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Calendar: April 8

Parties, dances, support groups and more through April 14

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Friday, April 8

Women in Their Twenties, a social discussion and dinner group, will be meeting tonight from 8 to 9 p.m. at the D.C. Center (1318 U St., N.W.).

BYGays AllCity Happy Hour is tonight at U Street Music Hall (115A U St., N.W.) from 7 to 10 p.m. with a performance by Jessica 6 and DJs Bill Todd and Tight Fang. This is a free event.

The annual Capital Area Gay and Lesbian Chamber of Commerce awards dinner is tonight at 6:30 p.m. at the Park Hyatt Washington (1201 24th St., N.W.).

DJ Seth Gold is spinning at Town (2009 8th St., N.W.) tonight with BacK2bACk providing music and videos downstairs. Doors open at 10 p.m. For attendees 21 and older, the cover is $5 before 11 p.m. and $10 after. For attendees 18 to 20, the cover is $10 all night.

The Washington Ballet will be performing Le Corsaire, an adventure of “pirates, pashas and the slave girls who love them” at 8 p.m. in the Eisenhower Theater at the Kennedy Center (2700 F St., N.W.). Tickets range from $20 to $125 and can be purchased online. For more information and to get tickets, visit kennedy-center.org.

Busboys and Poets presents “The 11th Hour” Poetry Slam hosted by “2Deep” The Poetess, tonight from 11 p.m. to 1 a.m. in the Langston Room at Busboy & Poets’ 14th and V streets location (2021 14th St., N.W.). There will be two rounds of poetry and the audience will choose the winner. Tickets are $5 and will be sold at the door.

Saturday, April 9

Blowoff, a dance party featuring gay DJs Bob Mould and Richard Morel, will be at 9:30 club (815 V St., N.W.) tonight. Doors open at 11:30 p.m. Attendees must be 21 or older. Tickets are $12 and can be purchased at 930.com.

Jacob Nathaniel Pring presents “Come Out of the Shadows,” tonight from 10 p.m. to 3 a.m. at Green Lantern (1335 Green Court, N.W.). Part of POZ D.C., this is a monthly party for those who are HIV positive.

Ten LGBT groups are co-hosting “Grandson of Mega Party Game Night” tonight at 7:30 p.m. at Bailey’s Pub in the Ballston Common Mall (4238 Wilson Blvd.) in Arlington. You do not have to be a member of any of the groups to attend. This is a free event. For more information, visit dcicebreakers.com.

“Nine on the Ninth” open mic poetry presents Rachel Eliza Griffiths hosted by Poet in Residence Derrick Weston Brown at 9 p.m. in the Langston Room at Busboy & Poets’ 14th and V streets location (2021 14th St., N.W.). Griffith’s newest collection of poetry, “The Requited Distance,” was just released in February. There is a suggested donation of $5 for admission.

D.C.’s Different Drummers will be performing its spring concert, “A Country Portrait,” tonight at 8 p.m. in the auditorium at the Columbia Heights Educational Center (3101 16th St., N.W.). Tickets are $20 for adults and $10 for seniors and students. There will be another performance Sunday at 3 p.m. For more information and to purchase tickets, visit dcdd.org.

Burgundy Crescent Volunteers will serve as balloon wranglers in the National Cherry Blossom Parade today from 7:30 a.m. to noon on the National Mall. E-mail [email protected] if interested in volunteering.

The Polaroid Retrospective II, an ongoing exhibit dedicated to the world of Polaroid and instant film photography, is on display at the Lamont Bishop Gallery (1314 9th St., N.W.) from 7 to 11 p.m. A few of the artists included are Alan Campbell, Jati, and Jillian Pichocki.

Sunday, April 10

The fourth annual National Rainbow Seder is tonight at 5 p.m. at the Human Rights Campaign (1640 Rhode Island Ave., N.W.). It will be led by Rabbi Toby Manewith of Congregation Bet Mishpachah. Tickets are $36 for general admission and $24 are DCJCC members, student, seniors and those with limited income. For more information or to purchase tickets, visit washingtondcjcc.org.

Touchstone Gallery (901 New York Ave., N.W.) is hosting an artist talk/coffee and cake today from 2 to 4 p.m. with Janet Wheeler and Mary D. Ott, whose exhibits, “Nests with a Twist” and “Grasses” respectively, are on display through May 1.

The D.C. Jazz Jam, a weekly jam free for both musicians and jazz lovers, is tonight from 6:30 to 9:30 p.m. at Dahlak (1771 U St., N.W.).

Monday, April 11

The D.C. Lambda Squares is hosting an Intro to Modern Western Square Dancing and Open House Pizza Party tonight from 7 to 8:30 p.m. in the Scott Hall at the National City Christian Church (5 Thomas Circle, N.W.).

Bears do Yoga at Green Lantern (1335 Green Court N.W.) tonight at 6:30 p.m. Class lasts for an hour and serves as an introduction to yoga for people of all different body types and physical abilities. It’s taught by Michael Brazell. For more information, visit dccenter.org.

Tuesday, April 12

A fundraising Bingo event will be held at Nellie’s (900 U St., N.W.) tonight from 6:30 to 8 p.m. to help Jason Clauson reach his fundraising commitment of $3,000 for the 10th annual AIDS/Lifecycle cycling tour from San Francisco to Los Angeles this summer.

The Gay and Lesbian Activists Alliance will hold a membership meeting tonight from 7 to 8 p.m. at the Charles Sumner School Museum and Archive (1201 17th St., N.W.).

D.C. Bi Women is having its monthly meeting tonight from 7:30 to 9:30 p.m. in the upstairs room of the Dupont Italian Kitchen.

Wednesday, April 13

Rainbow Response is holding its monthly meeting tonight at the D.C. Center (1318 U St., N.W.) from 7 to 8 p.m.

Politics and Prose Bookstore (5015 Connecticut Ave., N.W.) is holding the first meeting of its newest book group, Lez Read, tonight from 7:30 to 8:30 p.m. in the discount bookroom downstairs. The first group up for discussion is Girl Meets Boy by Ali Smith.

Thursday. April 14

Washington Wetskins Water Polo is having a happy hour at Nellie’s (900 U St., N.W.) tonight from 5 to 8 p.m. $1 from every Nellie beer sold goes to the Wetskins. For more information on Washington Wetskins, visit wetskins.org.

There will be a town hall discussion on LGBT targeted hate crimes and bias crimes in Washington, D.C., tonight at 6:30 p.m. in the community room of the Frank Reeves Building (2000 14th St., N.W.) Representatives from GLLU, the Mayor’s Office of GLBT Affairs, Office of the Attorney General and community organizations including Gays & Lesbians Opposing Violence are expected to be in attendance.

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Photos

PHOTOS: ‘Studio 69’

Glitterati Productions hold party at Bunker

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'Studio 69' was held at Bunker on Friday. (Washington Blade photo by Michael Key)

Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week

Pride on the Pier officially launches Pride Week in D.C.

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The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.

Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.

“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”

Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip

Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.

Event Details:

📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026 

⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

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Theater

National tour of ‘Gatsby’ comes to National Theatre

Out actor Edward Staudenmayer talks playing the show’s gangster

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Edward Staudenmayer plays Meyer Wolfsheim in ‘The Great Gatsby.’ (Photo courtesy National Theatre)

‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com

Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read. 

Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan. 

It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”  

Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24). 

While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater. 

WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?

EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”]. 

There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball. 

BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life. 

STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].

BLADE: When did the 1925 novel first surface on your radar? 

STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel. 

Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students. 

BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?

STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.  

Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel. 

BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?

STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer. 

BLADE: Have you had to do that in your career?

STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy. 

It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.

BLADE: What was your coming of age like?

STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating. 

BLADE: Did he live to see your success in theater?

STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close. 

BLADE: Looking ahead, is there a part you’d especially like to play?

STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time. 

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