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Out & About: D.C. and Baltimore

‘Normal Heart’ production opens, ‘Pariah’ screening planned and more

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Arena Stage presents ‘The Normal Heart’ running from June 8-July 29. Photo by Carol Rosegg; courtesy Arena)

Kramer classic ‘Normal Heart’ opens D.C. run

Arena Stage at the Mead Center for American Theater’s production of the 2011 Tony-awaring winning production of Larry Kramer’s “The Normal Heart,” directed by George C. Wolfe, opens today.

The cast includes original cast members Patrick Breen and Luke MacFarlane, returning in new roles, and original production understudy Jon Levenson, as well as Patricia Wettig from ABC’s “Brothers & Sisters” and “thirtysomething,” Broadway stars Tom Berklund, Michael Berresse, Christopher J. Hanke, Nick Mennell, Chris Dinolgo and John Procaccino.

“The Normal Heart” tells the story of a group of friends struggling with the mysterious disease ravaging New York’s gay community, looking at sexual politics during the AIDS crisis.

This production is an Affiliated Independent Event of AIDS 2012, the biennial International Conference, to be held in D.C. from July 22-27. To spread awareness of the ongoing fight against AIDS, Arena will be holding related events and partnering with organizations throughout the production’s run.

Sections of the AIDS Memorial Quilt will be on display in the Mead Center along with images from the HIV/AIDS relation collections of the Archives Center at the Smithsonian’s National Museum of American History. Local clinics and HIV testing providers will have HIV testing vans parked outside the Mead Center on select weekends and panel discussions with guest speakers will follow select matinees.

Arena Stage and the Washington AIDS Partnership will host a benefit performance on July 23. The evening will include a pre-performance VIP cocktail hour, intermission champagne toast and a dance party following the performance.

Tickets range from $40-$94. Tickets for the benefit performance events start at $75.

For more information and to purchase tickets, visit arenastage.org.

Wolf Trap features bounty of summer shows

Wolf Trap’s summer season is heating up with a week full of concerts.

World-renowned contemporary instrumentalist Yanni begins the week tonight at 8 p.m. The concert will include music from his previous shows as well as songs from his newest album, “Truth of Touch.” Tickets range from $30-$55.

Gavin DeGraw and Colbie Caillat come together on Saturday at 7:30 p.m. The duo has performed several duets during previous joint tours. Tickets range from $25-$40.

Wolf Trap has its 23rd annual Louisiana Swamp Romp on Sunday at 2 p.m. The concert will feature Allen Toussaint Band, Dirty Dozen Brass Band and Big Sam’s Funky Nation. Southern dishes will also be available on the plaza. Tickets are $25.

Country superstar Martina McBride comes to Wolf Trap on Wednesday with Grammy-nominated David Nail. McBride is a four-time Country Music Awards Female Vocalist of the Year and dedicated her single, “I’m Gonna Love You Through It” to cancer survivors, performing on a pink-li Empire State Building to raise breast cancer awareness. Tickets range from $35 to $48.

Bonnie Raitt plays Thursday with special guest Mavis Staples. Tickets range from $30-$48.

For more information on the concerts and to purchase tickets, visit wolftrap.org.

‘Drag Race’ alums at Town this weekend

Town (2009 8th St., N.W.) is kicking off Pride weekend with performances from the stars of “RuPaul’s Drag Race.” Sharon Needles, Phi Phi O’Hara and Dida Ritz will all be performing during the club’s drag show starting at 10:30 p.m. They will also be sticking around to sign autographs and take pictures after the show.

The club is continuing its Pride celebration with a dance party on Saturday featuring DJ Manny Lehman, the Ladies of Town and Tha Dance Camp.

The Town drag show is hosted by Lena Lett and stars Tatiana, Shi-Queeta–Lee, Epiphany B Lee, Ba’Naka and special guests.

Doors open at 9 p.m. and admission is $20. Friday night attendees must be 18 or older and Saturday night attendees must be 21 or older.

For more information and future events, visit towndc.com.

STAY ON TOP OF ALL THINGS PRIDE! DOWNLOAD THE DIGITAL PRIDE GUIDE TODAY!

‘Pariah’ screenings at Busboys & Poets

Busboys & Poets is offering a free screening of the film, “Pariah” at each of its four locations throughout the month continuing Sunday at its 14th and V streets location (2021 14th St., N.W.) at 8 p.m.

Written and directed by Dee Rees, the film follows Alike, a 17-year-old African American woman who lives with her parents and younger sister in Brooklyn, as she embraces her identity as a lesbian and wonders how much she can confide in her family.

The film stars Adepero Oduye as Alike, Kim Wayans as her mother Audry, Charles Parnell as her father Arthur, Sahra Mellesse as her sister Sharonda, Pernell Walker as her friend Laura and Aasha Davis as Bina, a potential love interest.

The other screenings will be June 17 at the Shirlington location at 7 p.m. and June 24 at the 5th and K streets location at 8 p.m.

— JULIETTE EBNER

Bock’s minimalist play is journey of self-discovery

Iron Crow Theatre Company’s “The Typographer’s Dream,” a play by Adam Bock, runs through June 16 at the Johns Hopkins University’s Swirnow Theatre (33rd St. and Charles St., Baltimore).

The play centers on a three characters: a stenographer, geographer and typographer. As the play progresses, the characters reveals how they’re defined by their jobs and the meaning and notions of their lives are called into question.

Bock is gay and has been nominated for two Outer Critics Circle Awards.

The play runs every night at 8 p.m. Regular tickets are $17 while students and seniors are $12.  For more information, go to ironcrowtheatre.com

Mount Vernon club starts Baltimore Pride celebrations

S.H.E. Productions is kicking off Baltimore Pride at Grand Central (1001 North Charles St., Baltimore) with a party event on Thursday at 9 p.m.

S.H.E. Productions is an event production company in the Baltimore area that specializes in LGBT events of various types. Its staff often performs at clubs but they also host high energy boot camps for fitness and outings/excursions.

Grand Central is surrounded by several eateries and is within walking distance of the Inner Harbor and the Walters Art Museum.

Cover is $5 at the door. For details, visit centralstationpub.com or visit sheproductionsevents.com.

Baltimore Hons commemorates ‘60s culture

HonFest, an annual festival that celebrates the historic working women of Baltimore, is this weekend on 36th Street in the Hampden neighborhood.

Started in 1994, HonFest has grown into a nationally recognized festival. Women can participate to become Baltimore’s Best Hon by sporting beehive hairdos, bright-blue eye shadow and spandex pants. Exhibitions include local musicians and artists.

The event is free but it will be $5 to park.  For more information, visit honfest.net.

Twilight on the Terrace starts Pride weekend

Twilight on the Terrace benefit cocktail party will be held at Gertrude’s Restaurant at the Baltimore Museum of Art (10 Art Museum Drive) on June 15 from 7-11 p.m.

The evening will include a silent auction including artwork, gift certificates to restaurants and shops, themed gift baskets, a Myrtle Beach vacation, an autographed photo of Doris Day and dates with local celebrities. Guests will also be able to meet Baltimore actor Vincent de Paul.

There will be hors d’oeuvres, a four-hour open bar and dancing to DJ Alex Funk.

Tickets are $100. For details, visit baltimorepride.org.

— ERIN DURKIN

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Theater

Out dancer on Alvin Ailey’s stint at Warner Theatre

10-day production marks kickoff of national tour

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Renaldo Maurice (Photo by Dario Calmese)


Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org

The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May. 

“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.

Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour. 

Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”

Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.

He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”

Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.

WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989. 

RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to  break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.  

BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.

MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body. 

That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.

BLADE: Is “Revelation” a meaningful piece for you?

MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old. 

BLADE: How can a dancer in a prestigious company also be a ballroom house father? 

MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.  

I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance. 

BLADE: Any message for queer audiences? 

MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do. 

BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?

MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great. 

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Out & About

This queer comedy show will warm you up

Catfish Comedy to feature LGBTQ lineup

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(Promotional image via Eventbrite)

Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.

Tickets are $17.85 and can be purchased on Eventbrite

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Arts & Entertainment

Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71

Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’

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(Photo courtesy of Pop TV)

Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.

O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.

In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.

In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”

Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.

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