Arts & Entertainment
Fun for all ages
Two children’s classics among summer theatrical offerings
‘The Wind in the Willows’
Through Aug. 14
Imagination Stage
4908 Auburn Avenue, Bethesda, MD
$10-$22
301-280-1660‘Charlotte’s Web’
Through Sept. 5
Adventure Theatre
7300 MacArthur Blvd, Glen Echo, MD
$17
301-634-2270

Deidra LaWan Starnes as Charlotte in Adventure Theatre’s ‘Charlotte’s Web.’ (Photo courtesy of Adventure)
Looking for something fun to do with the kids this summer? D.C.-area family theater offers an entertaining (and air-conditioned) alternative to parks, pools and wherever else it is those little ones like to go.
And because some children-focused troupes are employing top notch local talent and turning out productions of ever-increasing quality, it’s an outing that the grownups will enjoy too.
Imagination Stage in downtown Bethesda is currently presenting “The Wind in the Willows,” a musical adaptation of the same-named 1908 classic by Kenneth Grahame. Centered mostly on the exploits of motor car-crazy Mr. Toad (of Disney World “Wild Ride” fame), it tells the tale of four anthropomorphized pals who learn the value of loyalty, friendship and home in England’s idyllic Edwardian countryside.
It is springtime and curious Mole (Christopher Wilson) leaves his hole for the riverside where he befriends gentleman versifier Rat (Vaughn Irving). Together they enjoy outdoor adventures and meet the reclusive Badger (Doug Wilder). They also are drawn into the follies of the very rich and madcap Mr. Toad (played by Sasha Olinick who recently finished his run as Mozart in Roundhouse’s “Amadeus”). He’s obsessed with the world’s latest craze- automobiles and the results are disastrous. Luckily for Toad, he has his new friends to help him out.
It’s a transporting 90 minutes. With the help of an inventive design team, director Janet Stanford (who is also the company’s artistic director) imaginatively takes the play from place to place: river rowing, underwater, court, jail and stately Toad Hall. With the driving dusters, linen suits and boaters, Katie Touart’s costumes are very Ivory Merchant but with a hint of wildlife whimsy. A rabbit, played by Maya Jackson, sports jaunty knickerbockers; a cottontail is sewn to the back of her linen vest.
The very good cast also includes Matthew Schleigh and Phillip Reid as a gang of insufferable, thieving weasels who have neither cozy homes nor posh accents. Tia Shearer nicely doubles as a maniacal girl weasel and a stinky barge woman.
Faithfully adapted by Richard Hellesen with a pleasing song score (words and music by Michael Silversher) featuring titles like “Poop Poop!” and “Poop Poop! (Reprise)” the show keeps young audiences interested. Imagination Stage’s theater is large and comfy. Loud and extra squirmy kids are advised to view the musical from a smallish glass room not unlike those airport smoking aquariums, but at a recent matinee there was no need — the children were rapt.
Over in historic Glen Echo Park, Adventure Theater is ending its season with E.B. White’s beloved “Charlotte’s Web” (cleverly adapted by Joseph Robinette). As readers may well remember, it’s the story of young farm girl Fern who saves runt piglet Wilbur from certain death. When Fern can no longer ensure that a growing Wilbur won’t become bacon, Charlotte an ingenious barn spider saves him by spinning phrases and words like “Some Pig” and “Humble” above his pen.
Staged by Serge Seiden (Studio Theatre’s associates artistic producing director), the hour long, fast-paced production is bursting with energy and positive lessons. Seiden, who is gay and the father of a young son, has brought together a group of well known local actors who seem to be having a lot of fun onstage portraying farm folk and barnyard animals. The lively, diverse six-person cast includes well-known local actors Deidre LaWan Starnes as a happy and gentle Charlotte and Chris Mancusi who effectively plays proud farmer Zuckerman, a blunt old sheep, and a cocky prize hog.
Wearing a pink baseball cap, pink T-shirt and pink Converse sneakers, David Hasty is delightful as guileless Wilbur. An obvious background in dance makes him the perfect human to play the springy young pig.
Because of Adventure’s very intimate space, some of the littler theatergoers end up interacting with the action on stage. At a Saturday matinee, they assisted Charlotte with her spelling and suggested that Wilbur turn around and see what spun messages his arachnid BFF had left for him. The actors skillfully and happily played off the tykes’ unsolicited participation.
What the company’s home venue lacks in size and comfortable seating, it more than makes up for in charming location. Shady Glen Echo has retained some architecturally interesting buildings from its amusement park past including the beautifully restored Spanish Ballroom.
In addition to a café, more recently added playground, and lots of free parking, the park boasts a gorgeous 1921 Dentzel carousel. And as the lines surely attest, an après theater ride is a big hit with Adventure’s audiences.
Celebrity News
Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey
‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt
Uncloseted Media published this interview on July 7.
By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)













Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
