Arts & Entertainment
A new ‘Phase’
Oldest lesbian bar in the country settles into new Dupont Circle location

From left, Phase 1 owner Alan Carroll, Steve Dellerba and Phase Manager Angela Lombardi at the bar's new Dupont Circle location. The original Phase remains in Eastern Market. (Blade photo by Michael Key)
Lesbian bar Phase 1 has been just steps from the Eastern Market Metro stop since it opened in 1970, but as of Friday night, there will be a second location in Dupont Circle.
Apex closed its doors in July without advance notice. Owner Glen Thompson, who also owns the nearby gay bar Omega, sold Apex to Alan Carroll, the owner of the D.C. gay clubs Ziegfelds/Secrets and the lesbian club Phase 1. This weekend, Carroll opens a new club in the Apex building at 22nd and P streets, N.W., that will cater to a mostly lesbian clientele.
The club will open in the space that formerly housed Badlands and Apex with a refinished dance floor, updated sound system, new lights and bright pink paint on the walls in the back.
It has been a long-term goal of Carroll’s to open a larger venue, according to Angela Lombardi, longtime manager of the original Phase 1, and with Apex closing, it just seemed right.
“A lot of lesbians live in Northwest and it’s a popular gay part of town,” Lombardi says of the Dupont area.
The new location will feature much more space than the original and is being touted as the East Coast’s largest lesbian bar.
Size isn’t the only difference between the two locations. The vibe will be a little different too.
“Phase 1 … is the kind of place where you can sit down and have a conversation with the bartender,” Lombardi says of the vibe. “Phase 1 Dupont, we’re going to be more super-high volume, louder music, more dancing and just straight-up partying as opposed to just chilling … like at old school Phase.”
The grand opening weekend will feature a lineup of DJs including DJs Rosie and Natty Boom on Friday and DJs Ri-Mix and Joshua on Saturday.
The club will most likely have rotating DJs with a possible regular DJ in the back bar once it finds its footing.
“We want to keep people interested and have a bunch of variety,” Lombardi says. “We’re going to try to do some more indie queer stuff and some more off-the-wall events in that back bar too.”
They are also working on getting the D.C. Kings and the D.C. Gurly Show performing at the new location.
“All the people that have supported us at the old Phase … we would love for them to come to the new venue,” Lombardi says of the performance groups.
They might have some monthly events, but for the most part, the club will only be open on Thursdays, Fridays and Saturdays.
One new weekly event is already planned. Steve Dellerba, longtime manager and one of the part owners of Ziegfeld’s/Secrets, which Carroll owns as well, will be running Jock U, an event that will cater to men.
“It will be open to everybody, but it is a men’s night,” Dellerba says. “With the club being predominately for women the other night, we wanted one night geared toward the men and give something back to them.”
The weekly event will feature a rotation of DJs including Randy White, DJ Wess, Joey O and more and the bartenders will be wearing athletic attire such as wrestling, football and soccer gear.
For the kickoff party on Thursday, DJ Steven Henderson from Chicago will be in the main room and there will be an amateur DJ competition in the video room, the winner of which will win a free night at Secrets on the main floor.
“We wanted to find some new talent,” Dellerba says. “We had … a lot of guys coming out who wanted to play so we said, why don’t we just let everyone play a little bit and we’ll see who’s the best.”
The night will also feature go-go boys, Absolut shot boys and a few special surprises throughout the night.
The kickoff will be sponsored by Universal Gear, Absolut, Red Bull and Cherry 2012.
For the most part, Phase’s Jell-O wrestling events will remain at the original location, except during Pride season.
“It was so insane this year at the old location, that we probably will take it to the new location,” Lombardi says.
The new location will probably bring some changes to PhaseFest, the bar’s annual indie queer music fest, this year as well.
The first night will most likely stay at the original location but then Friday and Saturday night will be at Dupont.
“We’re kind of already talking about it,” Lombardi says. “Having such a higher capacity venue really opens up the door to having some really big names. It should give us a lot more wiggle room and more options to really see how big we can take it this year.”
Like the original, the Dupont location will be a 21-and-older club.
“I feel their pain,” Lombardi says of the younger lesbians without their own place to party. “I know that Apex successfully did it, but it’s just not something [Carroll] really wants to take on.”
Lombardi will be co-managing the new location with Dellerba and says she will miss the original location.
“I’ve been there for seven years,” Lombardi says. “Basically, everyone who works there is my family on some level. I like being behind the bar. It’s going to be kind of weird and different managing a club of this size.”
The Dupont location doesn’t mean she won’t be at the original Phase. Lombardi will still be found there every Thursday night and on Sundays for special events.
“Those two days back … are gonna keep me grounded,” she says.
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
The Blade may receive commissions from qualifying purchases made via this post.
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