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A new ‘Phase’

Oldest lesbian bar in the country settles into new Dupont Circle location

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From left, Phase 1 owner Alan Carroll, Steve Dellerba and Phase Manager Angela Lombardi at the bar's new Dupont Circle location. The original Phase remains in Eastern Market. (Blade photo by Michael Key)

Lesbian bar Phase 1 has been just steps from the Eastern Market Metro stop since it opened in 1970, but as of Friday night, there will be a second location in Dupont Circle.

Apex closed its doors in July without advance notice. Owner Glen Thompson, who also owns the nearby gay bar Omega, sold Apex to Alan Carroll, the owner of the D.C. gay clubs Ziegfelds/Secrets and the lesbian club Phase 1. This weekend, Carroll opens a new club in the Apex building at 22nd and P streets, N.W., that will cater to a mostly lesbian clientele.

The club will open in the space that formerly housed Badlands and Apex with a refinished dance floor, updated sound system, new lights and bright pink paint on the walls in the back.

It has been a long-term goal of Carroll’s to open a larger venue, according to Angela Lombardi, longtime manager of the original Phase 1, and with Apex closing, it just seemed right.

“A lot of lesbians live in Northwest and it’s a popular gay part of town,” Lombardi says of the Dupont area.

The new location will feature much more space than the original and is being touted as the East Coast’s largest lesbian bar.

Size isn’t the only difference between the two locations. The vibe will be a little different too.

“Phase 1 … is the kind of place where you can sit down and have a conversation with the bartender,” Lombardi says of the vibe. “Phase 1 Dupont, we’re going to be more super-high volume, louder music, more dancing and just straight-up partying as opposed to just chilling … like at old school Phase.”

The grand opening weekend will feature a lineup of DJs including DJs Rosie and Natty Boom on Friday and DJs Ri-Mix and Joshua on Saturday.

The club will most likely have rotating DJs with a possible regular DJ in the back bar once it finds its footing.

“We want to keep people interested and have a bunch of variety,” Lombardi says. “We’re going to try to do some more indie queer stuff and some more off-the-wall events in that back bar too.”

They are also working on getting the D.C. Kings and the D.C. Gurly Show performing at the new location.

“All the people that have supported us at the old Phase … we would love for them to come to the new venue,” Lombardi says of the performance groups.

They might have some monthly events, but for the most part, the club will only be open on Thursdays, Fridays and Saturdays.

One new weekly event is already planned. Steve Dellerba, longtime manager and one of the part owners of Ziegfeld’s/Secrets, which Carroll owns as well, will be running Jock U, an event that will cater to men.

“It will be open to everybody, but it is a men’s night,” Dellerba says. “With the club being predominately for women the other night, we wanted one night geared toward the men and give something back to them.”

The weekly event will feature a rotation of DJs including Randy White, DJ Wess, Joey O and more and the bartenders will be wearing athletic attire such as wrestling, football and soccer gear.

For the kickoff party on Thursday, DJ Steven Henderson from Chicago will be in the main room and there will be an amateur DJ competition in the video room, the winner of which will win a free night at Secrets on the main floor.

“We wanted to find some new talent,” Dellerba says. “We had … a lot of guys coming out who wanted to play so we said, why don’t we just let everyone play a little bit and we’ll see who’s the best.”

The night will also feature go-go boys, Absolut shot boys and a few special surprises throughout the night.

The kickoff will be sponsored by Universal Gear, Absolut, Red Bull and Cherry 2012.

For the most part, Phase’s Jell-O wrestling events will remain at the original location, except during Pride season.

“It was so insane this year at the old location, that we probably will take it to the new location,” Lombardi says.

The new location will probably bring some changes to PhaseFest, the bar’s annual indie queer music fest, this year as well.

The first night will most likely stay at the original location but then Friday and Saturday night will be at Dupont.

“We’re kind of already talking about it,” Lombardi says. “Having such a higher capacity venue really opens up the door to having some really big names. It should give us a lot more wiggle room and more options to really see how big we can take it this year.”

Like the original, the Dupont location will be a 21-and-older club.

“I feel their pain,” Lombardi says of the younger lesbians without their own place to party. “I know that Apex successfully did it, but it’s just not something [Carroll] really wants to take on.”

Lombardi will be co-managing the new location with Dellerba and says she will miss the original location.

“I’ve been there for seven years,” Lombardi says. “Basically, everyone who works there is my family on some level. I like being behind the bar. It’s going to be kind of weird and different managing a club of this size.”

The Dupont location doesn’t mean she won’t be at the original Phase. Lombardi will still be found there every Thursday night and on Sundays for special events.

“Those two days back … are gonna keep me grounded,” she says.

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Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

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Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?” 

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor. 

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.” 

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real. 

BLADE: Are you curating the upcoming 2026–2027 season? 

WHITE: Yes, I am.  It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard. 

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work. 

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV. 

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique? 

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work. 

BLADE: How do you think queer audiences will receive the season? 

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.

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PHOTOS: Amsterdam Pride Canal Parade

Annual LGBTQ celebration held in Dutch city during World Pride

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A scene from the 2026 Amsterdam Pride Canal Parade. (Washington Blade photo by Michael Key)

Editor’s note: International News Editor Michael K. Lavers and Photo Editor Michael Key are on assignment in the Netherlands through Aug. 10.

AMSTERDAM — The 2026 Amsterdam Pride Canal Parade was held on Saturday, Aug. 1.

(Washington Blade photos by Michael Key and Michael K. Lavers)

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PHOTOS: Lambda Legal in the Pines

Fundraiser held at ‘Normal Heart’ house

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A scene from the 'Lambda Legal in the Pines' fundraiser on July 25. (Photo by Santiago Felipe)

The LGBTQ organization Lambda Legal held its annual “Lambda Legal in the Pines” fundraiser on Saturday, July 25. The event was held at a house on Fire Island featured in Ryan Murphy’s 2014 HBO film, “The Normal Heart.”

Organizers say over $500,000 was raised to support Lambda Legal’s national litigation and advocacy work.

(Photos by Santiago Felipe)

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