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Delicate dances

Studio double header explores romantic nuances

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Alex Mills, Jon Hudson, 2-2 Tango, Studio Theatre, theater, gay news, Washington Blade
Alex Mills, Jon Hudson, 2-2 Tango, Studio Theatre, theater, gay news, Washington Blade

Actors Jon Hudson, left, and Alex Mills in ‘2-2 Tango.’ (Photo by Igor Dmitry; courtesy Studio)

‘Pas de Deux: Plays from New Zealand and Canada’
Through May 19
Studio 2ndStage
1501 14th Street, NW
$30-$35
202-332-3300
studiotheatre.org

Jim only likes to do it with the lights off. And when it’s the first time, he likes to go to the other guy’s place. But James, the interested guy that Jim just met at the club, doesn’t like to bring new guys home either. Sometimes it’s hard to get them out in the morning. This could be problematic. But despite the many little bumps that might derail their destiny before it even gets going, they become a couple — for a while anyway

Out playwright Daniel MacIvor’s “2-2 Tango” (now at Studio 2ndStage) hastily moves through the arc of Jim and James’ brief love affair beginning with their nocturnal meeting, an early passion, the blissful honeymoon to discontent and ultimate parting. Told mostly from inside the respective guys’ heads, MacIvor frames the same-sex romance as an ongoing dance with varied steps (disco, jazz and a seductive tango), beats and counts. And smartly director Eric Ruffin has cast a pair of appealing actors who can really dance as the lovers — Jon Hudson Odom plays Jim, the needier of the pair, and Helen Hayes Award-winning out actor Alex Mills is the more resilient James.

Not long after they meet, James says he’s independent and values an independent partner. Eager to please, Jim hastily nods in agreement, but his actions indicate otherwise. For him, independence isn’t a priority. James wants space. A cloying boyfriend isn’t what he had in mind. Things don’t look good.

But along the way, there are sexy exchanges, some songs and a lot of rug cutting (choreographed by Nancy Bannon) and quality hip shaking. And while McIvor’s one act flirts with the too cutesy, he captures the disparities of love with laser-like precision. The depiction of the couple’s not mutually sought breakup is uncomfortable to watch. It’s also the play and actors’ most honest moment.

“2-2 Tango” is one of two relationship-exploring plays that make up Studio2ndStage’s aptly-titled “Pas de Deux” (dance for two). The evening’s first one act is “Skin Tight,” a couple’s rough tumble down memory lane by New Zealand playwright Gary Henderson. Unlike McIvor’s piece, which focuses more on how people get together, Henderson’s play starkly reveals the details and intimacies of a longer union. But just because we’re dealing with a presumably more settled couple here, don’t expect the action (staged by Johanna Gruenhut) to be desultory or slow moving. Henderson’s one act opens with husband and wife wrestling wildly — a scene that initially reads more violent crime than playful roughhouse.

Tom and Elizabeth have been together forever. Recently they’ve lost their farm and now Elizabeth plans to go away. Together they reminisce: meeting as youths, the horrors of war, Elizabeth’s uneasy relationship with their daughter. Intermittently throughout the long conversation, they romp and wrestle (these kinetic antics belie the characters’ true age and reality). She shaves him with a straight edge razor. He peels an apple with a pocket knife. They engage in erotically charged knife play — the usual stuff. Led by the more emotional and impulsive Elizabeth, the married couple reveal the most tender and painful details of their relationship.

Henderson’s funny and heartfelt script is a stunning mix of poetic and plain language. As Tom and Elizabeth, Jens Rasmussen and Emily Townley are at home with the words and action; they give terrific, fearless performances.

JD Madsen’s simple sets are pleasingly spare: a patch of Astroturf and rusted bathtub for “Skin Tight” and a sleek sunken dance floor for “2-2 Tango.” Jedidiah Roe’s evocative lighting — quiet to fiery, and James Bigbee Garver’s ably done sound design add to the effect.

“Pas de Deux” is all about being with someone. And though dissimilar, they both convey the complexity and universality of relationships. So different, yet so well coupled.

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Theater

Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions

Synetic production pulls audience into grips of doomed lovers’ passion

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Stella Bunch as Mardian and Irina Kavsadze as Cleopatra in Synetic Theatre's ‘Antony & Cleopatra.’ (Photo by Katerina Kato)

‘Antony & Cleopatra’
Through Jan. 25
Synetic Theater at
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Synetictheater.org

A spectacle of operatic proportions, Synetic Theater’s “Antony & Cleopatra” is performed entirely voiceless. An adaptation of the Bard’s original (a play bursting with wordplay, metaphors, and poetic language), the celebrated company’s production doesn’t flinch before the challenge. 

Staged by Paata Tsikurishvili and choreographed by Irina Tsikurishvili, this worthy remount is currently playing at Shakespeare Theatre Company’s Klein Theatre, the same venue where it premiered 10 years ago. Much is changed, including players, but the usual inimitable Synectic energy and ingenuity remain intact.  

As audiences file into the Klein, they’re met with a monumental pyramid bathed in mist on a dimly lit stage. As the lights rise, the struggle kicks off: Cleopatra (Irina Kavsadze) and brother Ptolemy (Natan-Maël Gray) are each vying for the crown of Egypt. Alas, he wins and she’s banished from Alexandria along with her ethereal black-clad sidekick Mardian (Stella Bunch); but as history tells us, Cleopatra soon makes a triumphant return rolled in a carpet.  

Meanwhile, in the increasingly dangerous Rome, Caesar (memorably played by Tony Amante) is assassinated by a group of senators. Here, his legendary Ides of March murder is rather elegantly achieved by silver masked politicians, leaving the epic storytelling to focus on the titular lovers. 

The fabled couple is intense. As the Roman general Antony, Vato Tsikurishvili comes across as equal parts warrior, careerist, and beguiled lover. And despite a dose of earthiness, it’s clear that Kavsadze’s Cleopatra was born to be queen.

Phil Charlwood’s scenic design along with Colin K. Bills’ lighting cleverly morph the huge pyramidic structure into the throne of Egypt, the Roman Senate, and most astonishingly as a battle galley crashing across the seas with Tsikurishvili’s Antony ferociously at the helm.

There are some less subtle suggestions of location and empire building in the form of outsized cardboard puzzle pieces depicting the Mediterranean and a royal throne broken into jagged halves, and the back-and-forth of missives.

Of course, going wordless has its challenges. Kindly, Synectic provides a compact synopsis of the story. I’d recommend coming early and studying that page. With changing locations, lots of who’s who, shifting alliances, numerous war skirmishes, and lack of dialogue, it helps to get a jump on plot and characters.

Erik Teague’s terrific costume design is not only inspired but also helpful. Crimson red, silver, and white say Rome; while all things Egyptian have a more exotic look with lots of gold and diaphanous veils, etc. 

When Synetic’s voicelessness works, it’s masterful. Many hands create the magic: There’s the direction, choreography, design, and the outrageously committed, sinewy built players who bring it to life through movement, some acrobatics, and the remarkable sword dancing using (actual sparking sabers) while twirling to original music composed by Konstantine Lortkipanidze.

Amid the tumultuous relationships and frequent battling (fight choreography compliments of Ben Cunis), moments of whimsy and humor aren’t unwelcome. Ptolemy has a few clownish bits as Cleopatra’s lesser sibling. And Antony’s powerful rival Octavian (ageless out actor Philip Fletcher) engages in peppy propaganda featuring a faux Cleopatra (played by Maryam Najafzada) as a less than virtuous queen enthusiastically engaged in an all-out sex romp. 

When Antony and Cleopatra reach their respective ends with sword and adder, it comes almost as a relief. They’ve been through so much. And from start to finish, without uttering a word, Kavsadze and Tsikurishvili share a chemistry that pulls the audience into the grips of the doomed lovers’ palpable passion.

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Out & About

Love board games and looking for love?

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(Image by VLADGRIN/Bigstock)

Quirk Events will host “Board Game Speed Dating for Gay Men” on Thursday, Jan. 22 at 7 p.m. at KBird DC. 

Searching for a partner can be challenging. But board games are always fun. So what if you combined board games and finding a partner?

Picture this: You sit down for a night of games. A gaming concierge walks you through several games over the course of the night. You play classics you love and discover brand new games you’ve never heard of, playing each with a different group of fun singles. All while in a great establishment. 

At the end of the night, you give your gaming concierge a list of the folks you met that you’d like to date and a list of those you met that you’d like to just hang out with as friends. If any two people put down the same name as each other in either column, then your gaming concierge will make sure you get each other’s e-mail address and you can coordinate a time to hang out.

Tickets cost $31.80 and can be purchased on Eventbrite

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Calendar

Calendar: January 16-22

LGBTQ events in the days to come

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Friday, January 16

Friday Tea Time will be at 12 p.m. at the DC Center for the LGBT Community. This is a social hour for older LGBTQ+ adults. Bring your beverage of choice. For more information, contact Mac ([email protected]).

Trans and Genderqueer Game Night will be at 7 p.m. at the DC LGBTQ+ Community Center. This is a relaxing, laid-back evening of games and fun. For more details, visit the DC Center’s website

Go Gay DC will host “LGBTQ+ Social in the City” at 7 p.m. at Hotel Zena. This event is ideal for making new connections and community building or just to unwind and enjoy extended happy hour. Attendance is free and more details are available on Eventbrite.

Saturday, January 17

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

The DC LGBTQ+ Community Center and SMYAL will host a free film screening of “Mama Bears” celebrating queer youth, resilience, and the power of living authentically. Whether you’re a movie lover, looking to make new friends, or simply want a safe, affirming space to relax, this event is for you. Click this link to RSVP

LGBTQ People of Color will be at 7 p.m. on Zoom. This peer support group is an outlet for LGBTQ people of color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. There will be all sorts of activities like watching movies, poetry events, storytelling, and just hanging out with others. For more details, visit thedccenter.org/poc or facebook.com/centerpoc.

Sunday, January 18

Go Gay DC will host “LGBTQ+ Community and Conversation” at noon at As You Are. This event is for those looking to make more friends and meaningful connections in the LGBTQ+ community. Look for the Go Gay DC sign on the long table near the front window. Attendance is free and more details are available on Eventbrite.

Monday, January 19

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Tuesday, January 20

Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting.Visit Facebook or Meetup for more information.

Tae Kwon Do Class with Avi Rome will be at 12:30 p.m. This inclusive and beginner-friendly class, led by Instructor Avi Rome, offers a light warm-up, stretching, and instruction in basic techniques, patterns, and striking padded targets. Each session is designed to be adaptable for all ability and mobility levels, creating a welcoming space for everyone to build strength, confidence, and community through martial arts. For more details, visit the DC Center’s website.

Wednesday, January 21

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Thursday, January 22

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

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