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A new ‘Phase’

Oldest lesbian bar in the country settles into new Dupont Circle location

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From left, Phase 1 owner Alan Carroll, Steve Dellerba and Phase Manager Angela Lombardi at the bar's new Dupont Circle location. The original Phase remains in Eastern Market. (Blade photo by Michael Key)

Lesbian bar Phase 1 has been just steps from the Eastern Market Metro stop since it opened in 1970, but as of Friday night, there will be a second location in Dupont Circle.

Apex closed its doors in July without advance notice. Owner Glen Thompson, who also owns the nearby gay bar Omega, sold Apex to Alan Carroll, the owner of the D.C. gay clubs Ziegfelds/Secrets and the lesbian club Phase 1. This weekend, Carroll opens a new club in the Apex building at 22nd and P streets, N.W., that will cater to a mostly lesbian clientele.

The club will open in the space that formerly housed Badlands and Apex with a refinished dance floor, updated sound system, new lights and bright pink paint on the walls in the back.

It has been a long-term goal of Carroll’s to open a larger venue, according to Angela Lombardi, longtime manager of the original Phase 1, and with Apex closing, it just seemed right.

“A lot of lesbians live in Northwest and it’s a popular gay part of town,” Lombardi says of the Dupont area.

The new location will feature much more space than the original and is being touted as the East Coast’s largest lesbian bar.

Size isn’t the only difference between the two locations. The vibe will be a little different too.

“Phase 1 … is the kind of place where you can sit down and have a conversation with the bartender,” Lombardi says of the vibe. “Phase 1 Dupont, we’re going to be more super-high volume, louder music, more dancing and just straight-up partying as opposed to just chilling … like at old school Phase.”

The grand opening weekend will feature a lineup of DJs including DJs Rosie and Natty Boom on Friday and DJs Ri-Mix and Joshua on Saturday.

The club will most likely have rotating DJs with a possible regular DJ in the back bar once it finds its footing.

“We want to keep people interested and have a bunch of variety,” Lombardi says. “We’re going to try to do some more indie queer stuff and some more off-the-wall events in that back bar too.”

They are also working on getting the D.C. Kings and the D.C. Gurly Show performing at the new location.

“All the people that have supported us at the old Phase … we would love for them to come to the new venue,” Lombardi says of the performance groups.

They might have some monthly events, but for the most part, the club will only be open on Thursdays, Fridays and Saturdays.

One new weekly event is already planned. Steve Dellerba, longtime manager and one of the part owners of Ziegfeld’s/Secrets, which Carroll owns as well, will be running Jock U, an event that will cater to men.

“It will be open to everybody, but it is a men’s night,” Dellerba says. “With the club being predominately for women the other night, we wanted one night geared toward the men and give something back to them.”

The weekly event will feature a rotation of DJs including Randy White, DJ Wess, Joey O and more and the bartenders will be wearing athletic attire such as wrestling, football and soccer gear.

For the kickoff party on Thursday, DJ Steven Henderson from Chicago will be in the main room and there will be an amateur DJ competition in the video room, the winner of which will win a free night at Secrets on the main floor.

“We wanted to find some new talent,” Dellerba says. “We had … a lot of guys coming out who wanted to play so we said, why don’t we just let everyone play a little bit and we’ll see who’s the best.”

The night will also feature go-go boys, Absolut shot boys and a few special surprises throughout the night.

The kickoff will be sponsored by Universal Gear, Absolut, Red Bull and Cherry 2012.

For the most part, Phase’s Jell-O wrestling events will remain at the original location, except during Pride season.

“It was so insane this year at the old location, that we probably will take it to the new location,” Lombardi says.

The new location will probably bring some changes to PhaseFest, the bar’s annual indie queer music fest, this year as well.

The first night will most likely stay at the original location but then Friday and Saturday night will be at Dupont.

“We’re kind of already talking about it,” Lombardi says. “Having such a higher capacity venue really opens up the door to having some really big names. It should give us a lot more wiggle room and more options to really see how big we can take it this year.”

Like the original, the Dupont location will be a 21-and-older club.

“I feel their pain,” Lombardi says of the younger lesbians without their own place to party. “I know that Apex successfully did it, but it’s just not something [Carroll] really wants to take on.”

Lombardi will be co-managing the new location with Dellerba and says she will miss the original location.

“I’ve been there for seven years,” Lombardi says. “Basically, everyone who works there is my family on some level. I like being behind the bar. It’s going to be kind of weird and different managing a club of this size.”

The Dupont location doesn’t mean she won’t be at the original Phase. Lombardi will still be found there every Thursday night and on Sundays for special events.

“Those two days back … are gonna keep me grounded,” she says.

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Egypt

Iran, Egypt play in World Cup ‘Pride Match’

FIFA allowed Pride flags inside Seattle stadium

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(Screen capture via KOMO News/YouTube)

Iran and Egypt on Friday faced off during the World Cup’s “Pride Match” in Seattle.

Iran is among the handful of countries in which consensual same-sex sexual relations remain punishable by death. Discrimination and persecution based on sexual orientation and gender identity is commonplace in Egypt.

Friday’s match coincided with Pride weekend in Seattle. The Egyptian Football Association and the Football Federation Islamic Republic of Iran both objected to playing in the “Pride Match.”

Egypt and Iran tied 1-1.

FIFA, for its part, allowed Pride flags inside the stadium during the match.

“The FIFA World Cup 2026 is an inclusive event that welcomes people from all backgrounds,” a FIFA spokesperson told the Washington Blade in a statement. “Fans of all sexual orientations and gender identities are welcome at matches and events. General statements of human rights, including rainbow flags and other flags representing sexual orientation and gender identity, are permitted under the FIFA World Cup 2026™ Stadium Code of Conduct and may be displayed inside stadiums provided they are used in a manner consistent with the code.”

Human Rights Watch welcomed FIFA’s decision to allow Pride flags inside the stadium. Outright International, a global LGBTQ and intersex rights group, distributed Pride flags in Seattle on Friday, which was Pride Match Day.

“Visibility matters,” said Outright International Executive Director Maria Sjödin. “Pride is now being celebrated in more than 100 countries, including this weekend in Seattle. For many LGBTIQ people, seeing a Pride flag in public is a reminder that they are not alone, and that their rights and dignity are recognized.”

FIFA President Gianni Infantino earlier this year told Die Weltwoche, a Swiss magazine, that “there will be no ‘Pride Match’ at the (FIFA) World Cup.”

“There will be a FIFA World Cup match in Seattle, and on the same day, events organized by external organizations will be taking place in the city,” said Infantino. “But that has nothing to do with the match itself.”

Peter Tatchell, a long-time LGBTQ activist from the U.K. who is director of the Peter Tatchell Foundation, was among those who traveled to Seattle for Friday’s match. Tatchell accused FIFA of not vetting World Cup teams — specifically Iran, Egypt, Saudi Arabia, Ghana, Senegal, Qatar, Tunisia, Morocco, Iraq, Uzbekistan, and Algeria — over whether they would allow gay players.

“FIFA is protecting LGBT+ visibility in the stands while failing to protect LGBT+ players on the pitch,” said Tatchell.

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Photos

PHOTOS: Frederick Pride Parade

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A scene from the 2026 Frederick Pride Parade. (Washington Blade photo by Michael Key)

The second annual Frederick Pride Parade was held in the streets of downtown Frederick, Md. on Friday, June 26.

(Washington Blade photos by Michael Key)

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Theater

Carla Hall goes from ‘Top Chef’ to the stage

Solo show ‘Please Underestimate Me’ premieres at Olney

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Carla Hall stars in ‘Please Underestimate Me.’ (Photo by Marvin Joseph)

‘Please Underestimate Me’
Through July 12
Olney Theatre Center
at Mulitz-Gudelsky Theatre Lab
2001 Olney-Sandy Spring Rd.
Olney, Md.
$47-$101
Olneytheatre.org

Carla Hall gained celebrity status from Bravo TV’s “Top Chef.” She was funny and fun, and with her kooky signature catch phrase “Hooty hoo” and the southern-inspired recipes she lovingly cooked, Hall stood out in a kitchen crammed with contestants. 

Now the D.C.-based Hall is taking revisiting her earliest love with the world premiere of her solo show “Please Underestimate Me,” currently running at Olney Theatre Center’s intimate and revamped Mulitz-Gudelsky Theatre Lab. 

In the 90-minute piece (written by Hall, Lori Kaye, and Kaye’s partner Leslie Thomas; and directed by Lili-Anne Brown), Hall leads with food but quickly swerves into her personal and other aspects of her professional life. Built around an immersive fictional TV cooking show, her new play draws on experiences from her seven seasons (2011-2019) co-hosting cooking/chat show “The Chew”an ABC daytime proving ground, and her heady years on “Top Chef.” (2008, 2010). 

Born and raised in Nashville, Hall wanted to attend Boston University to major in theater, but was rejected. Instead, she went to Howard University at her mother’s urging, where she ultimately majored in accounting. After graduating in 1986, she donned a bespoke business suit and briefly worked as a CPA for Price Waterhouse. 

Business wasn’t for Hall. Tall and slender, she walked the runways in Paris for a while before ultimately finding her niche as a chef. Cooking seemed to come from her heart, something she learned from her grandmother who not incidentally bankrolled Hall’s way through culinary school.  

Now she’s bringing the vibrancy and good humor that made her a “Top Chef” fan favorite and a popular TV host to the stage with “Please Underestimate Me.” 

WASHINGTON BLADE: You seem a natural live performer. Were at all you nervous about doing this? 

CARLA HALL: Anytime you step outside of what you’re known for you have to take a risk and make it happen. I’d been working on this the idea for seven years. I decided that I really wanted to do a variety show and really wanted to step back into my original love of theater. 

I didn’t know what that looked like so I was asking a lot of people, actors and friends, about how to break into it. Can they see me as more than a chef? So, I told my agency to book me for voice overs, cameo roles. I got an acting coach and I was seeing a lot of single person shows. I literally embodied the thing that I wanted.

BLADE: Have you always been a vocal and public ally of the queer community?

HALL: For me, it’s natural. I came from the theater and dance world. I have a lot of gay and queer friends. 

There’s something about people being gay and queer that goes with a need to be authentic to yourself. I think that’s why you find a lot of queer people in the arts. Dare to be you. Dare to be different, right? I like that. 

BLADE: Long ago, I remember stopping by a Safeway in Wheaton to grab a sheet cake for a party. Your second or first episode of “Top Chef” had just aired. I wanted to yell “Hooty hoo” across the aisles, but was too shy. 

CARLA HALL: My catering kitchen was near that Safeway.You should have yelled. I’d have given you a hug. I’ll hug almost anyone. 

BLADE: Thanks. I think. You hear actors saying there’s nothing quite like TV fame because you’re invited into people’s living rooms. What were those days like when you started being recognized?

HALL: I like people. I tell Matthew [Matthew Lyons, Hall’s husband of 20 years], when fans say hello it’s my chance to get to learn about them. I owe them a lot; without them I wouldn’t be working.

BLADE: At Olney, Lauren M. Nichols’ surprise-filled set and Kelly Colburn’s projections of your personal snapshots from over the years are really wonderful. 

HALL: It becomes really emotional. At the end of the show, I see 12-year-old me. I’m looking at that girl, and they did a put a little crown on my head, and I’m living her dream 50 years later.

BLADE: Is the pace hard?

HALL: Seven shows a week isn’t easy. I used to say “Top Chef” was my most grueling experience…well, that was before I did this. 

BLADE: And is it gratifying?

HALL: At the end of the day, yes. Look, this play is filled with personal highs and lows and emotionally it’s exhausting. It’s also rewarding. Two weeks before the show started, I wasn’t sure I could do this. 

BLADE: But of course, you are doing it. And you’re doing it so well. 

HALL: A while back, I reached out to the executive producer of “The Chew” and thanked him for being the messenger of my lessons. Without those experiences I wouldn’t be here now doing “Please Underestimate Me.” My confidence has definitely grown. I’m a firm believer that everything that happens to you is for you. 

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