Arts & Entertainment
Visit from an old friend
Studio’s ‘Habit’ spotlights Auden, Britten; features ‘Queer’ actor Harrison
Actor Randy Harrison, remembered fondly from ‘Queer as Folk,’ is in Studio’s current production, ‘The Habit of Art.’ (Photo courtesy Studio)
‘The Habit of Art’
Through Oct. 23 (extended)
The Studio Theatre
1501 14th St. NW
$35-$69
202-332-3300
With his most recent offering “The Habit of Art” (now making its U.S. premiere at The Studio Theatre), gay British playwright Alan Bennett puts the spotlight on a pair of 20th century gay cultural titans — poet W.H. Auden and composer Benjamin Britten — in the last years of their long and celebrated careers. In doing so, Bennett gives an insider’s glimpse into the mad and maddening world of artistic collaboration and gay sex after 60.
The setting is one that’s familiar to Bennett — London’s National Theatre during rehearsal for a yet-untried play. Things are going badly: The director has been called to Leeds, a couple of cast members are off performing in another show and the playwright is appalled by unapproved script changes. What’s more, Fitz (Ted van Griethuysen), an aging actor cast as an aging Auden, is still struggling with his lines.
Titled “Caliban’s Day,” the play within a play takes place in 1972. It imagines a fictional, late-in-life meeting between former collaborators Auden and Britten. Troubled by his latest project — an operatic adaptation of “Death in Venice,” Thomas Mann’s novella about an older writer in love with a boy — Britten visits his old associate at Oxford where Auden is poet in residence.
What help precisely Britten is seeking from Auden is never made clear, but interesting conversation certainly ensues nonetheless. They speak of their collaboration as young expatriates in New York City, their respective partners and Britten’s interest in young choir boys. And yes, from Auden there’s a lot of talk about penises — not surprising considering his famous poem “The Platonic Blow.” But there’s also talk of artistic survival and the importance of continued, engaging work.
Thrown into the chaotic mix at Auden’s grossly untidy cottage are Humphrey Carpenter, a ubiquitous biographer on hand to interview the artists, and a local rent boy whom Auden has ordered up for a late-afternoon quickie.
Van Griethuysen is marvelous as both the tactless Auden and the testy actor Fitz who plays him. Equally superb is Paxton Whitehead as Fitz’s witty, gay co-star Henry who takes on the role of the more buttoned-down, angsty Britten.
Other standouts in the dozen person cast include two terrific gay actors: Cameron Folmar as Donald, an earnest actor willing to go to great lengths to understand his character; and Randy Harrison (best known from Showtime’s “Queer as Folk”) who plays Tim, an actor who’s happy to doff his boxer briefs to improve a scene, and Tim’s role: the no-nonsense rent boy who resents the glaring absence of sex workers from cultural history.
“The Habit of Art” is an impressively layered work, and because Bennett wrote it, it’s also smart, touching and a teensy bit smutty. A little sense of the history helps, but isn’t necessary. James Noone’s set within a set vividly brings to life the sty that was the notoriously sloppy Auden’s Oxford digs. Director David Muse’s staging is full of energy and wit.
Fortunately for us, Bennett has followed the old adage “write about what you know” (here, perhaps more than ever before).
Sports
Gay speedskater racing toward a more inclusive future in sports
Conor McDermott-Mostowy says anti-DEI push is driving away corporate sponsors
LOS ANGELES — As the countdown begins to the February Winter Olympic Games in Milan, Pride House LA is shining a spotlight on queer athletes who are breaking boundaries both on and off the field. Among them is Team USA speedskater Conor McDermott-Mostowy – a fierce competitor and proud member of the queer community. With blistering speed on the ice and a steadfast commitment to equity in sports, Conor is doing so much more than winning medals – he’s redefining what it means to represent one’s country while representing one’s community.
McDermott-Mostowy is one step closer to the 2026 Winter Olympics after winning the recent silver and bronze medals at the U.S. Championships in speedskating. He appeared at a Nov. 1 event presented by Out Athlete Fund/Pride House LA in the organization’s efforts to raise funds to support Conor and other out athletes as they pursue their Olympic dreams in Milan 2026 and beyond.The Blade spoke to the star athlete to talk about resilience, representation, and the legacy he hopes to leave one day.
Blade: Huge congrats, Conor! Winning a World Cup gold is no small feat. Do you feel like this win proved something to the world – or more importantly, to yourself?
McDermott-Mostowy: Winning gold with my team last year was definitely a major goal achieved. That said, the event we won isn’t yet an Olympic event. The races that have had the most profound impact on me actually happened two years ago.
The first was the team pursuit in Obihiro, Japan. I’d always been more of an alternate for that event, since it’s typically raced by skaters who compete in both the 1500m and 5000m. But I’d been itching for the opportunity to race it at the World Cup level. I finally got that chance when a teammate had to pull out at the last minute due to a back issue. We led the race through six of eight laps, ultimately finishing third. While it was a little disappointing to fall out of the lead, I was proud to prove that I could contribute meaningfully and help the team medal.
The second race was later that year in Salt Lake City, my home ice. After competing in Japan, I came down with a lung infection that affected my performance at the next few World Cups. Fortunately, I had time to recover before the North American World Cups and World Championships. At the Salt Lake City World Cup, I was balancing competition with completing my undergraduate degree. I didn’t know what to expect, but I ended up finishing fifth in the 1000m—my highest individual finish ever—and posted a time of 1:06.91. That’s a very significant time in speedskating; only three other Americans have gone under 1:07 in that event, all of whom became world champions. That result felt like a turning point, showing me that an Olympic or World Championship medal wasn’t just a dream—it was within reach.
Blade: This PrideHouse LA event is a huge moment. What does that support from the queer community mean to you?
McDermott-Mostowy: It’s incredibly meaningful. Being queer in Olympic sport can be very isolating, both inside and outside the sport. I barely have time to socialize outside of skating, and relocating to Salt Lake City doesn’t exactly help when it comes to queer community. So having that kind of solidarity and support from the wider LGBTQ+ community really means a lot.
Blade: Do you remember the moment you realized skating could take you all the way to the Olympics?
McDermott-Mostowy: There hasn’t been one single moment. It’s been a series of them. Over the years, I’ve had many races that shattered the limits I thought I had and inspired me to reach higher. That Salt Lake City race was one of them. It made me realize I shouldn’t just aim for the Olympics. I should aim for medals.
Another key moment came in 2018 at my last Junior World Cup, when my teammate and I finished 2nd and 3rd in the mass start. That event is similar to short track but held on a long track. It was my first full year focusing on long track after previously dabbling in it, and we had no expectation of medaling. But after we did, I realized I might actually have a future in this discipline—and that I could be competitive on the world stage. It was a pivotal realization, especially as I was trying to decide whether to continue skating or pursue a traditional college experience.
Blade: What initially drew you to speedskating? How did you get into the sport—and what’s kept you motivated?
McDermott-Mostowy: I grew up on skates. I started at age two and became a strong skater early on. But I never had any interest in hockey or figure skating. One winter, I was skating with my family on the C&O Canal in Washington, D.C., when a guy skated past us on these wild-looking speed skates. I was immediately intrigued. My parents found a local club, which happened to be run by three-time Olympian Nathaniel Mills, and I was hooked.
What’s kept me going is simple: I love it. This isn’t a sport you get rich in. I’ve only earned more than $20,000 a year twice in my career, and you can’t use it to pay for college either. The motivation has to come from within—the pursuit of excellence, the dream of going to the Olympics, and pure love for the sport.
Blade: What’s been your toughest race to date, and what did it teach you?
McDermott-Mostowy: That would be the team pursuit in Japan. I wasn’t expecting to race it and had already competed in a full weekend of events before getting the call. Team pursuit is arguably the toughest event in speedskating. Stepping up without being mentally or physically prepared was a challenge, but I did it. It showed me I could push through, even under extreme circumstances.
Blade: You’ve made headlines not just for your speed, but for your openness. What was it like coming out publicly in the world of elite sport?
McDermott-Mostowy: By the time I was publicly identified as gay, I had already been out to anyone who asked. So “coming out” doesn’t feel like the right term. It wasn’t a big declaration. I had the benefit of growing up seeing openly gay athletes and being part of a supportive community. I never felt the need to hide who I was.
Eventually, as I started achieving more on the ice, people began noticing me and the content I posted, and they put two and two together. When I was asked to speak publicly about being an openly gay athlete in speedskating, I didn’t hesitate.
Blade: What have been the biggest challenges in your career – physically, mentally, or otherwise?
McDermott-Mostowy: Honestly, my entire career has been about overcoming challenges. The two biggest obstacles have been illness and finances.
I’ve dealt with asthma, a norovirus that derailed my chances in 2022, and a fatigue condition last season that affected my performance. These setbacks take a toll. Not just physically, but mentally. When you invest everything into your sport, being forced to pause or scale back is a huge emotional hurdle.
Financially, speedskating is a tough path. Even as a consistent top-20 skater in the world, I’ve only broken $20k twice in a year, and we’re paid for just nine months, even though we train year-round. I’ve leaned on friends and family for support many times just to make ends meet.
Blade: Have you ever been told – explicitly or implicitly – that being openly gay could hurt your chances with sponsors or coaches?
McDermott-Mostowy: Never with coaches. In our sport, selections are based on the clock, not someone’s opinion. My coaches have always been great.
But when it comes to sponsorships, especially over the past year, I’ve noticed a shift. As anti-DEI sentiment grows, brands are backing away from anything that could be seen as “controversial.” Being openly gay seems to fall into that category now. Since most of our income comes from sponsorships, that retreat is deeply felt.
Celebrity News
Jonathan Bailey is People’s first openly gay ‘Sexiest Man Alive’
‘It’s a huge honor. And it’s completely absurd.’
Actor Jonathan Bailey made history Monday after he was named People magazine’s first openly gay “Sexiest Man Alive.”
Bailey is known for his starring role in “Wicked,” as well as well-received turns in “Bridgerton” and “Fellow Travelers,” for which he was nominated for an Emmy. He returns to the big screen on Nov. 21 in the “Wicked: For Good” sequel.
Bailey announced the news on the Nov. 3 “Tonight Show” with Jimmy Fallon.
“It’s the honor of a lifetime,” Bailey, 37, said. “I want to say, Jimmy, thank you so much for turning it down so that I could be here.”
Bailey told People, “It’s a huge honor. Obviously I’m incredibly flattered. And it’s completely absurd. It’s been a secret, so I’m quite excited for some friends and family to find out.”
People launched its popular “Sexiest Man Alive” issue in 1985 with inaugural winner Mel Gibson. Last year’s winner was actor John Krasinski.
Bailey came out publicly in 2018 and founded a nonprofit, Shameless Fund, which raises money for LGBTQ organizations and issues.
LGBTQ venues Kiki and Crush Dance Bar were packed with costumed partiers on Friday night for Halloween festivities.
(Washington Blade photos by Michael Key)















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