, Calif.

With Tryst he promises “it’s a fun, exciting atmosphere.” 

“The idea is not just the guests are coming to the resort, but locals,” said Schukraft. “So, when you stay here it’s the way to mingle with the local gay community.”

To welcome and include both guests and locals, the resort will host drag brunches in the hotel restaurant. Weekend parties featuring DJs on the eighth floor pool and bar area also seeks to make this not just a place to stay, but one to celebrate with the community.

Schukraft hopes visitors will get to know guests or locals poolside, or in the restaurant, and make lifelong friendships. 

Or perhaps find a bit of romance: After all the hotel is set in the famed Zona Romántica.  

“Tryst Hotels are not merely luxury destinations; they are a celebration of gay culture, where every guest is embraced,” said Schukraft. “Our mission is to create spaces where luxury and identity flourish without compromise.”

Tryst Hotels CEO Tristan Schukraft. (Photo courtesy of Tristan Schukraft)

The D.C. Travel and Adventure Show took place last month in D.C., and LGBTQ-specific travel was among the topics the convention highlighted. The Washington Blade in its preview of the expo noted LGBTQ travelers may book a resort or vacation that promises “everyone is welcome,” but upon arrival feel uncomfortable by reactions of staff or other guests due to expressing their identity as queer people. 

Schukraft has experienced this. 

“I was at a hetero-friendly hotel Miami, but it was also marketed to gay men,” he explained. “So, you have two guys kissing at the pool and you have a straight couple looking over and wondering are they staying at a gay hotel. It’s sort of an awkward occurrence.” 

Everyone, therefore, is welcome at Tryst resorts, but it is not being marketed outside of the community. 

“My boyfriends and I have even experienced side-eye glances for our choice of swimwear,” Schukraft said. “You won’t find that at Tryst Hotels.”

Speaking of attire: Many luxury guesthouses, inns and hotels catering to gay men offer clothing-optional zones for guests. It’s an allure for some travelers. 

But, not at Tryst.

“Don’t get me wrong, clothing optional resorts are fun, but that’s not our concept. Our concept is a luxurious, inclusive resort,” Schukraft said with a touch of elan apropos for the “CEO of everything gay.” “Of course wear your thongs [and] Speedos.”

Tryst Puerto Vallarta and Tryst San Juan in Puerto Rico, which is slated to open in 2025, are being marketed as gay-owned, gay-focused resorts with luxurious offerings and amenities. Many resorts known to epitomize luxury may be seen as slightly conservative or “stuffy.” 

Luxury promises not to come only in the form of superior bedding, bathrobes, slippers and skincare products, but also in the stunning interiors. 

The Puerto Vallarta property engaged the same studio known for their acclaimed work at the Four Seasons Tamarindo. Designers from Estudio Esterlina bring a refined mix of minimalism, modernism and Mexican. 

“Why can’t you have fun and luxury in the same space? Here, you let your hair down by the pool, enjoy a pool party, a fine Mexican meal in our full-service restaurant, a drag brunch on weekends and socialize with new friends all while feeling safe,” Schukraft said. “Our goal is to show luxury doesn’t have to mean stuffy.”

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