Arts & Entertainment
Gaining ‘Momentum’
DJ Alyson Calagna kicks off Cherry with Apex party


DJ Alyson Calagna says she likes to start her sets slow and work to a boil. (Photo courtesy of the Cherry Fund)
Cherry Fund’s annual charity circuit party may have officially kicked off Thursday, but the party has barely started with more events all day Friday, Saturday and Sunday.
The big party tonight is Momentum hosted by Miss Foozie at Apex (1415 22nd St., N.W.) with lesbian DJ Alyson Calagna and DJ Steve Henderson.
With a line-up of mostly male DJs, Calagna, who has been spinning for 19 years, kind of sticks out of the crowd, and she likes it that way.
“It feels pretty good … now things have changed and it’s a lot easier to be a girl DJ,” Calagna says. “I have a much more masculine essence so its good to be among the boys.”
She doesn’t stay at one club and spin, but tours and goes somewhere new every weekend, with fans sometimes traveling to hear her at the bigger parties.
Circuit parties don’t seem to be as big as they once were, and Calagna thinks it’s just the way the club culture goes every five or six years with peaks and drops.
“Right now, I think we’re in a bit of a reorganizing phase, weeding out what’s not working, changing things,” she says. “There are some circuit parties that do really, really well.”
Music has always been a part of Calagna’s life.
When she was young, she wanted to be a radio DJ, until she started clubbing.
She became a resident dancer at a teen club, getting close to the different DJs there. One night, she went up to the DJ and just asked if he’d teach her.
“The first time I went to his studio where he practiced, that was it … I knew the moment I touched a turntable, that was what I wanted to do,” Calagna says, adding she almost gave up dancing right there.
This isn’t Calagna’s first turn at Cherry.
“I play a lot of circuit parties … Cherry is one of the ones that really still stands for something,” Calagna says. “I really like what they’re doing.”
Her style is house-based, but Calagna doesn’t stay in a single genre or follow a set list when she spins, rather going with the vibe of the crowd, comparing what she does to a chef visiting another country and changing regional recipes to fit his style of cooking.
Don’t expect the music to be fast and rocking right away tonight. That’s one of her biggest DJ pet peeves, time-appropriate music.
“I start deeper and more soulful and melodic in the beginning because I don’t like to bang out clubs until there’s a lot of people in there,” Calagna says. “I like the music to start slow and kind of build.”
Calagna does get paid for her appearance at Cherry, but she gives the organizers a big break and she donates a large portion of the money she receives to the Cherry Fund, which benefits AIDS charities.
Calagna is probably looking forward to seeing the other DJs on Saturday night at the main event the most.
“I’ve always really enjoyed playing in D.C.” she says. “I love the city … I’m looking forward to having the next night off.”
DJs Oscar G, BennyK and Town’s own Wess will be spinning at Town (2009 8th St., N.W.) from 9 p.m. to 4 a.m. with performances by Macaviti and the Ladies of Town.
Friday also has two other events, a fashion show at Caramel Boutique (1603 U St., N.W.) with local designer Andrew Nowell from 2 to 8 p.m. and a bachelor auction at Town with DJ Bandit and D.C. Bear Crue from 7 to 9 p.m.
After the main event on Saturday is an after-hours party at Fur (33 Patterson St., N.E.) with DJ Peter Rauhofer from 4 to 9:30 a.m.
Sunday continues with a Tea Dance at Cobalt (1639 R St., N.W.) from noon to 4 p.m. with DJ Mike Reimer and Ovation with DJs Stephan Grondin and Sin Morera from 7 p.m. to 2 a.m. at Ultrabar (911 F St., N.W.).
For more information and to purchase tickets to events, visit cherryfund.org.
a&e features
Doug Spearman takes his chance
‘Noah’s Arc: The Movie’ debuted on Paramount+ last month

There’s no question that when Patrik-Ian Polk’s series “Noah’s Arc” premiered on Logo 20 years ago, it was a groundbreaking creation. The story of a group of Black gay men and their wonderful friendship. The titular arc was that of the cute main character, Noah (Darryl Stephens), and his close-knit circle of friends, including Chance played by gay actor Doug Spearman. This compelling and loving fraternity may, in fact, be what brought viewers back repeatedly, including a 2008 movie, “Noah’s Arc: Jumping the Broom,” as well as the 2020 “Noah’s Arc” short, and now, a new full-length feature “Noah’s Arc: The Movie,” debuting on Paramount+ on June 20. In the movie, filled with equal measures of laughs and tears, Chance, who has faced a devastating loss, finds his dependable friends there, ready to support and comfort him at a moment’s notice. I had the pleasure of speaking with Spearman the morning of the streaming premiere of “Noah’s Arc: The Movie.”
WASHINGTON BLADE: Doug, since the early 2000s, when the “Noah’s Arc” series premiered on Logo, you have been playing the character of Chance, including in the latest installment, “Noah’s Arc: The Movie.” What was it about Chance that appealed to you as an actor?
SPEARMAN: When Patrik (-Ian Polk) called me to ask me to play him (Chance), I was at JFK airport in the baggage claim, waiting for a suitcase. He explained what the part was. The thing that stuck out to me was the fact that Chance was in a long-term relationship with another Black man. And, they had a child; they had a 4-year-old daughter named Kenya. I had never seen two Black gay men raise a child on TV before. I thought it was the most revolutionary thing I’d ever seen. I immediately thought I’ve got to do this because that was something nobody had seen. I thought it was incredibly important to take the part.
BLADE: “Noah’s Arc: The Movie” was, once again, written and directed by Patrik-Ian Polk, who you just mentioned, is the creator of the entire franchise. What’s the secret to your long-standing working relationship?
SPEARMAN: [Laughs] the whole team, all of us, are like a band of brothers. We fight like brothers, we come together like brothers, we hash things out, we talk, because we’re all very different from our characters. I think the challenge of playing these guys and then uplifting these men, playing a part, especially something written by Patrik, is like solving a math equation. There’s always a challenge that’s enjoyable for me as an actor: to try to find out what it is that Patrik wants, and then how do I do it.
BLADE: I think you do a very good job of it.
SPEARMAN: Thank you very much
BLADE: In the years between “Jumping the Broom” and the new full-length movie, many changes have occurred, and the story addresses some of them, including gay widowhood, which is something that the aging community is now confronting, as well as mental health issues. Please say a few words about how you approached those subjects in the new movie.
SPEARMAN: I had a lot of loss in my life, right before we started shooting. Two months before we started shooting the first series, my mother died. I was going through the grief process through that whole first season. Since then, I’ve lost a lot of people in my life. In fact, when we started shooting the second season, the second week we were shooting, my ex died of a heart attack. I was having to fold that into what I was doing with my life on the set and off the set. You’ve got to show up and you’ve got to do your work. The first two seasons of “Noah’s Arc” are always tinged with the memory of grief. So, when I had to deal with the death that Chance faces (in the new movie), which is a significant death in his life, it wasn’t that hard to reach back, especially the scene in the graveyard. It was something that I unfortunately could pull from personal experience.
BLADE: Shifting gears, the movie features delightful cast surprises, including Jasmine Guy and TS Madison. Did you have a chance to interact with either or both when they were on set?
SPEARMAN: No, I didn’t have any scenes with Jasmine, and I missed her. I wish I had gotten to see her because I actually got to direct Jasmine for a CBS promo shoot for “Queen,” back in the early ‘90s. I had a huge crush on her when she was on “A Different World.” So, I really would have liked to reconnect. But TS and I got to see each other every day because I was in all her scenes. It was extraordinary being around somebody like that. That is one outspoken woman!
BLADE: Even though Beyoncé never makes an appearance in the movie, there’s a lot of talk about her. Would you say you are a Beyoncé fan?
SPEARMAN: Yes! I’m breathing! Yes, I’m a Beyoncé fan. I actually got the chance to meet her. I knew her mom. Her mom was extraordinary to me. She is in the second movie I directed. She also gave us a wedding gown to use in the very first scene of the movie. That family is extraordinarily important to me. Not only just to be a fan, but to be somebody who’s gotten to know them and work with them and see how hard they work. I don’t think anybody works as hard as Tina or Beyoncé.
BLADE: There was a recent news item about gay actor Benito Skinner of the Amazon Prime series “Overcompensating” being told not to bother auditioning for straight roles. As an out actor yourself, how important do you think it is for queer characters to be portrayed by queer actors, and vice versa?
SPEARMAN: Being queer is a multifaceted identity. There’s no one kind of queer person. I think finding the best actor that’s your first circle of casting. I think one of the joys about being an actor is that you get to play different parts. I play straight guys all the time. Dads and husbands and things like that. I think a lot of people are told not to do it. In fact, I wouldn’t be Chance if the actor who was originally cast as Chance hadn’t been pulled out of the series by his agents because they didn’t want him to play a gay character.
BLADE: That’s amazing! Thank you for sharing that. Without giving away too much, the ending of the movie is a little ambiguous, even ending with a question mark. If there was a “Noah’s Arc: The Movie” sequel, would you come back for that?
SPEARMAN: Yeah! A lot of it would depend on what Chance’s journey is going to be like. Patrik and I have conversations like that all the time. He’s very interested and supportive of input. I hope I would be, as we all would be, part of the creative growth with these characters. They live in Patrik’s head, and he writes them, but we’re the ones who have to flesh them out. It’s a conversation, it’s always a conversation.
BLADE: You are currently performing in Molière’s “The Imaginary Invalid” as part of the New Orleans Shakespeare Festival at Tulane. What has this experience been like for you?
SPEARMAN: It’s extraordinary! I started on stage when I was seven. There’s nothing like working with a live audience and having that immediacy. I’m working with an extraordinarily talented cast in a really great play, and I have some of the best scene partners I could ever want.
BLADE: Are there any upcoming film or TV projects you’d like to mention?
SPEARMAN: I’m still a writer, and I’m still a director, and I’ve still got scripts that I would like to make. I have a little something that’s a cross between “Treme” and “Bridgerton” that I want to do. I’m always trying to figure out what the next thing is.
Photos
PHOTOS: Montgomery County Pride in the Plaza
LGBTQ celebration held in downtown Silver Spring

Montgomery County Pride in the Plaza was held on Sunday, June 29 at Veterans Plaza in Silver Spring, Md.
(Washington Blade photos by Michael Key)























The fifth annual Fredericksburg Pride march and festival was held on Saturday, June 28. A march through the streets of downtown Fredericksburg, Va. was followed by a festival at Riverfront Park.
(Washington Blade photos by Michael Key)


















