Arts & Entertainment

A new ‘Phase’

Oldest lesbian bar in the country settles into new Dupont Circle location

Published

14 years ago

February 9, 2012

From left, Phase 1 owner Alan Carroll, Steve Dellerba and Phase Manager Angela Lombardi at the bar's new Dupont Circle location. The original Phase remains in Eastern Market. (Blade photo by Michael Key)

Lesbian bar Phase 1 has been just steps from the Eastern Market Metro stop since it opened in 1970, but as of Friday night, there will be a second location in Dupont Circle.

Apex closed its doors in July without advance notice. Owner Glen Thompson, who also owns the nearby gay bar Omega, sold Apex to Alan Carroll, the owner of the D.C. gay clubs Ziegfelds/Secrets and the lesbian club Phase 1. This weekend, Carroll opens a new club in the Apex building at 22nd and P streets, N.W., that will cater to a mostly lesbian clientele.

The club will open in the space that formerly housed Badlands and Apex with a refinished dance floor, updated sound system, new lights and bright pink paint on the walls in the back.

It has been a long-term goal of Carroll’s to open a larger venue, according to Angela Lombardi, longtime manager of the original Phase 1, and with Apex closing, it just seemed right.

“A lot of lesbians live in Northwest and it’s a popular gay part of town,” Lombardi says of the Dupont area.

The new location will feature much more space than the original and is being touted as the East Coast’s largest lesbian bar.

Size isn’t the only difference between the two locations. The vibe will be a little different too.

“Phase 1 … is the kind of place where you can sit down and have a conversation with the bartender,” Lombardi says of the vibe. “Phase 1 Dupont, we’re going to be more super-high volume, louder music, more dancing and just straight-up partying as opposed to just chilling … like at old school Phase.”

The grand opening weekend will feature a lineup of DJs including DJs Rosie and Natty Boom on Friday and DJs Ri-Mix and Joshua on Saturday.

The club will most likely have rotating DJs with a possible regular DJ in the back bar once it finds its footing.

“We want to keep people interested and have a bunch of variety,” Lombardi says. “We’re going to try to do some more indie queer stuff and some more off-the-wall events in that back bar too.”

They are also working on getting the D.C. Kings and the D.C. Gurly Show performing at the new location.

“All the people that have supported us at the old Phase … we would love for them to come to the new venue,” Lombardi says of the performance groups.

They might have some monthly events, but for the most part, the club will only be open on Thursdays, Fridays and Saturdays.

One new weekly event is already planned. Steve Dellerba, longtime manager and one of the part owners of Ziegfeld’s/Secrets, which Carroll owns as well, will be running Jock U, an event that will cater to men.

“It will be open to everybody, but it is a men’s night,” Dellerba says. “With the club being predominately for women the other night, we wanted one night geared toward the men and give something back to them.”

The weekly event will feature a rotation of DJs including Randy White, DJ Wess, Joey O and more and the bartenders will be wearing athletic attire such as wrestling, football and soccer gear.

For the kickoff party on Thursday, DJ Steven Henderson from Chicago will be in the main room and there will be an amateur DJ competition in the video room, the winner of which will win a free night at Secrets on the main floor.

“We wanted to find some new talent,” Dellerba says. “We had … a lot of guys coming out who wanted to play so we said, why don’t we just let everyone play a little bit and we’ll see who’s the best.”

The night will also feature go-go boys, Absolut shot boys and a few special surprises throughout the night.

The kickoff will be sponsored by Universal Gear, Absolut, Red Bull and Cherry 2012.

For the most part, Phase’s Jell-O wrestling events will remain at the original location, except during Pride season.

“It was so insane this year at the old location, that we probably will take it to the new location,” Lombardi says.

The new location will probably bring some changes to PhaseFest, the bar’s annual indie queer music fest, this year as well.

The first night will most likely stay at the original location but then Friday and Saturday night will be at Dupont.

“We’re kind of already talking about it,” Lombardi says. “Having such a higher capacity venue really opens up the door to having some really big names. It should give us a lot more wiggle room and more options to really see how big we can take it this year.”

Like the original, the Dupont location will be a 21-and-older club.

“I feel their pain,” Lombardi says of the younger lesbians without their own place to party. “I know that Apex successfully did it, but it’s just not something [Carroll] really wants to take on.”

Lombardi will be co-managing the new location with Dellerba and says she will miss the original location.

“I’ve been there for seven years,” Lombardi says. “Basically, everyone who works there is my family on some level. I like being behind the bar. It’s going to be kind of weird and different managing a club of this size.”

The Dupont location doesn’t mean she won’t be at the original Phase. Lombardi will still be found there every Thursday night and on Sundays for special events.

“Those two days back … are gonna keep me grounded,” she says.

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Photos

PHOTOS: ‘Studio 69’

Glitterati Productions hold party at Bunker

Published

11 hours ago

May 11, 2026

Michael Key

'Studio 69' was held at Bunker on Friday. (Washington Blade photo by Michael Key)

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Arts & Entertainment

Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week

Pride on the Pier officially launches Pride Week in D.C.

Published

17 hours ago

May 11, 2026

Staff reports

The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.

Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.

“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”

Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.

Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.

Event Details:

📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026

⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater

National tour of ‘Gatsby’ comes to National Theatre

Out actor Edward Staudenmayer talks playing the show’s gangster

Published

2 days ago

May 10, 2026

Patrick Folliard

Edward Staudenmayer plays Meyer Wolfsheim in ‘The Great Gatsby.’ (Photo courtesy National Theatre)

‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com

Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.

Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.

It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”

Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).

While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.

WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?

EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].

There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.

BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.

STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].

BLADE: When did the 1925 novel first surface on your radar?

STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.

Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.

BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?

STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.

Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.

BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?

STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.

BLADE: Have you had to do that in your career?

STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.

It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.

BLADE: What was your coming of age like?

STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.

BLADE: Did he live to see your success in theater?

STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.

BLADE: Looking ahead, is there a part you’d especially like to play?

STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.