Connect with us

Arts & Entertainment

Black and gay in D.C.

Theater festival features two playwrights tackling sexuality, AIDS on stage

Published

on

DC Black Theatre Festival
June 23-July 1
‘Moments of Truth,’ June 30
9 p.m., Navy Memorial Theater
701 Pennsylvania Ave., N.W.

‘11 x 8 ½ inches,’ June 29
9 p.m., Howard University Blackburn Center
2400 Sixth St., N.W.

Ticket prices vary.
dcblacktheatrefestival.com

A scene from ‘Moments of Truth’ (Photo courtesy D.C. Black Theatre Festival)

In the upcoming DC Black Theatre Festival, a commemoration of African-American culture and works, two playwrights seek to shine a spotlight on the black LGBT community.

Monte Wolfe and Alan Sharpe, both black D.C. playwrights, have focused their pieces on sexuality, love and dealing with the complications of HIV/AIDS. Their plays are being featured in the festival, which starts June 23 and runs through July 1 at various locations in the D.C. area.

“A problem is a lack in visibility,” says Sharpe. “Representations of black gays have been very limited, and in the past those characters were used as something to ridicule.”

Sharpe’s piece, “11 x 8 ½ inches,” is a series of short scenes that explores the lives of black gay men living in D.C. Each scene explores ideas of sex and sexuality, sometimes entering into the erotic, raunchy and romantic. The piece is being featured in the New Works Reading Series, a part of the festival that showcases new works by upcoming and established playwrights in the area.

Reginald Richards, a gay actor in Sharpe’s play, says the piece works to break stereotypes of the “typical gay man.”

“People expect us to be very flamboyant and really sexual,” he says. “It is important for people to see we come with all different personalities and different ethnic backgrounds.”

Wolfe’s play, “Moments of Truth,” is also a series of short scenes that show a variety of people dealing with the complications of HIV/AIDS and how it affects love and relationships. With a less than $1,000 budget, the minimalist style keeps the focus on the short but charged interactions between the characters.

“There is something for everybody in the show, whether you are black, white, gay or straight,” he says. “It is about connecting AIDS to sexuality and working through those problems.”

Wolfe was diagnosed with AIDS in late 2004. This helped trigger his interest in HIV/AIDS outreach, in which he created the Brave Soul Collective, a theater company, in 2006. The company focuses on plays with LGBT themes.

Sharpe has been writing plays with LGBT themes since 1992. Coincidentally, he was also diagnosed with AIDS the same year. He and Wolfe have collaborated on several works, and Wolfe is an actor in one of the scenes of Sharpe’s piece.

“Alan has always been a mentor to me,” says Wolfe. “He makes it clear to me the character I want to perform and what I want to write about in my plays.”

Sharpe says that the festival is a good opportunity to shed light on talent that might otherwise be overlooked.

“It is amazing to see artists travel from all over the country to join together for a few days,” he says. “It allows artists to reach a broader range of audience.”

Barbara Asare-Bediako, an actor in Wolfe’s piece, identifies as, “a woman who just loves a woman.”

“My ultimate goal is to make black theater and gay theater a normal thing,” she says. “I want it so we can turn on the TV and it would just be part of society.”

However she says it is still important to focus on talent coming from the African-American community, and doing HIV/AIDS outreach. Asare-Bediako has been involved with several outreach programs, including HIPS, to help prevent the spread of HIV/AIDS.

“I had a cousin who passed,” she says. “I found out months after it happened. My uncle, his father, acts like he never had a son.”

Asare-Bediako also cites the high HIV/AIDS rate in the District as an important factor to consider when selecting themes for the festival. The newly infected HIV/AIDS rate among African-American women has nearly doubled in D.C.’s poorest neighborhoods in the past two years, according to a recent Washington Post report.

Despite their focus on LGBT themes, Sharpe and Wolfe work to keep all kinds of audience members involved.

“We focus on the universal elements and not on division,” says Wolfe. “We cry, we laugh, we dream just like everybody else.”

Jared Shamberger, an actor in Wolfe’s piece who also wrote some of the scenes, says the piece includes a little bit of everything and expresses that everyone experiences powerful moments of truth.

“Even though we do primarily focus on LGBT themes, LGBT people have heterosexual friends and vice versa,” he says. “I don’t think you could present the LGBT story without including the heterosexual experience as well.”

One of his scenes is about a heterosexual couple that just had unprotected sex for the first time before they even went on a first date. They talk about where they are as a couple and about getting tested.

Shamberger agrees that including themes that deal with the HIV/AIDS rate is important.

“The HIV infection is not making headlines anymore,” he says. “People are getting infected everyday still, and I think it is something that people should be made aware of.”

Both pieces develop their themes through short scenes rather than a longer narrative arc. Wolfe says this makes the piece more powerful.

“I think it keeps people on their toes,” he says. “I don’t think I want the audience to get married to one particular character. I want them to see some bits of themselves in all the characters.”

Sharpe and Wolfe say that including LGBT themes in the theater is a great way to make people aware of the LGBT community by drawing them into characters’ lives.

“Gay people go through the same thing, they fall in love and they get heartbroken,” says Bediako. “People need to see these stories, see that gay people live normal lives, whatever normal is.”

Shamberger says it is impossible to write a play about the African-American community without including the LGBT community.

“I think if we are trying to present the landscape of black experience we have to include LGBT people as well,” he says.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Arts & Entertainment

The very few queer highlights of the Oscars

Streisand’s live performance, a shocking tie, and more

Published

on

(Photo courtesy of AMAS)

LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.

During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”

Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.

One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.

When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”

“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”

Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.

Continue Reading

Photos

PHOTOS: Awesome Con

George Takei speaks on the main stage

Published

on

George Takei was among the featured guests at Awesome Con on March 14. (Washington Blade photos by Michael Key)

The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.

(Washington Blade photos by Michael Key)

Continue Reading

Theater

A season of renewal for D.C. theater

‘Streetcar,’ ‘Hamnet,’ ‘Hamlet,’ and many more

Published

on

Ismenia Mendes plays Ana in ‘Jonah’ at Studio Theatre. (Photo by Krystena Patton)

Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen. 

At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon). 

Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan.  Arenastage.org 

La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram 

Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org

Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu 

As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org 

In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org 

The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com 

At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org 

At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.

Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play.  Jason Loewith directs. 

Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org 

British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.

And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org 

Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.

Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net

Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org 

In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org 

Exciting stuff ahead. 

Continue Reading

Popular