Arts & Entertainment
Getting back out there
Don’t rush into something new but when you’re ready, be open minded


It’s tough to start dating again after an unpleasant breakup. Give yourself time and be proactive about it when you’re ready. (iStock photo)
The idea of “getting back out there” after a significant relationship ends is daunting.
For many, starting over from scratch is so frightening, it may be the last thing they want to do, despite the fact that they may have a goal of finding a life partner. Anxiety, depression and self-doubt are just a few of the harsh feelings that easily arise when considering dating again.
For others, “getting back out there” may mean throwing themselves at online dating sites or the bar scene, just to fill the void their ex-partner used to satisfy. This behavior can also lead to unwanted feelings of depression because going on multiple dates all at once can be just a Band-Aid in wanting to cover up the wounds from a break-up. Either way, adjustments can be made to ready oneself for his/her next relationship in a healthy way.
First and foremost, take time to grieve your past relationship. Rushing back to dating after a short period can only lengthen your healing process. Talking to friends and family about what was most hurtful about your breakup is a start, but truly reflecting and moving past the relationship is more easily managed if you’re proactive about your healing. Hire a relationship coach or therapist for a brief time to net out and understand why the relationship ended, how it made you feel and know what changes need to be made in seeking a mate in the future (including dating people from “a different pool,” working on your communication skills and understanding your “non-negotiables” in a future partner). There’s no specific amount of time that effectively allows people to feel ready to date again; it’s what approach you take to move on that will determine how long this will take.
Though this is hard for many, try not to jump into another relationship directly after ending your last one. If you feel ready to date, then by all means, do it. But be mindful and be sure that this person isn’t just filling space, but is rather enhancing your life and is truly a step in the right direction.
Also take time for yourself. Breakups are extremely stressful for most people, regardless of who ended the relationship. Surround yourself with things and people you love and who support you. Don’t frequent the coffee shops and neighborhood places that might remind you of your ex — try new places and meet new people. The faster you can embrace your new single self, the easier moving on will be.
After you are in a good space following the steps above, make a plan about how you see yourself dating again. Online dating is a great way to get your feet wet (again) — there are so many different people online and one can easily arrange dates soon after booting up a profile. But be sure not to make the same mistakes you may have made before.
Avoid red flags that trigger thoughts of your ex and be open to meeting lots of different types of people. For those more selective and with less free time on their hands, hire a dating coach or matchmaker and work with this person on establishing realistic dating goals and who might be the best match for you. There are dating experts all over the D.C. area — find the best one that suits your personality and lifestyle, be proactive and get out there.
Once you’ve decided you’re ready to date and your plan (e.g. online dating, matchmaker, friend set ups, new social group, etc.) is in place, there are a few key things to remember. First, be open minded. You and your ex broke up, so whereas you may want similar qualities in your future partner, don’t look endlessly for this person’s twin. Be open to different geographic locations, different ages and different backgrounds. The person you dated previously didn’t work for you, so be open to something different.
Also, don’t be hard on yourself. Analyzing why you didn’t get a call back isn’t going to get you anywhere. Dating is a numbers game, so be thoughtful of whom you decide to meet, but don’t harp on those who didn’t see you as a good fit (or vice versa). Be confident and take things slowly.
Whereas you want to evaluate the people you are meeting in the new chapter of your dating life, don’t over analyze. Working with a coach or matchmaker can help you see both sides and is likely going to be a more efficient way of meeting quality people well suited to your lifestyle.
Also remember the cardinal rule of dating — don’t discuss your ex on dates with other people. Bringing him or her into the conversation sends the message that you’re not over it and are lugging around unhealthy baggage. If you get serious with someone, those conversations will happen in time. Avoid the urge to bring them up early on in a new relationship.

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)










































The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)



















































Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.