Arts & Entertainment
Delicate dances
Studio double header explores romantic nuances

Actors Jon Hudson, left, and Alex Mills in ‘2-2 Tango.’ (Photo by Igor Dmitry; courtesy Studio)
‘Pas de Deux: Plays from New Zealand and Canada’
Through May 19
Studio 2ndStage
1501 14th Street, NW
$30-$35
202-332-3300
studiotheatre.org
Jim only likes to do it with the lights off. And when it’s the first time, he likes to go to the other guy’s place. But James, the interested guy that Jim just met at the club, doesn’t like to bring new guys home either. Sometimes it’s hard to get them out in the morning. This could be problematic. But despite the many little bumps that might derail their destiny before it even gets going, they become a couple — for a while anyway
Out playwright Daniel MacIvor’s “2-2 Tango” (now at Studio 2ndStage) hastily moves through the arc of Jim and James’ brief love affair beginning with their nocturnal meeting, an early passion, the blissful honeymoon to discontent and ultimate parting. Told mostly from inside the respective guys’ heads, MacIvor frames the same-sex romance as an ongoing dance with varied steps (disco, jazz and a seductive tango), beats and counts. And smartly director Eric Ruffin has cast a pair of appealing actors who can really dance as the lovers — Jon Hudson Odom plays Jim, the needier of the pair, and Helen Hayes Award-winning out actor Alex Mills is the more resilient James.
Not long after they meet, James says he’s independent and values an independent partner. Eager to please, Jim hastily nods in agreement, but his actions indicate otherwise. For him, independence isn’t a priority. James wants space. A cloying boyfriend isn’t what he had in mind. Things don’t look good.
But along the way, there are sexy exchanges, some songs and a lot of rug cutting (choreographed by Nancy Bannon) and quality hip shaking. And while McIvor’s one act flirts with the too cutesy, he captures the disparities of love with laser-like precision. The depiction of the couple’s not mutually sought breakup is uncomfortable to watch. It’s also the play and actors’ most honest moment.
“2-2 Tango” is one of two relationship-exploring plays that make up Studio2ndStage’s aptly-titled “Pas de Deux” (dance for two). The evening’s first one act is “Skin Tight,” a couple’s rough tumble down memory lane by New Zealand playwright Gary Henderson. Unlike McIvor’s piece, which focuses more on how people get together, Henderson’s play starkly reveals the details and intimacies of a longer union. But just because we’re dealing with a presumably more settled couple here, don’t expect the action (staged by Johanna Gruenhut) to be desultory or slow moving. Henderson’s one act opens with husband and wife wrestling wildly — a scene that initially reads more violent crime than playful roughhouse.
Tom and Elizabeth have been together forever. Recently they’ve lost their farm and now Elizabeth plans to go away. Together they reminisce: meeting as youths, the horrors of war, Elizabeth’s uneasy relationship with their daughter. Intermittently throughout the long conversation, they romp and wrestle (these kinetic antics belie the characters’ true age and reality). She shaves him with a straight edge razor. He peels an apple with a pocket knife. They engage in erotically charged knife play — the usual stuff. Led by the more emotional and impulsive Elizabeth, the married couple reveal the most tender and painful details of their relationship.
Henderson’s funny and heartfelt script is a stunning mix of poetic and plain language. As Tom and Elizabeth, Jens Rasmussen and Emily Townley are at home with the words and action; they give terrific, fearless performances.
JD Madsen’s simple sets are pleasingly spare: a patch of Astroturf and rusted bathtub for “Skin Tight” and a sleek sunken dance floor for “2-2 Tango.” Jedidiah Roe’s evocative lighting — quiet to fiery, and James Bigbee Garver’s ably done sound design add to the effect.
“Pas de Deux” is all about being with someone. And though dissimilar, they both convey the complexity and universality of relationships. So different, yet so well coupled.
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)



















The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)















