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Surrey with the ‘Fringe’ on top

Summer festival returns for 10th anniversary season

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Fringe Festival, gay news, Washington Blade
Fringe Festival, gay news, Washington Blade

Sean Mccomas as Kip and John Brougher as James in ‘Straight Faced Lies.’ (Washington Blade photo by Michael Key)

‘St. Jimmy Celebrates ‘The Food at Our Feet’’

Dance Place: Hyman M. Perlo Studio

3225 8th St., N.E.

July 18 at 3 p.m.

July 19 at 4:45 p.m.

July 22 at 8:45 p.m.

July 24 at 8:15 p.m.

July 15 at 9 p.m.

July 26 at 4 p.m.

$17

 

‘Straight Faced Lies’

Logan Fringe Arts Space

1358 Florida Ave., N.E.

July 10 at 8:15 p.m.

July 12 at noon

July 14 at 6:30 p.m.

July 19 at 5 p.m.

July 23 at 6:30 p.m.

July 26 at 12:15 p.m.

$17

 

All shows and details at capitalfringe.org

 

Fringe Festival, gay news, Washington Blade

Kim Tuvin as Cathy and Christian Sullivan as Joe in ‘Straight Faced Lies.’ (Washington Blade photo by Michael Key)

For all the talk of Washington being more of a theater town than people realize, when Julianne Brienza moved here more than a decade ago, she found it lacking in some key elements.

For one thing, she says she found a livelier arts and culture scene in the City of Brotherly Love.

“I was really surprised that the city was not as lively as Philadelphia was. I just kind of thought that all major cities were somewhat similar,” Brienza says.

Brienza returned to Philadelphia for its Fringe Festival and after coming back to D.C., decided that the District could benefit from having one of its own. She consulted with Damian Sinclair, Capital Fringe’s other co-founder, and they decided they needed to bring the Fringe Festival to D.C.

The Capital Fringe Festival (capitalfringe.org) celebrates its 10th anniversary this year and runs through Aug. 2 at various venues throughout D.C. It had its kick-off Thursday.

Fringe festivals began in 1947 in Edinburgh, Scotland as an alternative festival that would run at the same time as the Edinburgh International Festival. Since then, Fringe festivals have arrived all over the United Kingdom, Europe, Canada, Australia and the United States.

Capital Fringe has grown to be the second largest Fringe Festival in the United States. Over the past decade it has managed to generate $1.7 million for artists, premiered more than 600 new works and also provided 886 paid positions. On average, about 130 shows are brought to the Fringe festival each year.

Hopefuls can go online to submit their proposals for shows and spots are given on a first-come, first-served basis.

Brienza says that the focus of Fringe Festival isn’t about individual shows but more about the performing arts community as a whole succeeding and collaborating together in the District.

“It’s about a place for artists to really network and form companies and do things outside of the festival,” Brienza says. “The festival is just a launching pad for other things to happen in the city with the performing arts.”

Mark Williams, playwright of “Straight Faced Lies,” and Jimmy Grzelak, playwright and star of his solo show “St. Jimmy Celebrates ‘The Food at Our Feet,’” are both returning. This will be Williams’ third Fringe and Grzelak’s second. Both are gay.

Williams wrote poetry in high school and half-heartedly decided to apply for the dramatic writing program at New York University.

“They wanted creative material so I was like, ‘Here’s all my sad boy poetry, take that,’” Williams says. “I think it actually had peanut butter stains on it. I put no real thought or effort into it.”

He didn’t expect the program to lead him toward playwriting in the long term and was pleasantly surprised.

“When I saw my first play in front of an audience at the end of freshman year it just hooked me,” Williams says. “It was like magic. I couldn’t stop.”

Williams’ first play showcased at Capital Fringe was titled “Recovery” in 2013. He returned again in 2014 with his play “The Other Day.” This year “Straight-Faced Lies” tells the story of a dysfunctional family Thanksgiving that includes a loving wife and mother preparing for her husband’s arrival home from jail, a drunk and homeless aunt and a closeted gay son who is outed by his lover at dinner, among other shenanigans.

Capital Fringe provides the venue for these plays to be shown as well as handling the main marketing to promote the shows. The playwright must handle all other fees, including costumes, payment to cast, crew and director and any other costs. Williams funded his show by saving up his money in little ways and “not eating a $10 salad for lunch every day.”

The play will also have a special timely political twist as those who wish to get married can bring their marriage license and can be married by an officiated cast member after the play.

Williams says the decision to include a marriage ceremony at the play came right after the Supreme Court’s decision to legalize marriage across the country and decided it would be a fun celebration after the play.

Grzelak’s “St. Jimmy Celebrates ‘The Food at Our Feet’” is the culmination of a project Grzelak began right after college. He received a grant from the alumni of Williams College to travel the world for 365 days to “increase international understanding and world peace.” Grzelak used the grant to meet different people around the world who claimed to be God.

“They didn’t have any specific requirements for the project,” Grzelak says. “They kind of just said go out there and find yourselves and that’s what I tried to do.”

While meeting different gurus, teachers and other people who claimed to be saints or gods, Grzelak, whose first play “How to be a Terrorist” was in Capital Fringe in 2013, made a peculiar connection.

“I noticed a difference between different religious leaders and cooking hosts,” Grzelak says. “I really think that those two things in the end are not so different. The project is putting that crazy idea out there and showing how it might not be so crazy in the end.”

He describes his solo show as “a cooking show meets a church service.” The show explores the connection between religious teachers like the Buddha and cooking hosts such as Rachael Ray and Paula Deen.

Shows like “Straight-Faced Lies” and “St. Jimmy Celebrates ‘The Food at Our Feet’” can be the kick-off for more theater success down the road. Both Williams and Grzelak have showcased their work at other Fringe Festivals in the country.

Brienza notes that many artists from Capital Fringe have taken their shows beyond the festival and started theater companies such as Pinky Swear Productions, to show their work year-round in the District. Its “The Last Burlesque” is in the festival this year.

It’s a goal many artists at Capital Fringe would love to have the opportunity to do for D.C. audiences.

“I’m especially excited for access to an audience in D.C.,” Grzelak says. “D.C. audiences are so politically well-versed. There’s a real reason for Fringe to exist there, despite there already being a lot of thinking and art happening in the city.”

Fringe Festival, gay news, Washington Blade

Kip (Sean Mccomas) and James (John Brougher) share an intimate moment in ‘Straight Faced Lies.’ (Washington Blade photo by Michael Key)

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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

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Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.” 

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

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Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free. 

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3. 

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game. 

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances. 

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace. 

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary. 

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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