Arts & Entertainment
Delicate dances
Studio double header explores romantic nuances

Actors Jon Hudson, left, and Alex Mills in ‘2-2 Tango.’ (Photo by Igor Dmitry; courtesy Studio)
‘Pas de Deux: Plays from New Zealand and Canada’
Through May 19
Studio 2ndStage
1501 14th Street, NW
$30-$35
202-332-3300
studiotheatre.org
Jim only likes to do it with the lights off. And when it’s the first time, he likes to go to the other guy’s place. But James, the interested guy that Jim just met at the club, doesn’t like to bring new guys home either. Sometimes it’s hard to get them out in the morning. This could be problematic. But despite the many little bumps that might derail their destiny before it even gets going, they become a couple — for a while anyway
Out playwright Daniel MacIvor’s “2-2 Tango” (now at Studio 2ndStage) hastily moves through the arc of Jim and James’ brief love affair beginning with their nocturnal meeting, an early passion, the blissful honeymoon to discontent and ultimate parting. Told mostly from inside the respective guys’ heads, MacIvor frames the same-sex romance as an ongoing dance with varied steps (disco, jazz and a seductive tango), beats and counts. And smartly director Eric Ruffin has cast a pair of appealing actors who can really dance as the lovers — Jon Hudson Odom plays Jim, the needier of the pair, and Helen Hayes Award-winning out actor Alex Mills is the more resilient James.
Not long after they meet, James says he’s independent and values an independent partner. Eager to please, Jim hastily nods in agreement, but his actions indicate otherwise. For him, independence isn’t a priority. James wants space. A cloying boyfriend isn’t what he had in mind. Things don’t look good.
But along the way, there are sexy exchanges, some songs and a lot of rug cutting (choreographed by Nancy Bannon) and quality hip shaking. And while McIvor’s one act flirts with the too cutesy, he captures the disparities of love with laser-like precision. The depiction of the couple’s not mutually sought breakup is uncomfortable to watch. It’s also the play and actors’ most honest moment.
“2-2 Tango” is one of two relationship-exploring plays that make up Studio2ndStage’s aptly-titled “Pas de Deux” (dance for two). The evening’s first one act is “Skin Tight,” a couple’s rough tumble down memory lane by New Zealand playwright Gary Henderson. Unlike McIvor’s piece, which focuses more on how people get together, Henderson’s play starkly reveals the details and intimacies of a longer union. But just because we’re dealing with a presumably more settled couple here, don’t expect the action (staged by Johanna Gruenhut) to be desultory or slow moving. Henderson’s one act opens with husband and wife wrestling wildly — a scene that initially reads more violent crime than playful roughhouse.
Tom and Elizabeth have been together forever. Recently they’ve lost their farm and now Elizabeth plans to go away. Together they reminisce: meeting as youths, the horrors of war, Elizabeth’s uneasy relationship with their daughter. Intermittently throughout the long conversation, they romp and wrestle (these kinetic antics belie the characters’ true age and reality). She shaves him with a straight edge razor. He peels an apple with a pocket knife. They engage in erotically charged knife play — the usual stuff. Led by the more emotional and impulsive Elizabeth, the married couple reveal the most tender and painful details of their relationship.
Henderson’s funny and heartfelt script is a stunning mix of poetic and plain language. As Tom and Elizabeth, Jens Rasmussen and Emily Townley are at home with the words and action; they give terrific, fearless performances.
JD Madsen’s simple sets are pleasingly spare: a patch of Astroturf and rusted bathtub for “Skin Tight” and a sleek sunken dance floor for “2-2 Tango.” Jedidiah Roe’s evocative lighting — quiet to fiery, and James Bigbee Garver’s ably done sound design add to the effect.
“Pas de Deux” is all about being with someone. And though dissimilar, they both convey the complexity and universality of relationships. So different, yet so well coupled.
More than 40 openly LGBTQ athletes are expected to compete in the Milan Cortina Winter Olympics that open on Friday.
Outsports.com notes eight Americans — including speedskater Conor McDermott-Mostowy and figure skater Amber Glenn — are among the 44 openly LGBTQ athletes who will compete in the games. The LGBTQ sports website also reports Ellis Lundholm, a mogul skier from Sweden, is the first openly transgender athlete to compete in any Winter Olympics.
“I’ve always been physically capable. That was never a question,” Glenn told Outsports.com. “It was always a mental and competence problem. It was internal battles for so long: when to lean into my strengths and when to work on my weaknesses, when to finally let myself portray the way I am off the ice on the ice. That really started when I came out publicly.”
McDermott-Mostowy is among the six athletes who have benefitted from the Out Athlete Fund, a group that has paid for their Olympics-related training and travel. The other beneficiaries are freestyle skier Gus Kenworthy, speed skater Brittany Bowe, snowboarder Maddy Schaffrick, alpine skier Breezy Johnson, and Paralympic Nordic skier Jake Adicoff.
Out Athlete Fund and Pride House Los Angeles – West Hollywood on Friday will host a free watch party for the opening ceremony.
“When athletes feel seen and accepted, they’re free to focus on their performance, not on hiding who they are,” Haley Caruso, vice president of the Out Athlete Fund’s board of directors, told the Los Angeles Blade.
Four Italian LGBTQ advocacy groups — Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano — have organized the games’ Pride House that will be located at the MEET Digital Culture Center in Milan.
Pride House on its website notes it will “host a diverse calendar of events and activities curated by associations, activists, and cultural organizations that share the values of Pride” during the games. These include an opening ceremony party at which Checcoro, Milan’s first LGBTQ chorus, will perform.
ILGA World, which is partnering with Pride House, is the co-sponsor of a Feb. 21 event that will focus on LGBTQ-inclusion in sports. Valentina Petrillo, a trans Paralympian, is among those will participate in a discussion that Simone Alliva, a journalist who writes for the Italian newspaper Domani, will moderate.
“The event explores inclusivity in sport — including amateur levels — with a focus on transgender people, highlighting the role of civil society, lived experiences, and the voices of athletes,” says Milano Pride on its website.
The games will take place against the backdrop of the U.S. Olympic and Paralympic Committee’s decision to ban trans women from competing in women’s sporting events.
President Donald Trump last February issued an executive order that bans trans women and girls from female sports teams in the U.S. A group of Republican lawmakers in response to the directive demanded the International Olympics Committee ban trans athletes from women’s athletic competitions.
The IOC in 2021 adopted its “Framework on Fairness, Inclusion and Nondiscrimination on the Basis of Gender Identity and Sex Variations” that includes the following provisions:
• 3.1 Eligibility criteria should be established and implemented fairly and in a manner that does not systematically exclude athletes from competition based upon their gender identity, physical appearance and/or sex variations.
• 3.2 Provided they meet eligibility criteria that are consistent with principle 4 (“Fairness”, athletes should be allowed to compete in the category that best aligns with their self-determined gender identity.
• 3.3 Criteria to determine disproportionate competitive advantage may, at times, require testing of an athlete’s performance and physical capacity. However, no athlete should be subject to targeted testing because of, or aimed at determining, their sex, gender identity and/or sex variations.
The 2034 Winter Olympics are scheduled to take place in Salt Lake City. The 2028 Summer Olympics will occur in Los Angeles.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
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