Arts & Entertainment
Zarley’s angels
Busy gay singer makes time for Trevor benefit in D.C.
Matt Zarley will be in D.C. for “Paint the Town for Trevor,” the third annual D.C. Pride fundraiser event for the Trevor Project at Town (2009 8th St., N.W.) on June 6 at 6:30 p.m.
Zarley has been involved with the Trevor Project for about six years. His cover of Pat Benetar’s 1984 hit “We Belong” was inspired by his work with the organization.
“I think [bullying] has always been a problem, we’re just more aware of it now, and I think that they’ve been instrumental in really bringing it to the forefront of the mainstream,” Zarley says of the organization. “What I was really attracted to was the work that they do and what they stand for. I just think it’s really invaluable.”
Zarley, a beefy openly gay dance/inspirational singer based in Los Angeles, has enjoyed recent fame in a series of video singles that show off his sense of humor. Last year’s “WTF” was full of cheeky humor and elaborate design work. Current single/video “Trust Me” imagines him as a U.S. presidential candidate trapped in a gay sex scandal.
His family started the Zarley Family Foundation to lend their support to causes that they, as individuals and collectively as a family, are passionate about and the foundation has previously given money to the Trevor Project.
The foundation has also given money to the Starkey Hearing Foundation, Casa Pacifica, Boys Town, the Boys & Girls Club and Broadway Cares.
Zarley sort of grew up in the show business world, debuting on Broadway in “A Chorus Line” while still a teenager. He has also appeared in “Cats,” “Kiss of the Spider Woman,” “Chicago,” “Joseph and the Amazing Technicolor Dreamcoat” and “The Who’s Tommy.”
Zarley will also be closing the Broadway Bares Beach Burlesque show with his latest single at Fire Island on Saturday. For more information, visit broadwaybares.com.
“I think its important for all of us to support one another. It’s such a niche market and I think the more we support one another and reach out … the more we’ll become a main stream commodity,” Zarley says. “I think we need to embrace each other.”
Zarley is in the midst of a busy summer. He’ll also be appearing at various Prides including San Deigo, Vegas and Reno as well as Chicago’s Market Days, an event he’s always wanted to be a part of.
Zarley has also appeared on television in Disney’s “Cinderella,” “Annie,” “Geppetto” and “Fame.” He can also be heard on the NBC’s musical “Smash.”
He has worked with artists such as Chaka Khan, Josh Groban, Reba McIntire and more. His debut album, “Debut,” was released in 2002. His sophomore album, “Here I Am” had its title track chosen as a top 20 finalist in the 2008 “American Idol” songwriter competition. His latest album, “Change Begins With Me” was released last summer.
In 2002, Zarley was the first openly gay bachelor to be named in “People Magazine’s” “Hottest Bachelors” issue.
“People always ask me, ‘Do you feel like you’re taking a risk?'” Zarley says about being an openly gay artist. “It is what it is and we are who we are.”
Tickets to “Paint the Town” range from $50 to $150 and can be purchased online at thetrevorproject.org. The Trevor Project is a national organization providing crisis intervention and suicide prevention services to LGBT youth. For more information on Zarley, visit his official website mattzarley.com.
The 2026 Capital Pride Parade was held in Washington, D.C. on Saturday, June 20.
(Washington Blade photos by Michael Key, Robert Rapanut and Landon Shackelford)

































































Theater
‘Feeling Afraid’ explores life of a neurotic stand-up comic
Navigating sex, work, and possibly love in London
‘Feeling Afraid As If Something Terrible Is Going to Happen’
Through July 12
Studio Theatre
1501 14th St., N.W.
$55-$102
Studiotheatre.org
Wordily yet rightly titled, solo show “Feeling Afraid As If Something Terrible Is Going To Happen” dives deeply into the world of a neurotic stand-up comic as he navigates sex, work, and possibly love in London.
Busy arranging hookups and dates on “The App,” the 36-year-old gay funnyman juggles a full dance card; still he’s never been in a romantic relationship. While he’s willing to give love a shot, he’s not pressed about it. As he says, he harbors no fear of dying alone.
Currently making its American premiere at Studio Theatre, this darkly humorous Edinburgh Fringe import features terrific out English actor Steven Webb as The Comedian who’s about to explore what it means to spend all his time with one man.
At Studio’s intimate Mead Theatre, Kat Heath’s minimal set says standard comedy club (fluorescent tube lighting, the mic with a long cord, a single stool backed by a rose-colored curtain), but gay playwright Marcelo Dos Santos has conjured something much more than a live comedy set.
Yes, The Comedian bounces onstage in his red Converse high tops, jeans, and pink shirt with a huge mouth emblazoned on the back, but he delivers more than jokes. At times hilariously self-deprecating, then dark, and occasionally a lesson on what makes standup work, this is a layered, well-acted piece.
With Webb (a keen caricaturist of types and voices) playing all the parts while conducting The Comedian’s hilariously frenetic interior monologue, “Feeling Afraid” takes us through a summer of love. It seems after six chaste dates with The American, our nervous hero has found Mr. Right. The American is earnest, smart, hesitant to initiate sex. He’s also well built with a beautiful smile. And strangely, he’s been medically advised not to laugh aloud.
The Comedian delights in the joys of new love: dates, first kisses, sex, and then suddenly spending all of his time with the adored. Visits to art galleries become fun. Eating home cooked meals followed by grim documentaries is a thing. The Comedian is beguiled as his own boyish figure fills out, but something isn’t right. He can’t entirely relax.
Along the way we meet the Aussie doctor, our protagonist’s longtime hookup; a young runner with some exceptional body parts; the random third in a failed threesome; grumpy working comics, male and female; and an ineffectual counselor.
Webb gives a lightning-fast performance that boggles the mind (in terms velocity and virtuosity). He can be impish, very impish. He’s nervous energy incarnate, flashing jazz hands, grimacing but handsome when still. He’s likeable, a necessity when delivering a hilariously rude joke just feet away from two stone-faced audience members. (Perhaps they were laughing on the inside? At any rate, they stayed through the end the show.)
Produced by the team behind Fringe hits “Fleabag” and “Baby Reindeer,” small stage works that were developed into major TV screen successes, “Feeling Afraid” is funny for sure, and it’s also highly confessional, sexually explicit, and raw.
Written by Dos Santos during COVID lockdown, the piece was a smash hit in the 2022 Edinburgh Fringe before finding further success in London. Its depiction of a youngish queer guy navigating the big city rings entirely true. Like so much Fringe stuff, the one-man show is delightfully lewd and standup inspired.
One little moan: the show closes cleverly but too abruptly with its star dashing offstage without sufficiently basking in the admiration and applause of his thoroughly chuffed audience.
They say third time’s a charm, and regarding “Feeling Afraid,” I’d agree. After two performance cancellations (first for laryngitis and the second involving faulty air conditioning on an especially muggy June evening), I made my third trek to Studio where I found both the actor and AC in very fine fettle. And truly, Webb’s work was more than worth the wait.
The 2026 Baltimore Pride Festival, “Pride in the Park,” was held at Druid Hill Park on Sunday, June 14.
(Washington Blade photos by Linus Berggren)
















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