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Progress in Pennsylvania

A mini trend of change as openly gay officials emerge

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Last year's Pride parade in Philadelphia (Photo by Ulises M.)

When Philadelphia attorney Brian Sims set his sights on a seat in Pennsylvania’s storied state House last September, the odds were stacked against him: Not only would he be a political newcomer, but he also was running as an openly gay man in the same state that once elected virulently homophobic former U.S. Sen. Rick Santorum.

Seven months later, however, he won his primary race to represent the 182nd District in the state House of Representatives, part of a mini trend of recent gay-supportive political changes that have some wondering if a progressive wave isn’t starting to emerge in the Keystone State.

John Campbell (Photo courtesy Campbell)

Supporters of the idea point to Sims, who is running unopposed in the November election, as well as to 24-year-old gay Harrisburg Treasurer John Campbell, who is helping the state’s capital city cope with its much publicized bankruptcy. Meanwhile, a state LGBT Equality Caucus is active, and members of the House State Government Committee recently killed efforts to amend the constitution to ban same-sex marriage.

Campbell, a college student who hopes to use tax reform to free Harrisburg from a $300 million debt pileup, believes Sims’ election could signal more positive change to come.

“All states that have passed a marriage equality bill have previously elected an openly gay legislator,” Campbell said, adding that having an out gay man in the state House would go far to personalize the issue of LGBT rights. “It really helps our argument that we are people too.”

Sims said LGBT supporters are making their presence known in the state. He pointed to widespread support among Pennsylvanians for a measure to add LGBT-friendly language to the state human relations act.

The legislation, House Bill 300, has stalled several times in committee.

“I’ve spent years traveling the state talking about LGBT rights and one of the things I like to tell people is the state is not as conservative as people think it is,” said Sims, adding that the state’s failure to pass LGBT-inclusive hate crimes and anti-bullying measures isn’t necessarily reflective of constituent sentiment.

Brian Sims (Blade file photo by Michael Key)

Sims, former board president of Equality Pennsylvania, is poised to become the state’s first openly gay legislator. He has a background of working with attorneys, legislators and community organizations on issues ranging from gender and pay inequity to environmental regulation. And though he didn’t make LGBT issues a campaign lynchpin, he plans to continue including LGBT matters alongside corporate income tax reform and other key issues as he moves forward, he said.

He said such matters increasingly reflect the interests and spirit of the state.

“The state is progressing — we are growing stronger by the minute,” he said. “I don’t necessarily know that our current laws and political structure really do reflect how forward-thinking the people in the state are.”

Opinions of Pennsylvania’s progress are as diverse as its record supporting gay and lesbian residents. The state has historically been a maverick on some fronts, among them the establishment of a state Council for Sexual Minorities in the mid ’70s, and the recent passage of the state’s 28th local LGBT-inclusive non-discrimination ordinance.

And in Philadelphia, home to what’s considered the nation’s oldest operating gay bookstore in Giovanni’s Room, a vibrant LGBT community thrives, according to Mark Segal, who has spent 37 years chronicling the community’s ups and downs as founder of Philadelphia Gay News.

“Society is moving at a brisk pace toward equality and I think this is happening everywhere. But you also have to look at history. Philadelphia is, in many ways, the birthplace of the LGBT movement,” he said, citing the city’s 47-year history of gay Fourth of July marches as an example.

But weak spots remain. For one, those local LGBT-inclusive non-discrimination ordinances are the result of lawmakers’ failure to pass state-level legislation, and are essentially, local attempts to patch up gaps in state law.

And even as President Obama announced his support for same-sex marriage, Pennsylvania Sen. Bob Casey (D) has remained conspicuously quiet on the issue.

“[Pennsylvanians’] reputation in general is one of being pretty safely in the middle, and what that means is sometimes they’re progressive, and sometimes they’re not,” said Ted Martin, executive director of Equality Pennsylvania. “It’s a place that doesn’t want to rush out too far nor does it like to be in the end.”

The head of the state’s main LGBT advocacy group said he believes Pennsylvania is growing more progressive, just very slowly.

He pointed to recent polls showing up to 51 percent of state residents support same-sex marriage and said lawmakers he encounters no longer insist they don’t have any gays in their district.

“Are we turning a corner, are we taking some steps forward? I like to think so,” he said. “We’re certainly starting to have a conversation we never had and that’s a good thing.”

That conversation comes at a sensitive moment in regional LGBT politics. Surrounded by states passing LGBT-friendly measures, Pennsylvania has increasingly become an ideological island, a fact that could have a damaging economic impact, some say.

“Many places that already permit same-sex marriage — New York, Maryland, D.C. and others — are geographically close to Pennsylvania,” Rep. Babette Josephs told Philadelphia magazine last week. “We will be losing valuable citizens to these other states because of our backward ways; the image of Pennsylvania will continue to be tarnished.”

But turning Pennsylvania into a more progressive state presents a significant challenge. For one, the state’s political landscape remains blue at the edges, anchored by liberal Philadelphia and Pittsburgh, with a rural, conservative center.

Moreover, that center enables a powerful Republican Party that keeps the General Assembly “in a 1950s bubble,” Segal said.

But Campbell believes that makes the state better poised than most to be a national example of change.

“If a battleground state is trending toward being more open and accepting, that should lead the way for other states to do the same,” Campbell said. “It’s important to show that even Pennsylvania can do it.”

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Theater

A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’

Nonbinary actor Alyssa Keegan stars as Duke Orsino

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Alyssa Keegan (Photo courtesy Folger Theatre)

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within. 

Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.” 

Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few. 

In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting. 

WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about? 

ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all. 

BLADE: What’s your approach to the fetching, cod-piece clad nobleman?

KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness. 

So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.

Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.

BLADE: As an actor, do you ever risk taking on the feelings of your characters? 

KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character. 

So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character. 

BLADE: Has changing the way you work affected your performances?

KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way. 

BLADE: Is Orsino your first time playing a male role?

KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy. 

As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.

BLADE: Do you have a favorite part? Male or female? 

KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting. 

BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?

KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way. 

The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen.  It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

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PHOTOS: WorldPride Boat Parade

Blade’s inaugural event held at The Wharf

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The WorldPride 2025 Boat Parade (Washington Blade photo by Michael Key)

The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.

(Washington Blade photos by Michael Key)

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PHOTOS: Capital Pride Honors

Annual awards ceremony held at National Building Museum

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From left, Raven-Symoné presents Kriston Pumphrey with the Capital Pride Breaking Barriers Award at the 2025 Capital Pride Honors on Thursday, June 5. (Washington Blade photo by Michael Key)

The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.

(Washington Blade photos by Michael Key)

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