News
Gay Vatican suicide now documentary film
American filmmaker wants story of Italian writer’s death to be message for new Pope
St. Peter’s in Vatican City. (Photo by Jean-Christophe Benoist via wikimedia commons)
Gay activists in Italy say Italian gay writer Alfredo Ormando is credited with triggering Italy’s version of the Stonewall rebellion in 1998 when he took his own life by setting himself on fire in St. Peter’s Square at the Vatican to protest the Catholic Church’s condemnation of homosexuality.
A documentary film called Alfredo’s Fire, which tells the story of Ormando’s struggle to cope with anti-gay bias and religious intolerance, and the subsequent gay Vatican suicide, is intended to send a message to the Vatican and the new Pope, according Andy Abrahams Wilson, the gay American filmmaker who is nearing completion of the documentary.
“In Alfredo’s name and in the names of countless other LGBT people – from those burnt at the stake in the Middle Ages, to Alfredo’s fire, to the lives and spirits that are routinely extinguished because of the Catholic Church’s anti-gay teachings – may Pope Benedict XVI’s abdication signal new light and hope for all of us,” Wilson said in a statement.
He told the Blade he’s been working on the film for fifteen years, while working on other projects, and considers it a labor of love. Among other things, he hopes the 40-minute documentary will enable the tragedy of Alfredo Ormando’s death to shed light on how religious teachings can result in dire consequences for LGBT people.
The film is expected to be released in late spring or early summer, Wilson said. He plans to submit it to various international film festivals and will enter it as a potential nominee for a short film-documentary for an Academy Award.
As a conclave of cardinals from throughout the world gathers at the Vatican to select Benedict XVI’s successor, Abrahams Wilson and his non-profit film company, Open Eye Pictures of Sausalito, Calif., are making an appeal for contributions to help cover post-production costs for the film.
He said the film will be made available to faith-based organizations and LGBT groups for viewing as an educational tool to address anti-LGBT prejudice and discrimination.
“On January 13, 1998 Alfredo Ormando, a 39-year-old Italian writer, arrived in Rome just as the sun was rising,” a promotional write-up released by Open Eye Pictures says. “After a long journey from his native Sicily, he found his way to the empty plaza of St. Peter’s Square and, facing the entrance to the Basilica, knelt down as if to pray,” the write up says.
“He made a rapid hand gesture and suddenly was engulfed in flames. Before the Church and God, Alfredo Ormando had lit himself on fire,” the write-up says.
In letter he sent to a friend about a month before his death, Ormando said, “I hope they’ll understand the message I want to leave: it is a form of protest against the Church that demonizes homosexuality, and at the same time all of nature, because homosexuality is her offspring.”
Wilson said he began filming the documentary in 1998 shortly after Ormando’s death. He said he returned to Italy in 2000 to continue his work on the project during a week when Italian and European LGBT activists held an international LGBT Pride festival and parade in Rome. The LGBT events took place during the Catholic Church’s Year of the Jubilee in Rome celebrating 2000 years of Christianity, which attracted thousands of Catholics throughout the world.
In a protest at the Vatican at that time, Wilson and several American gay activists, including Rev. Mel White of the U.S. group Soul Force and members of the U.S. gay Catholic group Dignity, joined Italian gay activists in demanding that the Catholic Church modify its stance on LGBT people.
While carrying poster size photos of Ormando, the protesters planned to deliver a letter to then Cardinal Joseph Ratzinger, who later became Pope Benedict XVI, according to Wilson. At the time, Ratzinger was in charge of the Church’s Congregation for the Doctrine of the Faith, which several years earlier issued a statement written by Ratzinger calling gay people “intrinsically disordered.”
Although the protesters were unable to deliver the letter to Ratzinger, Wilson said the gathering inspired him to examine the life of Alfredo Ormando through interviews with those who knew him and through his numerous writings.
Wilson said he hopes to premiere the film in Palermo, Sicily, in June, in the Italian region where Ormando was born and raised, during Italy’s 2013 National LGBT Pride celebration, which takes place in that city.
Former U.S. Rep. Barney Frank (D-Mass.) died on Tuesday. He was 86.
The Massachusetts Democrat served in the U.S. House of Representatives from 1981-2013. Frank in 1987 became the first member of Congress to voluntarily come out as gay.
The Washington Blade earlier this month interviewed Frank after he entered hospice care at his Ogunquit, Maine, home where he lived with his husband, Jim Ready, since 2013. The former congressman, among other things, talked about his new book, “The Hard Path to Unity: Why We Must Reform the Left to Rescue Democracy.”
The book is scheduled for release on Sept. 15.
NBC Boston reported Frank’s sister, Ann Lewis, and a close family friend confirmed his death.
The Blade will update this article.
Ghana
Intersex lives, constitutional freedom, and the dangerous future of Ghana’s Human Sexual Rights and Family Values Bill
Lawmakers continue to consider draconian measure
There is a dangerous silence surrounding intersex lives in Ghana — a silence shaped by fear, misinformation, cultural misunderstanding, and institutional neglect. Today, amid discussions around the possible passage of the Human Sexual Rights and Family Values Bill, 2025, that silence risks becoming law, reinforcing exclusion and deepening the marginalization of already invisible lives.
Much of the national debate surrounding the bill has focused on LGBTQ+ identities. Yet buried within it are implications for intersex persons that many Ghanaians do not fully understand because intersex realities remain largely invisible.
Intersex persons are born with natural variations in chromosomes, hormones, reproductive anatomy, and/or genital characteristics that do not fit typical definitions of male or female bodies. Intersex is not a sexual orientation or gender identity. It is a biological reality. Ghana’s Commission on Human Rights and Administrative Justice (CHRAJ) has clearly acknowledged this distinction.
Despite this distinction, the bill mistakenly collapses intersex realities into a legal framework linked to LGBTQ+ criminalization.
Although the bill contains only limited references to intersex persons, under certain medical exceptions, these references do not amount to recognition or protection. Instead, they frame intersex bodies as abnormalities requiring regulation, correction, and institutional management. This approach is inconsistent not only with Ghana’s constitutional guarantees of dignity, equality, privacy, and liberty, but also with emerging African and international human rights standards. The African Commission on Human and Peoples’ Rights Resolution on the Promotion and Protection of the Rights of Intersex Persons in Africa – ACHPR/Res.552 (LXXIV) 2023 affirms protections relating to bodily integrity, dignity, freedom from discrimination, and against harmful medical practices. Additionally, the United Nations has repeatedly condemned medically unnecessary and non-consensual interventions on intersex children. Rather than affirming the humanity and autonomy of intersex persons, the bill risks legitimizing systems of surveillance, coercion, violence, and institutional erasure.
This is not protection.
It is managed erasure.
A child born intersex in Ghana already enters a society shaped by secrecy and stigma. Families are often pressured to hide intersex children or seek “correction” to make their bodies conform to social expectations.
The bill risks intensifying this pressure.
Clause 17 creates space for “approved service providers” to support interventions relating to intersex persons, yet offers little protection around informed consent, bodily autonomy, confidentiality, or coercive treatment. Under the language of “correction” or “support,” harmful interventions may become normalized.
The intersex community has documented painful lived experiences of intersex Ghanaians that reveal the devastating consequences of stigma and invisibility.
One heartbreaking case involved intersex twins born in Ghana’s Eastern Region in 1993, who were repeatedly forced to move from village to village because of rejection and ridicule. After losing their father, their main source of protection and support, they became even more vulnerable and reportedly experienced severe emotional distress, including suicidal thoughts linked to years of stigma and exclusion. This is what invisibility looks like in practice.
Another painful example is the story of Ativor Holali, whose lived experience exposed the cruel realities intersex persons face in sports and public life. Ativor Holali endured invasive scrutiny, public humiliation, and social suspicion because her body did not conform to rigid expectations of femininity. Rather than being protected as a Ghanaian athlete deserving dignity and privacy, she became the subject of speculation, gossip, and institutional discomfort.
Her experience reflects a broader social crisis: when society insists that every body must fit a narrow binary definition, intersex people are forced to defend their humanity in spaces where dignity should already be guaranteed.
Intersex Persons Society Of Ghana (IPSOG)’s Ŋusẽdodo research further revealed that approximately 70 percent of intersex respondents reported depression, anxiety, trauma, or severe emotional distress linked to medical mistreatment, family rejection, bullying, and social exclusion.
The bill risks transforming these existing prejudices into institutional policy. Several provisions risk deepening surveillance, restricting advocacy, weakening confidentiality, and discouraging public education around intersex realities. Intersex-led organizations providing healthcare guidance, legal referrals, psychosocial support, and community services may face serious challenges.
This places IPSOG and other intersex-led organizations in Ghana at serious risk.
For many intersex Ghanaians, these spaces are not political luxuries.
They are survival mechanisms.
Governments derive legitimacy by protecting the natural rights of all persons, including dignity, liberty, bodily autonomy, and freedom from arbitrary interference. The bill raises concerns because it risks weakening these protections for intersex persons through surveillance, coercive interventions, and restrictions on advocacy.
Ghana’s Constitution declares that “the dignity of all persons shall be inviolable.” Articles 15, 17, 18, and 21 specifically protect dignity, equality, privacy, expression, and freedom of association. These protections should apply equally to intersex persons.
Intersex persons are not threats to Ghanaian culture.
Intersex children are not moral dangers.
Intersex bodies are not political weapons.
They are human beings deserving dignity, healthcare, safety, and constitutional protection.
The true measure of a democracy is how it protects those most vulnerable to exclusion. At this moment, Ghana faces a choice: deepen fear and silence, or uphold dignity, bodily autonomy, and constitutional freedom for intersex persons.
History will remember the choice we make.
Fafali Delight Akortsu is the founder and president of the Intersex Persons Society of Ghana (IPSOG).
District of Columbia
Doc on Blade reporter Chibbaro scores Emmy nomination
‘Lou’s Legacy’ chronicles 50-year career
“Lou’s Legacy: A Reporter’s Life at the Washington Blade” has been nominated for a Capital Emmy in the “Documentary – Historical” category by the National Capital Chesapeake Bay Chapter of the National Academy of Television Arts & Sciences.
“Our members include all of the video content producers who serve our local audiences in Washington, DC, Maryland and Virginia—from the Atlantic to the Appalachians, from Bristol to Baltimore,” said Capitol Emmys President Adam Longo in a press release.
Broadcast last June by WETA PBS in Washington, D.C. and MPT in Maryland, the documentary was directed and produced by Emmy-nominated filmmaker Patrick Sammon in association with the Mattachine Society of Washington, D.C. Additional nominees who worked on the film include producer Julianne Donofrio and editor Amir Jaffer.
“Lou’s Legacy” tells the story of two D.C. icons — legendary Washington Blade reporter Lou Chibbaro Jr. and beloved drag performer Donnell Robinson, known to generations of Washington audiences as “Ella Fitzgerald.” Through Chibbaro’s nearly five-decade career at the Blade and Ella’s return to the stage after a three-year hiatus following COVID, the 29-minute documentary explores the history of Washington’s LGBTQ community and today’s rising backlash against LGBTQ rights, including laws targeting drag performers.
“We’re honored that Lou’s Legacy has been recognized alongside such an impressive group of historical documentaries,” said Sammon. “This nomination is especially meaningful because the film preserves and celebrates the stories of people who helped shape queer history in Washington, DC — often without recognition from mainstream institutions. We’re deeply grateful to the Mattachine Society, Lou Chibbaro Jr., Donnell Robinson, WETA PBS, and everyone who helped bring this project to life.”
“Lou’s Legacy” premiered on WETA PBS in June 2025 during Pride month. The documentary also broadcast on Maryland Public Television and is streaming nationally on PBS.org. WETA will rebroadcast “Lou’s Legacy” several times during Pride month, including June 15 th at 9 p.m. Winners of the Capital Emmy Awards will be announced at the Capital Emmy Gala on June 20 at the Bethesda Marriott Hotel.
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