Arts & Entertainment
Calendar: Nov. 11
Concerts, happy hours, parties and more through Nov. 17


Melissa Manchester, once a back-up singer for Bette Midler, plays Wolf Trap Thursday. (Photo courtesy of Wolf Trap)
TODAY
The Foo Fighters play Verizon Center (601 F St., N.W.) tonight at 7 p.m. with Social Distortion and The Joy Formidable. Tickets range from $37.50 to $57.50 and are available for purchase online at ticketmaster.com. Doors open at 5:30 p.m.
Green Lantern (1335 Green Court, N.W.) presents Fahrenheit with music by Anthony Murphy, tonight from 9 p.m. to 3 a.m. with free rail vodka upstairs from 10 to 11 p.m. There’s a $5 cover after 10 p.m.
This week’s Bear Happy Hour at Town (2009 8th St., N.W.) will featuring a special comedy show with Frank Liotti and special guest, Neil Thornton. Happy Hour starts at 6 p.m. and there’s no cover.
Nellie’s (900 U St., N.W.) presents Beat the Clock happy hour tonight from 5 to 8 p.m. Prices for all bottles, Miller Light and house vodka drinks start at $2 and go up a $1 every hour.
DJ Petworth of Moon/Bounce DJs, will be spinning at Red Palace (1212 H St., N.E.) tonight from 10 p.m. to close. Pentworth spins hip hop, house disco, pop and more.
The Kensington Arts Theatre (2710 Mitchell St.) presents “Hair: The American Tribal Love-Rock Musical” tonight at 8 p.m. Tickets range from $13 to $20 and can be purchased online atkatonline.org.
Saturday, Nov. 12
DJ Drew G will be spinning at Town (2009 8th St., N.W.) tonight with Wess downstairs and the drag show starting at 10:30 p.m. Doors open at 10 p.m. Cover is $8 from 10 to 11 p.m. then goes up to $12. Attendees must be 21 or older.
Zoom Urban Lesbian Excursions presents Equestrian today. The group will be meeting at Marriott Ranch (5305 Marriott Lane) Trail Ride Barn in Hume, Va. at 11:30 a.m. before going on a 90 minute guided trail ride followed by lunch. Tickets are $75 and must be purchased in advance. Visit phatgirlchic.om/zoom for more information and to purchase tickets.
Mixtape D.C. is tonight the Black Cat (1811 14th St., N.W.) from 9:30 p.m. to 2:15 a.m. Mixtape is a dance party for queer music lovers and their pals that features DJs Shea Van Horn and Matt Bailer playing an eclectic mix of electro, alt-pop, indie rock, house, disco, new wave and anything else danceable. There is a $10 cover for this all ages event.
Washington National Opera presents “Lucia di Lammermoor” at the Kennedy Center (2700 F St., N.W.) tonight at 7 p.m. “Lucia” tells the story of a woman who loses her sanity, kills her bridegroom and succumbs to madness. Tickets range from $25 to $300 and can be purchased online at kennedy-center.org.
Laurel Mill Playhouse (508 Main St.) in Laurel presents “In the Next Room (or the vibrator play)” tonight at 8 p.m. “Next Room” tells the story of Dr. Givings, who has invented a device for treating “hysteria” in women — the vibrator. Tickets range from $10 to $13. For more information, visit laurelmillplayhouse.org.
Sunday, Nov. 13
The D.C. Center (1318 U St., N.W.) is screening the film “Signified” today at 4 p.m. followed by a question-and-answer session with the creators Anna Barsan and Jessie Levandov and a panel discussion. “Signified” is a web-based, multi-platform documentary project featuring the work of queer identified individuals who are fostering, enriching and sustaining vibrant and diverse communities.
The Fridge (516 1/2 8th St., S.E.) is hosting a curators talk with Luna George and Alex Goldstein for its current exhibit, Above the Radar II, which will be on display through Dec. 3. The exhibit features more than 100 pieces by more than 140 artists, specifically, graffiti and street artists. For more information, visit thefridgedc.com.
D.C.’s Different Drummers is putting on its second annual “DCDD Does Drag Too!” fundraiser tonight at Omega D.C. (2122 P St., N.W.) at 7 p.m. There is a suggested donation of $5 at the door. For more information, visit dcdd.org.
The D.C. Kings present a “Thankful” king show tonight at Phase 1 hosted by Rock and Ken Vegas. Doors open at 7 p.m. and the show begins and 10. There’s a $10 cover for this 21-and-older event. For more information, visit dckings.com.
Monday, Nov. 14
Busboys & Poets presents its Monday open mic poetry night hosted by poet-in-residence Beny Blaq tonight at 8 p.m. at its Shirlington location (4251 S. Campbell Ave.) in Arlington. There’s a $4 cover charge for this event and wristbands will be available for purchase starting at 10 a.m. until sold out.
WEAVE, a support group for LGBT survivors of intimate partner violence/abuse will be meeting from 7 to 8 p.m. at the Lighthouse Center for Healing (5321 First Place, N.E.). For more information and to register, call 202-280-6391.
Tuesday. Nov. 15
The National Center for Transgender Equality is celebrating its eighth anniversary tonight with an event at The Mayflower Renaissance (1127 Connecticut Ave., N.W.) from 7 to 9 p.m. in the State Ballroom. Shaun Donovan, secretary of the U.S. Department of Housing and Urban Development will be the keynote speaker and Brian Bond, former Deputy Director of the White House Office of the Public Liaison and Donna Cartwright, founding NCTE board member and co-president of Pride at Work will be honored. Tickets are $125 and can be purchased online attransequality.org.
Join Burgundy Crescent Volunteers to help pack safer sex kits from 7 to 9 p.m. tonight at FUK!T’s packing location, Green Lantern, 1335 Green Ct., N.W.
Nellie’s (900 U St., N.W.) hosts its weekly “Glee” watch party tonight at 8 p.m. on the deck in the pub room.
Wednesday, Nov. 16
Owl City plays an early show at 9:30 Club (815 V St., N.W.) tonight. Tickets are $20 and can be purchased online at 930.com. Doors open at 5:30 p.m.
The D.C. Ice Breakers will be having its monthly skate and social tonight. The group will be skating at Kettler Capitals Iceplex (627 N. Glebe Rd.) in Arlington from 8:15 to 9:15 p.m. then they’ll hit a local bar for a social hour. Skating is $8 and skate rentals are $3.
Thursday, Nov. 17
Grammy-winning singer/songwriter Melissa Manchester will be performing at Wolf Trap (1645 Trap Rd.) in Vienna tonight at 8 p.m. Tickets are $35 and can be purchased online atwolftrap.org.
Busboys & Poets presents “Smokin’ Words!” a night of spoken word, poetry and other performances about the LGBT community and its struggles with smoking, tonight at its 14th and V streets location (2021 14th St., N.W.), featuring Regie Cabico, Liz Prescott and more. This is a free event and for more information, visit thedccenter.org.

The 2025 Silver Pride Resource Fair and Tea Dance was held at the Eaton Hotel on Wednesday, May 21.
(Washington Blade photos by Michael Key)










Out & About
Queer film festival comes to D.C.
DC/DOX to showcase LGBTQ documentaries made by LGBTQ filmmakers

DC/DOX will host a film festival beginning on Thursday, June 12, at the Regal Gallery Place, Eaton Cinema, and the U.S. Navy Memorial Burke Theatre.
This festival will premier LGBTQ documentaries made by LGBTQ filmmakers. Each screening will be followed by in-person Q&As with the filmmakers.
For more details, visit dcdoxfest.com
Movies
Gay director on revealing the authentic Pee-wee Herman
New HBO doc positions Reubens as ‘groundbreaking’ performance artist

In the new HBO two-part documentary, “Pee-wee as Himself,” director Matt Wolf gives viewers a never-before-seen look into the personal life of Paul Reubens, the comedic actor behind the much loved television persona, Pee-wee Herman.
Filmed before Reubens passed away in 2023 from cancer, Wolf and his creative team created the riveting documentary, interspersing several interviews, more than 1,000 hours of archival footage, and tens of thousands of personal photos.
Determined to set the record straight about what really happened, Reubens discussed his diverse influences, growing up in the circus town of Sarasota, Fla., and his avant-garde theater training at the California Institute of the Arts.
Ruebens joined the Groundlings improv group, where he created the charismatic Pee-wee Herman. He played the quirky character during the Saturday morning show, “Pee-wee’s Playhouse,” and in numerous movies, like “Pee-wee’s Big Adventure” and “Big Top Pee-wee.” He also brought Pee-wee to Broadway, with “The Pee-wee Herman Show.”
To get an enigma such as Reubens to open up was no easy task for Wolf.
“I felt determined to get Paul to open up and to be his authentic self,” acknowledged Wolf at a recent press conference. “And I was being tested and I wanted to meet my match in a way so I didn’t feel frustrated or exhausted, I felt determined but I also, it was thrilling to go this deep. I’ve never been able, or I don’t know if I ever will, go this deep with another human being to interview them in an intimate way for over 40 hours.”
Wolf described the collaborative interview experience as a dream, “like we were in a bubble where time didn’t matter.” he also felt a deep connection to the material, having come of age watching “Pee-wee’s Playhouse.”
“I wouldn’t have been able to put words to it at the time, but I think it was my first encounter with art that I felt emotionally involved in,” noted Wolf.
“He continued: “I recognize that that show created a space for a certain kind of radical acceptance where creativity thrives. And as a gay filmmaker, I also recognize things like Pee-wee Herman marrying a bowl of fruit salad at a slumber party or dancing in high heels to the song, ‘Fever.’ That stuff spoke to me. So that was my connection to it.”
During the documentary, Reubens comes out as a gay man.
“Paul went into this process wanting to come out,” said Wolf. “That was a decision he had made. He was aware that I was a gay filmmaker and had made portraits of other gay artists. That was the work of mine he was attracted to, as I understood. And I wanted, as a younger person, to support him in that process, but he also was intensely sensitive that the film would overly emphasize that; or, focused entirely from the lens of sexuality when looking at his story.”
Their complicated dynamic had an aspect of “push and pull” between them.
“I think that generational difference was both a source of connection and affinity and tension. And I do think that the level to which Paul discusses his relationships and intimacy and vulnerability and the poignant decision he made to go back into the closet. I do have to believe to some extent he shared that because of our connection.”
Wolf hopes that the “Pee-wee as Himself” positions Reubens as one of the most “groundbreaking” performance artists of his generation who in a singular way broke through into mainstream pop culture.
“I know he transformed me. He transformed how I see the world and where I went as a creative person. And it’s so clear that I am not alone in that feeling. For me, it was fairly abstract. I couldn’t necessarily put words to it. I think people who grew up on Pee-wee or were big fans of Pee-wee, seeing the film, I hope, will help them tap into intangible and specific ways how transformative his work was for them. It really is a gift to revisit early seminal experiences you had and to see how they reverberate in you.”
He added: “So, to me, this isn’t so much about saying Paul Reubens is a genius. I mean, that’s overly idealizing and I don’t like hero worship. It’s more about understanding why many of us have connected to his work and understanding where he lives within a legacy of performance art, television, and also, broader pop culture.”
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