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QUEERY: Maj. Brian Dix

The former Marine Band director answers 20 gay questions

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Brian Dix, gay news, Washington Blade
Brian Dix, gay news, Washington Blade

Maj. Brian Dix (Photo by Sgt. Bobby J. Yarbrough; used with permission from the United States Marine Corps)

Major Brian Dix came to Washington in May 1984 with the Marine Corps and at the end of last year, retired as director of the Commandant’s Own — United States Marine Drum & Bugle Corps. He was only the fourth director of the group since its 1934 founding.

During his 16 years directing the Corps, he wrote original compositions such as “Reveille,” a swing march dedicated to wounded warriors, “Birth of a Drum Corps” for the 75th anniversary of the Corps and “Corpsman Up,” a march dedicated to the Navy corpsman who served alongside the Marines.

He received many personal decorations for his work including the Navy-Marine Corps Commendation Medal, the Navy-Marine Corps Achievement Medal with gold star for heroic achievement and a Navy Certificate of Commendation for his volunteer work at the National Naval Medical Center.

The 54-year-old Newark, N.J., native also says it was a thrill to be in Washington for so many historical events.

“I was there when ‘Don’t Ask, Don’t Tell’ came into law and Paul and I were there when DADT was dissolved,” he says. “One day the Supreme Court said, ‘Hey guys, go get married.’ And we did.”

Dix and Paul Andrews were together six years prior to their September 2012 wedding. They’re taking their time traveling around the country in an SUV en route to their new home in San Diego where Dix plans to pursue “different avenues in music.”

Dix enjoys music, yard work and reading about world affairs in his free time.

 

How long have you been out and who was the hardest person to tell?

I don’t think I was ever “in.” I never hid my persona during a lifelong military career. When the nation steered toward a different course regarding relationships and marriage, it seems like a non-issue to come “out.” It was simple. Actually, it was very simple especially with Paul, a terrific partner along with friends and colleagues who never judged.

 

Who’s your LGBT hero?

The Supreme Court

 

What’s Washington’s best nightspot, past or present? 

Probably during my younger years, Badlands was the place to be. Friday and Saturday nights was the best escape for a younger guy to dance the night away. Many times, my straight Marine buddies would tag along to dance and to meet girls. And they did meet some nice women. What a great place at the perfect time.

 

Describe your dream wedding.

Mission complete. My husband Paul and I were married in our community of Capitol Hill at the Hill Center. We both resided near Eastern Market for many years and knew this was the perfect venue. The Old Navy Hospital was the ideal location due to Paul being a nurse, and of course, my Navy-Marine Corps side. The Rev. Cara Spacarelli from Christ Church married us in front of a large group of family, friends and friendly professionals.

 

What non-LGBT issue are you most passionate about?

Hunger. Too many people within local communities go without daily meals. This is where people can make a difference through monetary or subsistent donations to local food banks. Feed your neighbors. This makes a huge difference.

 

What historical outcome would you change?

The Cuba embargo should have been lifted years ago. It’s a rewarding moment to see America back on the right track of good neighboring. This sets a good example for future generations.

 

What’s been the most memorable pop culture moment of your lifetime?

The last episode of “The Carol Burnett Show.” It was the great finale of an entertainment era.

 

On what do you insist?

No cell phones during a conversation.

 

What was your last Facebook post or Tweet?

My husband and I are currently traveling to San Diego via the rest of America in our retirement “victory lap.” The drive has brought us to places we have always wanted to visit where they are all clearly documented on Facebook. I have a terrific photo at Johnny Mercer’s gravesite, which should be up this week. For the non-gays who might read this, go look up Johnny Mercer.

 

If your life were a book, what would the title be?

“My Feet Have Wings”

 

If science discovered a way to change sexual orientation, what would you do?

Don’t alter a thing. People’s identities are what make this world spin. Nature is wonderful in this way.

 

What do you believe in beyond the physical world? 

Music

 

What’s your advice for LGBT movement leaders?

Keep the momentum going and don’t stop.

 

What would you walk across hot coals for?

Paul

 

What LGBT stereotype annoys you most?

I spent the better part of my life supporting and defending people’s freedoms. Be yourself. Nothing really bothers me.

 

What’s your favorite LGBT movie?

“The Birdcage” of course. A laugh-out riot. I saw it in the theater with my straight Marine buds who fell on the floor laughing.

 

What’s the most overrated social custom?

Texting before a phone call.

 

What trophy or prize do you most covet?

Handwritten letters from my Marines.

 

What do you wish you’d known at 18?

That it all works out.

 

Why Washington?

Paul and I enjoyed every moment of our time in Washington, D.C. To personally witness its transformation toward its current gentrified state has been a pleasure. And, to be aboard our nation’s capital during so many moments of history starting from the Reagan era, every presidential inauguration, to births and memorials, all while history unfolded. Some of which, we were part of. What a great place during a great time.

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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